XIV

At dinner-time she entered the dining-room, and was very quiet and

affectionate; but she still complained of being weary. Yet there was no

agitation about her, nor any of her former constant surprise and secret

fear; and when, on the day after Muzio's departure, Fabio again set

about her portrait, he found in her features that pure expression, the

temporary eclipse of which had so disturbed him ... and his brush flew

lightly and confidently over the canvas.

Husband and wife began to live their life as of yore. Muzio had vanished

for them as though he had never existed. And both Fabio and Valeria

seemed to have entered into a compact not to recall him by a single

sound, not to inquire about his further fate; and it remained a mystery

for all others as well. Muzio really did vanish, as though he had sunk

through the earth. One day Fabio thought himself bound to relate to

Valeria precisely what had occurred on that fateful night ... but she,

probably divining his intention, held her breath, and her eyes narrowed

as though she were anticipating a blow.... And Fabio understood her: he

did not deal her that blow.

One fine autumnal day Fabio was putting the finishing touches to the

picture of his Cecilia; Valeria was sitting at the organ, and her

fingers were wandering over the keys.... Suddenly, contrary to her own

volition, from beneath her fingers rang out that Song of Love Triumphant

which Muzio had once played,--and at that same instant, for the first

time since her marriage, she felt within her the palpitation of a new,

germinating life.... Valeria started and stopped short....

What was the meaning of this? Could it be....

With this word the manuscript came to an end.

A Reckless Character, and Other Stories · 第 50 / 152 题