The Bittern, the English provincial names of which are the Mire-drum,

Bull of the Bog, &c., is so called for the bellowing or drumming noise

or booming for which the bird is so famous. This deep note of the

"hollow-sounding Bittern" is exerted on the ground at the breeding

season, about February or March. As the day declines he leaves his

haunt, and, rising spirally, soars to a great height in the twilight.

Willughby says that it performs this last-mentioned feat in the autumn,

"making a singular kind of noise, nothing like to lowing." Bewick

says that it soars as above described when it changes its haunts.

Ordinarily it flies heavily, like the Heron, uttering from time to time

a resounding cry, not bellowing; and then Willughby, who well describes

the bellowing noise of the breeding season, supposes it to be the Night

Raven, at whose "deadly voice" the superstitious wayfarer of the night

turned pale and trembled. "This, without doubt," writes Willughby, "is

that bird our common people call the Night Raven, and have such a dread

of, imagining its cry portends no less than their death or the death of

some of their near relations; for it flies in the night, answers their

description of being like a flagging collar, and hath such a kind of

hooping cry as they talk of." Others, with some reason, consider the

Qua Bird already mentioned (which utters a loud and most disagreeable

noise when on the wing, conveying the idea of the agonies of a person

attempting to vomit) to be the true Night Raven. The Bittern was well

known to the ancients, and Aristotle mentions the fable of its origin

from staves metamorphosed into birds. The long claw of the hind toe is

much prized as a toothpick, and in the olden times it was thought to

have the property of preserving the teeth.

The Greater-billed Butcher Bird, from New Holland, has extraordinary

powers of voice: it is trained for catching small birds, and it is said

to imitate the notes of some other birds by way of decoying them to

their destruction.

The mere imitative sounds of Parrots are of little interest compared

with the instances of instinct, apparently allied to reason, which are

related of individuals. Of this tribe the distinguishing characteristics

are a hooked bill, the upper mandible of which is moveable as well as

the lower, and not in one piece with the skull, as in most other birds,

but joined to the head by a strong membrane, with which the bird lifts

it or lets it fall at pleasure. The bill is also round on the outside

and hollow within, and has, in some degree, the capacity of a mouth,

allowing the tongue, which is thick and fleshy, to play freely; while

the sound, striking against the circular border of the lower mandible,

reflects it like a palate: hence the animal does not utter a whistling

sound, but a full articulation. The tongue, which modulates all sounds,

is proportionally larger than in man.

The Wild Swan has a very loud call, and utters a melancholy cry when one

of the flock is killed; hence it was said by the poets to sing its own

dying dirge. Such was the popular belief in olden times; and, looking to

the anatomical characteristics of the species, it was, in some degree,

supported by the more inflated wind-pipe of the wild when compared

with that of the tame species. The _Song of the Swan_ is, however,

irreconcileable with sober belief, the only noise of the Wild Swan of

our times being unmelodious, and an unpleasing monotony.

The Laughing Goose is named from its note having some resemblance to the

laugh of man; and not, as Wilson supposes, from the grinning appearance

of its mandibles. The Indians imitate its cry by moving the hand quickly

against the lips, whilst they repeat the syllable _wah_.

The Cuckoo may be said to have done much for musical science, because

from that bird has been derived the _minor scale_, the origin of which

has puzzled so many; the Cuckoo's couplet being the _minor third_ sung

downwards.

The Germans are the finest appreciators of the Nightingale; and it is a

fact, that when the Prussian authorities, under pecuniary pressure, were

about to cut down certain trees near Cologne, which were frequented by

Nightingales, the alarmed citizens purchased the trees in order to save

the birds and keep their music. Yet one would think the music hardly

worth having, if it really sounded as it looks upon paper, transcribed

thus by Bechstein, from whom it is quoted by Broderip:--

Zozozozozozozozozozozozo zirrhading

Hezezezezezezezezezezezezezezeze cowar ho dze hoi

Higaigaigaigaigaigaigaigaigaigai, guaiagai coricor dzio dzio pi.[13]

M. Wichterich, of Bonn, remarks:--"It is a vulgar error to suppose that

the song of the Nightingale is melancholy, and that it only sings by

night. There are two varieties of the Nightingale; one which sings both

in the night and the day, and one which sings in the day only."

In the year 1858, Mr. Leigh Sotheby, in a letter to Dr. Gray, of the

British Museum, described a marvellous little specimen of the feathered

tribe--a Talking Canary. Its parents had previously and successfully

reared many young ones, but three years before they hatched only _one_

out of four eggs, the which they immediately neglected, by commencing

the rebuilding of a nest on the top of it. Upon this discovery, the

unfledged and forsaken bird, all but dead, was taken away and placed in

flannel by the fire, when, after much attention, it was restored, and

then brought up by hand. Thus treated, and away from all other birds, it

became familiarised only with those who fed it; consequently, its first

singing notes were of a character totally different to those usual with

the Canary.

Constantly being talked to, the bird, when about three months old,

astonished its mistress by repeating the endearing terms used in talking

to it, such as "Kissie, kissie," with its significant sounds. This

went on, and from time to time the little bird repeated other words;

and then, for hours together, except during the moulting season, it

astonished by _ringing the changes_, according to its own fancy, and as

plainly as any human voice could articulate them, on the several words,

"Dear sweet Titchie" (its name), "kiss Minnie," "Kiss me, then, dear

Minnie." "Sweet pretty little Titchie," "Kissie, kissie, kissie." "Dear

Titchie," "Titchie wee, gee, gee, gee, Titchie. Titchie."

The usual singing-notes of the bird were more of the character of the

Nightingale, mingled occasionally with the sound of the dog-whistle used

about the house. It is hardly necessary to add, that the bird was by

nature remarkably tame.

In 1839, a Canary-bird, capable of distinct articulation, was exhibited

in Regent-street. The following were some of its sentences:--"Sweet

pretty dear," "Sweet pretty dear Dicky," "Mary," "Sweet pretty little

Dicky dear;" and often in the course of the day, "Sweet pretty Queen."

The bird also imitated the jarring of a wire, the ringing of a bell; it

was three years old, and was reared by a lady who never allowed it to

be in the company of other birds. This Canary died in October, 1839; it

was, it is believed, the only other talking instance publicly known.

We read of some experiments made in the rearing of birds at Kendal

by a bird-fancier, the result of which was, that upwards of 20

birds--Canaries. Greenfinches, Linnets, Chaffinches, Titlarks,

and Whitethroats--were reared in one cage by a pair of Canaries.

The experiments were continued until the extraordinary number of

thirty-eight birds had been brought up within two months by the

Canaries. It may be worth while to enumerate them.

In the month of June the Canaries--the male green, and the female

piebald--were caged for the purpose of breeding. The female laid five

eggs, and while she was sitting a Greenfinch egg was introduced into

the nest. All of these were hatched, and the day after incubation was

completed five Grey Linnets, also newly hatched, were put into the cage,

in their own nest. Next day a newly-hatched nest of four Chaffinches was

also introduced; and afterwards five different nests, consisting of six

Titlarks, six Whitethroats, three Skylarks, three Winchars, and three

Blackcaps. While rearing the last of these nests, the female Canary

again laid and hatched four eggs, thus making thirty-eight young birds

brought up by the pair of Canaries. It will be noticed that most of

these birds are soft-billed, whose natural food is small insects; but

they took quite kindly to the seeds upon which they were fed by their

step-parents. The pair of Canaries fed at one time twenty-one young

birds, and never had less than sixteen making demands upon their care;

and while the female was hatching her second nest she continued to feed

the birds that occupied the other nest.

Of the origin of the _neighing sound_ which accompanies the single

Snipe's play-flight during pairing-time, opinions are various. Bechstein

thought it was produced by means of the beak; Naumann and others, again,

that it originated in powerful strokes of the wing. Pratt, in Hanover,

observing that the bird makes heard its well-known song or cry, which he

expresses with the words, "gick jack, gick jack!" at the same time with

the _neighing sound_, it seemed to be settled that the latter is not

produced through the throat. In the meantime, M. Meves, of Stockholm,

remarked with surprise, that the humming sound could never be observed

whilst the bird was flying upwards, at which time the tail is closed;

but only when it was casting itself downwards in a slanting direction,

with the tail strongly spread out.

M. Meves has written for the Zoological Society a paper upon the origin

of this sound, which all the field-naturalists and sportsmen of England

and other countries had, for the previous century, been trying to make

out, but had failed to discover. Of this paper the following is an

abstract:--

The peculiar form of the tail-feathers in some foreign

species nearly allied to our Snipe encouraged the notion that the

tail conduced to the production of the sound. M. Meves found the

tail-feathers of our common Snipe, in the first feather especially,

very peculiarly constructed; the shaft uncommonly stiff and

sabre-shaped; the rays of the web strongly bound together and very

long, the longest reaching nearly three-fourths of the whole length

of the web, these rays lying along or spanning from end to end of

the curve of the shaft, _like the strings of a musical instrument_.

If you blow from the outer side upon the broad web, it comes into

vibration, and a sound is heard, which, though fainter, resembles

very closely the well-known _neighing_.

But to convince yourself fully that it is the first feather

which produces the peculiar sound, it is only necessary carefully

to pluck out such an one, to fasten its shaft with fine thread to

a piece of steel wire a tenth of an inch in diameter, and a foot

long, and then to fix this at the end of a four-foot stick. If

now you draw the feather, with this outer side forward, sharply

through the air, at the same time making some short movements or

shakings of the arm, so as to represent the shivering motion of the

wings during flight, you produce the neighing sound with the most

astonishing exactness.

If you wish to hear the humming of both feathers at once, as

must be the case from the flying bird, this also can be managed by

a simple contrivance. Take a small stick, and fasten at the side of

the smaller end a piece of burnt steel wire in the form of a fork;

bind to each point a side tail-feather; bend the wire so that the

feathers receive the same direction which they do in the spreading

of the tail as the bird sinks itself in flight; and then, with this

apparatus, draw the feathers through the air as before. Such a

sound, but in another tone, is produced when we experiment with the

tail-feathers of other kinds of Snipe.

Since in both sexes these feathers have the same form, it is

clear that both can produce the same humming noise; but as the

feathers of the hen are generally less than those of the cock-bird,

the noise made by them is not so deep as in the other case.

Besides the significance which these tail-feathers have as a

kind of musical instrument, their form may give a weighty character

in the determination of a species standing very near one another,

which have been looked upon as varieties.

This interesting discovery was first announced by M. Meves in an account

of the birds observed by himself during a visit to the Island of

Gottland, in the summer of the year 1856, which narrative was published

at Stockholm in the following winter. In the succeeding summer, M. Meves

showed his experiments to Mr. Wolley, whose services to Ornithology

we have already noticed. The mysterious noise of the wilderness was

reproduced in a little room in the middle of Stockholm: first, the deep

bleat, now shown to proceed from the male Snipe, and then the fainter

bleat of the female, both most strikingly true to nature, neither

producible with any other feathers than the outer ones of the tail.

Mr. Wolley inquired of Mr. Meves how, issuing forth from the town on

a summer ramble, he came to discover what had puzzled the wits and

strained the eyes of so many observers. He freely explained how, in a

number of "Naumannia," an accidental misprint of the word representing

tail-feathers instead of wing-feathers,--a mistake which another author

ridiculed--first led him to think on the subject. He subsequently

examined in the Museum at Stockholm the tail-feathers of various species

of Snipe, remarked their structure, and reasoned upon it. Then he

blew upon them, and fixed them on levers that he might wave them with

greater force through the air; and at the same time he made more careful

observation than he had hitherto done in the living birds. In short,

in him the obscure hint was thrown upon fruitful ground, whilst in a

hundred other minds it had failed to come to light.

Dr. Walsh saw at Constantinople a Woodpecker, about the size of a

Thrush, which was very active in devouring flies, and tapped woodwork

with his bill with a noise _as loud as that of a hammer_, to disturb the

insects concealed therein, so as to seize upon them when they appeared.

Among remarkable bird services should not be forgotten those of the

Trochilos to the Crocodile. "When the Crocodile," says Herodotus, "feeds

in the Nile, the inside of his mouth is always covered with _bdella_

(a term which the translators have rendered by that of _leech_). All

birds, _except one_, fly from the Crocodile; but this one bird, the

_Trochilos_, on the contrary, flies towards him with the greatest

eagerness, and renders him a very great service; for every time that the

Crocodile comes to the land to sleep, and when he lies stretched out

with his jaws open, the Trochilos enters and establishes himself in his

mouth, and frees him from the bdella which he finds there. The Crocodile

is grateful, and never does any harm to the little bird who performs for

him this office."

This passage was long looked upon as a pleasant story, and nothing more;

until M. Geoffroy St. Hilaire, during his long residence in Egypt,

ascertained the story of Herodotus to be correct in substance, but

inexact in details. It is perfectly true that a little bird does exist,

which flies incessantly from place to place, searching everywhere, even

in the Crocodile's mouth, for the insects which form the principal

part of its nourishment. This bird is seen everywhere on the banks of

the Nile, and M. Geoffroy has proved it to be of a species already

described by Hasselquist, and very like the small winged Plover. If

the Trochilos be in reality the little Plover, the bdella cannot be

leeches, (which do not exist in the running waters of the Nile) but the

small insects known as _gnats_ in Europe. Myriads of these insects dance

upon the Nile: they attack the Crocodile upon the inner surface of his

palate, and sting the orifice of the glands, which are numerous in the

Crocodile's mouth. Then the little Plover, who follows him everywhere,

delivers him from these troublesome enemies; and that without any danger

to himself, for the Crocodile is always careful, when he is going to

shut his mouth, to make some motion which warns the little bird to fly

away. At St. Domingo there is a Crocodile which very nearly resembles

that of Egypt. This Crocodile is attacked by gnats, from which he would

have no means of delivering himself (his tongue, like that of the

Crocodile, being fixed) if a bird of a particular species did not give

him the same assistance that the Crocodile of the Nile receives from

the little Plover. These facts explain the passage in Herodotus, and

demonstrate that the animal, there called bdella, is not a leech, but a

flying insect similar to our gnat.

Exemplifications of instinct, intelligence, and reason in Birds are by

no means rare, but this distinction must be made: instinctive actions

are dependent on the nerves, intelligence on the brain; but that which

constitutes peculiar qualities of the mind in man has no material

organ. The Rev. Mr. Statham has referred to the theory of the facial

angle as indicative of the amount of sagacity observable in the animal

race, but has expressed his opinion that the theory is utterly at

fault in the case of Birds; many of these having a very acute facial

angle being considerably more intelligent than others having scarcely

any facial angle at all. Size also seems to present another anomaly

between the two races of Beasts and Birds; for while the Elephant and

the Horse are among the most distinguished of quadrupeds for sagacity

and instinct, the larger Birds seem scarcely comparable to the smaller

ones in the possession of these attributes. The writer instances this

by comparing the Ostrich and the Goose with the Wren, the Robin, the

Canary, the Pigeon, and the Crow; and amusingly alludes to the holding

of parliaments or convocations of birds of the last species, while the

Ostrich is characterised in Scripture as the type of folly.

The author then refers to the poisoning of two young Blackbirds by the

parent birds, when they found that they could neither liberate them

nor permanently share their captivity. The two fledglings had been

taken from a Blackbirds' nest in Surrey-square, and had been placed in

a room looking over a garden, in a wicker cage. For some time the old

birds attended to their wants, visited them regularly, and fed them

with appropriate food; but, at last, getting wearied of the task, or

despairing of effecting their liberation, they appear to have poisoned

them. They were both found suddenly dead one morning, shortly after

having been seen in good health; and on opening their bodies a small

leaf, supposed to be that of _Solanum Nigrum_, was found in the stomach

of each. The old birds immediately deserted the spot, as though aware of

the nefarious deed befitting their name.

As an exemplification of instinct Dr. Horner states that Rooks built

on the Infirmary trees at Hull, but never over the street. One year,

however, a young couple ventured to build here: for eight mornings in

succession the old Rooks proceeded to destroy the nest, when at last the

young ones chose a more fitting place.

Mr. A. Strickland, having referred to the tendency of birds to build

their nests of materials of a colour resembling that around such nests,

relates an instance in which the Fly-catcher built in a red brick wall,

and used for the nest mahogany shavings. Referring to the meeting of

Rooks for judicial purposes. Mr. Strickland states that he once saw a

Rook tried in this way, and ultimately killed by the rest.

SONGS OF BIRDS AND SEASONS OF THE DAY.

Although nearly half a century has elapsed since the following

observations were communicated to the Royal Society by Dr. Jenner, their

expressive character is as charming as ever, and their accuracy as

valuable:--

"There is a beautiful propriety in the order in which Singing

Birds fill up the day with their pleasing harmony. The accordance

between their songs, and the aspect of nature at the successive

periods of the day at which they sing, is so remarkable that one

cannot but suppose it to be the result of benevolent design.

"From the _Robin_ (not the _Lark_, as has been generally

imagined), as soon as twilight has drawn its imperceptible line

between night and day, begins his artless song. How sweetly does

this harmonize with the soft dawning of the day! He goes on till

the twinkling sunbeams begin to tell him that his notes no longer

accord with the rising sun. Up starts the _Lark_, and with him a

variety of sprightly songsters, whose lively notes are in perfect

correspondence with the gaiety of the morning. The general warbling

continues, with now and then an interruption by the transient croak

of the _Raven_, the scream of the _Jay_, or the pert chattering of

the _Daw_. The _Nightingale_, unwearied by the vocal exertions of

the night, joins his inferiors in sound in the general harmony. The

_Thrush_ is wisely placed on the summit of some lofty tree, that

its piercing notes may be softened by distance before it reaches

the ear, while the mellow _Blackbird_ seeks the lower branches.

"Should the sun, having been eclipsed by a cloud, shine forth

with fresh effulgence, how frequently we see the _Goldfinch_ perch

on some blossomed bough, and hear his song poured forth in a strain

peculiarly energetic; while the sun, full shining on his beautiful

plumes, displays his golden wings and crimson crest to charming

advantage. Indeed, a burst of sunshine in a cloudy day, or after a

heavy shower, seems always to wake up a new gladness in the little

musicians, and invite them to an answering burst of minstrelsy.

"As evening advances, the performers gradually retire, and the

concert softly dies away. At sunset the _Robin_ again sends up his

twilight song, till the still more serene hour of night sends him

to his bower of rest. And now, in unison with the darkened earth

and sky, no sooner is the voice of the _Robin_ hushed, than the

_Owl_ sends forth his slow and solemn tones, well adapted to the

serious hour."

FOOTNOTES:

[12] The popular name of this bird is the _Umbrella Bird_. On its head

it bears a crest, different from that of any other bird. It is formed

of feathers more than two inches long, very thickly set, and with hairy

plumes curving over at the end. These can be laid back so as to be

hardly visible, or can be erected and spread out on every side, forming

a dome completely covering the head, and even reaching beyond the point

of the beak; the individual feathers then stand out something like the

down-bearing seeds of the dandelion. Besides this, there is another

ornamental appendage on the breast, formed by a fleshy tubercle, as

thick as a quill and an inch and a-half long, which hangs down from

the neck, and is thickly covered with glossy feathers, forming a large

pendent plume or tassel. This, also, the bird can either press to its

breast, so as to be scarcely visible, or can swell out so as almost to

conceal the forepart of its body.

[13] "Athenæum," No. 1467.

OWLS.

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