Memorial Crosses.
The sign of our salvation having come to fill so large a place in
Christian art, it would naturally be expected that in memorials in any way
connected with religious feelings it would be employed, and above all in
the monuments of the dead laid to rest in hope of a joyous resurrection
through the victory of the Cross. As a matter of fact, our earliest
Christian cross-forms are the disguised crosses of the catacombs, and in
spite of every outbreak of bigotry against other uses of the symbol, it
has never been entirely abandoned for such purposes. Preaching crosses and
market crosses might fall into ruin, and roods and crucifixes be wantonly
destroyed, but the Cross, carved in stone or cut on stone above the grave,
is found in all ages, though not so frequently in England in the
seventeenth and eighteenth centuries as before or since.
The first cross said to have been raised in the Kingdom of Northumbria,
was that wooden one which S. Oswald, the King and Martyr, planted with his
own hands on the eve of the battle of Hevenfelth in 635. This, originally
a sign of the cause for which Oswald sought to reclaim his realm, became a
memorial of the Christian victory, and was still preserved as such in the
time of the Venerable Bede, who tells us that "the place is shown to this
day, and held in great veneration."
Another memorial of battle was the famous Neville's Cross, near Durham,
erected to mark the spot where Ralph Neville, in October, 1346, defeated
the Scottish invaders. This, according to ancient accounts, was a
singularly dignified structure, with a crucifixion beneath a stone canopy
at the top, and a series of figures at the base, the whole being raised on
half-a-dozen steps.
The greater number of our memorial crosses, however, preserve the memory,
as was above indicated, of persons rather than of events; and amongst the
earliest of these is a very ancient example of the so-called runic type in
the Parish Church of Leeds. It is curiously wrought with human figures,
difficult now to name with any certainty, and with several fine specimens
of the varied and intricate scrolls so popular with the early
stone-carvers of the north. It is supposed to be a monument to Onlaf
Godfreyson, who died about 941.
Travellers in the Alps will be familiar with the memorials, pathetic in
their simplicity, of those mountaineers and wayfarers who have met sudden
destruction beneath the overwhelming avalanche; ever and anon the rustic
cross of wood is met with, marked with the initials of the dead and with
the letters "P. I.," or perhaps the words in full, _Perit ici_. Spain,
too, has her wooden crosses scattered along her most lonely roads and
hillsides, or by the forest pathway; memorials, these, however, of more
sombre tragedies, telling where the brigand or the highwayman struck down
his victim.
The great type of the permanent memorial cross amongst us in England has
been supplied by the devotion of Edward I. to his Queen Eleanor, and any
land might well have been proud of the splendid series of crosses which
he raised to her memory.
[Illustration: NORTHAMPTON CROSS.]
Queen Eleanor died at Hardeby, in Nottinghamshire, on November 28th, 1291,
her husband being at the time in the north, entering upon a Scottish
campaign. The body was embalmed; and as the solemn procession, which the
King joined ere its start, made its slow way to Westminster, a spot was
chosen at each halting place, on which a monument was to be raised. The
total number of these is not quite certain, but the following is probably
a complete list of them, namely:--Lincoln (where those parts of the body
removed in the embalming were buried in the Minster), Grantham, Stamford,
Geddington, Northampton, Stony-Stratford, Woburn, Dunstable, S. Alban's,
Waltham, West Cheap, and Charing. All have now disappeared except those at
Geddington, Northampton, and Waltham; and these three survivors,
singularly enough, illustrate three distinct styles of construction, the
ground plan of the first being a triangle, of the second an octagon, and
of the last a hexagon.
With so many crosses varying so largely in design it is probable that
there were several architects, but not many names have come down to us;
John de la Battaile is said to have designed the one at Northampton, and
Pietro Cavallini the Waltham one, Alexander of Abingdon, and William de
Ireland executing the work. All the existing crosses have several statutes
of the Queen, so that we may conclude that this was a feature common to
the whole series; and all were adorned with the arms of England, Castile,
and Ponthieu. The design in each case is beautiful, and the detailed
carving, whether in the diapering of the surface, or its enrichment with
flowers, crockets, and other architectural features, both elaborate and
exquisite. Charing Cross, the cross of "the beloved Queen" (cher reine),
the last of the series, more nearly approached the Northampton Cross than
either of the other two which remain, but its plan was hexagonal. Not a
trace or a description of the original condition of most of the other
crosses has been handed down to us.
Geddington Cross is in a singularly perfect state, wanting only its upper
member with the actual cross. That at Northampton is similarly truncated.
In the reign of Queen Anne a new cross, quite out of keeping with the rest
of the design was placed upon the latter by the local justices of the
places, who also adorned its faces with sundials; these have happily been
again removed. Waltham Cross, which had become seriously decayed, was
restored early in the present century, and again more carefully and
satisfactorily in 1887 as a memorial of the jubilee of the reign of Queen
Victoria.
[Illustration: GEDDINGTON CROSS.]
The Cheapside Cross was renewed in 1486 by the citizens of London, and
again in 1600. In the excitement of the religious ferment of the following
century it was a great sufferer, all the images on it being broken in
1581, and again, "with profane indignity" in 1596. Its final destruction
took place in 1643 under an order of the Long Parliament, which decreed
the demolition of all crosses. Both this and, it would appear, the earlier
attacks upon it, were the work of a fanatical minority merely, which could
command but little popular sympathy, for Sir Robert Harlow, who had charge
of the work of destruction, brought with him to the city a troop of horse
and two companies of foot to protect the workmen from the rage of the
citizens. The Cross at Charing was probably removed at the same time. Of
the fate of the others we have no record; some perhaps crumbled with
decay, and were neglected, others doubtless met a fate similar to that of
their London sisters.
[Illustration: PURITANS DESTROYING CHEAPSIDE CROSS.]
The Waltham Cross has proved the most suggestive to architects of
subsequent times; amongst other instances the Crimean Cross, near
Westminster Abbey, has been formed on its design. Sir G. Gilbert Scott
drew inspiration from the Northampton Cross for the erection of the
Martyrs' Memorial at Oxford; and near Sheffield is one which perhaps
follows, though at an immense distance, the type at Geddington. This is
the memorial to the four hundred victims, of the terrible epidemic of
cholera which visited Sheffield in 1832. This cross, the foundation-stone
of which was laid by James Montgomery, the poet, is chiefly interesting as
one of the earliest instances of the reviving taste and feeling for this
specially appropriate form of monument. Another Memorial Cross, whose
noble size and dignified proportions, when compared with the one last
named, give ample evidence of the artistic growth which has accompanied
this growth of feeling, is the S. Andrew's Cross, at Plymouth.
Two crosses of a different type to the Eleanor crosses are those at Newark
and at Wedmore. The first, which consists of a tall shaft on a flight of
bold, hexagonal steps, was erected by the Duchess of Norfolk, as a
memorial of her husband, John Viscount Beaumont, who fell at the battle of
Towton Moor in 1461. The present head of the cross is modern. The Wedmore
Cross, sometimes called "Jeffrey's Cross," commemorates the unfortunate
country-folk of Somersetshire, who fell in Monmouth's rebellion, or were
butchered by the brutal Jeffreys afterwards.
[Illustration: CROSSES AT SANDBACH, CHESHIRE.]
Probably, could we but decipher the allusions intended by their
sculptures, we should find that most of our ancient carved crosses were
originally memorials. Almost certainly the two shafts at Sandbach, in
Cheshire, are such. These, which are amongst the most valuable relics of
early art in this country, dating probably from the eighth, or even from
the seventh century, were broken into many pieces and scattered over the
district as doorsteps, gate-posts, and what not, until collected and most
carefully restored by Colonel Forde, the lord of the Manor. The larger of
these two columns, each of which has lost its cruciform head, is
covered with sculptures of sacred subjects taken from the New Testament;
we have the annunciation of S. Elizabeth, and of the Blessed Virgin Mary,
the trial and crucifixion of our Lord, the apocalyptic emblems of the four
evangelists, and other sacred scenes and persons. The carvings on the
smaller cross are of a secular character, and are supposed to represent
events connected with the marriage of Peda, King of Mercia, to Alchfleda,
daughter of Oswy, King of Northumbria, and his baptism, on which as a
condition that marriage depended; most of the work is now inexplicable,
referring to scenes of which all other records are lost. The stones of
which these columns are composed are of the hardest and most durable sort,
and a perfect enthusiasm of destruction must have been required to tear
them down and break them.
[Illustration: IONA CROSS.]
The Scottish island, the famous home of S. Columba, has several
note-worthy examples. They are of the so-called runic design, covered for
the most part with very elegant carvings, and form the most interesting
series of relics left to us in that cradle of northern Christianity. None
of them date back so far as the days of the great Abbot, whose name is so
interwoven with the history of Iona, yet they are very ancient and
characteristic. Gathered about Reilig Odhrain, the burial-place of the
isle, they bear eloquent testimony to the sanctity of the spot, to which
kings and chieftains were brought for sepulchre even from far off Norway.
One of these, and perhaps the most familiar, stands on three roughly-hewn
steps overlooking the sea; its ornamentation consisting of a series of
circles. Abbot Mackinnon's Cross is now headless; the shaft is covered
with a scroll beautifully designed of conventional leaves, and bears an
inscription, recording the date of its erection, 1489. S. Martin's Cross
is near the ruined cathedral, and is also carved in graceful scrolls in
which the figures of snakes and other creatures are introduced.
Monasterboice, or the Monastery of Boethius, a bishop who died in 521,
situated in county Louth, has a number of crosses, several of which are in
excellent preservation. The Great Cross, as it is called, stands
twenty-two feet in height, and is on the south side of the church. A
second example, which is also near the church, has been described as
"the most beautiful specimen of Celtic stone-work now in existence," this
is the Cross of Muiredach. It is covered with carvings of scriptural
scenes, and bears on the front the inscription (in Erse), "Pray for
Muiredach, by whom this Cross was made." The venerable builder was Abbot
of Armagh, and died in 923 or 924. Drumcliff, near Sligo, and many other
places in Ireland also possess most interesting crosses.
[Illustration: THE CROWLE STONE.]
A curiously carved shaft in the church of S. Oswald at Crowle, in North
Lincolnshire, has been supposed by many to be the shaft of a very ancient
cross, and if so, must almost certainly be included amongst those raised
as memorials. It is covered on one side with an involved chain pattern
roughly suggesting a snake swallowing its tail, and on the other are some
human and animal figures, the meaning of which has never been
satisfactorily explained. What makes the shaft especially interesting is
the presence of the fragment of a runic inscription. The wall into which
the Crowle stone is built was part of the eleventh century church of the
place, and this ancient memorial to some long-forgotten hero was obviously
taken from some neighbouring spot and converted into a lintel for the west
door by the Norman builders.[3]
Another memorial cross of quite a different type is the Hall Cross of
Doncaster. It was erected by, or in memory of, Oti, or Otho di Tilli,
steward of Conisborough for the Earl of Warren, under Stephen and Henry
II. It would have been destroyed by the troopers of the Earl of Manchester
in the Civil War, but for the action of the mayor, who succeeded in
preserving it; but in 1792 it was taken down on making some alterations in
the level of the road, and another cross of the same character was put up
in the following year on Hall Cross Hill. It consists of a centre circular
column, with four others much smaller placed about it, each of the five
originally terminating in a cross. Its memorial character is preserved by
the old Norman-French inscription, which it still bears, "Icest est la
cruice Ote di Tilli a ki alme Deu en face merci. Amn." It served a more
gruesome purpose in the seventeenth century, being the spot chosen for the
exposition of the heads of decapitated traitors.
Among the simple crosses planted in such profusion over and around
Dartmoor are one or two interesting memorials. Roman's Cross, at Leemoor,
a plain Latin cross nearly six feet in height, standing on a circular
base, is claimed by a local tradition as marking a spot whereon the
Apostle S. Paul once preached. On Fox Tor stood, till about 1812, a cross
raised on a very solid square sub-structure in three tiers, known as
Childe's Tomb. Here, according to the story, Childe, a hunter of ages long
gone by, met his death from cold one stormy winter's night. The whole
memorial was wantonly destroyed by some labourers early in this century,
but it has recently been re-built and surmounted by a new cross. Bra Tor
boasts a modern addition to the Dartmoor Crosses, one having been erected
there in memory of her Majesty's Jubilee, and another, of a style more
lofty and ornate than is characteristic of the locality, has been erected
at Plympton S. Mary in memory of the Rev. Merton Smith, a late vicar, who
perished in the Pyrenees in 1883.
Travelling yet further west, in Cornwall, one ancient cross at least is
found which was intended as a memorial of the now forgotten dead. In the
market place of Penzance, which can hardly, under the circumstances, be
its original site, is a cross some five feet high, on which, at its
removal in 1829, from the centre to the side of the square, were found
near the base the words, "Hic procumbunt corpora piorum."
Thus scattered up and down the land, from far Iona to the Cassiterides, is
found the simple but expressive emblem of the Christian faith, bearing its
silent testimony to the belief and hope of all the ages, that through the
Cross the holy dead all sleep in peace to rise in joy.