Here is another portrait of a portrait and its painter:--

Princess Potemkin is a Russian, but she has all the grace,

softness, winning manner of the Polish ladies. Oval face, pale,

with the finest, softest, most expressive chestnut dark eyes. She

has a sort of politeness which pleases peculiarly, a mixture of

the ease of high rank and early habit with something that is

sentimental without affectation. Madame le Brun is painting her

picture. Madame le Brun is sixty-six, with great vivacity as well

as genius, and better worth seeing than her pictures, for though

they are speaking she speaks.

Another visit the sisters paid, which will interest the readers of

Madame de la Rochejaquelin's memoirs of the war in the Vendée:--

In a small bedroom, well furnished, with a fire just lighted, we found

Madame de la Rochejaquelin on the sofa; her two daughters at work, one

spinning with a distaff, the other embroidering muslin. Madame is a fat

woman with a broad, round, fair face and a most benevolent expression,

her hair cut short and perfectly grey as seen under her cap; the rest of

the face much too young for such grey locks; and though her face and

bundled form all squashed on to a sofa did not at first promise much of

gentility, you could not hear her speak or hear her for three minutes

without perceiving that she was well-born and well-bred.

Madame de la Rochejaquelin seems to have confided in Miss Edgeworth.

'I am always sorry when any stranger sees me, _parce que je sais

que je détruis toute illusion. Je sais que je devrais avoir l'air

d'une héroïne._' She is much better than a heroine; she is

benevolence and truth itself.

We must not forget the scientific world where Madame Maria was no less

at home than in fashionable literary cliques. The sisters saw something

of Cuvier at Paris; in Switzerland they travelled with the Aragos. They

were on their way to the Marcets at Geneva when they stopped at Coppet,

where Miss Edgeworth was always specially happy in the society of Madame

Auguste de Staël and Madame de Broglie. But Switzerland is not one

of the places where human beings only are in the ascendant; other

influences there are almost stronger than human ones. 'I did not

conceive it possible that I should feel so much pleasure from the

beauties of nature as I have done since I came to this country. The

first moment when I saw Mont Blanc will remain an era in my life--a

new idea, a new feeling standing alone in the mind.' Miss Edgeworth

presently comes down from her mountain heights and, full of interest,

throws herself into the talk of her friends at Coppet and Geneva, from

which she quotes as it occurs to her. Here is Rocca's indignant speech

to Lord Byron, who was abusing the stupidity of the Genevese. 'Eh!

milord, pourquoi venir vous fourrer parmi ces honnêtes gens?' There is

Arago's curious anecdote of Napoleon, who sent for him after the battle

of Waterloo, offering him a large sum of money to accompany him to

America. The Emperor had formed a project for founding a scientific

colony in the New World. Arago was so indignant with him for abandoning

his troops that he would have nothing to say to the plan. A far more

touching story is Dr. Marcet's account of Josephine. 'Poor Josephine! Do

you remember Dr. Marcet's telling us that when he breakfasted with her

she said, pointing to her flowers, "These are my subjects. I try to make

them happy"?'

Among other expeditions they made a pilgrimage to the home of the

author of a work for which Miss Edgeworth seems to have entertained a

mysterious enthusiasm. The novel was called 'Caroline de Lichfield,' and

was so much admired at the time that Miss Seward mentions a gentleman

who wrote from abroad to propose for the hand of the authoress, and who,

more fortunate than the poor Chevalier Edelcrantz, was not refused by

the lady. Perhaps some similarity of experience may have led Maria

Edgeworth to wish for her acquaintance. Happily the time was past for

Miss Edgeworth to look back; her life was now shaped and moulded in

its own groove; the consideration, the variety, the difficulties of

unmarried life were hers, its agreeable change, its monotony of feeling

and of unselfish happiness, compared with the necessary regularity, the

more personal felicity, the less liberal interests of the married. Her

life seems to have been full to overflowing of practical occupation

and consideration for others. What changing scenes and colours, what a

number of voices, what a crowd of outstretched hands, what interesting

processions of people pass across her path! There is something of her

father's optimism and simplicity of nature in her unceasing brightness

and activity, in her resolutions to improve as time goes on. Her young

brothers and sisters grow to be men and women; with her sisters'

marriages new interests touch her warm heart. Between her and the

brothers of the younger generation who did not turn to her as a sort

of mother there may have been too great a difference of age for that

companionship to continue which often exists between a child and a

grown-up person. So at least one is led to believe was the case as

regards one of them, mentioned in a memoir which has recently appeared.

But to her sisters she could be friend, protector, chaperon, sympathising

companion, and elder sister to the end of her days. We hear of them all

at Bowood again on their way back to Ireland, and then we find them all

at home settling down to the old life, 'Maria reading Sévigné,' of whom

she never tires.

A Book of Sibyls: Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen · 第 31 / 56 题