CHAPTER XIII.

SLANG WORDS AND AMERICANISMS.

No language is, or ever has been, in the strict sense of the

word, _pure_. All languages are continually borrowing and

lending--adopting words from foreign sources, and contributing from

their own store to that of others. It is now well known that the

ancient Greeks borrowed largely from the Oriental tongues, and lent

words and forms to Latin. Latin, again, borrowed from Greek, and

contributed to form the modern Italian, Spanish, and French. The

modern German language is just now strongly affected by a French

influence; and French itself, though for the most part Latin,

contains many Celtic and not a few Germanic words. Spanish, which

is in the main Latin, has a very considerable admixture of Arabic,

brought in by the Moors in the eighth century; and English is well

known to be made up of Anglo-Saxon, Norman, French, and Latin.

But languages are not only subject to these attacks from without,

a process of internal corruption is also set up, and appears in

various forms. One of these may be recognised in the principle of

contraction. It may be laid down as a rule that words, as they grow

older, degenerate in meaning and contract in form. This contraction

probably originated in a loose, careless way of speaking, which

afterwards affected the written language. Sometimes a letter or

syllable is cut off from the beginning of a word; sometimes one

is taken from the middle, or from the end. ‘_Bus_’ is now all we

have left (at any rate, in ordinary conversation) of ‘_omnibus_.’

‘_Fantasy_’ has lost its middle syllable, and appears as ‘_fancy_’

and ‘_cab_’ does duty for ‘_cabriolet_.’ One conclusion this result

enables us to draw is that the contracted forms are always the more

modern. The form ‘courtesy’ existed before ‘curtsy;’ ‘procurator’

preceded ‘proctor;’ and ‘minute’ was known before ‘mite.’ Whether

these contractions are to be regarded favourably or otherwise may

be a question, but there is no doubt that they are all produced by

the operation of a natural law of language which no human power

will ever be able to prevent.

When a word is warped or distorted from its original form, either

by a vicious or slovenly pronunciation, or from a mistaken notion

of its derivation, it is said to be a corruption. One of these

corruptions appears in our word ‘surgeon.’ The French ‘chirurgien,’

from which it immediately comes, shows more clearly its Greek

origin--χεὶρ (cheir), a hand; and ἔργω (ergo), I work--i.e. a

hand-worker, or manual operator. But a careless pronunciation,

probably aided by a natural tendency to contraction, has caused the

word with us to dwindle down to ‘surgeon.’

As an illustration of corruption arising from a false notion of

its derivation, we may take the word ‘i_s_land.’ How did the _s_

get into it? This _s_ is not sounded, and yet it must be written.

In the one word ‘island,’ there is a mixture of Latin and German.

The first syllable is of Romance, and the second of Teutonic

origin. The Latin for ‘island’ is ‘insula,’ from ‘in’ and ‘salo,’

the ‘salt,’ i.e. in the salt (sea, understood). The Anglo-Saxon

word for the same idea was ‘ea-land.’ Here ‘_ea_’ means ‘water.’

This ‘_ea_,’ or ‘_ey_,’ is found in many names of islands,

as ‘Angles_ea_,’ ‘Jers_ey_,’ ‘Guerns_ey_,’ &c. ‘_Ea_-land,’

then meant ‘water-land,’ or ‘land surrounded by water.’ In the

earlier editions of ‘Paradise Lost,’ the word always appears

written ‘iland’ (without the _s_), which points more clearly to

its Saxon derivation, and is nearer in spelling to the modern

German--‘Eiland.’ The ‘_s_’ was afterwards inserted, from a

mistaken notion that the word was of Latin, and not German, origin.

A false analogy will sometimes give rise to a corrupted form of

spelling. The past tense of ‘can’ was originally ‘coude,’ not

‘cou_l_d;’ and the _l_ was afterwards introduced, from the apparent

analogy of the word to ‘wou_l_d,’ from ‘will,’ and ‘shou_l_d,’

from ‘shall.’ This, then, is a corruption. But, though at first

incorrect, the _l_ must, of course, be now retained.

Proper names, both of places and persons, have suffered a good

deal from this influence. Words of this class are most likely to

be corrupted, because they are most frequently in the mouths of

the common people. That ‘Birmingham’ should be called ‘Brummagem,’

‘Cirencester,’ ‘Siseter,’ and ‘Wavertree,’ ‘Wartree,’ is not

surprising when we remember that these corruptions originated with

those who had often to pronounce, but seldom, if ever, to write

these names. But what is, perhaps, more strange, many of these

corruptions are now adopted by the upper classes. Thus, in all

ranks of society, the proper name ‘Beauchamp’ is now pronounced

‘Beecham;’ ‘St. John’ is called ‘Sinjon;’ ‘Cholmondeley’ is

pronounced ‘Chumley,’ and ‘Marjoribanks’ ‘Marchbanks.’

_Slang Words._

Among the many signs of the corruption of the English language,

one, which is not the least remarkable, is the prevalent use of

slang words and phrases. That certain terms should be peculiar

to certain callings, trades, or professions, may be naturally

expected, but that these should be extended into general

conversation, is a corroborative proof of the strong liking

people now have for any thing unusual or out-of-the-way. One very

curious fact may be here observed. While the style of most of

our periodical writers soars upwards, and affects the lofty and

sublime, that of general conversation is the very reverse, and

sinks to the low and vulgar.

A difference must be here made between ‘cant’ and ‘slang.’ The

first signifies the secret language of thieves, beggars, and

tramps, by which they endeavour to conceal their evil deeds from

the public. The knowledge and practice of this kind of language

is confined to the above-named fraternities. But slang consists

of those vulgar, unauthorised terms, which have come into fashion

during the last eighty or ninety years, and which are not confined

to one class, but may be now heard in almost every grade of society.

In all trades and professions there are certain terms peculiar

to each, which are properly called ‘technical;’ these can hardly

be denominated slang. For example, in the language of actors, a

‘_length_’ signifies forty-two lines of the part each has to study

for the stage. They say, a part consists of so many ‘lengths.’

This, and other such terms, are seldom, if ever, heard beyond

the circle to which they properly belong. But slang is found in

almost all classes of society. That of high life is drawn from

various sources. One of its phases may be seen in the French

words and forms which would-be fashionable people so delight in

using. To call a breakfast a _déjeuner_ is absurd, especially

as we have a very good word of our own to express that meal.

Leaders of fashion never speak of the fashionable world; but

always of the ‘beau monde.’ This ‘beau monde,’ they tell us, give

‘recherchés’ entertainments, attended by the ‘élite’ of society.

Lady _So_-and-_So_ gave a ‘thé dansant,’ which, of course, ‘went

off with éclat,’ &c. &c. Many so-called fashionable ladies and

gentlemen would, probably, be deeply offended to hear such language

termed slang; but any words or forms which are not recognised

English certainly deserve to be so stigmatised.

This form of slang is confined chiefly to the would-be

fashionables, and to those writers of very questionable taste, who

use what they think funny and startling expressions in a novel and

flippant way. Cookery also has given us much slang of this sort. If

we were to ask, in an ordinary English hotel, for ‘côtelettes à la

jardinière,’ or a ‘vol-au-vent à la financière,’ the people of the

house would probably stare at us; but these and such expressions

form the staple of the style of many popular novelists.

Of parliamentary slang, too, there is no lack of examples. Lord

Palmerston, and Mr. Disraeli are perhaps better known as _Pam_

and _Dizzy_, than by their proper names. A single vote to one

candidate at an election is called a ‘plumper;’ and those who

have boiled a pot in a house, to qualify themselves to vote,

are termed ‘potwallopers.’ Among military men, anyone unusually

particular about his dress or personal appearance, is a ‘dandy’ or

a ‘swell.’ They also call a ‘title’ a ‘handle to your name,’ and a

kind-hearted, good-natured fellow is, with them, a ‘trump,’ or a

‘brick.’

The Universities also have their slang terms. The graduates use

‘crib’ for a house; ‘deadmen’ for empty wine-bottles; ‘governor,’

or ‘relieving-officer,’ for a father; ‘plucked,’ for defeated or

rejected in an examination; and ‘row’ for a disturbance.

The Eton and Harrow boys make use among themselves of many slang

terms, which are not often heard outside their bounds; but

when they return home for the holidays, they frequently infect

their sisters with some of their strange phraseology. A boy will

sometimes puzzle his sisters at home, by asking them if they do not

find his ‘toggery’ absolutely ‘stunning;’ or what they think of his

‘tile,’ or white ‘choker;’ adding that they are not yet paid for;

but that he supposes the ‘governor’ will have to ‘stump up,’ or

‘fork out the blunt,’ &c.

Lawyers also have their slang; and this is not surprising, when we

remember the many opportunities they must have of hearing it, from

their connection with the police courts, and with life in its worst

phases. With them, taking the benefit of the Insolvent Debtors Act,

is to be ‘white-washed;’ and to draw up a fraudulent balance-sheet

is to ‘cook’ accounts, &c.

But of all the forms of slang, the one most abundant in variety of

terms is the mercantile. It has been calculated that there are as

many as thirty-six vulgar synonyms for the one simple word _money_.

The following are a few of them: ‘_blunt_,’ ‘_tin_,’ ‘_coppers_,’

‘_browns_,’ ‘_shiners_,’ ‘_yellow-boys_,’ ‘_flimsies_’ (bank

notes); ‘_fivers_’ (five pound notes), &c. &c. In city phraseology,

100,000_l._ is called a _plum_, and one million sterling is a

_marigold_. On the Stock Exchange buyers and sellers for the

account are called ‘bulls’ and ‘bears:’ a broker who is unable to

pay his debts, is there called ‘a lame duck;’ and, if expelled from

the house, he is said ‘to waddle.’

But though most of these terms will never form a legitimate part

of the English language, some of them are certainly not considered

so vulgar as others. It is said that the elegant Lord Chesterfield

was the author of the word ‘humbug,’ which, though it may have

been considered as slang in his day, can hardly be so called now.

Another word, ‘hoax,’ was condemned by Swift as low and vulgar,

this, too, has made its way; and is now not so revolting to good

taste as it probably was when first used. Both these words,

‘humbug’ and ‘hoax,’ are to be found in Dr. Latham’s edition of

_Johnson’s Dictionary_.

Thackeray immortalised ‘snob’ in his celebrated ‘papers;’ and

though the word is not to be recommended, it must be allowed that

it is very expressive. Lord Cairns, in a speech in the House of

Commons, called ‘dodge’ ‘that homely but expressive term.’ Nor is

‘crusty,’ in the sense of ‘peevish,’ so low as it was once thought.

It has long been a question, whether the word ‘bamboozle’ should be

admitted. This also is to be found in Latham’s _Johnson_, though it

is there entered as ‘colloquial.’

But though it may be allowed to use some of these terms

occasionally in familiar discourse, no one of any sense or good

taste will ever think of indulging in slang language, either spoken

or written. It is, no doubt, a bad sign of the times, and much to

be deplored, that it is so common. Some writers have calculated

that there are, at least, three thousand slang terms in common use.

The above are but a few examples of this widespread corruption. We

may regard it, as concerns our language, in the light of a pest

to society. It takes a long time to clear the atmosphere from the

baneful influences of certain epidemics. Now, the language of

every-day conversation is suffering from this infectious disease,

and it becomes the duty of every Englishman who has a proper

feeling for his language, to refrain from this evil himself, and to

throw in its way every possible discouragement.

_Americanisms._

The recklessness with which the Americans use the English language

bids fair to flood it with many new and strange terms. It is very

possible that some of these words may some day take their places as

forming part of the legitimate materials of our language; and it

is also possible, as the Americans themselves sometimes declare,

that some of the words and phrases which are now called American,

are, in reality, genuine English words which have become obsolete

in the mother tongue. But, in the mean time, they certainly must be

regarded as interlopers--candidates for an office to which they are

not yet, if they ever will be, entitled.

One rather curious explanation has been given of the word ‘guess.’

It is well known that the Americans use it in the sense of _to know

for certain_. ‘I guess’ is equivalent, in American phraseology, to

‘I know it’--‘I am sure of it.’ Now, it has been argued that this

is the proper meaning of the word--that it is derived from the

German ‘gewiss,’ which comes originally from ‘wissen,’ to know.

When first imported into America, in the seventeenth century, they

say that it had this meaning in English--that we in England have

since then altered the meaning of the word, and that the Americans

have preserved its original signification. Even supposing that this

could be proved, it does not follow that the American practice is

the right one; nor, of course, that we should alter our present

meaning of the word, and conform to the American custom. The

fountain-head of the English language is in England, and in no

other country; and all departures from the English use of English

words must be looked upon as faults against purity of style.

Americanisms may be considered under two heads--1st, legitimate

English words used in a wrong sense; and, 2nd, words of a new

invention, mutilated or distorted from some known or unknown root.

In the first class we may place the adjective ‘tall.’ This the

Americans use in a novel and unrecognised sense. In English it is

properly applied only to concrete nouns; as, ‘a tall man,’ or ‘a

tall tree,’ &c. But, in the United States, we continually hear of

‘tall talk,’ or even ‘a tall smell,’ &c. It is not the word that

is here objected to, but the sense in which it is applied. To

‘raise’ is another of this class, which is constantly used for ‘to

educate,’ or ‘bring up.’ ‘Where were you raised?’ is, in America,

a very common question. Again, the word ‘liquor’ is a perfectly

good English noun; but what a strange innovation is ‘to liquor!’

A genuine Yankee says, ‘Stranger, will you “liquor?”’ ‘Handsome,’

‘clever,’ and ‘fix’ are all three genuine English, but ‘to play

_handsome_ on the flute’ is undoubtedly bad English. We sometimes

qualify persons, but never things, as ‘clever.’ A ‘clever’ boy, or

a ‘clever’ man, &c., but never, as in America, a ‘clever’ house

or a ‘clever’ cargo. Again, in America a very common use of ‘to

fix’ is ‘to prepare,’ or ‘put in order.’ This is not sanctioned

by English usage. But ‘a fix,’ in the sense of a dilemma or

predicament, is condemned by literary men in the United States as

a vulgarism.

The other class consists of words wholly unrecognised in English in

any sense--in fine, genuine Americanisms; such words as ‘secesh,’

‘skedaddle,’ ‘recuperate,’ ‘rowdy,’ ‘rile,’ ‘stampede,’ &c., which

can in no sense be said to belong to our language. Nor is it likely

that English writers of any pretensions to good taste will ever

adopt them. The Americans call the English ‘Britishers;’ to tease

or vex anyone is, with them, ‘to rile’ him; to make a set speech is

to ‘orate;’ a sudden panic and flight of soldiers is a ‘stampede,’

&c. There are other words of this class which it would puzzle most

English writers to explain; such as ‘slick,’ ‘spry,’ ‘kedge,’

‘boss,’ ‘absquatulate,’ &c. These are not English words, and we may

pretty confidently predict that they will never become English.

There can be little doubt, however, that certain expressions now

known as Americanisms were, at one time, very commonly used in

English. Madame D’Arblay, as well as other writers of her time,

has, over and over again, ‘mighty fine,’ ‘mighty pretty,’ &c.

‘Mighty pretty’ is exactly on a par with ‘_uncommon_ nice.’ The one

is just as incorrect as the other. This is a form of expression

continually used by American writers. Forty or fifty years ago the

adjective ‘rare’ was commonly used for ‘underdone’ (meat). Now,

though common enough in the United States, it is seldom, if ever,

applied by us in that sense. Some of these peculiarities appear

to be making way in English, in spite of our struggles against

them. Such are ‘to progress’ for ‘to advance,’ ‘to effectuate’ for

‘to accomplish,’ ‘right off,’ or ‘right away,’ for ‘at once’ or

‘immediately,’ ‘laid over’ for ‘put off,’ &c.

The Americans use ‘tiresome’ for ‘tiring;’ they speak of a

‘tiresome’--for a fatiguing--journey. Also a ‘good’ time is used

for a ‘pleasant’ time, ‘fall’ for ‘autumn,’ and to ‘go-a-head’ for

‘to prosper.’ One American word which seems likely to establish

itself in the English language is, ‘a loafer.’ This would seem to

be derived from the German ‘laufen,’ to run, though it has not that

meaning in the United States, where it signifies one who lounges

about lazily.

In America many new terms are the offspring of a political

excitement, which is sure to occur every four years, i.e. as often

as a new President is elected. On these occasions such words as

‘Copperheads,’ ‘Ring-tailed Roarers,’ ‘Know-nothings,’ ‘Fenians,’

‘Wolverines,’ &c., &c., are sure to make their appearance. These

words may have a meaning for those who invent and use them, but to

the great majority of Englishmen they are altogether a mystery.

Language, in the hands of a great poet, has been often called

‘a flame of fire.’ However this may be, in the hands of certain

American journalists it does seem, now and then, very likely to

burn their own fingers. In the New York papers we meet with the

verb ‘to concertize,’ which may possibly mean to give a succession

of concerts. We remember hearing that process once called ‘going

about matinéeing!’ And there is quite as good authority for the

one as for the other of these expressions. Another unintelligible

phrase, drawn from the same source, is ‘an _emergent_ meeting.’

This word is never used, in modern English, in a concrete sense.

We may say an _emergent_ occasion or _emergent_ doubts, but not an

_emergent_ candidate or an _emergent_ character. It is possible

that the writer meant a meeting called together on an emergency.

The rapid communication established of late years between England

and the United States has brought the two nations into a much

closer connection with each other. This, in a commercial or a

political view, may be of great advantage to both countries.

But every advantage has its drawback, and it is very doubtful

whether this condition of things is likely to benefit the English

language. The Americans are well known to set great store by

liberty, and of course we have no right whatever to interfere

with their opinions concerning principles or forms of political

government. But it becomes a serious matter for us when they

think proper to take liberties with our language. They set up for

themselves, probably by way of showing their independence, new

modes of spelling; and they are perpetually introducing all sorts

of meanings, words, and phrases, none of which have the remotest

title to be called English. In the writings of the late N. P.

Willis, we meet with such terms as the following:--‘An unletupable

nature,’ ‘wideawakeity,’ ‘plumptitude,’ ‘pocketually speaking,’

‘betweenity,’ and ‘go-awayness!’ In the same gentleman’s writings,

we occasionally come across such elegant forms of expression as

‘whipping creation,’ ‘flogging Europe,’ ‘a heap of opinions,’

‘tarnation quick,’ &c. These and all such must be looked upon as

abortions or deformities of our language; and no English writer

who has any respect for his own reputation should ever think of

countenancing, far less of adopting, such monstrosities.

A Book About Words · 第 13 / 17 章