LVIII. Rendezvous

1.

GOING back to the office the next morning, Felix had the sense of his

absence—so momentous to himself—not having been particularly

remarked.... True, there had been no new plays opening that week; and

the editorial page could get along without his assistance. But it was

strange to go back to the real world and find that it does not know you

have been away!... He worked all morning, distractedly, on a column for

the Saturday page, and arranged a layout of photographs of actors and

actresses.

He had glanced that morning into the busy editorial writers’ room, and

Clive had not been there. He had been assailed by a vague feeling of

self-reproach, as his imagination presented to him the possible meaning

of that absence. He had quite amazingly—it now seemed to him—left Clive

out of his considerations altogether. How all this might affect Clive

had simply not occurred to him.... They all of them had had a way of

treating each other as super-people. They had disdained the notion of

sparing each other’s feelings; they had not even been willing to admit

that they had feelings which might require to be spared!... But there

was no reason to believe that Clive, any more than himself, should come

out of this emotional earthquake unscathed.

At noon he went in to ask about his friend. But as soon as he entered,

Willie Smith looked up and said,

“Oh, here you are! Well, tell us what it’s all about!”

“What what’s about?” Felix asked, confused.

“Clive’s getting married. You know about it, don’t you? You don’t? Well,

I thought you’d know all about it!”

“Is he married?”

“Where’s that card, Hosmer? Well, I’m surprised. I thought you’d be in

on it.—Can’t you find that card? He’s married all right. To some girl

named—I forget her name. And you didn’t know anything about it! Well, he

had us guessing all week. He didn’t show up, and we thought he must be

sick. And then Hosmer saw in the morning papers that a license had been

issued to John C. Bangs and some girl. Hosmer’s entitled to all the

credit for deducing that John C. Bangs was our old friend Clive—I

wouldn’t believe it. And then the announcement came.—Oh, here it is,

right here. Have you got any idea who the girl is?”

Felix took the card, on which was written in Clive’s small, precise

handwriting:

_Phyllis Nelson and Clive Bangs

announce their marriage

at the City Hall in Chicago

Friday, November twenty-eighth_

“Today!” he said. “Yes.... I know the girl. Will you give me the card? I

suppose there’s one waiting for me at home, but I’d like to have this

now.”

2

California!... Rose-Ann went about her work that same morning with the

thought always in her mind. Going away would simplify everything. In

California one could start one’s life anew.

There was no need to make a fuss about anything. She had her work. Life

would go on. She would make new friends.... Yes, going away made it

easy. She wouldn’t even have to plan for a new place to live, if she

were going away soon; she could just take a room anywhere, and not tell

any one where it was. Or she might even stay on in the studio. It was

only for a little longer.

Yes, she would stay there; she wouldn’t hide herself. Nobody need pity

her. After all, she and Felix had been drifting apart for a long time;

they had been seeing less and less of each other; the break had come

gradually; this was merely the end. There were some things about it that

she did not understand—but no matter. She accepted the situation as it

stood.

In that spirit of bravado, she went that noon to the little Hungarian

restaurant where she and Felix and Clive and Phyllis had lunched so

often. She went to her accustomed table, and sat there, remembering what

Clive had once said and they had all laughingly agreed to, in the days

when they believed themselves wonderful young people who could talk

about anything—that if anything ever happened to them of the sort that

“couldn’t be discussed,” they would come here and discuss it “in the

teeth of God and Nature.”

Well, she was here and they were not.

She wondered at little at Clive’s absence. Was he off breaking his heart

somewhere? Or had he, as they had all boasted of themselves, no heart to

break? At all events, she had stood her ground.

Some one entered, and she looked up, as of old habit when she arrived

first.

It was Felix.

3

She sat quietly and waited for him. He came over, seeming glad to see

her, and slouched into a chair. “I wondered if I’d find you here,” he

said.

“I wondered if you’d come!” she said. She was astonished to find in

herself no emotion except that of being glad that he had come—simply

that.

“Last night,” he said, “I wanted to come to see you. And I was afraid

to, I guess. Because of things I didn’t want to tell you about—that I

thought you wouldn’t understand.”

The table, that place dedicated to the telling of impossible truths,

still had for them its old magic. “Last night,” she said, smiling

ruefully, “I set the alarm clock to go off at midnight.... If you didn’t

come by then, I was going to forget you.”

“And I didn’t come,” he said.

“No.... I waited till the clock went off. I said that if you came before

that I would forgive you everything—anything.”

“How could I come?” he asked. “Before one can be forgiven, one must be

ashamed. And I wasn’t ashamed. I’m not now.”

“Why should you be?” she asked.

“But you don’t know,” he said. “Or do you? Have you seen Phyllis?”

“Phyllis? No!”

“Neither have I—for three days.”

“But I thought—”

“No you didn’t.” He leaned forward. “Tell me—did you ever _believe_—not

your mind, but with your emotions!—that I was in love with Phyllis? Were

you ever really jealous of her? Did you ever take her seriously, as your

rival?”

“No—not the real Phyllis—no. The real Phyllis I liked, and was sorry for

and ... perhaps a little afraid of—but not as a rival. I _was_ jealous

of the Phyllis who—who existed only in your mind.”

“My illusion of her, yes. But why?”

“Felix, you robbed me to give to that illusion. You loved in her what

you refused to see in me to love. I might have been all that she was to

you—and you wouldn’t let me! When you spoke of her, I kept thinking, ‘He

might say those things of me!’—and you might, much more truly.”

“Then why did you push me into her arms—into the arms of the real

Phyllis ... the one you were afraid of! Because you knew she’d hurt me?

Was that it?”

They were talking in the eager low tones of their accustomed discussion,

cut off by the influences of this spot from any disturbing sense of

outer things—alone in an enchanted solitude, a magic circle into which

none but the waiter could intrude.

“Hurt you?” A look of tenderness shone fleetingly in Rose-Ann’s eyes,

half-contradicted by a triumphant smile. “Did she hurt you? I’m sorry,

Felix.”

“Are you?”

“No—I’m glad! I wanted you to be hurt! I wanted to punish you—for

dreaming of her—punish you by making you find out....”

“It would serve you right if the illusion had turned out to be true

after all, wouldn’t it?”

“I thought it had, Felix. What happened?”

“I don’t know exactly. But look at this!”

He took the card from his pocket and put it before her.

At that moment the waiter came up, bowing them welcome. “You haf’ not

been here for many days now,” he said. “I begin to think you desert us!

Haf’ you your order ready?”

“You know what we want,” said Felix absently.

“Yes, sir. Everything shall be as always!” He beamed and ceased to

exist.

Felix turned again to Rose-Ann, who sat staring quietly at the card.

“You aren’t surprised?” he asked.

“I feel that I knew it all along, somehow!” she said.

“Yes, so did I.... That’s the queer thing. All this other—”

“Was just Phyllis’s game with Clive. I don’t mean she did it on purpose.

She couldn’t help it!”

“It was Clive’s game too,” he insisted.

“In a sense, yes.... She tormented him, ran away from him—and played up

to you—all for Clive’s sake.... I’m sorry, Felix!”

“For me? You needn’t be. You were victimized too. By your pride—just as

I by my vanity.”

“Yes,” she said, “and now—at last—they can have their happiness!”

They were silent for a moment, contemplating the tragic farce in which

they had acted their tragi-comic parts.

“So,” he said ironically, “it was to make their marriage possible that

we were so busy destroying our own!”

“No—I won’t have that. If she’s hurt you, I’m sorry, Felix; I really am.

But I can’t think of us just as helpless victims. Why did we do it? We

have our own quarrel, Felix.”

“Yes—a quarrel in which no one else counts. I know. But first let me

explain. She did hurt me. But I found consolation.”

“In whom?” she asked sharply.

“Elva Macklin.”

“That queer egotistic little theatre-waif! Felix!”

“Say what you like—I’m not ashamed of it.”

“You _couldn’t_ love her!”

“No—I never pretended to. Nor she.”

“I’m ashamed for you, Felix, if you’re not!”

“Be ashamed, then. I can’t be. I’ve tried.”

“Why try?”

“People that are ashamed—can be forgiven.”

“But I can’t understand it....”

“Neither can I.”

“If it had been some one you loved—”

“You might have lost me.”

“I’ve lost you now,” she said sadly.

“No.”

“Yes.”

“I’ll tell you one thing I _am_ ashamed of. No—I don’t know whether I

can or not. It’s too silly.”

“Tell me.”

“I’ll tell it backwards.... This morning I found a bottle of wine in my

apartment—the relic of that orgy of which you are so scornful. It was

unopened. I decided to make a present of it to my landlady. She thanked

me and rummaged on a shelf and gave me in return a book—a book with my

name in it that she had found in her area-way. She had been saving it

for me.... That’s the end of the story. Here’s the book.”

He took from his pocket a soiled copy of the Bab Ballads. She gazed at

it.

“Oh! you took it with you?”

“To my new home, yes—to remember you by. But wait. It did make me

remember you—too well—and so I flung it out the window. That’s what I am

ashamed of, Rose-Ann. I know it’s absurd. But we’re telling each other

the truth.... And it’s not Elva, nor anything else—but just what I did

to that book, that I want to ask your forgiveness for....”

“Was _she_ there?”

“Yes. That was why.”

“I’m glad you did it!”

“You don’t understand. That book—it’s more than just you, Rose-Ann: it’s

all you stand for to me.... I wanted to get rid of it all.”

“What _do_ I stand for, to you?”

He thought a moment, and then answered, as if the word had pushed itself

up out of the deeps of his mind.

“Reality.”

“Merely that?” Her voice was disdainful and challenging.

He took up its challenge.

“No—more than that. Pain. You stand for that.”

“I?”

“And heartbreak.”

“I?”

“And yesterday and tomorrow.”

“And am I,” she demanded quietly, “never to stand for any of the

beautiful things?—Must you find them—or think you find them—in Phyllis

... and Elva?...”

He felt as though they had reached the crux of their discussion at last.

And he felt, too, that it was a perilous moment. He could sense the

forces of an intense resistance gathering in her mind.

“Yes, that’s our quarrel,” he said.

“What?”

He spoke with a sudden anger, only half repressed.

“You won’t help me. You never have. You tell me lies....”

“Felix!”

“Yes, you do. And I—I believe you, because it is you who tell them. Lies

about life.”

“What have I told you?”

“That I could be free. I _was_ free, Rose-Ann. With Elva. For three

days. That was quite enough. And that’s why I am not ashamed or sorry. I

learned something from her that you refused to tell me.”

“What did you learn—from her?”

“That I don’t want freedom.”

“Don’t you?” she mocked gently. “The truth, Felix!”

“Oh, it’s beautiful enough! As death is more beautiful than life. As for

me, after a little cupful of death, I prefer pain and heartbreak. I

prefer you.”

“But—it’s as if you wanted me to make you unhappy, Felix.... That’s what

you are saying!”

“Isn’t it true? You _have_ made me unhappy. And happy, too, Rose-Ann.

The two things go together. I want them both. Not this mad, mystical

peace that is like death.”

“The mad mystical peace of death,” she repeated. “You make it very

alluring, Felix. One gets tired of life.... Just as you got tired of me.

But perhaps—perhaps I am not what you think I am. Perhaps I can

understand the joys of a little cupful of death—I, too.”

The waiter arrived with a savoury stew. He uncovered the dish with a

flourish. It reeked of nutritiousness. They stared at it helplessly. The

waiter went away.

“I can’t eat,” Rose-Ann said appealingly.

Sympathetically he passed her a cigarette.

“Felix,” she said, “I know what you think you want. It’s like that stew.

You ought to want it; but you don’t. You want coffee and cigarettes and

talk and poetry—not the solid food of life.... You try to fool yourself.

And you try to fool me.”

She paused and then went on with sudden passion, “You’ve accused me of

lying to you. It’s you who have lied! Whose fault is it if I didn’t mean

what I said—that time? You’ve never been honest with me. You were never

willing to face the future. I tried to talk with you, but you wouldn’t.

You made me feel that I was wrong. And so I tried to believe differently

about our marriage. And when the real truth came out—yes, the truth!—I

wasn’t prepared to meet it. I was a coward.—Perhaps I’m a coward still.

I don’t know. But I know this—I’m not willing to do what you say you

want me to do—bind you, tame you, keep you. No! I won’t be ... _a

wife_.”

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