XLI. Changes

1

THE second year of marriage began for Felix with a sense of uneasy

anticipation. It was as if things—strange, unknown things—were about to

happen.

He tried, by taking thought, to discover the reason for his vague

anxieties. But, viewed rationally, they seemed absurd. He attempted to

dismiss them.

He was happy. And Rose-Ann, in her own restless fashion, was happy, too.

What could the future bring to disturb their happiness? Nothing!

His economic status, moreover, even upon Clive’s calculations, was

secure for another year at least. And he was writing again, this time to

please himself. Rose-Ann should have no cause for complaint upon that

score....

And yet the vague anxieties persisted in the background of his thoughts.

It was as though he had in some way lost confidence in Rose-Ann.

He told himself that it was only that he knew her better now. He had

been foolish to assume that he could trust utterly in her instincts for

guidance. She was, like him, a bewildered wanderer, not knowing the

right path. She was more like himself than he had ever dreamed.

He could not rely blindly upon her. He must decide things for himself.

It made him feel a little lonely, a little frightened—as one might feel

in the woods, discovering that one’s guide is a romantic ignoramus like

oneself!

2

That was one reason why he did not want to show Rose-Ann the new play

upon which he was working. It would have pleased her—perhaps all too

well! In this play, a variation upon the familiar triangle situation,

the heroine kept her husband because she was not afraid to lose him....

Yes, that would have pleased Rose-Ann. Then why did Felix feel absurdly

guilty of some kind of spiritual disloyalty to her in writing it?

He did not quite know; but it was true that when Rose-Ann was in the

studio he could not with any freedom work on that play....

Rose-Ann felt this, and presently suggested that he try the experiment

of working in a rented room somewhere not too far from the studio. He

was surprised to find that in talking with Rose-Ann he indignantly

repelled the idea as totally objectionable. He was absurdly angry at her

for suggesting it.

It would have been intolerable if Rose-Ann had been jealous of his

writing; and yet he was behaving as though she _ought_ to be jealous of

it.... A strange quirk of the imagination!

Was he disappointed in her for not being the mentor and guide he had

tried to believe her—angry at her for insisting upon his finding his own

pathway through the woods?

3

When Rose-Ann brought up for a second time the subject of a work-room,

Felix admitted that it might be worth considering. And that same day he

went out room-hunting. He had not admitted to himself that he really

wanted such a place—but when, in a house on Garfield Boulevard, he found

a little room with a table and a cot, he decided that he must have it.

He told the landlady he would probably need it only a short time, and

paid two weeks’ rent, with the option of renewal....

He did not want to tell Rose-Ann about it. He said to himself that he

wanted to wait until he found whether he liked it or not. And he did

wait until he had spent an afternoon there writing, before telling her.

It was curious, the feeling of being in a room of his own that nobody in

the world knew about, not even Rose-Ann! That afternoon he seemed to

throw off some impalpable burden. He felt—free! He could sit there and

write, or dream, as long as he wished, with nobody to call him to

account for the way he spent his time. Not that Rose-Ann ever did call

him to account in such a manner; it was the last thing in the world she

would ever have done. But now, as never since his marriage, he felt

utterly by himself.... He sat dreaming for a while, and then commenced

to write swiftly a little play, something he had not thought of at all

before, a light, bright, rather cynical and pretty little play that

seemed to flow out by its own energy—a play dealing with characters as

unreal as those of Congreve or Wycherly, inhabitants of the same polite

and witty realm of the imagination as Millamant and Mirabell.

He told Rose-Ann that he had rented a room, but not that he had written

a play—for it was a short one-act affair of twenty pages, which he had

practically completed at a sitting. He took an inward satisfaction in

this harmless secret; and he was pleased that Rose-Ann did not ask

exactly where his room was, but only congratulated him on being so

sensible.

4

It was only a few days later that Rose-Ann came home with the news that

she had carried out her long cherished intention of getting a job. She

had learned by accident that there was an opening in a moving-picture

magazine. She had gone there, made an impression, and been engaged as

assistant editor.

Felix had a guilty sense that his desertion of their studio, if only for

an occasional afternoon, had been responsible for her action. Certainly

he was no longer in a position to oppose her wishes in this matter. His

plea had been that a job would deprive him of her society. He

had—though, it is true, at her suggestion—entered into an arrangement

which threatened to deprive her of much of his society. But, if there

was any spirit of retaliation behind her decision, it was not apparent

from her manner.

She was delighted with the new scope that this work gave her

superabundant energies; and though it consisted chiefly of rewriting

illiterate press-agentish articles, it yielded her a renewed sense of

self-respect. And after observing, a little uneasily, for a week or two,

its effect upon her, he found himself rather pleased.

Her office hours, though fixed, were not arduous. And if they had less

time to spend together, that time had come to seem more precious....

They would be sitting together at breakfast in their studio, Rose-Ann in

a flame-coloured silk kimono that matched her curls, pouring coffee for

him; all the more delightfully his, because he realized that when the

occasion had been prolonged another five minutes, she would glance at

the clock, and run behind the screen, to emerge dressed for her day’s

work—no longer his, but belonging to some impersonal enterprise for

which he cared less than nothing....

They would meet again at luncheon at the little Hungarian restaurant.

Clive would be there. And the fact that they were all three of them

snatching this hour of golden talk and comradeship from the midst of a

working day, gave a special zest to the occasion.... They were, it

seemed, happier than ever before.

“I’ve always something I can do for my old magazine in the evening,”

said Rose-Ann. “I won’t be lonely. Why don’t you go to your work-room?”

Two or three evenings a week he took her at her word, and in those

solitary hours it seemed to him that his creative fancy had begun to

bloom again.

------------------------------------------------------------------------

The Briary Bush: A Novel · 第 82 / 107 题