CHAPTER 6

1

Mrs. Bingham departed unmourned and unmourning, and in her stead reigned

Mademoiselle Duphot, a youthful French governess with a long, pleasant

face that reminded Stephen of a horse. This equine resemblance was

fortunate in one way—Stephen took to Mademoiselle Duphot at once—but

it did not make for respectful obedience. On the contrary, Stephen felt

very familiar, kindly familiar and quite at her ease; she petted

Mademoiselle Duphot. Mademoiselle Duphot was lonely and homesick, and it

must be admitted that she liked being petted. Stephen would rush off to

get her a cushion, or a footstool or her glass of milk at eleven.

‘Comme elle est gentille, cette drôle de petite fille, elle a si bon

cœur,’ would think Mademoiselle Duphot, and somehow geography would not

seem to matter quite so much, or arithmetic either—in vain did

Mademoiselle try to be strict, her pupil could always beguile her.

Mademoiselle Duphot knew nothing about horses, in spite of the fact that

she looked so much like one, and Stephen would complacently entertain

her with long conversations anent splints and spavins, cow hocks and

colic, all mixed up together in a kind of wild veterinary jumble. Had

Williams been listening, he might well have rubbed his chin, but

Williams was not there to listen.

As for Mademoiselle Duphot, she was genuinely impressed: ‘Mais quel

type, quel type!’ she was always exclaiming. ‘Vous êtes déjà une vraie

petite Amazone, Stévenne.’

‘N’est-ce pas?’ agreed Stephen, who was picking up French.

The child showed a real ability for French, and this delighted her

teacher; at the end of six months she could gabble quite freely, making

quick little gestures and shrugging her shoulders. She liked talking

French, it rather amused her, nor was she averse to mastering the

grammar; what she could not endure were the long, foolish dictées from

the edifying Bibliothèque Rose. Weak in all other respects with Stephen,

Mademoiselle Duphot clung to these dictées; the Bibliothèque Rose became

her last trench of authority, and she held it.

‘“Les Petites Filles Modèles,”’ Mademoiselle would announce, while

Stephen yawned out her ineffable boredom; ‘Maintenant nous allons

retrouver Sophie—Where to did we arrive? Ah, oui, I remember: “Cette

preuve de confiance toucha Sophie et augmenta encore son regret d’avoir

été si méchante.

‘“Comment, se dit-elle, ai-je pu me livrer à une telle colère? Comment

ai-je été si méchante avec des amies aussi bonnes que celles que j’ai

ici, et si hardie envers une personne aussi douce, aussi tendre que Mme.

de Fleurville!”’

From time to time the programme would be varied by extracts of an even

more edifying nature, and ‘Les Bons Enfants’ would be chosen for

dictation, to the scorn and derision or Stephen.

‘_La Maman._ Donne-lui ton cœur, mon Henri; c’est ce que tu pourras lui

donner de plus agréable.

‘—Mon cœur? Dit Henri en déboutonnant son habit et en ouvrant sa

chemise. Mais comment faire? il me faudrait un couteau.’ At which

Stephen would giggle.

One day she had added a comment of her own in the margin: ‘Little beast,

he was only shamming!’ and Mademoiselle, coming on this unawares, had

been caught in the act of laughing by her pupil. After which there was

naturally less discipline than ever in the schoolroom, but considerably

more friendship.

However, Anna seemed quite contented, since Stephen was becoming so

proficient in French; and observing that his wife looked less anxious

these days, Sir Philip said nothing, biding his time. This frank, jaunty

slacking on the part of his daughter should be checked later on, he

decided. Meanwhile, Stephen grew fond of the mild-faced Frenchwoman, who

in her turn adored the unusual child. She would often confide her

troubles to Stephen, those family troubles in which governesses

abound—her Maman was old and delicate and needy; her sister had a

wicked and spendthrift husband, and now her sister must make little bags

for the grand shops in Paris that paid very badly, her sister was

gradually losing her eyesight through making those little bead bags for

the shops that cared nothing, and paid very badly. Mademoiselle sent

Maman a part of her earnings, and sometimes, of course, she must help

her sister. Her Maman must have her chicken on Sundays: ‘Bon Dieu, il

faut vivre—il faut manger, au moins—’ And afterwards that chicken came

in very nicely for Petite Marmite, which was made from his carcass and a

few leaves of cabbage—Maman loved Petite Marmite, the warmth of it

eased her old gums.

Stephen would listen to these long dissertations with patience and with

apparent understanding. She would nod her head wisely: ‘Mais c’est dur,’

she would comment, ‘c’est terriblement dur, la vie!’

But she never confided her own special troubles, and Mademoiselle Duphot

sometimes wondered about her: ‘Est-elle heureuse, cet étrange petit

être?’ she would wonder. ‘Sera-t-elle heureuse plus tard? Qui sait!’

2

Idleness and peace had reigned in the schoolroom for more than two

years, when ex-Sergeant Smylie sailed over the horizon and proceeded to

announce that he taught gymnastics and fencing. From that moment peace

ceased to reign in the schoolroom, or indeed anywhere in the house for

that matter. In vain did Mademoiselle Duphot protest that gymnastics and

fencing thickened the ankles, in vain did Anna express disapproval,

Stephen merely ignored them and consulted her father.

‘I want to go in for Sandowing,’ she informed him, as though they were

discussing a career.

He laughed: ‘Sandowing? Well, and how will you start it?’

Then Stephen explained about ex-Sergeant Smylie.

‘I see,’ nodded Sir Philip, ‘you want to learn fencing.’

‘And how to lift weights with my stomach,’ she said quickly.

‘Why not with your large front teeth?’ he teased her. ‘Oh, well,’ he

added, ‘there’s no harm in fencing or gymnastics either—provided, of

course, that you don’t try to wreck Morton Hall like a Sampson wrecking

the house of the Philistines; I foresee that that might easily happen—’

Stephen grinned: ‘But it mightn’t if I cut off my hair! May I cut off my

hair? Oh, do let me, Father!’

‘Certainly not, I prefer to risk it,’ said Sir Philip, speaking quite

firmly.

Stephen went pounding back to the schoolroom. ‘I’m going to those

classes!’ she announced in triumph. ‘I’m going to be driven over to

Malvern next week; I’m going to begin on Tuesday, and I’m going to learn

fencing so as I can kill your brother-in-law who’s a beast to your

sister, I’m going to fight duels for wives in distress, like men do in

Paris, and I’m going to learn how to lift pianos on my stomach by

expanding something—the diapan muscles—and I’m going to cut my hair

off!’ she mendaciously concluded, glancing sideways to observe the

effect of this bombshell.

‘Bon Dieu, soyez clément!’ breathed Mademoiselle Duphot, casting her

eyes to heaven.

3

It was not very long before ex-Sergeant Smylie discovered that in

Stephen he had a star pupil. ‘Some day you ought to make a champion

fencer, if you work really hard at it, Miss,’ he told her.

Stephen did not learn to lift pianos with her stomach, but as time went

on she did become quite an expert gymnast and fencer; and as

Mademoiselle Duphot confided to Anna, it was after all very charming to

watch her, so supple and young and quick in her movements.

‘And she fence like an angel,’ said Mademoiselle fondly, ‘she fence now

almost as well as she ride.’

Anna nodded. She herself had seen Stephen fencing many times, and had

thought it a fine performance for so young a child, but the fencing

displeased her, so that she found it hard to praise Stephen.

‘I hate all that sort of thing for girls,’ she said slowly.

‘But she fence like a man, with such power and such grace,’ babbled

Mademoiselle Duphot, the tactless.

And now life was full of new interest for Stephen, an interest that

centred entirely in her body. She discovered her body for a thing to be

cherished, a thing of real value since its strength could rejoice her;

and young though she was she cared for her body with great diligence,

bathing it night and morning in dull, tepid water—cold baths were

forbidden, and hot baths, she had heard, sometimes weakened the muscles.

For gymnastics she wore her hair in a pigtail, and somehow that pigtail

began to intrude on other occasions. In spite of protests, she always

forgot and came down to breakfast with a neat, shining plait, so that

Anna gave in in the end and said, sighing:

‘Have your pigtail do, child, if you feel that you must—but I can’t say

it suits you, Stephen.’

And Mademoiselle Duphot was foolishly loving. Stephen would stop in the

middle of lessons to roll back her sleeves and examine her muscles; then

Mademoiselle Duphot, instead of protesting, would laugh and admire her

absurd little biceps. Stephen’s craze for physical culture increased,

and now it began to invade the schoolroom. Dumb-bells appeared in the

schoolroom bookcases, while half worn-out gym shoes skulked in the

corners. Everything went by the board but this passion of the child’s

for training her body. And what must Sir Philip elect to do next, but to

write out to Ireland and purchase a hunter for his daughter to ride—a

real, thoroughbred hunter. And what must he say but: ‘That’s one for

young Roger!’ So that Stephen found herself comfortably laughing at the

thought of young Roger; and that laugh went a long way towards healing

the wound that had rankled within her—perhaps this was why Sir Philip

had written out to Ireland for that thoroughbred hunter.

The hunter, when he came, was grey-coated and slender, and his eyes were

as soft as an Irish morning, and his courage was as bright as an Irish

sunrise, and his heart was as young as the wild heart of Ireland, but

devoted and loyal and eager for service, and his name was sweet on the

tongue as you spoke it—being Raftery, after the poet. Stephen loved

Raftery and Raftery loved Stephen. It was love at first sight, and they

talked to each other for hours in his loose box—not in Irish or

English, but in a quiet language having very few words but many small

sounds and many small movements, which to both of them meant more than

words. And Raftery said: ‘I will carry you bravely, I will serve you all

the days of my life.’ And she answered: ‘I will care for you night and

day, Raftery—all the days of your life.’ Thus Stephen and Raftery

pledged their devotion, alone in his fragrant, hay-scented stable. And

Raftery was five and Stephen was twelve when they solemnly pledged their

devotion.

Never was rider more proud or more happy than Stephen, when first she

and Raftery went a-hunting; and never was youngster more wise or

courageous than Raftery proved himself at his fences; and never can

Bellerophon have thrilled to more daring than did Stephen, astride of

Raftery that day, with the wind in her face and a fire in her heart that

made life a thing of glory. At the very beginning of the run the fox

turned in the direction of Morton, actually crossing the big north

paddock before turning once more and making for Upton. In the paddock

was a mighty, upstanding hedge, a formidable place concealing timber,

and what must they do, these two young creatures, but go straight at it

and get safely over—those who saw Raftery fly that hedge could never

afterwards doubt his valour. And when they got home there was Anna

waiting to pat Raftery, because she could not resist him. Because, being

Irish, her hands loved the feel of fine horseflesh under their delicate

fingers—and because she did very much want to be tender to Stephen, and

understanding. But as Stephen dismounted, bespattered and dishevelled,

and yet with that perversive look of her father, the words that Anna had

been planning to speak died away before they could get themselves

spoken—she shrank back from the child; but the child was too overjoyed

at that moment to perceive it.

4

Happy days, splendid days of childish achievements; but they passed all

too soon, giving place to the seasons, and there came the winter when

Stephen was fourteen.

On a January afternoon of bright sunshine, Mademoiselle Duphot sat

dabbing her eyes; for Mademoiselle Duphot must leave her loved Stévenne,

must give place to a rival who could teach Greek and Latin—she would go

back to Paris, the poor Mademoiselle Duphot, and take care of her ageing

Maman.

Meanwhile, Stephen, very angular and lanky at fourteen, was standing

before her father in his study. She stood still, but her glance kept

straying to the window, to the sunshine that seemed to be beckoning

through the window. She was dressed for riding in breeches and gaiters,

and her thoughts were with Raftery.

‘Sit down,’ said Sir Philip, and his voice was so grave that her

thoughts came back with a leap and a bound; ‘you and I have got to talk

this thing out, Stephen.’

‘What thing, Father?’ she faltered, sitting down abruptly.

‘Your idleness, my child. The time has now come when all play and no

work will make a dull Stephen, unless we pull ourselves together.’

She rested her large, shapely hands on her knees and bent forward,

searching his face intently. What she saw there was a quiet

determination that spread from his lips to his eyes. She grew suddenly

uneasy, like a youngster who objects to the rather unpleasant process of

mouthing.

‘I speak French,’ she broke out, ‘I speak French like a native; I can

read and write French as well as Mademoiselle does.’

‘And beyond that you know very little,’ he informed her; ‘it’s not

enough, Stephen, believe me.’

There ensued a long silence, she tapping her leg with her whip, he

speculating about her. Then he said, but quite gently: ‘I’ve considered

this thing—I’ve considered this matter of your education. I want you to

have the same education, the same advantages as I’d give to my son—that

is as far as possible—’ he added, looking away from Stephen.

‘But I’m not your son, Father,’ she said very slowly, and even as she

said it her heart felt heavy—heavy and sad as it had not done for

years, not since she was quite a small child.

And at this he looked back at her with love in his eyes, love and

something that seemed like compassion; and their looks met and mingled

and held for a moment, speechless yet somehow expressing their hearts.

Her own eyes clouded and she stared at her boots, ashamed of the tears

that she felt might flow over. He saw this and went on speaking more

quickly, as though anxious to cover her confusion.

‘You’re all the son that I’ve got,’ he told her. ‘You’re brave and

strong-limbed, but I want you to be wise—I want you to be wise for your

own sake, Stephen, because at the best life requires great wisdom. I

want you to learn to make friends of your books; some day you may need

them, because—’ He hesitated, ‘because you mayn’t find life at all

easy, we none of us do, and books are good friends. I don’t want you to

give up your fencing and gymnastics or your riding, but I want you to

show moderation. You’ve developed your body, now develop your mind; let

your mind and your muscles help, not hinder each other—it can be done,

Stephen, I’ve done it myself, and in many respects you’re like me. I’ve

brought you up very differently from most girls, you must know

that—look at Violet Antrim. I’ve indulged you, I suppose, but I don’t

think I’ve spoilt you, because I believe in you absolutely. I believe in

myself too, where you’re concerned; I believe in my own sound judgment.

But you’ve now got to prove that my judgment’s been sound, we’ve both

got to prove it to ourselves and to your mother—she’s been very patient

with my unusual methods—I’m going to stand trial now, and she’ll be my

judge. Help me, I’m going to need all your help; if you fail then I

fail, we shall go down together. But we’re not going to fail, you’re

going to work hard when your new governess comes, and when you’re older

you’re going to become a fine woman; you must, dear—I love you so much

that you can’t disappoint me.’ His voice faltered a little, then he held

out his hand: ‘and Stephen, come here—look me straight in the

eyes—what is honour, my daughter?’

She looked into his anxious, questioning eyes: ‘You are honour,’ she

said quite simply.

5

When Stephen kissed Mademoiselle Duphot good-bye, she cried, for she

felt that something was going that would never come back—irresponsible

childhood. It was going, like Mademoiselle Duphot. Kind Mademoiselle

Duphot, so foolishly loving, so easily coerced, so glad to be persuaded;

so eager to believe that you were doing your best, in the face of the

most obvious slacking. Kind Mademoiselle Duphot who smiled when she

shouldn’t, who laughed when she shouldn’t, and now she was weeping—but

weeping as only a Latin can weep, shedding rivers of tears and sobbing

quite loudly.

‘Chérie—mon bébé, petit chou!’ she was sobbing, as she clung to the

angular Stephen.

The tears ran down on to Mademoiselle’s tippet, and they wet the poor

fur which already looked jaded, and the fur clogged together, turning

black with those tears, so that Mademoiselle tried to wipe it. But the

more she wiped it the wetter it grew, since her handkerchief only

augmented the trouble; nor was Stephen’s large handkerchief very dry

either, as she found when she started to help.

The old station fly that had come out from Malvern, drove up, and the

footman seized Mademoiselle’s luggage. It was such meagre luggage that

he waved back assistance from the driver, and lifted the trunk

single-handed. Then Mademoiselle Duphot broke out into English—heaven

only knew why, perhaps from emotion.

‘It’s not farewell, it shall not be for ever—’ she sobbed. ‘You come,

but I feel it, to Paris. We meet once more, Stévenne, my poor little

baby, when you grow up bigger, we two meet once more—’ And Stephen,

already taller than she was, longed to grow small again, just to please

Mademoiselle. Then, because the French are a practical people even in

moments of real emotion, Mademoiselle found her handbag, and groping in

its depths she produced a half sheet of paper.

‘The address of my sister in Paris,’ she said, snuffling; ‘the address

of my sister who makes little bags—if you should hear of anyone,

Stévenne—any lady who would care to buy one little bag—’

‘Yes, yes, I’ll remember,’ muttered Stephen.

At last she was gone; the fly rumbled away down the drive and finally

turned the corner. To the end a wet face had been thrust from the

window, a wet handkerchief waved despondently at Stephen. The rain must

have mingled with Mademoiselle’s tears, for the weather had broken and

now it was raining. It was surely a desolate day for departure, with the

mist closing over the Severn Valley and beginning to creep up the

hillsides. . . .

Stephen made her way to the empty schoolroom, empty of all save a

general confusion; the confusion that stalks in some people’s trail—it

had always stalked Mademoiselle Duphot. On the chairs, which stood

crooked, lay odds and ends meaning nothing—crumpled paper, a broken

shoehorn, a well-worn brown glove that had lost its fellow and likewise

two of its buttons. On the table lay a much abused pink blotting pad,

from which Stephen had torn off the corners, unchidden—it was crossed

and re-crossed with elegant French script until its scarred face had

turned purple. And there stood the bottle of purple ink, half-empty, and

green round its neck with dribbles; and a pen with a nib as sharp as a

pin point, a thin, peevish nib that jabbed at the paper. Chock-a-block

with the bottle of purple ink lay a little piety card of St. Joseph that

had evidently slipped out of Mademoiselle’s missal—St. Joseph looked

very respectable and kind, like the fishmonger in Great Malvern. Stephen

picked up the card and stared at St. Joseph; something was written

across his corner; looking closer she read the minute handwriting:

‘Priez pour ma petite Stévenne.’

She put the card away in her desk; the ink and the blotter she hid in

the cupboard together with the peevish steel nib that jabbed paper, and

that richly deserved cremation. Then she straightened the chairs and

threw away the litter, after which she went in search of a duster; one

by one she dusted the few remaining volumes in the bookcase, including

the Bibliothèque Rose. She arranged her dictation notebooks in a pile

with others that were far less accurately written—books of sums, mostly

careless and marked with a cross; books of English history, in one of

which Stephen had begun to write the history of the horse! Books of

geography with Mademoiselle’s comments in strong purple ink: ‘Grand

manque d’attention.’ And lastly she collected the torn lesson books that

had lain on their backs, on their sides, on their bellies—anyhow,

anywhere in drawers or in cupboards, but not very often in the bookcase.

For the bookcase was harbouring quite other things, a motley and most

unstudious collection; dumb-bells, wooden and iron, of varying

sizes—some Indian clubs, one split off at the handle—cotton laces, for

gym shoes, the belt of a tunic. And then stable keepsakes, including a

headband that Raftery had worn on some special occasion; a miniature

horseshoe kicked sky-high by Collins; a half-eaten carrot, now withered

and mouldy, and two hunting crops that had both lost their lashes and

were waiting to visit the saddler.

Stephen considered, rubbing her chin—a habit which by now had become

automatic—she finally decided on the ample box-sofa as a seemly

receptacle. Remained only the carrot, and she stood for a long time with

it clasped in her hand, disturbed and unhappy—this clearing of decks

for stern mental action was certainly very depressing. But at last she

threw the thing into the fire, where it shifted distressfully, sizzling

and humming. Then she sat down and stared rather grimly at the flames

that were burning up Raftery’s first carrot.

The well of loneliness · 第 6 / 56 章