I dive in and start to pass up the package. B shakes her head.

"No, Lizzie. We can't. Don't you remember? If we got caught, it would

give everything away. Besides ... there isn't any chance--"

"Take a look at the screen," I tell her.

Sharp exclamation from Mr. Yardo. B turns to look, then takes the

package and helps me back.

* * * * *

Mr. Yardo maneuvers out over the sea till the thing is in the middle

of the screen; then drops to a hundred feet. It is sticking out of the

water at a fantastic angle and the waves are hardly moving it. The

nose of a ship.

"The antigrav," whispers B. "The Andite hasn't blown yet."

"Ten minutes," says Mr. Yardo thoughtfully. He turns to me with sudden

briskness. "What's that, Lizzie girl? A fish-boat? Good. We may need

it. Let's have a look."

"It's mine," I tell him.

"Now look--"

"Tailor made," I say. "You might get into it, though I doubt it. You

couldn't work the controls."

It takes him fifteen seconds to realize there is no way round it; he

is six foot three and I am five foot one. Even B would find it hard.

His face goes grayish and he stares at me helplessly. Finally he nods.

"All right, Lizzie. I guess we have to try it. Things certainly can't

be much worse than they are. We'll go over to the beach there."

On the beach there is wind and spray and breakers but nothing

unmanageable; the cliffs on either side keep off the worst of the

force. It is queer to feel moving air after eighteen days in a ship.

It takes six minutes to unpack and expand the boat and by that time it

is ten minutes since the missile hit and the Andite has not blown.

I crawl into the boat. In my protective clothing it is a fairly tight

fit. We agree that I will return to this same point and they will

start looking for me in fifty minutes' time and will give up if I have

not returned in two hours. I take two Andite cartridges to deal with

all eventualities and snap the nose of the boat into place. At first I

am very conscious of the two little white cigars in the pouch of my

suit, but presently I have other things to think about.

I use the "limbs" to crawl the last few yards of shingle into the

water and on across the sea bottom till I am beyond the line of

breakers; then I turn on the motor. I have already set the controls to

"home" on _Gilgamesh_ and the radar will steer me off any

obstructions. This journey in the dark is as safe as my trip around

the reefs before all this started--though it doesn't feel that way.

It takes twelve minutes to reach _Gilgamesh_, or rather the fragment

that antigrav is supporting; it is about half a mile from the beach.

The radar stops me six feet from her and I switch it off and turn to

Manual and inch closer in.

Lights, a very small close beam. The missile struck her about one

third of her length behind the nose. I know, because I can see the

whole of that length. It is hanging just above the water, sloping at

about 30° to the horizontal. The ragged edge where it was torn from

the rest is just dipping into the sea.

If anyone sees this, I don't know what they will make of it but no one

could possibly think an ordinary spaceship suffered an ordinary crash,

and very little investigation would show up the truth.

I reach up with the forward set of "limbs" and grapple on to the

break. I now have somehow to get the hind set of "limbs" up without

losing my grip. I can't.

It takes several minutes to realize that I can just open the nose and

crawl out.

Immediately a wave hits me in the face and does its best to drag me

into the sea. However the interior of the ship is relatively sheltered

and presently I am inside and dragging the boat up out of reach.

I need light. Presently I manage to detach one of the two from the

boat. I turn it down to minimum close beam and hang it round my neck;

then I start up the black jag-edged tunnel of the ship.

I have to get to the nose, find the fuse, change the setting to twenty

minutes--maximum possible--and get out before it blows--out of the

water I mean. The fish-boat is not constructed to take explosions even

half a mile away. But the first thing is to find the fuse and I cannot

make out how _Gilgamesh_ is lying and therefore cannot find the door

through this bulkhead; everything is ripped and twisted. In the end I

find a gap between the bulkhead itself and the hull, and squeeze

through that.

In the next compartment things are more recognizable and I eventually

find the door. Fortunately ships are designed so that you can get

through doors even when they are in the ceiling; actually here I have

to climb up an overhang, but the surface is provided with rungs which

make it not too bad. Finally I reach the door. I shall have to use

antigrav to get down ... why didn't I just turn it on and jump? I

forgot I had it.

The door was a little way open when the missile struck; it buckled in

its grooves and is jammed fast. I can get an arm through. No more. I

switch on antigrav and hang there directing the light round the

compartment. No rents anywhere, just buckling. This compartment is

divided by a partition and the door through that is open. There will

be another door into the nose on the other side.

The Lost Kafoozalum · 第 38 / 66 题