And Eachain her man lived out his years with her, and was content,

though he knew that in her silent heart his wife, who loved him well,

had only one lover, one dream, one hope, one passion, one remembrance,

one husband.

THE SMOOTHING OF THE HAND

Glad am I that wherever and whenever I listen intently I can hear the

looms of Nature weaving Beauty and Music. But some of the most beautiful

things are learned otherwise--by hazard, in the Way of Pain, or at the

Gate of Sorrow.

I learned two things on the day when I saw Seumas McIan dead upon the

heather. He of whom I speak was the son of Ian McIan Alltnalee, but was

known throughout the home straths and the countries beyond as Seumas

Dhu, Black James, or, to render the subtler meaning implied in this

instance, James the Dark One. I had wondered occasionally at the

designation, because Seumas, if not exactly fair, was not dark. But the

name was given to him, as I learned later, because, as commonly

rumoured, he knew that which he should not have known.

I had been spending some weeks with Alasdair McIan and his wife Silis

(who was my foster-sister), at their farm of Ardoch, high in a remote

hill country. One night we were sitting before the peats, listening to

the wind crying amid the corries, though, ominously as it seemed to us,

there was not a breath in the rowan-tree that grew in the sun's way by

the house. Silis had been singing, but silence had come upon us. In the

warm glow from the fire we saw each other's faces. There the silence

lay, strangely still and beautiful, as snow in moonlight. Silis's song

was one of the _Dana Spioradail_, known in Gaelic as the Hymn of the

Looms. I cannot recall it, nor have I ever heard or in any way

encountered it again.

It had a lovely refrain, I know not whether its own or added by Silis. I

have heard her chant it to other runes and songs. Now, when too late, my

regret is deep that I did not take from her lips more of those

sorrowful, strange songs or chants, with their ancient Celtic melodies,

so full of haunting sweet melancholy, which she loved so well. It was

with this refrain that, after a long stillness, she startled us that

October night. I remember the sudden light in the eyes of Alasdair

McIan, and the beat at my heart, when, like rain in a wood, her voice

fell unawares upon us out of the silence:

_Oh! oh! ohrone, arone! Oh! oh! mo ghraidh, mo chridhe!

Oh! oh! mo ghraidh, mo chridhe!_[10]

The wail, and the sudden break in the second line, had always upon me an

effect of inexpressible pathos. Often that sad wind-song has been in my

ears, when I have been thinking of many things that are passed and are

passing.

I know not what made Silis so abruptly begin to sing, and with that

wailing couplet only, or why she lapsed at once into silence again.

Indeed, my remembrance of the incident at all is due to the circumstance

that shortly after Silis had turned her face to the peats again, a knock

came to the door, and then Seumas Dhu entered.

"Why do you sing that lament, Silis, sister of my father?" he asked,

after he had seated himself beside me, and spread his thin hands against

the peat glow, so that the flame seemed to enter within the flesh.

Silis turned to her nephew, and looked at him, as I thought,

questioningly. But she did not speak. He, too, said nothing more, either

forgetful of his question, or content with what he had learned or

failed to learn through her silence.

The wind had come down from the corries before Seumas rose to go. He

said he was not returning to Alltnalee, but was going upon the hill, for

a big herd of deer had come over the ridge of Mel Mor. Seumas, though

skilled in all hill and forest craft, was not a sure shot, as was his

kinsman and my host, Alasdair McIan.

"You will need help," I remember Alasdair Ardoch saying mockingly,

adding, "_Co dhiubh is fhearr let mise thoir sealladh na faileadh

dhiubh?_"--that is to say, Whether would you rather me to deprive them

of sight or smell?

This is a familiar saying among the old sportsmen in my country, where

it is believed that a few favoured individuals have the power to deprive

deer of either sight or smell, as the occasion suggests.

"_Dhuit ciar nan carn!_--The gloom of the rocks be upon you!" replied

Seumas, sullenly: "mayhap the hour is come when the red stag will sniff

at my nostrils."

With that dark saying he went. None of us saw him again alive.

Was it a forewarning? I have often wondered. Or had he sight of the

shadow?

It was three days after this, and shortly after sunrise, that, on

crossing the south slope of Mel Mor with Alasdair Ardoch, we came

suddenly upon the body of Seumas, half submerged in a purple billow of

heather. It did not, at the moment, occur to me that he was dead. I had

not known that his prolonged absence had been noted, or that he had been

searched for. As a matter of fact, he must have died immediately before

our approach, for his limbs were still loose, and he lay as a sleeper

lies.

Alasdair kneeled and raised his kinsman's head. When it lay upon the

purple tussock, the warmth and glow from the sunlit ling gave a fugitive

deceptive light to the pale face. I know not whether the sun can have

any chemic action upon the dead. But it seemed to me that a dream rose

to the face of Seumas, like one of those submarine flowers that are said

to rise at times and be visible for a moment in the hollow of a wave.

The dream, the light, waned; and there was a great stillness and white

peace where the trouble had been. "It is the Smoothing of the Hand,"

said Alasdair McIan, in a hushed voice.

Often I had heard this lovely phrase in the Western Isles, but always as

applied to sleep. When a fretful child suddenly falls into quietude and

deep slumber, an isleswoman will say that it is because of the Smoothing

of the Hand. It is always a profound sleep, and there are some who hold

it almost as a sacred thing, and never to be disturbed.

So, thinking only of this, I whispered to my friend to come away; that

Seumas was dead weary with hunting upon the hills; that he would awake

in due time.

McIan looked at me, hesitated, and said nothing. I saw him glance

around. A few yards away, beside a great boulder in the heather, a small

rowan stood, flickering its feather-like shadows across the white wool

of a ewe resting underneath. He moved thitherward, slowly, plucked a

branch heavy with scarlet berries, and then, having returned, laid it

across the breast of his kinsman.

I knew now what was that passing of the trouble in the face of Seumas

Dhu, what that sudden light was, that calming of the sea, that ineffable

quietude. It was the Smoothing of the Hand.

FOOTNOTE:

[10] Pronounce mogh-r[=a]y, mogh-r[=e]e (my heart's delight--_lit._ my dear

one, my heart).

THE WHITE FEVER

One night, before the peats, I was told this thing by old Cairstine

Macdonald, in the isle of Benbecula. It is in her words that I give it:

In the spring of the year that my boy Tormaid died, the moon-daisies

were as thick as a woven shroud over the place where Giorsal, the

daughter of Ian, the son of Ian MacLeod of Baille 'n Bad-a-sgailich,

slept night and day.[11]

All that March the cormorants screamed, famished. There were few fish in

the sea, and no kelp-weed was washed up by the high tides. In the island

and in the near isles, ay, and far north through the mainland, the

blight lay. Many sickened. I knew young mothers who had no milk. There

are green mounds in Carnan kirkyard that will be telling you of what

this meant. Here and there are little green mounds, each so small that

you might cuddle it in your arm under your plaid.

Tormaid sickened. A bad day was that for him when he came home, weary

with the sea, and drenched to the skin, because of a gale that caught

him and his mates off Barra Head. When the March winds tore down the

Minch, and leaped out from over the Cuchullins, and came west, and lay

against our homes, where the peats were sodden and there was little

food, the minister told me that my lad would be in the quiet havens

before long. This was because of the white fever. It was of that same

that Giorsal waned, and went out like a thin flame in sunlight.

The son of my man (years ago weary no more) said little ever. He ate

nothing almost, even of the next to nothing we had. At nights he couldna

sleep because of his cough. The coming of May lifted him awhile. I hoped

he would see the autumn; and that if he did, and the herring came, and

the harvest was had, and what wi' this and what wi' that, he would

forget his Giorsal that lay i' the mools in the quiet place yonder.

Maybe then, I thought, the sorrow would go, and take its shadow with

it.

One gloaming he came in with all the whiteness of his wasted body in his

face. His heart was out of its shell; and mine, too, at the sight of

him.[12]

This was the season of the hanging of the dog's mouth.

"What is it, Tormaid-a-ghaolach?" I asked, with the sob that was in my

throat.

"_Thraisg mo chridhe_," he muttered (My heart is parched). Then, feeling

the asking in my eyes, he said, "I have seen her."

I knew he meant Giorsal. My heart sank. But I wore my nails into the

palms of my hands. Then I said this thing, that is an old saying in the

isles: "Those who are in the quiet havens hear neither the wind nor the

sea." He was so weak he could not lie down in the bed. He was in the big

chair before the peats, with his feet on a _claar_.

When the wind was still I read him the Word. A little warm milk was all

he would take. I could hear the blood in his lungs sobbing like the

ebb-tide in the sea-weed. This was the thing that he said to me:

"She came to me, like a grey mist, beyond the dyke of the green place,

near the road. The face of her was grey as a grey dawn, but the voice

was hers, though I heard it under a wave, so dull and far was it. And

these are her words to me, and mine to her--and the first speaking was

mine, for the silence wore me:

Am bheil thu' falbh,

O mo ghraidh?

_B'idh mi falbh,

Muirnean!_

C'uin a thilleas tu,

O mo ghraidh?

_Cha till mi an rathad so;

Tha an't ait e cumhann--

O Muirnean, Muirnean!

B'idh mi falbh an drugh

Am tigh Pharais,

Muirnean!_

Seol dhomh an rathad,

Mo ghraidh!

_Thig an so, Muirnean-mo,

Thig an so!_

Are you going,

My dear one?

_Yea, now I am going,

Dearest._

When will you come again,

My dear one?

_I will not return this way;

The place is narrow--

O my Darling!

I will be going to Paradise,

Dear, my dear one!_

Show me the way,

Heart of my heart!

_Come hither, dearest, come hither,

Come with me!_

"And then I saw that it was a mist, and that I was alone. But now this

night it is that I feel the breath on the soles of my feet."

And with that I knew there was no hope. "_Ma tha sin an dan!_ ... if

that be ordained," was all that rose to my lips. It was that night he

died. I fell asleep in the second hour. When I woke in the grey dawn,

his face was greyer than that, and more cold.

FOOTNOTES:

[11] _Baille 'n Bad-a-sgailich_: the Farm of the Shadowy Clump of Trees.

_Cairstine_, or _Cairistine_, is the Gaelic for _Christina_ (for

_Christian_), as _Tormaid_ is for Norman, and _Giorsal_ for Grace. "The

quiet havens" is the beautiful island phrase for graves. Here, also, a

swift and fatal consumption that falls upon the doomed is called "The

White Fever." By "the mainland," Harris and the Lewis are meant.

[12] _A cockall a' chridhe_: his heart out of its shell--a phrase often

used to express sudden derangement from any shock. The ensuing phrase

means the month from the 15th of July to the 15th of August, _Mios

crochaidh nan con_, so called as it is supposed to be the hottest, if

not the most waterless, month in the isles. The word _claar_, used

below, is the name given a small wooden tub, into which the potatoes are

turned when boiled.

THE SEA-MADNESS

I know a man who keeps a little store in a village by one of the lochs

of Argyll. He is about fifty, is insignificant, commonplace, in his

interests parochial, and on Sundays painful to see in his sleek

respectability. He lives within sight of the green and grey waters,

above which grey mountains stand; across the kyle is a fair wilderness;

but to my knowledge he never for pleasure goes upon the hills, nor

stands by the shore, unless it be of a Saturday night to watch the

herring-boats come in, or on a Sabbath afternoon when he has word with a

friend.

Yet this man is one of the strangest men I have met or am like to meet.

From himself I have never heard word but the commonest, and that in a

manner somewhat servile. I know his one intimate friend, however. At

intervals (sometimes of two or three years, latterly each year for three

years in succession) this village chandler forgets, and is suddenly

become what he was, or what some ancestor was, in unremembered days.

For a day or two he is listless, in a still sadness; speaking, when he

has to speak, in a low voice; and often looking about him with sidelong

eyes. Then one day he will leave his counter and go to the shed behind

his shop, and stand for a time frowning and whispering, or perhaps

staring idly, and then go bareheaded up the hillside, and along tangled

ways of bog and heather, and be seen no more for weeks.

He goes down through the Wilderness locally called The Broken Rocks.

When he is there, he is a strong man, leaping like a goat--swift and

furtive. At times he strips himself bare, and sits on a rock staring at

the sun. Oftenest he walks along the shore, or goes stumbling among

weedy boulders, calling loudly upon the sea. His friend, of whom I have

spoken, told me that he had again and again seen Anndra stoop and lift

handfuls out of the running wave and throw the water above his head

while he screamed or shouted strange Gaelic words, some incoherent, some

old as the grey rocks. Once he was seen striding into the sea, batting

it with his hands, smiting the tide-swell, and defying it and deriding

it, with stifled laughters that gave way to cries and sobs of broken

hate and love.

He sang songs to it. He threw bracken, and branches, and stones at it,

cursing: then falling on his knees would pray, and lift the water to his

lips, and put it on his head. He loved the sea as a man loves a woman.

It was his light o' love: his love: his God. Than that desire of his I

have not heard of any more terrible. To love the wind and the salt wave,

and be for ever mocked of the one and baffled of the other; to lift a

heart of flame, and have the bleak air quench it; to stoop, whispering,

and kiss the wave, and have its saltness sting the lips and blind the

eyes: this indeed is to know that bitter thing of which so many have

died after tears, broken hearts, and madness.

His friend, whom I will call Neil, once came upon him when he was in

dread. Neil was in a boat, and had sailed close inshore on the flow.

Anndra saw him, and screamed.

"I know who you are! Keep away!" he cried. "_Fear faire na h'aon

sula_--I know you for the One-Eyed Watcher!"

"Then," said Neil, "the salt wave went out of his eyes and he knew me,

and fell on his knees, and wept, and said he was dying of an old broken

love. And with that he ran down to the shore, and lifted a palmful of

water to his lips, so that for a moment foam hung upon his tangled

beard, and called out to his love, and was sore bitter upon her, and

then up and laughed and scrambled out of sight, though I heard him

crying among the rocks."

I asked Neil who the One-Eyed Watcher was. He said he was a man who had

never died and never lived. He had only one eye, but that could see

through anything except grey granite, the grey crow's egg, and the grey

wave that swims at the bottom. He could see the dead in the water, and

watched for them: he could see those on the land who came down near the

sea, if they had death on them. On these he had no pity. But he was

unseen except at dusk and in the grey dawn. He came out of a grave. He

was not a man, but he lived upon the deaths of men. It was worse to be

alive, and see him, than to be dead and at his feet.

When the man Anndra's madness went away from him--sometimes in a week or

two weeks, sometimes not for three weeks or more--he would come back

across the hill. In the dark he would slip down through the bracken and

bog-myrtle, and wait a while among the ragged fuchsias at the dyke of

his potato-patch. Then he would creep in at the window of his room, or

perhaps lift the door-latch and go quietly to his bed. Once Neil was

there when he returned. Neil was speaking to Anndra's sister, who kept

house for the poor man. They heard a noise, and the sudden flurried

clucking of hens.

"It's Anndra," said the woman, with a catch in her throat; and they sat

in silence, till the door opened. He had been away five weeks, and hair

and beard were matted, and his face was death-white; but he had already

slipped into his habitual clothes, and looked the quiet respectable man

he was. The two who were waiting for him did not speak.

"It's a fine night," he said; "it's a fine night, an' no wind.--Marget,

it's time we had in mair o' thae round cheeses fra Inverary."

EARTH, FIRE, AND WATER

In "The Sea-Madness" I have told of a man--a quiet dull man, a chandler

of a little Argyll loch-town--who, at times, left his counter, and small

canny ways, and went out into a rocky wilderness, and became mad with

the sea. I have heard of many afflicted in some such wise, and have

known one or two.

In a tale written a few years ago, "The Ninth Wave," I wrote of one whom

I knew, one Ivor MacNeill, or "Carminish," so called because of his farm

between the hills Strondeval and Rondeval, near the Obb of Harris in the

Outer Hebrides. This man heard the secret calling of the ninth wave.

None may hear that, when there is no wave on the sea, or when perhaps he

is inland, and not follow. That following is always to the ending of all

following. For a long while Carminish put his fate from him. He went to

other isles: wherever he went he heard the call of the sea. "Come," it

cried, "come, come away!" He passed at last to a kinsman's croft on

Aird-Vanish in the island of Taransay. He was not free there. He

stopped at a place where he had no kin, and no memories, and at a

hidden, quiet farm. This was at Eilean Mhealastaidh, which is under the

morning shadow of Griomabhal on the mainland. His nights there were a

sleepless dread. He went to other places. The sea called. He went at

last to his cousin Eachainn MacEachainn's bothy, near Callernish in the

Lews, where the Druid Stones stand by the shore and hear nothing for

ever but the noise of the waves and the cry of the sea-wind. There,

weary in hope, he found peace at last. He slept, and none called upon

him. He began to smile, and to hope.

One night the two were at the porridge, and Eachainn was muttering his

_Bui 'cheas dha 'n Ti_, the Thanks to the Being, when Carminish leaped

to his feet, and with a white face stood shaking like a rope in the

wind.

In the grey dawn they found his body, stiff and salt with the ooze.

I did not know, but I have heard of another who had a light tragic end.

Some say he was witless. Others, that he had the Friday-Fate upon him. I

do not know what evil he had done, but "some one" had met him and said

to him "_Bidh ruith na h'Aoin' ort am_ _Feasda_," "The Friday-Fate will

follow you for ever." So it was said. But I was told this of him: that

he had been well and strong and happy, and did not know he had a

terrible gift, that some have who are born by the sea. It is not well to

be born on a Friday night, within sound of the sea; or on certain days.

This gift is the "_Eolas na h'Aoine_," the Friday-Spell. He who has this

gift must not look upon any other while bathing: if he does, that

swimmer must drown. This man, whom I will call Finlay, had this eolas.

Three times the evil happened. But the third time he knew what he did:

the man who swam in the sunlight loved the same woman as Finlay loved;

so he stood on the shore, and looked, and laughed. When the body was

brought home, the woman struck Finlay in the face. He grew strange after

a time, and at last witless. A year later it was a cold February. Finlay

went to and fro singing an old February rhyme beginning:

_Feadag, Feadag, mathair Faoillich fhuair!_

(Plover, plover, Mother of the bleak Month). He was watching a man

ploughing. Suddenly he threw down his cromak. He leaped over a dyke, and

ran to the shore, calling, "I'm coming! I'm coming! Don't pull me--I'm

coming!" He fell upon the rocks, which had a blue bloom on them like

fruit, for they were covered with mussels; and he was torn, so that his

hands and face were streaming red. "I am your red, red love," he cried,

"sweetheart, my love"; and with that he threw himself into the sea.

More often the sea-call is not a madness, but an inward voice. I have

been told of a man who was a farmer in Carrick of Ayr. He left wife and

home because of the calling of the sea. But when he was again in the far

isles, where he had lived formerly, he was well once more. Another man

heard the sobbing of the tide among seaweed whenever he dug in his

garden: and gave up all, and even the woman he loved, and left. She won

him back, by her love; but on the night before their marriage, in that

inland place where her farm was, he slipt away and was not seen again.

Again, there was the man of whom I have spoken in "Iona," who went to

the mainland, but could not see to plough because the brown fallows

became waves that splashed noisily about him: and how he went to Canada

and got work in a great warehouse, but among the bales of merchandise

heard continually the singular note of the sandpiper, while every hour

the sea-fowl confused him with their crying.

I have myself in lesser degree, known this irresistible longing. I am

not fond of towns, but some years ago I had to spend a winter in a great

city. It was all-important to me not to leave during January; and in one

way I was not ill-pleased, for it was a wild winter. But one night I

woke, hearing a rushing sound in the street--the sound of water. I would

have thought no more of it, had I not recognised the troubled noise of

the tide, and the sucking and lapsing of the flow in weedy hollows. I

rose and looked out. It was moonlight, and there was no water. When,

after sleepless hours, I rose in the grey morning I heard the splash of

waves. All that day and the next I heard the continual noise of waves. I

could not write or read; at last I could not rest. On the afternoon of

the third day the waves dashed up against the house. I said what I could

to my friends, and left by the night train. In the morning we (for a

kinswoman was with me) stood on Greenock Pier waiting for the Hebridean

steamer, the _Clansman_, and before long were landed on an island,

almost the nearest we could reach, and one that I loved well. We had to

be landed some miles from the place I wanted to go to, and it was a

long and cold journey. The innumerable little waterfalls hung in icicles

among the mosses, ferns, and white birches on the roadsides. Before we

reached our destination, we saw a wonderful sight. From three great

mountains, their flanks flushed with faint rose, their peaks, white and

solemn, vast columns of white smoke ascended. It was as though volcanic

fires had once again broken their long stillness. Then we saw what it

was: the north wind (unheard, unfelt, where we stood) blew a hurricane

against the other side of the peaks, and, striking upon the leagues of

hard snow, drove it upward like smoke, till the columns rose gigantic

and hung between the silence of the white peaks and the silence of the

stars.

That night, with the sea breaking less than a score yards from where I

lay, I slept, though for three nights I had not been able to sleep. When

I woke, my trouble was gone.

It was but a reminder to me. But to others it was more than that.

I remember that winter for another thing, which I may write of here.

From the fisherman's wife with whom I lodged I learned that her daughter

had recently borne a son, but was now up and about again, though for

the first time, that morning. We went to her, about noon. She was not in

the house. A small cabbage-garden lay behind, and beyond it the mossy

edge of a wood of rowans and birches broke steeply in bracken and

loneroid. The girl was there, and had taken the child from her breast,

and kneeling, was touching the earth with the small lint-white head.

The Works of "Fiona Macleod", Volume IV · 第 13 / 19 段