CHAPTER III.

1500 TO 1600 98

French epics and the Renaissance--Venice and Aldus Manutius--Italian

illustrators--The Germans; _Theuerdanck_, Schäufelein--The Book in

other countries--French books at the beginning of the century, before

the accession of Francis I.--Geoffroy Tory and his works--Francis

I. and the Book--Robert Estienne--Lyons a centre of bookselling;

Holbein's Dances of Death--School of Basle--Alciati's emblems and

the illustrated books of the middle of the century--The school of

Fontainebleau and its influence--Solomon Bernard--Cornelis de la Haye

and the _Promptuaire_--John Cousin--Copper plate engraving and metal

plates--Woériot--The portrait in the Book of the sixteenth century--How

a book was illustrated on wood at the end of the century--Influence

of Plantin on the Book; his school of engravers--General

considerations--Progress in England--Coverdale's Bible--English

printers and their work--Engraved plates in English books.

The Printed Book: Its History, Illustration and Adornment From the Days of Gutenberg to the Present Time · 第 3 / 12 章