IT pleased her to step in front and sit
Where the cragged slope was green,
While I stood back that I might pencil it
With her amid the scene;
Till it gloomed and rained;
But I kept on, despite the drifting wet
That fell and stained
My draught, leaving for curious quizzings yet
The blots engrained.
And thus I drew her there alone,
Seated amid the gauze
Of moisture, hooded, only her outline shown,
With rainfall marked across.
—Soon passed our stay;
Yet her rainy form is the Genius still of the spot,
Immutable, yea,
Though the place now knows her no more, and has known her not
Ever since that day.
_From an old note_.
“WHY DID I SKETCH”
WHY did I sketch an upland green,
And put the figure in
Of one on the spot with me?—
For now that one has ceased to be seen
The picture waxes akin
To a wordless irony.
If you go drawing on down or cliff
Let no soft curves intrude
Of a woman’s silhouette,
But show the escarpments stark and stiff
As in utter solitude;
So shall you half forget.
Let me sooner pass from sight of the sky
Than again on a thoughtless day
Limn, laugh, and sing, and rhyme
With a woman sitting near, whom I
Paint in for love, and who may
Be called hence in my time!
_From an old note_.