THE STORY THAT THE SWALLOW TOLD.

That garden and that bungalow was a continual source of delight to young

Harry. All the improvements which he was constantly carrying out inside

the room itself, he planned and executed without assistance, but Andrew

the joiner used to come up of an evening pretty frequently, and give him

advice about the garden. So it flourished, and was very beautiful.

Andrew was often out and about the country doing odd jobs at the

residences of the gentry, and whenever he could beg a root of some rare

plant or flower he did so, and brought it straight home to the young

laird, as he called Harry.

And Harry would give him snuff.

Not, mind you, that it was for sake of the snuff that Andrew did these

little kindnesses to Harry. Truth is he dearly loved the boy.

A harum-scarum sort of a young man was Andrew, and there were people in

the parish who said he was only half-witted, but this was all nonsense.

Andrew came out with droll sayings at times--he was an original, and

that is next door to a genius; but the truth is he had more wit and a

deal more brains than many, or most of his detractors.

Andrew was tall and lank, and not an over-graceful walker, but he had a

kind face of his own and black beads of eyes, round which smiles were

nearly always dancing, and it did not take much to make Andrew laugh

right out. A right merry guffaw it was too. Sometimes it made the dogs

bark, and the cocks all crow, and the peacock scream like a thousand

cats all knocked into one. That is the kind of young man Andrew was.

He came from the low country, and spoke a trifle broad. But that did

not matter, his heart was as good as any Highlander's.

Harry and his friend frequently went to the forest together, but never

again near Towsie's gate, because the boy had promised not to tease the

bull any more. A promise is a sacred thing, and Harry knew this. The

boy had a hundred friends in the forest. Yes, and far more.

For he loved nature.

And there was not a bush or tree he did not know all about: when they

budded, when they broke into leaf, and even when those leaves would fade

and fall and die.

There was not a flower he did not know, nor a bird he could not

recognise by name, by note or song, by its nest or by its eggs.

He was no wanton nest-robber, though; a boy who is so has no manliness

or fairness or gentlemanly feeling about him. Harry never robbed a

nest, but more than once he pitched into other boys for doing so, and

fought sturdy battles in the forest in defence of his friends the birds.

Did you ever notice, dear reader, what a sweet sweet song that of the

house-martin is? With its coat of dusky black, the little crimson blush

on its breast, and its graceful form, the martin is a charming bird

altogether. But its song is to my ears ineffably sweet.

It is not a loud song, and the bird always sits down to sing. It is not

loud for this reason: away in the wilds of Africa, where this birdie

frequently goes, there are so many enemies about that to sing very

loudly would lead to the discovery of its whereabouts, and it would

probably be killed and devoured.

For this very reason many of the birds in Africa sing not at all. Gay

and lovely are they even as the flowers, the glorious flowers that adorn

the hillside and forest and plain, but silently they flit from bough to

bough.

One evening Harry was seated on his sofa, or rather he was half

reclining thereon, reading a volume of his favourite poet--Campbell, I

think. It was very still and quiet. His little window, round which the

roses and the clematis clung, was open, and the sweet breath of flowers

floated in with the gentle breeze.

It was so still and silent that Harry could hear the soft foot-fall of

Eily the collie, as she came along the gravelled path towards the

bungalow door.

"Come, in Eily," he said, "and lie down, I'm reading."

"Oh?" he added, as he looked up, "what have you in your mouth? A bone?"

Eily advanced, and put her chin ever so gently on, her young master's

knee.

No, it was not a bone, but a bird, a lovely martin.

Not a tooth had Eily put in it, not a feather had she ruffled, and

hardly had she wetted its plumage.

Harry took it tenderly in his hand.

"Where did you get it, Eily? In the loft?"

Eily wagged her tail.

Swift as lightning though they may fly out of doors, no bird is more

easily captured inside than the house-martin. If found in a loft they

appear to lose presence of mind at once, and after flying about for a

short time usually alight against the glass. When one is taken its

little heart may be felt beating against the hand, as if it verily would

break.

And no wonder.

Fancy, reader, how you should feel were you captured by some great ogre,

taller than a steeple, and carried away, expecting death every minute.

"Give it to me, Eily. Give it quick. I hope you haven't draggled its

plumage very much. Now shut the door."

Eily went and did as she was told. [It is very seldom a dog is taught

this trick, but it is a very handy one.--G.S.]

Harry admired it for a little while. Then he gently kissed its brow.

Its wee beak was half upturned, and its black beads of eyes appeared to

look appealingly at him.

"What are you going to do with me?" it seemed to ask. "Are you going to

kill me, or swallow me alive as we martins do the flies?"

"_I'm_ not going to harm you a bit," said Harry.

"I'm only going to hold you in my hand for a short time to admire you.

How soft and warm you feel, and what a pretty dusky red patch you have

on your breast! I've often listened to your song as you sat on the

apple tree. But why do you sing so soft and low?"

"Because," replied the bird, talking with its eyes--at least Harry

thought he could read the answer there--"because in our country if we

sang too loudly our enemies would hear us and come and kill us."

"And who are your enemies?"

"Big birds with terrible claws and beaks, that want to fly at us and

devour us. And terrible snakes that glide silently up the branches on

which we are perched, and sometimes strike us dead, as quick as a

lightning's flash."

"And I suppose you _must_ sing?"

"Oh yes, we must sing, because we are so very happy, and we love each

other so."

"And why are your wings and back so dusky and dark?"

"That our enemies may not see us."

"But I've read," said Harry, "that many tropical birds were all bright

and gay with colours of every hue."

"Oh yes, so they are, but then these live all their lives among flowers

as gorgeous in colour as they themselves are, and so their enemies

mistake them for the flowers among which they dwell."

"Do you come from a very far-off land?"

"_Yes_, a very very far-off land."

"And is it very beautiful there?"

"Very _very_ beautiful."

"I _would_ like to go to that far-off beautiful land. How do you get

there?"

"We fly."

"Yes, I know, but I can't, though I once tried I made a pair of wings

out of an old umbrella; they were so awkward, though, and would not

work.

"But I meant," continued Harry, "which way do you go?"

"Southward and southward and southward, and westward and westward and

southward again."

"What a funny road! I should get dead tired before I was halfway."

"So do we: then we look about for a ship or a rock, if at sea, and

alight to rest."

"And aren't you afraid the sailors may shoot you?"

"Oh no; for sailors do so love to see us on the yards. [How true!

G.S.] They dearly love us. We remind them of England and their cottage

homes and their wives and little ones, and of apple orchards and flowery

meadows and crimson poppies in the fields of green waving corn, and all

kinds of beautiful things."

"No wonder they love you!"

"Yes; they do so love us; I've seen the tears start to the eyes of

little sailor lads as they gazed at us. And I know the men tread more

lightly on the deck for fear of scaring us away."

"And when rested you just go on again?"

"Yes, on and on and on."

"I should lose my head."

"We don't--something seems to guide us onward."

"I suppose you see some terrible sights? Have you seen a shipwreck?

_I_ should like to."

"Oh no, no, you would not. If you once saw a shipwreck, or a ship

foundering at sea, you would never never forget it."

"Tell me."

"I cannot. No one could. But somehow it is usually at night we witness

these awful scenes. I have seen a ship sailing silently over the

moonlit water, the yellow light streaming from her ports, and I have

heard the sounds of music and laughter, and the voices of glad children

at play. And I have seen the same vessel, but a short hour after,

drifting on in the darkness to the pitiless rocks before a white squall.

Ah! white was the squall, white were the waves, but not more white than

the scared, dazed faces of those poor shrinking, moaning beings who

rushed on deck when she struck."

"What did you do?"

"Flew away. Just flew away."

"Tell me more."

"What shall I tell you of?"

"About your own bright home in the far-off land."

"Shall I speak to you of the coralline sea that laves the tree-fringed

shores of Africa?"

"Yes, yes, tell me of that."

"Rippling up through the snakey roots of the mangrove trees, bathing the

green branches that stoop down to kiss them--oh! 'tis a lovely sea, when

the great sun shines, and the cyclone and squall are far away, calm and

soft and blue. Yet not all blue, for on the coral flats it is a tender

green, and grey where the cloud shadows fall on it. But all placid, all

warm and dreamy as if fairies dwelt in caves beneath. Then the little

green islands seem to float above the sea as if only just let down from

heaven.

"Sometimes great sharks float upwards from the dark depths beneath, and

bask on the surface with their fins above the water, and white sea-gulls

come and perch upon them just as starlings do on sheep at home."

"How strange! Don't the sharks try to kill the birds?"

"No, they like it, and I think the birds sing to them and lull them to

sleep, or that they tell them tales of far-off lands as I am speaking

now to you.

"But on the coral reefs, where the sea, at a distance, looks so sweetly

green, if you were there in a boat and looked away down to the bottom,

oh! what a sight would be spread out before you! A garden of shrubs and

waving flowers more lovely than anything ever seen on land."

"How I should like to go there! But the interior of Africa is very

gorgeous too, is it not?"

"Yes, to us who can fly quickly from place to place, through flowery

groves, where birds and blossoms vie with each other in the beauty of

their colours, where the butterflies are like fans, of crimson and green

where the very lizards and every creeping thing, are adorned with

rainbow tints and ever-changing bright metallic sheen."

"There are dark corners, though, in this strange land of yours, are

there not?"

"Yes, dark, dark corners; but I must not tell you of these, of the deep

gloomy forest, where the gorilla howls, and wretched dwarfs have their

abode, or of the great swamp lands in which the dreadful crocodile and a

thousand other slimy creatures dwell, and where, in patches of forest,

the mighty anacondas sleep. Nor of the wondrous deserts of sand, nor of

the storms that rise sometimes and bury caravans of camels and men

alive. No, we swallows think only of the beauty of our African home, of

its roaring cataracts, its wooded hills, its peaceful lakes and broad

shining rivers, and of the glorious sunshine that gladdens all.

"But now I must go. Pray let me free. I have much to do before the

summer is over, and that kind something beckons me back again--back to

the land of the sun."

"Go, birdie, go, and some day I too will take my flight to the Land of

the Sun."

Book 1--CHAPTER SIX.

Harry Milvaine; Or, The Wanderings of a Wayward Boy · 第 8 / 48 题