THE DINING-ROOM.

Is there any thing more musical to the ear of the time-sick lounger at a

fashionable watering-place than the dinner-bell? Talk of the melody of

running streams, the sighing of summer winds, the carol of forest birds!

they may be all very pleasant sounds in certain moods of the mind, but

for a music which never fails to please, a sound which never falls

wearily upon the senses, a voice which is never uttered to a listless

ear, commend me to that dinner-bell. The dullest face brightens into

something like intelligence, the most confirmed valetudinarian forgets

all elegant debility, the most intellectual remember the pressing claims

of the physical man, and the most refined of women venture to look

somewhat interested in the vulgar duty of dining. The saloon was crowded

with company all eager for the summons which was to transform them into

eating animals.

“Pray why,” said a gentleman who was somewhat famous for puns,

conundrums and such little witticisms, preferring as it seemed to shoot

the “rats and mice and such small deer” of literature, because he could

draw a _long_ rather than a _strong_ bow; “Pray,” said he in that half

suppressed voice which, like a theatrical aside, is sure to be

distinctly heard in a crowd, “why is this saloon like the President’s

levee? do ye give it up? why it is filled with a crowd of _hungry

expectants_! ha! ha! ha!”

The joke would have been excellent as an after dinner speech, but the

audacity of uttering an idle jest while so many persons were keenly

alive to one of the sufferings of frail humanity, was very properly

punished. No body laughed, and, to his infinite regret, the great Mr.

—— saw that he had wasted his wit. The first stroke of the second bell

brought all to their feet, as suddenly as if they had been subjected to

the power of a galvanic battery. Cecil Forrester, attired with unusual

care, all the lurking dandyism of his character fully but not

offensively displayed, had been one of the first in the saloon,

determined to give Miss Oriel a lesson in indifference. But she did not

appear, and, as the band struck up a march, the usual signal for

deploying into the dining-room, he took the hand of his neighbor, who

happened to be a very pretty woman, and followed the somewhat rapid pace

of the procession.

The important business of the dinner-table was half finished: the soup,

the fish, even the joints had disappeared, and the voracity of the

_élégants_ had given place to fastidiousness as they amused themselves

with a bit of _ris de veau glacé_ or a _petit pâte de Périgord_, when a

slight bustle at the door attracted universal attention. A dumpy,

over-dressed old lady, leaning on the arm of a delicate, fair-haired

girl, entered with that fussy manner so characteristic of an

out-of-place feeling, while, immediately following her, with a

complexion as cool and fresh as marble, if one could only imagine marble

tinged with the rose-tint of youth and health—a complexion such as

nothing but a morning bath can give—came the elegant Miss Oriel. There

was the very perfection of art in her whole appearance. She had chosen

for her entrance the moment when the fierce appetites of those who eat

to kill time (and sometimes end by killing themselves) were sufficiently

appeased to enable them to admire something else beside the reeking

dishes. Among the heated and flushed beauties who sat around the table,

with relaxed ringlets and moistened brows, she appeared like some fairy

of the fountain, some water nymph fresh from her sub-marine grotto,

diffusing about her a cool and refreshing atmosphere as she moved

gracefully onward. Her dress was white transparent muslin, which

displayed rather than veiled the fine form of her arms, while her neck

and shoulders, actually dazzling in their snowy hue and polish, were

only shadowed by a single jet-black ringlet, which seemed to have

accidentally fallen from the clustering mass gathered at the back of her

head. A pale, pearl-like japonica was her only ornament. As she slowly

paced the length of the hall to a seat near the head of the table,

reserved for her by a well-bribed waiter, a murmur of admiration ran

through the apartment. All eyes were fixed upon her, and she knew better

than to break the spell of her fascinations by condescending to the

vulgar taste for eating; (a brace of woodcock had been sent to her room

only an hour previous.) Mrs. Oriel, who seemed determined to make amends

for past delay by present haste, sent her plate to be filled and

re-filled; but her daughter only trifled with some delicate French

combination of odor and tastelessness, and finished the meal by a morsel

of _Charlotte au russe_ and Vanilla cream. A glass of iced _eau sacré_

was her only beverage, and she was thus enabled to retain her cool fresh

tint even in the heated atmosphere so redolent of spices, and gravies,

and vinous distillations.

It was not until just before quitting the table that Miss Oriel allowed

herself to see any one in the room. She raised her large soft eyes

languidly and beheld, what she had for some time known, that her young

friend Ellen was familiarly chatting with Cecil Forrester. A graceful

bend of her fair neck and a most lovely smile marked her consciousness

of his presence, while Cecil, with a polite but rather careless bow

continued his conversation with Miss Grey; being incited to show her

peculiar attention by his consciousness that she, as well as himself,

was designed to be the tool of the selfish beauty. Miss Oriel was too

well schooled to exhibit any surprise at his cool manner, and as her

principal object was to attract the attention of Mr. Beauchamp, she gave

herself no further thought about the matter at that time.

Mr. Fitzroy Beauchamp, by a kind of “_gramerye_” which some ignorant

people might call _impudence_, had early established himself at the head

of the table, and assumed the manners of a host upon all occasions. He

was in fact that most admired, and courted, and flattered of men—the

Beau (_par excellence_) of a watering-place. Reader, if you have ever

seen such a person in such circumstances you will be able to imagine his

appearance, for he was only one of a rather numerous tribe of ephemera,

who appear every summer and waste their little lives in some fashionable

resort, whence they vanish with the first northeast wind, and if they do

not die, at least evaporate in something like empty air. Mr. Fitzroy

Beauchamp (he was very proud of his name, and was known to have refused

to dance in the same cotillion with Miss Phebe Pipkin, until his refined

taste was soothed by the intelligence that she was the heiress of half a

million) was rather diminutive in size, with a remarkably trim figure,

and very small feet. He had flaxen hair, elaborately curled, which no

one would have suspected to be a wig; and he wore the softest and

silkiest of whiskers, which nobody dreamed were an appendage of the self

same wig, ingeniously contrived to clasp with springs beneath his chin.

His cheek had that delicate peach bloom which rarely outlasts extreme

youth, and, in this case, certainly owed much of its richness to a

judicious touch of the hare’s foot. His hands were very white and loaded

with rings, the gifts, as he asserted, of various fair ladies; so that

he might be said to have the history of his conquests at his fingers’

ends. He wore a black dress coat lined with white silk, snow-white

inexpressibles, embroidered silk stockings, and pumps diminutive enough

to have served for a lady’s slippers. Mr. Fitzroy Beauchamp was what

ladies call “a love of a man,” and he was duly grateful for their

partiality. To conceal the ravages of time (alas! he had already

numbered half a century) and to decorate himself in the most pleasing

manner he considered a compliment due to the fair sex, while the proper

display of his wealth and luxury was a duty he owed to himself.

He had been wonderfully attracted by the grace and beauty of Miss Oriel.

Absorbed in admiration of her easy and modest self-possession, he forgot

to ask his former favorite, the pretty and _spirituelle_ Mrs. Dale, to

take wine with him, and the lady was quick-sighted enough to discover,

and wise enough to smile at the discovery that henceforth her reign over

the tilbury was at an end. She was quite right. Soon after dinner Mr.

Beauchamp solicited from Cecil Forrester the honor of an introduction to

Miss Oriel, and though Cecil would have been ready to fight a duel with

a fellow who should thus have presumed after a three days’ acquaintance,

had the lady been one whom he really respected, yet he now cordially

acquiesced in the wishes of both parties, and with a degree of

magnanimity quite surprising to Laura, afforded her exactly the

opportunity she had desired. About twenty minutes before sunset—the

hour Mr. Beauchamp usually selected for his daily drive—Miss Oriel was

handed into the elegant vehicle, and they drove off, leaving several

gentlemen in ecstasies at her beauty as she playfully kissed her hand to

her dear old fat Mamma, who had bustled out with “my sweet Laura’s

cashmere, lest the evening air should injure her delicate health.” Her

fears were quite unnecessary. Mr. Beauchamp never drove his horses more

than three miles at a time, and had no fancy for hardening his white

hands by curbing their impetuosity. He was seldom absent more than half

an hour, as his ambition was fully gratified by being envied as he drove

off, or dashed up to the door with the best horses before his carriage

and the most admired woman at his side.

Graham's Magazine, Vol. XX, No. 6, June 1842 · 第 47 / 58 题