Vol. I, _Primi Saggi_, 1919. ("Early Essays.")

The following volumes are not included in the Laterza edition of

Croce's works:

_Cultura e vita morale_, Bari, 1914. ("Culture and Moral Life.")

_Aneddoti e profili settecenteschi_, Palermo, 1914. ("Anecdotes and

Profiles of the Eighteenth Century.")

_Contributo alla critica di me stesso_, Naples, 1918. ("Contribution

to a Criticism of Myself"; one hundred copies printed for private

distribution.)

_Curiosità storiche_, Naples, 1920. ("Historical Curiosities.")

_Pagine Sparse_, edited by G. Castellano, Naples, 1919-1920.

("Scattered Pages," consisting of _Pagine di letteratura e di cultura_,

2 vols.; _Pagine sulla guerra_; and _Memorie, scritti biografici e

appunti storici_.)

A complete bibliography, cataloguing the whole of Croce's multifarious

activity, is outside the scope of this note. The nearest approach to it

can be found in G. Castellano's _Introduzione alle opere di B. Croce_,

Bari, 1920, which contains, besides, a full list of translations in

eight languages, a bibliography of the Italian and foreign critical

literature on Croce, and a very useful series of abstracts of

discussions and judgments on Croce's work.

Besides articles and essays in American and English magazines and

reviews, the following works of Croce have been translated into

English: the four volumes of the _Filosofia dello Spirito_, the essay

on Hegel, the _Essence of Æsthetics_, and the essays on _Ariosto,

Shakespeare, and Corneille_, by Douglas Ainslie; the essay on Vico, by

R. G. Collingwood, and the essays on Historical Materialism, by C. M.

Meredith. But the English or American student of Croce ought to rely

as little as possible on translations; the reading of the Italian text

will be found comparatively easy, on the basis of a good acquaintance

with Latin or with French. The labour entailed by the surmounting

of the first difficulties will be largely repaid by the advantages

gained in coming into direct contact with Croce's thought, and by the

acquisition of at least a reading knowledge of Italian.

For the vast critical literature on Croce, scattered through the

literary and philosophical reviews of Europe and of America during

the last twenty years, we are compelled again to refer the reader to

Castellano's book. We shall only mark out Croce's own autobiographical

notes, the Contributo listed above, which, however, having been printed

for private circulation only, is not generally accessible except in

the French translation printed in the _Revue de Métaphysique et de

Morale_, XXVI, pp. 1-40. The following are the only books which give

a general view of Croce's thought: G. Prezzolini, _Benedetto Croce_,

Naples, 1909; E. Chiocchetti, _La filosofia di B. Croce_, Florence,

1915; H. Wildon Carr, _The Philosophy of B. Croce_, London, 1917. The

first is an able, but very cursory sketch; the second examines Croce's

philosophy from the standpoint of neoscholasticism; the third is an

ample summary written by a distinguished writer well acquainted with

the various currents of modern thought. Each of them ought to be read

with a critical and discriminating eye.

In the English-speaking world, Croce's fame rests emphatically on his

æsthetics, and its applications to literary criticism. His influence

on English and American critical thought has already gone much deeper

than a mere list of writings on his theories would show; especially in

England, his ideas are, so to speak, in the air, and appear in many

writers who have no direct knowledge of his work. The best exposition

of this phase of his philosophy is to be found in E. F. Carritt's

book, _The Theory of Beauty_, 1914, chap. XIV. The writings of A. B.

Walkley, and of J. E. Spingam, contain the most vigorous prosecution

of his thought as applied, respectively, to English and to American

scholarship and criticism.

For the general history of Italian thought, to which many a reference

is made in the course of this book, the best helps, besides Croce's

essay on Vico, and B. Spaventa, _La filosofia italiana_, recently

reprinted, Bari, 1909, are the historical works of Giovanni Gentile,

and especially his _Storia della filosofia italiana_, Milano, n.

d. Gentile is one of the most profound and earnest modern European

thinkers, and it is desirable that his theoretical works, similar in

tendency to, but widely divergent in temper from those of Croce, should

become better known to the Anglo-Saxon world. Two of his books, _La

Riforma dell' Educazione_ and _Teoria generale dello Spirito_, are soon

to appear in English. Croce's judgment on Gentile's Actual Idealism is

expressed in _Una discussione tra filosofi amici_, in _Conversazioni

Critiche_, II, pp. 67-95. But a complete understanding of the vital

relations between the two thinkers can be gathered only through an

adequate knowledge of both Croce's and Gentile's work.

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