Crayons
of all Whatman
Descriptions. Boards.
Gillott’s Reeves’ M
Pens. Boards.
Stumps. Bristol Boards.
Reeves’ Black & White
Sable Boards.
Brushes.
Gillot Papers.
Pyramid Papers.
REEVES’ ARTISTS’ BLACK,
FIXED ARTISTS’ BLACK,
FIXED INDIAN INK,
AND EBONY STAIN
IN BOTTLES.
Artists’ Black, in Tubes, Pans, and Sticks.
REEVES’ CHINESE WHITE.
“_The best I have ever used._”—DUDLEY HARDY.
PHOTO-ENGRAVERS
BY ALL THE LATEST PROCESSES.
HARE & CO., Ltd.,
21, Essex Street, Strand,
LONDON.
SEND FOR SAMPLES.
Established a Quarter Century 3, Ludgate Circus Buildings.
1st January, 1894. London, E.C.
[Illustration]
BUSINESS is conducted nowadays on many different principles. Ours
is to supply only the highest class of artistic engraving of every
description at the lowest price admitting of fair payment to all
concerned in its production. All special methods are within our scope,
and will be employed when called for by the exceptional requirements of
any order entrusted to us.
SWELLED GELATINE PHOTO-RELIEF BLOCKS.
Wax Engravings of Maps, Diagrams, &c.
PHOTOGRAVURE INTAGLIO PLATES.
WATERLOW & SONS,
LIMITED,
_Photographic Art Printers and Engravers,_
FINSBURY WORKS, LONDON, E.C.
Photo-Zincography.
Photo-Lithography.
Photo-Mechanical Printing.
_Collotype._—Hand and Machine Printing for Art
Publications, Scientific and Antiquarian
Periodicals, Machinery, Landscapes, Portraits,
Pottery, Furniture Designs, Trade Advertisements,
&c. The superior results given by this process, and
the rapidity and cheapness by which the prints are
produced, together with the advantage of printing
with or without margins, place it in the first rank
of processes for commercial purposes.
MESSRS. WATERLOW & SONS, LIMITED, have given this
branch of the Photo-Printing Department special
facilities for the production of good work, and
have introduced the most perfect machinery and
plant obtainable.
_Woodbury Prints._—High-class permanent copies,
equal in appearance to the best Silver Prints, of
Portraits, Landscapes, Furniture, Pottery, &c.
Prints may be obtained in almost any colour from
Customers’ own Negatives, or from the original
objects. These reproductions are specially suitable
for Portrait work, and are valuable for every
description of Artistic or Commercial Illustrations.
_Photo-Binco Engraving._—Blocks for Surface Printing,
from Line and Grained-paper Drawings, Steel
and Copper Plates, Wood Engravings, &c., &c.
Letter-press Blocks in “Half-tint” (stipple or
dot) direct from Photographs from Nature, without
drawing.
Accurately registered Blocks for Chromographic
Printing. Intaglio Engraving in Line and Half-tone
on Copper and Zinc.
The greatest care and skill is employed in the
production of these Blocks, and the results are the
finest which it is possible to obtain.
The new and extensive Photographic Works being fitted
with Modern Appliances, Machinery, Electric
Lighting, &c., rapid and accurate work is always
obtainable, irrespective of weather or season.
PRICE LISTS, ESTIMATES, and full particulars on application.
WATERLOW & SONS, Limited, Finsbury Works, E.C.
ART PUBLICATIONS
THE THEORY AND PRACTICE OF DESIGN. An advanced
Text-book on Decorative Design. Being a sequel
to the Author’s “Lessons on Decorative Design.”
By FRANK G. JACKSON. With 700 Illustrations.
Large crown 8vo. 9_s._
A TEXT-BOOK OF ELEMENTARY DESIGN. By RICHARD G.
HATTON, Durham College of Science. Fully
Illustrated. Crown 8vo. 2_s._ 6_d._
EGYPTIAN ART. By CHARLES RYAN, late Head
Master of the Ventnor School of Art. With 56
Illustrations. Crown 8vo. 2_s._ 6_d._
THE STREET OF HUMAN HABITATIONS. By Mrs. RAY S.
LINEHAM. Fully Illustrated. Crown 8vo. 6_s._
ELEMENTARY ART TEACHING. By EDWARD R. TAYLOR,
Head Master of Birmingham Municipal School of
Art. With over 600 Diagrams and Examples. Second
Edition. 8vo. 10_s._ 6_d._
PRINCIPLES OF ORNAMENT. By JAMES WARD. Edited
by G. AITCHISON, A.R.A. Fully Illustrated.
Crown 8vo. 7_s._ 6_d._
ELEMENTARY PRINCIPLES OF ORNAMENT. By JAMES
WARD, Head Master of the Macclesfield School
of Art. 8vo. 5_s._
SCIOGRAPHY; or, Parallel and Radial Projection of
Shadows. Being a Course of Exercises for the use of
Students in Architectural and Engineering Drawing,
and for Candidates preparing for the Examinations
in this subject and in Third Grade Perspective
conducted by the Science and Art Department. By
ROBERT PRATT. With numerous Plates. Oblong
4to. 7_s._ 6_d._
WOOD-CARVING IN PRACTICE AND THEORY, as applied to the
Home Arts, with Notes on Design having Special
Application to Carved Wood in Different Styles.
By FRANÇOIS LOUIS SCHAUERMANN. Preface
by WALTER CRANE. With 124 Illustrations.
Second Edition. 8vo. 5_s._
DECORATIVE DESIGN. An Elementary Text-book of
Principles and Practice. By F. G. JACKSON.
Fully Illustrated. Second Edition. Large crown 8vo.
7_s._ 6_d._
HANDBOOK OF PERSPECTIVE. By H. A. JAMES, M.A.
Cantab. With 75 Diagrams. Crown 8vo. 2_s._ 6_d._
LIFE IN ANCIENT EGYPT AND ASSYRIA. By G.
MASPÉRO. Translated by A. P. MORTON.
With 188 Illustrations. Third Thousand. Crown 8vo.
5_s._
RAPHAEL: His Life, Works, and Times. By EUGENE
MUNTZ. Imperial 8vo. 25_s._
TEN LECTURES ON ART. By E. J. POYNTER, R.A.
Third Edition. Large crown 8vo. 9_s._
THE SCULPTOR AND ART STUDENT’S GUIDE to the Proportions
of the Human Form, with Measurements in feet and
inches of Full-Grown Figures of Both Sexes and of
Various Ages. Translated by J. J. WRIGHT.
Plates reproduced by J. SUTCLIFFE. Oblong
Folio. 31_s._ 6_d._
OUTLINES OF HISTORIC ORNAMENT. By G. REDGRAVE.
Translated from the German. Edited by G.
REDGRAVE. Crown 8vo. 4_s._
THE CHARACTERISTICS OF STYLES. An Introduction to the
Study of the History of Ornamental Art. By R.
N. WORNUM. Ninth Edition. Royal 8vo. 8_s._
THE MYTHOLOGY OF GREECE AND ROME, with Special
Reference to its Use in Art. From the German.
Edited by G. H. BIANCHI. 64 Illustrations.
New Edition. Crown 8vo. 5_s._
G. PERROT and C. CHIPIEZ.
A HISTORY OF ANCIENT ART IN GREECE. With about 500
Illustrations. 2 vols.
A HISTORY OF ANCIENT ART IN PHŒNICIA, CYPRUS, AND
ASIA MINOR. 500 Illustrations. 2 vols. Imperial
8vo. 42_s._
A HISTORY OF ART IN ANCIENT EGYPT. With 616
Illustrations. 2 vols. Imperial 8vo. 42_s._
A HISTORY OF ART IN CHALDÆA AND ASSYRIA. With 452
Illustrations. 2 vols. Imperial 8vo. 42_s._
A HISTORY OF ANCIENT ART IN SARDINIA, JUDÆA, SYRIA,
AND ASIA MINOR. With 395 Illustrations. 2 vols.
Imperial 8vo. 36_s._
A HISTORY OF ANCIENT ART IN PERSIA. With 254
Illustrations, and 12 Steel and Coloured Plates.
Imperial 8vo. 21_s._
A HISTORY OF ANCIENT ART IN PHRYGIA-LYDIA AND
CARIA-LYCIA. With 280 Illustrations. Imperial 8vo.
15_s._
LONDON: CHAPMAN & HALL, LD.