III.

After the sad fate of Rover, there came a long interval in which we had

no dog. Our hearts were too sore to want another. His collar, tied with

black crape, hung under a pretty engraving of Landseer’s, called “My

Dog,” which we used to fancy to be an exact resemblance of our pet.

The children were some of them grown up and gone to school, or scattered

about the world. If ever the question of another dog was agitated, papa

cut it short with, “I won’t have another; I won’t be made to feel again

as I did about Rover.” But somehow Mr. Charley the younger got his eye on

a promising litter of puppies, and at last he begged papa into consenting

that he might have one of them.

It was a little black mongrel, of no particular race or breed,—a mere

common cur, without any pretensions to family, but the best-natured,

jolliest little low-bred pup that ever boy had for a playmate. To be

sure, he had the usual puppy sins; he would run away with papa’s slippers

and boots, and stockings; he would be under everybody’s feet, at the

most inconvenient moment; he chewed up a hearth-broom or two, and pulled

one of Charley’s caps to pieces in the night, with an industry worthy of

a better cause;—still, because he was dear to Charley, papa and mamma

winked very hard at his transgressions.

The name of this little black individual was Stromion—a name taken from

a German fairy tale, which the Professor was very fond of reading in the

domestic circle; and Stromion, by dint of much patience, much feeding,

and very indulgent treatment, grew up into a very fat, common-looking

black cur dog, not very prepossessing in appearance and manners, but

possessed of the very best heart in the world, and most inconceivably

affectionate and good-natured. Sometimes some of the older members of the

family would trouble Charley’s enjoyment in his playfellow by suggesting

that he was no blood dog, and that he belonged to no particular dog

family that could be named. Papa comforted him by the assurance that

Stromion did belong to a very old and respectable breed,—that he was a

_mongrel_; and Charley after that valued him excessively under this head;

and if any one tauntingly remarked that Stromion was only a cur, he would

flame up in his defence,—“He isn’t a cur, he’s a mongrel,” introducing

him to strangers with the addition to all his other virtues, that he was

a “pure mongrel,—papa says so.”

The edict against dogs in the family having once been broken down, Master

Will proceeded to gratify his own impulses, and soon led home to the

family circle an enormous old black Newfoundland, of pure breed, which

had been presented him by a man who was leaving the place, Prince was

in the decline of his days, but a fine, majestic old fellow. He had a

sagacity and capacity of personal affection which were uncommon. Many

dogs will change from master to master without the least discomposure.

A good bone will compensate for any loss of the heart, and make a new

friend seem quite as good as an old one. But Prince had his affections

quite as distinctly as a human being, and we learned this to our sorrow

when he had to be weaned from his old master under our roof. His howls

and lamentations were so dismal and protracted, that the house could not

contain him; we were obliged to put him into an outhouse to compose his

mind, and we still have a vivid image of him sitting, the picture of

despair, over an untasted mutton shank, with his nose in the air, and

the most dismal howls proceeding from his mouth. Time, the comforter,

however, assuaged his grief, and he came at last to transfer all his

stores of affection to Will, and to consider himself once more as a dog

with a master.

Prince used to inhabit his young master’s apartment, from the window of

which he would howl dismally when Will left him to go to the academy

near by, and yelp triumphant welcomes when he saw him returning. He was

really and passionately fond of music, and, though strictly forbidden the

parlor, would push and elbow his way there with dogged determination when

there was playing or singing. Any one who should have seen Prince’s air

when he had a point to carry, would understand why quiet obstinacy is

called doggedness.

The female members of the family, seeing that two dogs had gained

admission to the circle, had cast their eyes admiringly on a charming

little Italian greyhound, that was living in doleful captivity at a

dog-fancier’s in Boston, and resolved to set him free and have him

for their own. Accordingly they returned one day in triumph, with him

in their arms,—a fair, delicate creature, white as snow, except one

mouse-colored ear. He was received with enthusiasm, and christened

Giglio; the honors of his first bath and toilette were performed by

Mademoiselles the young ladies on their knees, as if he had been in

reality young Prince Giglio from fairy-land.

Of all beautiful shapes in dog form, never was there one more perfect

than this. His hair shone like spun glass, and his skin was as fine and

pink as that of a baby; his paws and ears were translucent like fine

china, and he had great, soft, tremulous dark eyes; his every movement

seemed more graceful than the last. Whether running or leaping, or

sitting in graceful attitudes on the parlor table among the ladies’

embroidery-frames, with a great rose-colored bow under his throat, he was

alike a thing of beauty, and his beauty alone won all hearts to him.

[Illustration]

When the papa first learned that a third dog had been introduced into

the household, his patience gave way. The thing was getting desperate;

we were being overrun with dogs; our house was no more a house, but a

kennel; it ought to be called Cunopolis,—a city of dogs; he could not and

would not have it so; but papa, like most other indulgent old gentlemen,

was soon reconciled to the children’s pets. In fact, Giglio was found

cowering under the bed-clothes at the Professor’s feet not two mornings

after his arrival, and the good gentleman descended with him in his arms

to breakfast, talking to him in the most devoted manner:—“Poor little

Giglio, was he cold last night? and did he want to get into papa’s bed?

he should be brought down stairs, that he should”;—all which, addressed

to a young rascal whose sinews were all like steel, and who could have

jumped from the top stair to the bottom like a feather, was sufficiently

amusing.

Giglio’s singular beauty and grace were his only merits; he had no

love nor power of loving; he liked to be petted and kept warm, but it

mattered nothing to him who did it. He was as ready to run off with a

stranger as with his very best friend,—would follow any whistle or any

caller,—was, in fact, such a gay rover, that we came very near losing

him many times; and more than once he was brought back from the Boston

cars, on board which he had followed a stranger. He also had, we grieve

to say, very careless habits; and after being washed white as snow,

and adorned with choice rose-colored ribbons, would be brought back

soiled and ill-smelling from a neighbor’s livery-stable, where he had

been indulging in low society. For all that, he was very lordly and

aristocratic in his airs with poor Stromion, who was a dog with a good,

loving heart, if he was black and homely. Stromion admired Giglio with

the most evident devotion; he would always get up to give him the warm

corner, and would sit humbly in the distance and gaze on him with most

longing admiration,—for all of which my fine gentleman rewarded him only

with an occasional snarl or a nip, as he went by him. Sometimes Giglio

would condescend to have a romp with Stromion for the sake of passing

the time, and then Stromion would be perfectly delighted, and frisk and

roll his clumsy body over the carpet with his graceful antagonist, all

whose motions were a study for an artist. When Giglio was tired of play,

he would give Stromion a nip that would send him yelping from the field;

and then he would tick, tick gracefully away to some embroidered ottoman

forbidden to all but himself, where he would sit graceful and classical

as some Etruscan vase, and look down superior on the humble companion who

looked up to him with respectful admiration.

Giglio knew his own good points, and was possessed with the very spirit

of a coquette. He would sometimes obstinately refuse the caresses and

offered lap of his mistresses, and seek to ingratiate himself with some

stolid theological visitor, for no other earthly purpose that we could

see than that he was determined to make himself the object of attention.

We have seen him persist in jumping time and again on the hard, bony

knees of some man who hated dogs, and did not mean to notice him, until

he won attention and caresses, when immediately he would spring down and

tick away perfectly contented. He assumed lofty, fine-gentleman airs with

Prince also, for which sometimes he got his reward,—for Prince, the old,

remembered that he was a dog of blood, and would not take any nonsense

from him.

Like many old dogs, Prince had a very powerful doggy smell, which was a

great personal objection to him, and Giglio was always in a civil way

making reflections upon this weak point. Prince was fond of indulging

himself with an afternoon nap on the door-mat, and sometimes when he rose

from his repose, Giglio would spring gracefully from the table where he

had been overlooking him, and, picking his way daintily to the mat, would

snuff at it, with his long, thin nose, with an air of extreme disgust.

It was evidently a dog insult, done according to the politest modes of

refined society, and said as plain as words could say,—“My dear sir,

excuse me, but can you tell what makes this peculiar smell where you have

been lying?” At any rate, Prince understood the sarcasm, for a deep angry

growl and a sharp nip would now and then teach my fine gentleman to mind

his own business.

Giglio’s lot at last was to travel in foreign lands, for his young

mistresses, being sent to school in Paris, took him with them to finish

his education and acquire foreign graces. He was smuggled on board the

Fulton, and placed in an upper berth, well wrapped in a blanket; and the

last we saw of him was his long, thin Italian nose, and dark, tremulous

eyes looking wistfully at us from the folds of the flannel in which he

shivered. Sensitiveness to cold was one of his great peculiarities. In

winter he wore little blankets, which his fond mistresses made with

anxious care, and on which his initials were embroidered with their own

hands. In the winter weather on Zion Hill he was often severely put to it

to gratify his love of roving in the cold snows; he would hold up first

one leg, and then the other, and contrive to get along on three, so as

to save himself as much as possible; and more than once he caught severe

colds, requiring careful nursing and medical treatment to bring him round

again.

The Fulton sailed early in March. It was chilly, stormy weather, so that

the passengers all suffered somewhat with cold, and Master Giglio was

glad to lie rolled in his blanket, looking like a sea-sick gentleman.

The captain very generously allowed him a free passage, and in pleasant

weather he used to promenade the deck, where his beauty won for him

caresses and attentions innumerable. The stewards and cooks always had

choice morsels for him, and fed him to such a degree as would have

spoiled any other dog’s figure; but his could not be spoiled. All the

ladies vied with each other in seeking his good graces, and after

dinner he pattered from one to another, to be fed with sweet things and

confectionery, and hear his own praises, like a gay buck of fashion as he

was.

Landed in Paris, he met a warm reception at the Pension of Madame B⸺; but

ambition filled his breast. He was in the great, gay city of Paris, the

place where a handsome dog has but to appear to make his fortune, and so

Giglio resolved to seek out for himself a more brilliant destiny.

One day, when he was being led to take the air in the court, he slipped

his leash, sped through the gate, and away down the street like the wind.

It was idle to attempt to follow him; he was gone like a bird in the air,

and left the hearts of his young mistresses quite desolate.

Some months after, as they were one evening eating ices in the Champs

Elysées, a splendid carriage drove up, from which descended a liveried

servant, with a dog in his arms. It was Giglio, the faithless Giglio,

with his one mouse-colored ear, that marked him from all other dogs!

He had evidently accomplished his destiny, and become the darling of

rank and fashion, rode in an elegant carriage, and had a servant in

livery devoted to him. Of course he did not pretend to notice his former

friends. The footman, who had come out apparently to give him an airing,

led him up and down close by where they were sitting, and bestowed on

him the most devoted attentions. Of course there was no use in trying to

reclaim him, and so they took their last look of the fair inconstant, and

left him to his brilliant destiny. And thus ends the history of PRINCE

GIGLIO.

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