there. Your little Chaddie didn't give up many precious moments to
reverie. I tiptoed into the bedroom and lifted the mattress, bedding and
all, off the bedstead. I tugged it out and put it silently down over the
trap-door. Then, without making a sound, I turned the table over on it.
But he could still lift that table, I knew, even with me sitting on top
of it. So I started to pile things on the overturned table, until it
looked like a moving-van ready for a May-Day migration. Then I sat on
top of that pile of household goods, reached for Dinky-Dunk's repeater,
and deliberately fired a shot up through the open door.
I sat there, studying my pile, feeling sure a revolver bullet couldn't
possibly come up through all that stuff. But before I had much time to
think about this my corporal of the R. N. W. M. P. (which means,
Matilda Anne, the Royal North-West Mounted Police) came through the door
on the run. He looked relieved when he saw me triumphantly astride that
overturned table loaded up with about all my household junk.
"I've got him for you," I calmly announced.
"You've got what?" he said, apparently thinking I'd gone mad.
"I've got your man for you," I repeated. "He's down there in my cellar."
And in one minute I'd explained just what had happened. There was no
parley, no deliberation, no hesitation.
"Hadn't you better go outside," he suggested as he started piling the
things off the trap-door.
"You're not going down there?" I demanded.
"Why not?" he asked.
"But he's got a revolver," I cried out, "and he's sure to shoot!"
"That's why I think it might be better for you to step outside for a
moment or two," was my soldier boy's casual answer.
I walked over and got Dinky-Dunk's repeater. Then I crossed to the far
side of the shack, with the rifle in my hands.
"I'm going to stay," I announced.
"All right," was the officer's unconcerned answer as he tossed the
mattress to one side and with one quick pull threw up the trap-door.
A shot rang out, from below, as the door swung back against the wall.
But it was not repeated, for the man in the red coat jumped bodily,
heels first, into that black hole. He didn't seem to count on the risk,
or on what might be ahead of him. He just jumped, spurs down, on that
other man with the revolver in his hand. I could hear little grunts, and
wheezes, and a thud or two against the cellar steps. Then there was
silence, except for one double "click-click" which I couldn't
understand.
Oh, Matilda Anne, how I watched that cellar opening! And I saw a back
with a red coat on it slowly rise out of the hole. He, the man who owned
the back of course, was dragging the other man bodily up the narrow
little stairs. There was a pair of handcuffs already on his wrists and
he seemed dazed and helpless, for that slim-looking soldier boy had
pummeled him unmercifully, knocking out his two front teeth, one of
which I found on the doorstep when I was sweeping up.
"I'm sorry, but I'll have to take one of your horses for a day or two,"
was all my R. N. W. M. P. hero condescended to say to me as he poked an
arm through his prisoner's and helped him out through the door.
"What--what will they do with him?" I called out after the corporal.
"Hang him, of course," was the curt answer.
Then I sat down to think things over, and, like an old maid with the
vapors, decided I wouldn't be any the worse for a cup of good strong
tea. And by the time I'd had my tea, and straightened things up, and
incidentally discovered that no less than five of my cans of mushrooms
had been broken to bits below-stairs, I heard the rumble of the wagon
and knew that Olie and Dinky-Dunk were back. And I drew a long breath of
relief, for with all their drawbacks, men are not a bad thing to have
about, now and then!
_Thursday the Twenty-second_
It was early Tuesday morning that Dinky-Dunk firmly announced that he
and I were going off on a three-day shooting-trip. I hadn't slept well,
the night before, for my nerves were still rather upset, and Dinky-Dunk
said I needed a picnic. So we got guns and cartridges and blankets and
slickers and cooking things, and stowed them away in the wagon-box. Then
we made a list of the provisions we'd need, and while Dinky-Dunk bagged
up some oats for the team I was busy packing the grub-box. And I packed
it cram full, and took along the old tin bread-box, as well, with
pancake flour and dried fruit and an extra piece of bacon--and _bacon_
it is now called in this shack, for I have positively forbidden
Dinky-Dunk ever to speak of it as "sowbelly" or even as a "slice of
grunt" again.
Then off we started across the prairie, after duly instructing Olie as
to feeding the chickens and taking care of the cream and finishing up
the pit for the winter vegetables. Still once again Olie thought we were
both a little mad, I believe, for we had no more idea where we were
going than the man in the moon.
But there was something glorious in the thought of gipsying across the
autumn prairie like that, without a thought or worry as to where we must
stop or what trail we must take. It made every day's movement a great
adventure. And the weather was divine.
We slept at night under the wagon-box, with a tarpaulin along one side
to keep out the wind, and a fire flickering in our faces on the other
side, and the horses tethered out, and the stars wheeling overhead, and
the peace of God in our hearts. How good every meal tasted! And how that
keen sharp air made snuggling down under a couple of Hudson Bay
five-point blankets a luxury to be spoken of only in the most reverent
of whispers! And there was a time, as you already know, when I used to
take bromide and sometimes even sulphonal to make me sleep! But here it
is so different! To get leg-weary in the open air, tramping about the
sedgy slough-sides after mallard and canvas-back, to smell coffee and
bacon and frying grouse in the cool of the evening, across a thin veil
of camp-fire smoke, to see the tired world turn over on its shoulder and
go to sleep--it's all a sort of monumental lullaby.
The prairie wind seems to seek you out, and make a bet with the Great
Dipper that he'll have you off in forty winks, and the orchestra of the
spheres whispers through its million strings and sings your soul to
rest. For I tell you here and now, Matilda Anne, I, poor, puny,
good-for-nothing, insignificant I, have heard that music of the spheres
as clearly as you ever heard _Funiculi-Funicula_ on that little Naples
steamer that used to take you to Capri. And when I'd crawl out from
under that old wagon-box, like a gopher out of his hole, in the first
delicate rosiness of dawn, I'd feel unutterably grateful to be alive, to
hear the cantatas of health singing deep in my soul, to know that
whatever life may do to me, I'd snatched my share of happiness from the
pantry of the gods! And the endless change of color, from the tawny
fox-glove on the lighter land, the pale yellow of a lion's skin in the
slanting autumn sun, to the quavering, shimmering glories of the
Northern Lights that dance in the north, that fling out their banners of
ruby and gold and green, and tremble and merge and pulse until I feel
that I can hear the clash of invisible cymbals. I wonder if you can
understand my feeling when I pulled the hat-pin out of my old gray
Stetson yesterday, uncovered my head, and looked straight up into the
blue firmament above me. Then I said, "Thank you, God, for such a
beautiful day!"
Dinky-Dunk promptly said that I was blasphemous--he's so strict and
solemn! But as I stared up into the depths of that intense opaline
light, so clear, so pure, I realized how air, just air and nothing else,
could leave a scatter-brained lady like me half-seas over. Only it's a
champagne that never leaves you with a headache the next day!
_Saturday the Twenty-fourth_
Dinky-Dunk, who seems intent on keeping my mind occupied, brought me
home a bundle of old magazines last night. They were so frayed and
thumbed-over that some of the pages reminded me of well-worn bank-notes.
I've been reading some of the stories, and they all seem silly.
Everybody appears to be in love with somebody else's wife. Then the
people are all divided so strictly into two classes, the good and the
bad! As for the other man's wife, prairie-life would soon knock that
nonsense out of people. There isn't much room for the Triangle in a
two-by-four shack. Life's so normal and natural and big out here that a
Pierre Loti would be kicked into a sheep-dip before he could use up his
first box of face-rouge! You want your own wife, and want her so bad
you're satisfied. Not that Dinky-Dunk and I are so goody-goody! We're
just healthy and human, that's all, and we'd never do for fiction.
After meals we push away the dishes and sit side by side, with our arms
across each other's shoulders, full of the joy of life, satisfied,
happy, healthy-minded, now and then a little Rabelaisian in our talk,
meandering innocent-eyed through those earthier intimacies which most
married people seem to face without shame, so long as the facing is done
in secret. We don't seem ashamed of that terribly human streak in us.
And neither of us is bad, at heart. But I know we're not like those
magazine characters, who all seem to have Florida-water instead of red
blood in their veins, and are so far, far away from life.
Yet even that dip into politely erotic fiction seemed to canalize my
poor little grass-grown mind into activity, and Diddums and I sat up
until the wee sma' hours discoursing on life and letters. He started me
off by somewhat pensively remarking that all women seem to want to be
intellectual and have a _salon_.
"No, Dinky-Dunk, I don't want a _salon_," I promptly announced. "I never
did want one, for I don't believe they were as exciting as we imagine.
And I hate literary people almost as much as I hate actors. I always
felt they were like stage-scenery, not made for close inspection. For
after five winters in New York and a couple in London you can't help
bumping into the Bohemian type, not to mention an occasional collision
with 'em up and down the Continent. When they're female they always seem
to wear the wrong kind of corsets. And when they're male they watch
themselves in the mirrors, or talk so much about themselves that you
haven't a chance to talk about _yourself_--which is really the
completest definition of a bore, isn't it? I'd much rather know them
through their books than through those awful Sunday evening _soirees_
where poor old leonine M---- used to perspire reading those Socialist
poems of his to the adoring ladies, and Sanguinary John used to wear the
same flannel shirt that shielded him from the Polar blasts up in
Alaska--open at the throat, and all that sort of thing, just like a
movie-actor cowboy, only John had grown a little stout and he kept
spoiling the Strong-Man picture by so everlastingly posing at one end
of the grand-piano! You know the way they do it, one pensive elbow on
the piano-end and the delicately drooping palm holding up the weary
brains, the same as you prop up a King-orange bough when it gets too
heavy with fruit! And then he had a lovely bang and a voice like a
maiden-lady from Maine. And take it from me, O lord and master, that man
devoured all his raw beef and blood on his typewriter-ribbon. I dubbed
him the King of the Eye-Socket school, and instead of getting angry he
actually thanked me for it. That was the sort of advertising he was
after."
Dinky-Dunk grinned a little as I rattled on. Then he grew serious again.
"Why is it," he asked, "a writer in Westminster Abbey is always a
genius, but a writer in the next room is rather a joke?"
I tried to explain it for him. "Because writers are like Indians. The
only good ones are the dead ones. And it's the same with those siren
affinities of history. Annie Laurie lived to be eighty, though the
ballad doesn't say so. And Lady Hamilton died poor and ugly and went
around with red herrings in her pocket. And Cleopatra was really a
redheaded old political schemer, and Paris got tired of Helen of Troy.
Which means that history, like literature, is only _Le mensonge
convenu_!"
This made Dinky-Dunk sit up and stare at me. "Look here, Gee-Gee, I
don't mind a bit of book-learning, but I hate to see you tear the whole
tree of knowledge up by the roots and knock me down with it! And it was
_salons_ we were talking about, and not the wicked ladies of the past!"
"Well, the only _salon_ I ever saw in America had the commercial air of
a millinery opening where tea happened to be served," I promptly
declared. "And the only American woman I ever knew who wanted to have a
_salon_ was a girl we used to call Asafetida Anne. And if I explained
why you'd make a much worse face than that, my Diddums. But she had a
weakness for black furs and never used to wash her neck. So the Plimpton
Mark was always there!"
"Don't get bitter, Gee-Gee," announced Dinky-Dunk as he proceeded to
light his pipe. And I could afford to laugh at his solemnity.
"I'm not bitter, Honey Chile; I'm only glad I got away from all that
Bohemian rubbish. You may call me a rattle-box, and accuse me of being
temperamental now and then--which I'm not--but the one thing in life
which I love is _sanity_. And that, Dinky-Dunk, is why I love you, even
though you are only a big sunburnt farmer fighting and planning and
grinding away for a home for an empty-headed wife who's going to fail at
everything but making you love her!"
Then followed a few moments when I wasn't able to talk,
... The sequel's scarce essential--
Nay, more than this, I hold it still
Profoundly confidential!
Then as we sat there side by side I got thinking of the past and of the
Bohemians before whom I had once burned incense. And remembering a
certain visit to Box Hill with Lady Agatha's mother, years and years
ago, I had to revise my verdict on authors, for one of the warmest
memories in all my life is that of dear old Meredith in his wheelchair,
with his bearded face still flooded with its kindly inner light and his
spirit still mellow with its unquenchable love of life. And once as a
child, I went on to tell Dinky-Dunk, I had met Stevenson. It was at
Mentone, and I can still remember him leaning over and taking my hand.
His own hand was cold and lean, like a claw, and with the quick instinct
of childhood I realized, too, that he was _condescending_ as he spoke to
me, for all the laugh that showed the white teeth under his drooping
black mustache. Wrong as it seemed, I didn't like him any more than I
afterward liked the Sargent portrait of him, which was really an echo of
my own first impression, though often and often I've tried to blot out
that first unfair estimate of a real man of genius. There's so much in
the _Child's Garden of Verse_ that I love; there's so much in the man's
life that demands admiration, that it seems wrong not to capitulate to
his charm. But when one's own family are one's biographers it's hard to
be kept human. "Yet there's one thing, Dinky-Dunk, that I do respect him
for," I went on. "He had seen the loveliest parts of this world, and,
when he had to, he could light-heartedly give it all up and rough it in
this American West of ours, even as you and I!" Whereupon Dinky-Dunk
argued that we ought to forgive an invalid his stridulous preaching
about bravery and manliness and his over-emphasis of fortitude, since it
was plainly based on an effort to react against a constitutional
weakness for which he himself couldn't be blamed.
And I confessed that I could forgive him more easily than I could
Sanguinary John with his literary Diabolism and that ostentatious
stone-age blugginess with which he loved to give the ladies goose-flesh,
pretending he was a bull in a china-shop when he's really only a white
mouse in an ink-pot! And after Dinky-Dunk had knocked out his pipe and
wound up his watch he looked over at me with his slow Scotch-Canadian
smile. "For a couple of hay-seeds who have been harpooning the _salon_
idea," he solemnly announced, "I call this quite a literary evening!"
But what's the use of having an idea or two in your head if you can't
air 'em now and then?
_Tuesday the Twenty-seventh_
To-day I stumbled on the surprise of my life! It was A Man! I took Paddy
and cantered over to the old Titchborne Ranch and was prowling around
the corral, hoping I might find a few belated mushrooms. But nary a one
was there. So I whistled on my four fingers for Paddy (I've been
teaching him to come at that call) and happened to glance in the
direction of the abandoned shack. Then I saw the door open, and _out
walked a man_.
He was a young man, in puttees and knickers and Norfolk jacket, and he
was smoking a cigarette. He stared at me as though I were the Missing
Link. Then he said "Hello!" rather inadequately, it seemed to me.
I answered back "Hello," and wondered whether to take to my heels or
not. But my courage got its second wind, and I stayed. Then we shook
hands, very formally, and explained who we were. And I discovered that
his name was Percival Benson Woodhouse (and the Lord forgive me if they
ever call him Percy for short!) and that his aunt is the Countess of
D---- and that he knows a number of people you and Lady Agatha have
often spoken of. He's got a Japanese servant called Kino, or perhaps
it's spelt Keeno, I don't know which, who's housekeeper, laundress,
_valet_, gardener, groom and _chef_, all in one,--so, at least Percival
Benson confessed to me. He also confessed that he'd bought the
Titchborne Ranch, from photographs, from "one of those land chaps" in
London. He wanted to rough it a bit, and they told him there would be
jolly good game shooting. So he even brought along an elephant-gun, which
his cousin had used in India. The photographs which the "land chap" had
showed him turned out to be pictures of the Selkirks. And, taking it all
in all, he fancied that he'd been jolly well bunked. But Percival seemed
to accept it with the stoicism of the well-born Britisher. He'd have a
try at the place, although there was no game.
"But there _is_ game," I told him, "slathers of it, oodles of it!"
He mildly inquired where and what? I told him: Wild duck,
prairie-chicken, wild geese, jack-rabbits, now and then a fox, and loads
of coyotes. He explained, then, that he meant big game--and how grandly
those two words, "big game," do roll off the English tongue! He has a
sister in the Bahamas, who may join him next summer if he should decide
to stick it out. He considered that it would be a bit rough for a girl,
during the winter season up here.
Yet before I go any further I must describe Percival Benson Woodhouse to
you, for he's not only "our sort," but a type as well.
In the first place, he's a Magdalen College man, the sort we've seen
going up and down the High many and many a time. He's rather gaunt and
rather tall, and he stoops a little. "At home" they call it the "Oxford
stoop," if I'm not greatly mistaken. His hands are thin and long and
bony. His eyes are nice, and he looks very good form. I mean he's the
sort of man you'd never take for the "outsider" or "rotter." He's the
sort who seem to have the royal privilege of doing even doubtfully
polite things and yet doing them in such a way as to make them seem
quite proper. I don't know whether I make that clear or not, but one
thing is clear, and this is that our Percival Benson is an aristocrat.
You see it in his over-sensitive, over-refined, almost womanishly
delicate face, with those idealizing and quite unpractical eyes of his.
You see it in the thin, high-arched, bony nose (almost as fine a beak as
the one belonging to His Grace, the Duke of M----!) and you see it in
the sad and somewhat elongated face, as though he had pored over big
books too much, a sort of air of pathos and aloofness from things. His
mouth strikes you as being rather meager, until he smiles, which is
quite often, for, glory be, he has a good sense of humor. But besides
that he has a neatness, a coolness, an impersonal sort of ease, which
would make you think that he might have stepped out of one of Henry
James's earlier novels of about the time of the _Portrait of a Lady_.
And I like him. I knew that at once. He's _effete_ and old-worldish and
probably useless, out here, but he stands for something I've been
missing, and I'll be greatly mistaken if Percival Benson and Chaddie
McKail are not pretty good friends before the winter's over! He's asked
if he might be permitted to call, and he's coming for dinner to-morrow
night, and I do hope Dinky-Dunk is nice to him--if we're to be
neighbors. But Dinky-Dunk says Westerners don't ask to be permitted to
call. They just stick their cayuse into the corral and walk in, the same
as an Indian does. And Dinky-Dunk says that if he comes in evening dress
he'll shoot him, sure pop!
_Thursday the Twenty-ninth_
Percy (how I hate that name!) was here for dinner last night, and all
things considered, we didn't fare so badly. We had tomato bisque and
scalloped potatoes and prairie-chicken (they need to be well basted) and
hot biscuits and stewed dried peaches with cream. Then we had coffee and
the men smoked their pipes. We talked until a quarter to one in the
morning, and my poor Dinky-Dunk, who has been working so hard and seeing
nobody, really enjoyed that visit and really likes Percival Benson.
Percy got talking about Oxford, and you could see that he loved the old
town and that he felt more at home on the Isis than on the prairie. He
said he once heard Freeman tell a story about Goldwin Smith, who used to
be Regius Professor of History at the University. G. S. seemed
astonished that F. couldn't tell him, at some _viva voce_ exam,
whatever that may mean, the cause of King John's death. Then G. S.
explained that poor John died of too much peaches and fresh ale, "which
would give a man considerable belly-ache," the Regius Professor of
History solemnly announced to Freeman.
Percy said his lungs rather troubled him in England, and he has spent
over a year in Florence and Rome and can talk pictures like a Grant
Allen guide-book. And he's sat through many an opera at La Scala, but
considered the Canadian coyote a much better vocalist than most of the
minor Italian tenors. And he knows Capri and Taormina and says he'd like
to grow old and die in Sicily. He got pneumonia at Messina, and nearly
died young there and after five months in Switzerland a specialist told
him to try Canada.
I've noticed that one of the delusions of Americans is that an
Englishman is silent. Now, my personal conviction is that Englishmen are
the greatest talkers in the world, and I have Percy to back me up in it.
In fact, we sat about talking so long that Percy asked if he couldn't
stay all night, as he was a poor rider and wasn't sure of the trails as
yet. So we made a shake-down for him in the living-room. And when
Dinky-Dunk came to bed he confided to me that Percy was calmly reading
and smoking himself to sleep, out of my sadly scorned copy of _The Ring
and the Book_, with the lamp on the floor, on one side of him, and a
saucer on the other, for an ash-tray. But he was up and out this
morning, before either of us was stirring, coming back to Casa Grande,
however, when he saw the smoke at the chimney-top. His thin cheeks were
quite pink and he apologetically explained that he'd been trying for an
hour and a half to catch his cayuse. Olie had come to his rescue. But
our thin-shouldered Oxford exile said that he had never seen such a
glorious sunrise, and that the ozone had made him a bit tipsy. Speaking
of thin-shouldered specimens, Matilda Anne, I was once a thirty-six;
_now I am a perfect forty-two_.
_Friday the Fifth_
The weather has been bad all this week, but I've had a great deal of
sewing to do, and for two days Dinky-Dunk stayed in and helped me fix up
the shack. I made more book-shelves out of more old biscuit-boxes and my
lord made a gun-rack for our fire-arms. Percival Benson rode over once,
through the storm, and it took us half an hour to thaw him out. But he
brought some books, and says he has four cases, altogether, and that
we're welcome to all we wish. He stayed until noon the next day, this
time sleeping in the annex, which Dinky-Dunk and I have papered, so that
it looks quite presentable. But as yet there is no way of heating it.
Our new neighbor, I imagine, is very lonesome.
_Sunday the Seventh_
The weather has cleared: there's a chinook arch in the sky, and a sort
of St. Martin's-Summer haze on all the prairie. But there's news to-day.
Kino, our new neighbor's Jap, has decamped with a good deal of money and
about all of Percival Benson's valuables. The poor boy is almost
helpless, but he's not a quitter. He said he chopped his first kindling
to-day, though he had to stand in a wash-tub, while he did it, to keep
from cutting his feet. Dinky-Dunk's birthday is only three weeks off,
and I'm making plans for a celebration.
_Tuesday the Ninth_
The days slip by, and scarcely leave me time to write. Dinky-Dunk is a
sort of pendulum, swinging out to work, back to eat, and then out, and
then back again. Olie is teaming in lumber and galvanized iron for a new
building of some sort. My lord, in the evenings, sits with paper and
pencil, figuring out measurements and making plans. I sit on the other
side of the table, as a rule, sewing. Sometimes I go around to his side
of the table, and make him put his plans away for a few minutes. We are
very happy. But where the days fly to I scarcely know. We are always
looking toward the future, talking about the future, "conceiting" for
the future, as the Irish say. Next summer is to be our banner year.
Dinky-Dunk is going to risk everything on wheat. He's like a general
plotting out a future plan of campaign--for when the work comes, he
says, it will come in a rush. Help will be hard to get, so he'll sell
his British Columbia timber rights and buy a forty-horse-power gasoline
tractor. He will at least if gasoline gets cheaper, for with "gas" still
at twenty-six cents a gallon horse-power is cheapest. But during the
breaking season in April and May, one of these engines can haul eight
gang-plows behind it. In twenty-four hours it will be able to turn over
thirty-five acres of prairie soil--and the ordinary man and team counts
two acres of plowing a decent day's work.
To-night I asked Dinky-Dunk why he risked everything on wheat and warned
him that we might have to revise the old Kansas trekker's slogan to--
"In wheat we trusted,
In wheat we busted!"
Dinky-Dunk explained that to keep on raising only wheat would be bad for
the land, and even now meant taking a chance, but situated as he was it
brought in the quickest money. And he wanted money in a hurry, for he
had a nest to feather for a lady wild-bird that he'd captured--which
meant me. Later on he intends to go in for flax--for fiber and not for
seed--and as our land should produce two tons of the finest flax-straw
to the acre and as the Belgian and Irish product is now worth over four
hundred dollars a ton, he told me to sit down and figure out what four
hundred acres would produce, with even a two-third crop.
The Canadian farmer of the West, he went on to explain, mostly grew flax
for the seed alone, burning up over a million tons of straw every year,
just to get it out of the way, the same as he does with his wheat-straw.
But all that will soon be changed. Only last week Dinky-Dunk wrote to
the Department of Agriculture for information about _courtai_
fiber--that's the kind used for point-lace and is worth a dollar a
pound--for my lord feels convinced his soil and climatic conditions are
especially suited for certain of the finer varieties. He even admitted
that flax would be better on his land at the present time, as it would
release certain of the natural fertilizers which sometimes leave the
virgin soil too rich for wheat. But what most impressed me about
Dinky-Dunk's talk was his absolute and unshaken faith in this West of
ours, once it wakes up to its opportunities. It's a stored-up granary of
wealth, he declares, and all we've done so far is to nibble along the
leaks in the floor-cracks!
_Saturday the Twenty-first_
To-day is Dinky-Dunk's birthday. He's always thought, of course, that
I'm a pauper, and never dreamed of my poor little residuary nest-egg.
I'd ordered a box of Okanagan Valley apples, and a gramophone and a
dozen opera records, and a brier-wood pipe and two pounds of English
"Honey-Dew," and a smoking-jacket, and some new ties and socks and
shirts, and a brand new Stetson, for Dinky-Dunk's old hat is almost a
rag-bag. And I ordered half a dozen of the newer novels and a set of
Herbert Spencer which I heard him say he wanted, and a sepia print of
the _Mona Lisa_ (which my lord says I look like when I'm planning
trouble) and a felt mattress and a set of bed-springs (so good-by, old
sway-backed friend whose humps have bruised me in body and spirit this
many a night!) and a dozen big oranges and three dozen little candles
for the birthday cake. And then I was cleaned out--every blessed cent
gone! But Percy (we have, you see, been unable to escape that name)
ordered a box of cigars and a pair of quilted house-slippers, so it was
a pretty formidable array.
I, accordingly, had Olie secretly team this array all the way from
Buckhorn to Percy's house, where it was duly ambushed and entrenched, to
await the fatal day. As luck would have it, or seemed to have it,
Dinky-Dunk had to hit the trail for overnight, to see about the
registration of his transfers for his new half-section, at the town of
H----. So as soon as Dinky-Dunk was out of sight I hurried through my
work and had Tumble-Weed and Bronk headed for the old Titchborne Ranch.
There I arrived about mid-afternoon, and what a time we had, getting
those things unpacked, and looking them over, and planning and talking!
But the whole thing was spoilt.
We forgot to tie the horses. So while we were having tea Bronk and
Tumble-Weed hit the trail, on their own hook. They made for home,
harness and all, but of course I never knew this at the time. We looked
and looked, came back for supper, and then started out again. We
searched until it got dark. My feet were like lead, and I couldn't have
walked another mile. I was so stiff and tired I simply had to give up.
Percy worried, of course, for we had no way of sending word to
Dinky-Dunk. Then we sat down and talked over possibilities, like a
couple of castaways on a Robinson Crusoe island. Percy offered to bunk
in the stable, and let me have the shack. But I wouldn't hear of that.
In the first place, I felt pretty sure Percy was what they call a
"lunger" out here, and I didn't relish the idea of sleeping in a
tuberculous bed. I asked for a blanket and told him that I was going to
sleep out under the wagon, as I'd often done with Dinky-Dunk. Percy
finally consented, but this worried him too. He even brought out his
"big-game" gun, so I'd have protection, and felt the grass to see if it
was damp, and declared he couldn't sleep on a mattress when he knew I
was out on the hard ground. I told him that I loved it, and to go to
bed, for I wanted to get out of some of my armor-plate. He went,
reluctantly.
It was a beautiful night, and not so cold, with scarcely a breath of
wind stirring. I lay looking out through the wheel-spokes at the Milky
Way, and was just dropping off when Percy came out still again. He was
in a quilted dressing-gown and had a blanket over his shoulders. It made
him look for all the world like Father Time. He wanted to know if I was
all right, and had brought me out a pillow--which I didn't use. Then he
sat down on the prairie-floor, near the wagon, and smoked and talked. He
pointed out some of the constellations to me, and said the only time
he'd ever seen the stars bigger was one still night on the Indian Ocean,
when he was on his way back from Singapore. He would never forget that
night, he said, the stars were so wonderful, so big, so close, so soft
and luminous. But the northern stars were different. They were without
the orange tone that belongs to the South. They seemed remoter and more
awe-inspiring, and there was always a green tone to their whiteness.
Then we got talking about "furrin parts" and Percy asked me if I'd ever
seen Naples at night from San Martino, and I asked him if he'd ever seen
Broadway at night from the top of the Times Building. Then he asked me
if I'd ever watched Paris from Montmartre, or seen the Temple of Neptune
at Pæstum bathed in Lucanian moonlight--which I very promptly told him I
had, for it was on the ride home from Pæstum that a certain person had
proposed to me. We talked about temples and Greek Gods and the age of
the world and Indian legends until I got downright sleepy. Then Percy
threw away his last cigarette and got up. He said "Good night;" I said
"Good night;" and he went into the shack. He said he'd leave the door
open, in case I called. There were just the two of us, between earth and
sky, that night, and not another soul within a radius of seven miles of
any side of us. He was very glad to have some one to talk to. He's
probably a year or two older than I am, but I am quite motherly with
him. And he is shockingly incompetent, as a homesteader, from the look
of his shack. But he's a gentleman, almost too "Gentle," I sometimes
feel, a Laodicean, mentally over-refined until it leaves him unable to
cope with real life. He's one of those men made for being a "spectator,"
and not an actor, in life. And there's something so absurd about his
being where he is that I feel sorry for him.
I slept like a log. Once I fell asleep, I forgot about the hard ground,
and the smell of the horse-blankets, and the fact that I'd lost my poor
Dinky-Dunk's team. When I woke up it was the first gray of dawn. Two men
were standing side by side, looking at me under the wagon. One was
Percy, and the other was Dinky-Dunk himself.
He'd got home by three o'clock in the morning, by hurrying, for he was
nervous about me being alone. But he found the house empty, the team
standing beside the corral, and me missing. Naturally, it wasn't a very
happy situation. Poor Dinky-Dunk hit the trail at once, and had been
riding all night looking for his lost wife. Then he made for Percy's,
woke him up, and discovered her placidly snoring under a wagon-box. He
didn't even smile at this. He was very tired and very silent. I thought,
for a moment, that I saw distrust on Dinky-Dunk's face, for the first
time. But he has said nothing. I hated to see him go out to work, when
we got home, but he refused to take a nap at noon, as I wanted him to.
So to-night, when he came in for his supper, I had the birthday cake
duly decked and the presents all out.
But his enthusiasm was forced, and all during the meal he showed a
tendency to be absent-minded. I had no explanations to make, so I made
none. But I noticed that he put on his old slippers. I thought he had
done it deliberately.
"You don't seem to mellow with age," I announced, with my eyebrows up.
He flushed at that, quite plainly. Then he reached over and took hold of
my hand. But he did it only with an effort, and after some tremendous
inward struggle which was not altogether flattering to me.
"Please take your hand away so I can reach the dish-towel," I told him.
And the hand went away like a shot. After I'd finished my work I got out
my George Meredith and read _Modern Love_. Dinky-Dunk did not come to
bed until late. I was awake when he came, but I didn't let him know it.
_Sunday the Twenty-ninth_
I haven't felt much like writing this last week. I scarcely know why. I
think it's because Dinky-Dunk is on his dignity. He's getting thin, by
the way. His cheek-bones show and his Adam's apple sticks out. He's
worried about his land payments, and I tell him he'd be happier with a
half-section. But Dinky-Dunk wants wealth. And I can't help him much.
I'm afraid I'm an encumbrance. And the stars make me lonely, and the
prairie wind sometimes gives me the willies! And winter is coming.
I'm afraid I'm out of my setting, as badly out of it as Percival Benson
is. It wouldn't be so bad, I suppose, if I'd never seen such lovely
corners of the world, before coming out here to be a dot on the
wilderness. If I'd never had that heavenly summer at Fiesole, and those
months with you at Corfu, and that winter in Rome with poor dear dead
Katrinka! Sometimes I think of the nights we used to look out over
Paris, from the roof above 'Tite Daneau's studio. And sometimes I think
of the Pincio, with the band playing, and the carriages flashing, and
the officers in uniform, and the milky white statues among the trees,
and the golden mists of the late afternoon over the Immortal City. And I
tell myself that it was all a dream. And then I feel that _I_ am all a
dream, and the prairie is a dream, and Paddy and Olie and Dinky-Dunk and
all this new life is nothing more than a dream. Oh, Matilda Anne, I've
been homesick this week, so unhappy and homesick for something--for
something, and I don't even know what it is!
_Monday the Seventh_
Glory be! Winter's here with a double-edged saber wind out of the north
and snow on the ground. It gives a zip to things. It makes our snug
little shack seem as cozy as a ship's cabin. And I've got a
jumper-sleigh, and with my coon-skin coat and gauntlets and wedge-cap I
can be as warm as toast in any wind. And there's so much to do. And I'm
not going to be a piker. This is the land where folks make good or go
loco. You've only got yourself to depend on, and yourself to blame, if
things go wrong. And I'm going to make them go right. There's no use
wailing out here in the West. A line or two of Laurence Hope's has been
running all day through my head:
"These are my people, and this my land;
I hear the pulse of her secret soul.
This is the life that I understand,
Savage and simple, and sane and whole."
_Friday the Eleventh_
Dinky-dunk came home with an Indian girl to-day, a young half-breed about
sixteen years old. She's to be both companion and parlor-maid, for
Dinky-Dunk has to hurry off to British Columbia, to try to sell his
timber-rights there to meet his land payments. He's off to-morrow. It
makes me feel wretched, but I'm consuming my own smoke, for I don't want
him to think me an encumbrance. My Indian girl speaks a little English.
She also eats sugar by the handful, whenever she can steal it. I asked
her what her name was and she told me "Queenie MacKenzie." That name
almost took my breath away. How that untutored Northwest aborigine ever
took unto herself this Broadway chorus-girl name, Heaven only knows! But
I have my suspicions of Queenie. She has certain exploratory movements
which convince me she is verminous. She sleeps in the annex, I'm happy
to say.
At dinner to-night when I was teaching Dinky-Dunk how to make a rabbit
out of his table-napkin and a sea-sick passenger out of the last of his
oranges, he explained that he might not get back in time for Christmas,
and asked if I'd mind. I knew his trip was important, so I kept a stiff
upper lip and said of course I wouldn't mind. But the thought of a
Christmas alone chilled my heart. I tried to be jolly, and gave my
repertory on the mouth-organ, which promptly stopped all activities on
the part of the round-eyed Queenie MacKenzie. But all that foolery was
as forced as the frivolity of the French Revolution Conciergerie where
the merry diners couldn't quite forget they were going to lose their
heads in the morning!
_Sunday the Thirteenth_
Not only is Duncan gone, but Queenie has also quite unceremoniously
taken her departure. It arose from the fact that I requested her to take
a bath. The only disappointed member of the family is poor old Olie, who
was actually making sheep's eyes at that verminous little baggage.
Imagination falters at what he might have done with a dollar's worth of
brown sugar. When Queenie went, I find, my mouth-organ went with her.
I'd like to ling chih that Indian girl!
_Wednesday the Sixteenth_
It was a sparkling clear day to-day, with no wind, so I rode over to the
old Titchborne Ranch with my little jumper-sleigh. There I found
Percival Benson in a most pitiable condition. He had been laid up with
the grip. His place was untidy, his dishes were unwashed, and his fuel
was running short. His appearance, in fact, rather frightened me. So I
bundled him up and got him in the jumper and brought him straight home
with me. He had a chill on the way, so as soon as we got to Casa Grande
I sent him to bed, gave him hot whisky, and put my hot water bottle at
his feet. He tried to accept the whole thing as a joke, and vowed I was
jolly well cooking him. But to-night he has a high fever and I'm afraid
he's in for a serious siege of illness. I intend to send Olie over to
get some of his things and have his live stock brought over with ours.
_Sunday the Twentieth_
Percy has had three very bad nights, but seems a little better to-day.
His lung is congested, and it may be pneumonia, but I think my
mustard-plaster saved the day. He tries so hard to be cheerful, and is
so grateful for every little thing. But I wish Dinky-Dunk was here to
tell me what to do.
I could never have survived this last week without Olie. He is as
watchful and ready as a farm-collie. But I want my Dinky-Dunk! I may
have spoiled my Dinky-Dunk a little, but it's only once every century or
two that God makes a man like him. I want to be a good wife. I want to
do my share, and keep a shoulder to the wheel, if the going's got to be
heavy for the next year or two. I won't be the Dixon type. I won't--I
won't! My Duncan will need me during this next year, and it will be a
joy to help him. For I love that man, Matilda Anne,--I love him so much
that it hurts!
_Sunday the Twenty-seventh_
Christmas has come and gone. It was very lonely at Casa Grande. I prefer
not writing about it. Percy is improving, but is still rather weak. I
think he had a narrow squeak.
_Wednesday the Thirtieth_
My patient is up and about, looking like a different man. He shows the
effects of my forced feeding, though he declares I'm trying to make him
into a Strasburg goose, for the sake of the _pâté de foies gras_ when I
cut him up. But he's decided to go to Santa Barbara for the winter: and
I think he's wise. So this afternoon I togged out in my furs, took the
jumper, and went kiting over to the Titchborne Ranch. Oh, what a shack!
What disorder, what untidiness, what spirit-numbing desolation! I don't
blame poor Percival Benson for clearing out for California. I got what
things he needed, however, and went kiting home again.
_Thursday the Thirty-first_
I hardly know how to begin. But it must be written or I'll suddenly go
mad and start to bite the shack walls. Last night, after Percy had
helped me turn the bread-mixer (for, whatever happens, we've at least
got to eat) I helped him pack. Among other things, he found a copy of
Housman's _Shropshire Lad_ and after running through it announced that
he'd like to read me two or three little things out of it. So I squatted
down in front of the fire, idly poking at the red coals, and he sat
beside the stove with his book, in slippers and dressing gown. And there
he was solemnly reading out loud when the door opened and in walked
Dinky-Dunk.
I say he walked in, but that isn't quite right. He stood in the open
door, staring at us, with an expression that would have done credit to
the Tragic Muse. I imagine Enoch Arden wore much the same look when he
piped the home circle after that prolonged absence of his. Then
Dinky-Dunk did a most unpardonable thing. Instead of saying "Howdy!"
like a scholar and a gentleman, he backed out of the shack and slammed
the door. When I'd caught my breath I went out through that door after
him. It was a bitterly cold night, but I did not stop to put anything
on. I was too amazed, too indignant, too swept off my feet by the
absurdity of it all. I could see Dinky-Dunk in the clear starlight,
taking the blankets off his team. He'd hurried to the shack, without
even unharnessing the horses. I could hear the wheel-tires whine on the
crisp snow, for the poor beasts were tired and restless. I went straight
to the buckboard into which Dinky-Dunk was climbing. He looked like a
cinnamon-bear in his big shaggy coat. And I couldn't see his face. But I
remembered how it had looked in the doorway. It was the color of a tan
shoe. It was too weather-beaten and burnt with the wind and sun-glare
ever to turn white, or, I suppose, it would have been the color of
paper.
"Haven't you," I demanded, "haven't you any explanation for acting like
this?" He sat in the buckboard seat, with the reins in his hands.
"I guess I've got the first right to that question," he finally said in
a stifled voice.
"Then why don't you ask it?" was my answer to him. Again he waited a
moment before speaking, as though he felt the need of weighing his
words.
"I don't need to--now!" he said, as he tightened the reins.
"Wait," I called out to him. "There are certain things I want you to
know!"
I was not going to make explanations. I would not dignify his brute-man
stupidity by such things. I scarcely know what I intended to do. As I
looked up at him there in his rough fur coat, for a moment, he seemed
millions and millions of miles away from me. I stared at him, trying to
comprehend his utter lack of comprehension. I seemed to view him across
the same gulf which separates a meditative zoo visitor from some
abysmally hirsute animal that eons and eons ago must have been its
cave-fellow and hearth-mate. But now we seemed to have nothing in
common, not even a language with which to link up those lost ages. Yet
from all that mixture of feelings only one survived: I didn't want my
husband to go.
It was the team, as far as I can remember, that really decided the
thing. They had been restive, backing and jerking and pawing and
nickering for their feed-box. And suddenly they jumped forward. But this
time they kept going. Whether Dinky-Dunk tried to hold them back or not
I can't say. But I came back to the shack, shivering. Percy, thank
Heaven, was in his room.
"I think I'll turn in!" he called out, quite casually, through the
partition.
I said "All right," and sat down in front of the fire, trying to
straighten things out. My Dinky-Dunk was gone! He had glared at me, with
hate in his eyes, as he sat in that buckboard. It's all over. He has no
faith in me, his own wife!
I went to bed and tried to sleep. But sleep was out of the question. The
whole thing seemed so absurd, so unreasonable, so unjust. I could feel
waves of anger sweep through my body at the mere thought of it. Then a
wave of something else, of something between anxiety and terror, would
take the place of anger. My husband was gone, and he'd never come back.
I'd put all my eggs in one basket, and the basket had gone over, and
made a saffron-tinted omelet of all my life.
And that's the way I watched the New Year in, I couldn't even afford the
luxury of a little bawl, for I was afraid Percy would hear me. It must
have been almost morning when I fell asleep.
When I woke up Percival Benson was gone, bag and baggage. At first I
resented the thought of his going off that way, without a word, but on
thinking it over I decided he'd done the right thing. There's nothing
like the hard cold light of a winter morning to bring you back to hard
cold facts. Olie had driven Percy in to the station. So I was alone in
the shack all day. I did a heap of thinking during those long hours of
solitude. And out of all that straw of self-examination I threshed just
one little grain of truth. _I could never live on the prairie alone._
And whatever I did, or wherever I went, I could never be happy without
my Dinky-Dunk....
I had just finished supper to-night, as blue as indigo and as spiritless
as a wet hen, when I heard the sound of voices. It took me only ten
seconds to make sure whose they were. Dinky-Dunk had come back with
Olie! I made a high dive for a book from the nearest shelf, swung the
armchair about with a jerk, and sank luxuriously into it, with my feet
up on the warm damper and my eyes leisurely and contentedly perusing
George Moore's _Confessions of a Young Man_ (although I _hate_ the
libidinous stuff like poison!) Then Dinky-Dunk came in. I could see him
stare at me a little awkwardly and contritely (what woman can't read a
book and study a man at the same time?) and I, could see that he was
waiting for an opening. But I gave him none. Naturally, Olie had
explained everything to him. But I had been humiliated, my pride had
been walked over, from end to end. My spirit had been stamped on--and I
had decided on my plan of action. I simply ignored Duncan.
I read for a while, then I took a lamp, went to my room, and
deliberately locked the door. My one regret was that I couldn't see
Dinky-Dunk's face when that key turned. And now I must stop writing, and
go to bed, for I am dog-tired. I know I'll sleep better to-night. It's
nice to remember there's a man near, if he happens to be the man you
care a trifle about, even though you _have_ calmly turned the door-key
on him.
_Sunday the Third_
Dinky-Dunk has at least the sensibilities to respect my privacy of life.
He knows where the deadline is, and doesn't disregard it. But it's
terribly hard to be tragic in a two-by-four shack. You miss the
dignifying touches. And you haven't much leeway for the bulky swings of
grandeur.
For one whole day I didn't speak to Dinky-Dunk, didn't even so much as
recognize his existence. I ate by myself, and did my work--when the
monster was around--with all the preoccupation of a sleep-walker. But
something happened, and I forgot myself. Before I knew it I was asking
him a question. He answered it, quite soberly, quite casually. If he had
grinned, or shown one jot of triumph, I would have walked out of the
shack and never spoken to him again. I think he knew he was on terribly
perilous ground. He picked his way with care. He asked me a question
back, quite offhandedly, and for the time being let the matter rest
there. But the breach was in my walls, Matilda Anne, and I was quite
defenseless. We were both very impersonal and very polite, when he came
in at supper time, though I think I turned a visible pink when I sat
down at the table, for our eyes met there, just a moment and no more. I
knew he was watching me, covertly, all the time. And I knew I was making
him pretty miserable. But I wasn't the least bit ashamed of it.
After supper he indifferently announced that he had nothing to do and
might as well help me wash up. I went to hand him a dish-towel. Instead
of taking the towel he took my hand, with the very profane ejaculation,
as he did so, of "Oh, hell, Gee-Gee, what's the use?"
Then before I knew it, he had me in his arms (our butter-dish was broken
in the collision) and I was weak enough to feel sorry for him and his
poor tragic pleading eyes. Then I gave up. If I was silly enough to have
a little cry on his shoulder, I had the satisfaction of feeling him
give a gulp or two himself.
"You're the most wonderful woman in the world!" he solemnly told me, and
then in a much less solemn way he began kissing me again. But the
barriers were down. And how we talked that night! And how different
everything seemed! And how nice it was to feel his arm over my shoulder
and his quiet breathing on the nape of my neck as I fell asleep. It
seemed as though Love were fanning me with its softest wings. I'm happy
again. But I've been wondering if it's environment that makes character,
or character that makes environment. Sometimes I think it's one way, and
sometimes I feel it's the other. But I can't be sure of my answer--yet!
It's hard for a spoiled woman to remember that her life has to be merged
into somebody else's life. I've been wondering if marriage isn't like a
two-panel screen, which won't stand up if both its panels are too much
in line. Heaven knows, I want harmony! But a woman likes to feel that
instead of being out of step with her whole regiment of life it's the
regiment that's out of step with her. To-night I unlaced Dinky-Dunk's
shoes, and put on his slippers, and sat on the floor between his knees
with my head against the steady _tick-tock_ of his watch-pocket.
"Dinky-Dunk," I solemnly announced, "that gink called Pope was a poor
guesser. The proper study of man should have been _woman_!"
_Thursday the Seventh_
Everything at Casa Grande has settled back into the usual groove. There
is a great deal to do about the shack. The grimmest bug-bear of domestic
work is dish-washing. A pile of greasy plates is the one thing that gets
on my nerves. And it is a little Waterloo that must be faced three times
every day, of every week, of every month, of every year. And I was never
properly "broke" for domesticity and the dish-pan! Why can't some genius
invent a self-washing fry-pan? My hair is growing so long that I can now
do it up in a sort of half-hearted French roll. It has been quite cold,
with a wonderful fall of snow. The sleighing could not be better.
_Saturday the Ninth_
Dinky-Dunk's Christmas present came to-day, over two weeks late. He had
never mentioned it, and I had not only held my peace, but had given up
all thought of getting a really-truly gift from my lord and master.
They brought it out from Buckhorn, in the bobsleigh, all wrapped up in
old buffalo-robes and blankets and tarpaulins. _It's a baby-grand
piano_, and a beauty, and it came all the way from Winnipeg. But either
the shipping or the knocking about or the extreme cold has put it
terribly out of tune, and it can't be used until the piano-tuner travels
a couple of hundred miles out here to put it in shape. And it's far too
big for the shack, even when pushed right up into the corner. But
Dinky-Dunk says that before next winter there'll be a different sort of
house on this spot where Casa Grande now stands.
"And that's to keep your soul alive, in the meantime," he announced. I
scolded him for being so extravagant, when he needed every dollar he
could lay his hands on. But he wouldn't listen to me. In fact, it only
started an outburst.
"My God, Gee-Gee," he cried, "haven't you given up enough for me?
Haven't you sacrificed enough in coming out here to the end of nowhere
and leaving behind everything that made life decent?"
"Why, Honey Chile, didn't I get _you_?" I demanded. But even that didn't
stop him.
"Don't you suppose I ever think what it's meant to you, to a woman like
you? There are certain things we can't have, but there are some things
we're going to have. This next ten or twelve months will be hard, but
after that there's going to be a change--if the Lord's with me, and I
have a white man's luck!"
"And supposing we have bad luck?" I asked him. He was silent for a
moment or two.
"We can always give up, and go back to the city," he finally said.
"Give up!" I said with a whoop. "Give up? Not on your life, Mister Dour
Man! We're not going to be Dixonites! We're going to win out!" And we
were together in a death-clinch, hugging the breath out of each other,
when Olie came in to ask if he hadn't better get the stock stabled, as
there was bad weather coming.
_Monday the Eleventh_
We are having the first real blizzard of the winter. It began yesterday,
as Olie intimated, and for all the tail-end of the day my Dinky-Dunk was
on the go, in the bitter cold, looking after fuel and feed and getting
things ship-shape, for all the world like a skipper who's read his
barometer and seen a hurricane coming. There had been no wind for a
couple of days, only dull and heavy skies with a disturbing sense of
quietness. Even when I heard Olie and Dinky-Dunk shouting outside, and
shoring up the shack-walls with poles, I could not quite make out what
it meant.
Then the blizzard came. It came down out of the northwest, like a
cloudburst. It hummed and sang, and then it whined, and then it
screamed, screamed in a high falsetto that made you think poor old
Mother Earth was in her last throes! The snow was fine and hard, really
minute particles of ice, and not snow at all, as we know it in the
East, little sharp-angled diamond-points that stung the skin like fire.
It came in almost horizontal lines, driving flat across the unbroken
prairie and defying anything made of God or man to stop it. Nothing did
stop it. Our shack and the bunk-house and stables and hay-stacks tore a
few pin-feathers off its breast, though; and those few feathers are
drifts higher than my head, heaped up against each and all of the
buildings.
I scratched the frost off a window-pane, where feathery little drifts
were seeping in through the sill-cracks, when it first began. But the
wind blew harder and harder and the shack rocked and shook with the
tension. Oh, such a wind! It made a whining and wailing noise, with each
note higher, and when you felt that it couldn't possibly increase, that
it simply _must_ ease off, or the whole world would go smash, why, that
whining note merely grew tenser and the wind grew stronger. How it
lashed things! How it shook and flailed and trampled this poor old earth
of ours! Just before supper Olie announced that he'd look after my
chicks for me. I told him, quite casually, that I'd attend to them
myself. I usually strew a mixture of wheat and oats on the litter in the
hen-house overnight. This had two advantages, one was that it didn't
take me out quite so early in the morning, and the other was that the
chicks themselves started scratching around first thing in the morning
and so got exercise and kept themselves warmer-bodied and in better
health.
It was not essential that I should go to the hen-house myself, but I was
possessed with a sudden desire to face that singing white tornado. So I
put on my things, while Dinky-Dunk was at work in the stables. I put on
furs and leggings and gauntlets and all, as though I were starting for a
ninety-mile drive, and slipped out. Dinky-Dunk had tunneled through the
drift in front of the door, but that tunnel was already beginning to
fill again. I plowed through it, and tried to look about me. Everything
was a sort of streaked misty gray, an all-enveloping muffing leaden
maelstrom that hurt your skin when you lifted your head and tried to
look it in the face. Once, in a lull of the wind when the snow was not
so thick, I caught sight of the hay-stacks. That gave me a line on the
hen-house. So I made for it, on the run, holding my head low as I went.
It was glorious, at first, it made my lungs pump and my blood race and
my legs tingle. Then the storm-devils howled in my eyes and the
ice-lashes snapped in my face. Then the wind went off on a rampage
again, and I couldn't see. I couldn't move forward. I couldn't even
breathe. Then I got frightened.
I leaned there against the wind calling for Dinky-Dunk and Olie,
whenever I could gasp breath enough to make a sound. But I might as well
have been a baby crying in mid-ocean to a Kensington Gardens nurse.
Then I knew I was lost. No one could ever hear me in that roar. And
there was nothing to be seen, just a driving, blinding, stinging gray
pall of flying fury that nettled the naked skin like electric-massage
and took the breath out of your buffeted body. There was no land-mark,
no glimpse of any building, nothing whatever to go by. And I felt so
helpless in the face of that wind! It seemed to take the power of
locomotion from my legs. I was not altogether amazed at the thought that
I might die there, within a hundred yards of my own home, so near those
narrow walls within which were warmth, and shelter, and quietness. I
imagined how they'd find my body, deep under the snow, some morning; how
Dinky-Dunk would search, perhaps for days. I felt so sorry for him I
decided not to give up, that I wouldn't be lost, that I wouldn't die
there like a fly on a sheet of tanglefoot!
I had fallen down on my knees, with my back to the wind, and already the
snow had drifted around me. I also found my eye-lashes frozen together,
and I lost several winkers in getting rid of those solidified tears. But
I got to my feet and battled on, calling when I could. I kept on, going
round and round in a circle, I suppose, as people always do when
they're lost in a storm. Then the wind grew worse again. I couldn't make
any headway against it. I had to give up. I simply _had_ to! I wasn't
afraid. I wasn't terrified at the thought of what was happening to me. I
was only sorry, with a misty sort of sorrow I can't explain. And I don't
remember that I felt particularly uncomfortable, except for the fact I
found it rather hard to breathe.
It was Olie who found me. He came staggering through the snow with extra
fuel for the bunk-house, and nearly walked over me. As we found out
afterward, I wasn't more than thirty steps away from that bunk-house
door. Olie pulled me up out of the snow the same as you'd pull a skein
of darning-silk out of a work-basket. He half carried me to the
bunk-house, got his bearings, and then steered me for the shack. It was
a fight, but we made it. And Dinky-Dunk was still out looking after his
stock and doesn't know how nearly he lost his Lady Bird. I've made Olie
promise not to say a word about it. But the top of my nose is red and
swollen. I think it must have got a trifle frost-nipped, in the
encounter. The weather has cleared now, and the wind has gone down. But
it is very cold, and Dinky-Dunk has just reported that it's already
forty-eight below zero.
_Tuesday the Nineteenth_
The days slip away and I scarcely know where they go. The weather is
wonderful. Clear and cold, with such heaps of sunshine you'd never dream
it was zero weather. But you have to be careful, and always wear furs
when you're driving, or out for any length of time. Three hours in this
open air is as good as a pint of Chinkie's best champagne. It makes me
tingle. We are living high, with several barrels of frozen game--geese,
duck and prairie-chicken--and also an old tin trunk stuffed full of
beef-roasts, cut the right size. I bring them in and thaw them out
overnight, as I need them. The freezing makes them very tender. But they
must be completely thawed before they go into the oven, or the outside
will be overdone and the inside still raw. I learned that by experience.
My appetite is disgraceful, and I'm still gaining. Chinkie could never
again say I reminded him of one of the lean kine in Pharaoh's dream.
I have been asking Dinky-Dunk if it isn't downright cruelty to leave
horses and cattle out on the range in weather like this. My husband says
not, so long as they have a wind-break in time of storms. The animals
paw through the snow for grass to eat, and when they get thirsty they
can eat the snow itself, which, Dinky-Dunk solemnly assures me, almost
never gives them sore throat! But the open prairie, just at this season,
is a most inhospitable looking pasturage, and the unbroken glare of
white makes my eyes ache.... There's one big indoor task I finally have
accomplished, and that is tuning my piano. It made my heart heavy,
standing there useless, a gloomy monument of ironic grandeur.
As a girl I used to watch Katrinka's long-haired Alsatian putting her
concert grand to rights, and I knew that my ear was dependable enough.
So the second day after my baby grand's arrival I went at it with a
monkey-wrench. But that was a failure. Then I made a drawing of a
tuning-hammer and had Olie secretly convey it to the Buckhorn
blacksmith, who in turn concocted a great steel hollow-headed
monstrosity which actually fits over the pins to which the piano wires
are strung, even though the aforesaid monstrosity is heavy enough to
stun an ox with. But it did the work, although it took about two
half-days, and now every note is true. So now I have music! And
Dinky-Dunk does enjoy my playing, these long winter evenings. Some
nights we let Olie come in and listen to the concert. He sits rapt,
especially when I play ragtime, which seems the one thing that touches
his holy of holies. Poor Olie! I surely have a good friend in that
silent, faithful, uncouth Swede!
Dinky-Dunk himself is so thin that it worries me. But he eats well and
doesn't anathematize my cooking. He's getting a few gray hairs, at the
temples. I think they make him look rather _distingue_. But they worry
my poor Dinky-Dunk. "Hully Gee," he said yesterday, studying himself
for the third time in his shaving-glass, "I'm getting old!" He laughed
when I started to whistle "Believe me if all those endearing young
charms, which I gaze on so fondly to-day," but at heart he was really
disturbed by the discovery of those few white hairs. I've been telling
him that the ladies won't love him any more, and that his cut-up days
are over. He says I'll have to make up for the others. So I started for
him with my Australian crawl-stroke. It took me an hour to get the taste
of shaving soap out of my mouth. Dinky-Dunk says I'm so full of life
that I _sparkle_. All I know is that I'm happy, supremely and
ridiculously happy!
_Sunday the Thirty-first_
The inevitable has happened. I don't know how to write about it! I
_can't_ write about it! My heart goes down like a freight elevator,
slowly, sickeningly, even when I think about it. Dinky-Dunk came in and
saw me studying a little row of dates written on the wall-paper beside
the bedroom window. I pretended to be draping the curtain. "What's the
matter, Lady Bird?" he demanded when he saw my face. I calmly told him
that nothing was the matter. But he wouldn't let me go. I wanted to be
alone, to think things out. But he kept holding me there, with my face
to the light. I suppose I must have been all eyes, and probably shaking
a little. And I didn't want him to suspect.
"Excuse me if I find you unspeakably annoying!" I said in a voice that
was so desperately cold that it even surprised my own ears. He dropped
me as though I had been a hot potato. I could see that I'd hurt him, and
hurt him a lot. My first impulse was to run to him with a shower of
repentant kisses, as one usually does, the same as one sprinkles salt on
claret stains. But in him I beheld the original and entire cause--and I
just couldn't do it. He called me a high-spirited devil with a
hair-trigger temper. But he left me alone to think things out.
_Tuesday the Ninth_
I've started to say my prayers again. It rather frightened Dinky-Dunk,
who sat up in bed and asked me if I wasn't feeling well. I promptly
assured him that I was in the best of health. He not only agreed with
me, but said I was as plump as a partridge. When I am alone, though, I
get frightened and fidgety. So I kneel down every night and morning now
and ask God for help and guidance. I want to be a good woman and a
better wife. But I shall never let Duncan know--never!
_Wednesday the Seventeenth_
Do you remember Aunt Harriet who always wept when she read _The Isles of
Greece_? She didn't even know where they were, and had never been east
of Salem. But all the Woodberrys were like that. Dinky-Dunk came in and
found me crying to-day, for the second time in one week. He made such
valiantly ponderous efforts to cheer me up, poor boy, and shook his head
and said I'd soon be an improvement on the Snider System, which is a
system of irrigation by spraying overnight from pipes! My nerves don't
seem so good as they were. The winter's so long. I'm already counting
the days to spring.
_Thursday the Twenty-fifth_
Dinky-Dunk has concluded that I'm too much alone; he's been worrying
over it. I can tell that. I try not to be moody, but sometimes I simply
can't help it. Yesterday afternoon he drove up to Casa Grande, proud as
Punch, with a little black and white kitten in the crook of his arm.
He'd covered twenty-eight miles of trail for that kitten! It's to be my
companion. But the kitten's as lonesome as I am, and has been crying,
and nearly driving me crazy.
_Tuesday the Second_
The weather has been bad, but winter is slipping away. Dinky-Dunk has
been staying in from his work, these mornings, helping me about the
house. He is clumsy and slow, and has broken two or three of the dishes.
But I hate to say anything; his eyes get so tragic. He declares that as
soon as the trails are passable he's going to have a woman to help me,
that this sort of thing can't go on any longer. He imagines it's merely
the monotony of housework that is making my nerves so bad.
Yesterday morning I was drying the dishes and Dinky-Dunk was washing. I
found the second spoon with egg on it. I don't know why it was, but that
trivial streak of yellow along the edge of a spoon suddenly seemed to
enrage me. It became monumental, an emblem of vague incapabilities which
I would have to face until the end of my days. I flung that spoon back
in the dish-pan. Then I turned on my husband and called out to him, in a
voice that didn't quite seem like my own, "O God, can't you wash 'em
_clean_? Can't you wash 'em clean?" I even think I ran up and down the
room and pretty well made what Percival Benson would call "a bally ass"
of myself. Dinky-Dunk didn't even answer me. But he dried his hands and
got his things and went outdoors, to the stables, I suppose. His face
was as colorless as it could possibly get. I felt sorry; but it was too
late. And my sniffling didn't do any good. And it startled me, as I sat
thinking things over, to realize that I'd lost my sense of humor.
_Thursday the Fourth_
Dinky-Dunk thinks I'm mad. I'm quite sure he does. He came in at noon
to-day and found me on the floor with the kitten. I'd tied a piece of fur
to the end of a string. Oh, how that kitten scrambled after that fur,
round and round in a circle until he'd tumble over on his own ears! I
was squeaking and weak with laughing when Dinky-Dunk stood in the door.
Poor boy, he takes things so solemnly! But I know he thinks I'm quite
mad. Perhaps I am. I cried myself to sleep last night. And for several
days now I've had a longing for _caviare_.
_Wednesday the Seventeenth_
Spring is surely coming. It promises to be an early one. I feel better
at the thought of it, and of getting out again. But the roads are quite
impassable. Such mud! Such oceans of glue-pot dirt! They have a saying
out here that soil is as rich as it is sticky. If this is true
Dinky-Dunk has a second Garden of Eden. This mud sticks to everything,
to feet, to clothes, to wagon-wheels. But there's getting to be real
warmth in the sun that shines through my window.
_Saturday the Twenty-seventh_
A warm Chinook has licked up the last of the snow. Even Dinky-Dunk
admits that spring is coming. For three solid hours an awakened
blue-bottle has been buzzing against the pane of my bedroom window. I
wonder if most of us aren't like that fly, mystified by the illusion of
light that fails to lead to liberty? This morning I caught sight of
Dinky-Dunk in his fur coat, climbing into the buckboard. I shall always
hate to see him in that rig. It makes me think of a certain night. And
we hate to have memory put a finger on our mental scars. When I was a
girl Aunt Charlotte's second fiend of a husband locked me up in that
lonely Derby house of theirs because I threw pebbles at the swans. Then
off they drove to dinner somewhere and left me a prisoner there, where I
sat listening to the bells of All Saints as the house gradually grew
dark. And ever since then bells at evening have made me feel lonely and
left me unhappy.
But the renaissance of the buckboard means that spring is here again.
And for my Dinky-Dunk that means harder work. He's what they call a
"rustler" out here. He believes in speed. He doesn't even wait until the
frost is out of the ground before he starts to seed--just puts a drill
over a two-inch batter of thawed-out mud, he's so mad about getting
early on the land. He says he wants early wheat or no wheat. But he has
to have help, and men are almost impossible to get. He had hoped for a
gasoline tractor, but it can't be financed this spring, he has confessed
to me. And I know, in my secret heart of hearts, that the tractor would
have been here if it hadn't been for my piano!
There are still hundreds and hundreds of acres of prairie sod to "break"
for spring wheat. Dinky-Dunk declares that he's going to risk everything
on wheat this year. He says that by working two outfits of horses he
himself can sow forty acres a day, but that means keeping the horses on
the trot part of the time. He is thinking so much about his crop that I
accused him of neglecting me.
"Is the varnish starting to wear off?" I inquired with a secret gulp of
womanish self-pity. He saved the day by declaring I was just as crazy
and just as adorable as I ever was. Then he asked me, rather sadly, if I
was bored. "Bored?" I said, "how could I be bored with all these
discomforts? No one is ever bored until they are comfortable!" But the
moment after I'd said it I was sorry.
_Tuesday the Sixth_
Spring is here, with a warm Chinook creeping in from the Rockies and a
sky of robin-egg blue. The gophers have come out of their winter
quarters and are chattering and racing about. We saw a phalanx of wild
geese going northward, and Dinky-Dunk says he's seen any number of
ducks. They go in drifting V's, and I love to watch them melt in the
sky-line. The prairie floor is turning to the loveliest of greens, and
it is a joy just to be alive. I have been out all afternoon. The gophers
aren't going to get ahead of me!
_Monday the Twelfth_
What would you say if you saw Brunhild drive up to your back door? What
would you do if you discovered a Norse goddess placidly surveying you
from a green wagon-seat? How would you act if you beheld a big blonde
Valkyr suddenly introducing herself into your little earthly affairs?
Well, can you wonder that I stared, all eyes, when Dinky-Dunk brought
home a figure like this, in the shape of a Finn girl named Olga
Sarristo? Olga is to work in the fields, and to help me when she has
time. But I'll never get used to having a Norse Legend standing at my
elbow, for Olga is the most wonderful creature I have ever clapped eyes
on. I say that without doubt, and without exaggeration. And what made
the picture complete, she came driving a yoke of oxen--for Dinky-Dunk
will have need of every horse and hauling animal he can lay his hands
on. I simply held my breath as I stared up at her, high on her
wagon-seat, blocked out in silhouette against the pale sky-line, a
Brunhild with cowhide boots on. She wore a pale blue petticoat and a
Swedish looking black shawl with bright-colored flowers worked along the
hem. She had no hat. But she had two great ropes of pale gold hair,
almost as thick as my arm, and hanging almost as low as her knees. She
looked colossal up on the wagon-seat, but when she got down on the
ground she was not so immense. She is, however, a strapping big woman,
and I don't think I ever saw such shoulders! She is Olympian, Titanic!
She makes me think of the Venus de Milo; there's such a largeness and
calmness and smoothness of surface about her. I suppose a Saint-Gaudens
might say that her mouth was too big and a Gibson might add that her
nose hadn't the narrow rectitude of a Greek statue's, but she's a
beautiful, a beautiful--"woman" was the word I was going to write, but
the word "animal" just bunts and shoves itself in, like a stabled cow
insisting on its own stall. But if you regard her as only animal, you
must at least accept her as a perfect one. Her mouth is large, but I
never saw such red lips, full and red and dewy. Her forehead is low and
square, but milky smooth, and I know she could crack a chicken-bone
between those white teeth of hers. Even her tongue, I noticed, is a
watermelon red. She must be healthy. Dinky-Dunk says she's a find, that
she can drive a double-seeder as well as any man in the West, and that
by taking her for the season he gets the use of the ox-team as well. He
warned me not to ask her about her family, as only a few weeks ago her
father and younger brother were burned to death in their shack, a
hundred miles or so north of us.
_Tuesday the Twentieth_
Olga has been with us a week, and she still fascinates me. She is
installed in the annex, and seems calmly satisfied with her
surroundings. She brought everything she owns tied up in an oat-sack. I
have given her a few of my things, for which she seems dumbly grateful.
She seldom talks, and never laughs. But I am teaching her to say "yes"
instead of "yaw." She studies me with her limpid blue eyes, and if she
is silent she is never sullen. She hasn't the heavy forehead and jaw of
the Galician women and she hasn't the Asiatic cast of face that belongs
to the Russian peasant. And she has the finest mouthful of teeth I ever
saw in a human head--and she never used a toothbrush in her life! She is
only nineteen, but such a bosom, such limbs, such strength!
This is a great deal of talk about Olga, I'm afraid, but you must
remember that Olga is an event. I expected Olie would be keeled over by
her arrival, but they seem to regard each other with silent contempt. I
suppose that is because racially and physically they are of the same
type. I'm anxious to see what Percival Benson thinks of Olga when he
gets back--they would be such opposites. Olga is working with her
ox-team on the land. Two days ago I rode out on Paddy and watched her.
There was something Homeric about it, something Sorolla would have
jumped at. She seemed so like her oxen. She moved like them, and her
eyes were like theirs. She has the same strength and solemnity when she
walks. She's so primitive and natural and instinctive in her actions.
Yesterday, after dinner, she curled up on a pile of hay at one end of
the corral and fell asleep for a few minutes, flat in the strong noonday
light. I saw Dinky-Dunk stop on his way to the stable and stand and look
down at her. I slipped out beside him. "God, what a woman!" he said
under his breath. A vague stab of jealousy went through me as I heard
him say that. Then I looked at her hand, large, relaxed, roughened with
all kinds of weather and calloused with heavy work. And this time it was
an equally vague stab of pity that went through me.
_Monday the Twenty-sixth_
The rush is on, and Dinky-Dunk is always out before six. If it's true,
as some one once said, that the pleasures of life depended on its
anxieties, then we ought to be a hilarious household. Every one is busy,
and I do what I can to help. I don't know why it is, but I find an odd
comfort in the thought of having another woman near me, even Olga. She
also helps me a great deal with the housework. Those huge hands of hers
have a dexterity you'd never dream of. She thinks the piano a sort of
miracle, and me a second miracle for being able to play it. In the
evening she sits back in a corner, the darkest corner she can find, and
listens. She never speaks, never moves, never expresses one iota of
emotion. But in the gloom I can often catch the animal-like glow of her
eyes. They seem almost phosphorescent. Dinky-Dunk had a long letter from
Percival Benson to-day. It was interesting and offhandedly jolly and
just the right sort. And Percy says he'll be back on the Titchborne
place in a few weeks.
_Wednesday the Twenty-eighth_
Olga went through the boards of her wagon-box and got a bad scrape on
her leg. She showed me the extent of her injuries, without the slightest
hesitation, and I gave her first-aid treatment with my carbolated
vaseline. And still again I had to think of the Venus de Milo, for it
was a knee like a statue's, milky white and round and smooth, with a
skin like a baby's, and so different to her sunburnt forearms. It was
Olympian more than Fifth-Avenuey. It was a leg that made me think, not
of Rubens, but of Titian, and my thoughts at once went out to the
right-hand lady of the "Sacred and Profane Love," in the Borghese, there
was such softness and roundness combined with its strength. And
Dinky-Dunk walked in and stood staring at it, himself, with never so
much as a word of apology. Olga looked up at him without a flicker of
her ox-like eyes. It wasn't until I made an angry motion for her to
drop her skirt that she realized any necessity for covering the Titian
knee. But again I felt that odd pang of jealousy needle through me as I
saw his face. At least I suppose it was jealousy, the jealousy of an
artful little Mona-Lisa minx who didn't even class in with the
demigods. When Olga was gone, however, I said to Dinky-Dunk: "Isn't
that a limb for your life?"
He merely said: "We don't grow limbs up here, Tabby. They're legs, just
plain legs!"
"Anything but _plain_!" I corrected him. Then he acknowledged that he'd
seen those knees before. He'd stumbled on Olga and her brother knee-deep
in mud and cow manure, treading a mixture to plaster their shack with,
the same as the Doukhobors do. It left me less envious of those
Junoesque knees.
_Monday the Second_
Keeping chickens is a much more complicated thing than the outsider
imagines. For example, several of my best hens, quite untouched by the
modern spirit of feminine unrest, have been developing "broodiness" and
I have been trying to "break them up," as the poulterers put it. But
they are determined to set. This mothering instinct is a fine enough
thing in its way, but it's been spoiling too many good eggs. So I've
been trying to emancipate these ruffled females. I lift them off the
nest by the tail feathers, ten times a day. I fling cold water in their
solemn maternal faces. I put little rings of barb-wire under their
sentimental old bosoms. But still they set. And one, having pecked me on
the wrist until the blood came, got her ears promptly boxed--in face of
the fact that all poultry keepers acknowledge that kindness to a hen
improves her laying qualities.
_Thursday the Fifth_
Casa Grande is a beehive of industry. Every one has a part to play. I am
no longer expected to sit by the fire and purr. At nights I sew.
Dinky-Dunk is so hard on his clothes! When it's not putting on patches
it's sewing on buttons. Then we go to bed at half-past nine. At
half-past nine, think of it! Little me, who more than once went humming
up Fifth Avenue when morning was showing gray over the East River, and
often left Sherry's (oh, those dear old dancing days!) when the milk
wagons were rumbling through Forty-fourth Street, and once triumphantly
announced, on coming out of Dorlon's and studying the old Oyster-Letter
clock, that I'd stuck it out to Y minutes past O! But it's no hardship
to get up at five, these glorious mornings. The days get longer, and the
weather is perfect. And the prairie looks as though a vacuum cleaner
had been at work on it overnight. Positively, there's a charwoman who
does this old world over, while we sleep! By morning it's as bright as a
new pin. And out here every one is thinking of the day ahead;
Dinky-Dunk, of his crop; Olga, of the pair of sky-blue corsets I've
written to the Winnipeg mail-order house for; Olie, of the final
waterproofing of the granaries so the wheat won't get spoilt any more;
Gee-Gee, herself, of--of something which she's almost afraid to think
about.
Dinky-Dunk, in his deviling moods, says I'm an old married woman now,
that I'm settled, that I've eaten my pie! Perhaps I have. I'm not
imaginative, so I must depend on others for my joy of living. I know now
that I can never create, never really express myself in any way worth
while, either on paper or canvas or keyboard. And people without
imagination, I suppose, simply have to drop back to racial
simplicities--which means I'll have to have a family, and feed hungry
mouths, and keep a home going. And I'll have to get all my art at
second-hand, from magazines and gramophone records and plaster-of-Paris
casts. Just a housewife! And I so wanted to be something more, once! Yet
I wonder if, after all, the one is so much better than the other? I
wonder? And here comes my Dinky-Dunk, and in three minutes he'll be
kissing me on the tip of the chin and asking me what there's going to be
good for supper! And that is better than fame! For all afternoon those
twelve little lines of Dobson's have been running through my head:
Fame is a food that dead men eat--
I have no stomach for such meat.
In little light and narrow rooms,
They eat it in the silent tombs,
With no kind voice of comrade near
To bid the banquet be of cheer.
But Friendship is a noble thing--
Of Friendship it is good to sing,
For truly when a man shall end,
He lives in memory of his friend
Who doth his better part recall
And of his faults make funeral!
But when you put the word "love" there instead of "friendship" you make
it even better.... Olga, by the way, is not so stupid as you might
imagine. She's discovered something which I didn't intend her to find
out.... And Olie, also by the way, has solved the problem of "breaking
up" my setting hens. He has made a swinging coop with a wire netting
bottom, for all the world like the hanging gardens of Babylon, and into
this all the ruffled mothers-to-be have been thrust and the coop hung up
on the hen-house wall. Open wire is a very uncomfortable thing to set
on, and these hens have at last discovered that fact. I have been out
looking at them. I never saw such a parliament of solemn indignation.
But their pride has been broken, and they are beginning to show a
healthier interest in their meals.
_Tuesday the Tenth_
I've been wondering if Dinky-Dunk is going to fall in love with Olga.
Yesterday I saw him staring at her neck. She's the type of woman that
would really make the right sort of wilderness wife. She seems an
integral part of the prairie, broad-bosomed, fecund, opulent. And she's
so placid and large and soft-spoken and easy to live with. She has none
of my moods and tantrums.