THE PRAIRIE WIFE

_Thursday the Nineteenth_

Splash!... That's me, Matilda Anne! That's me falling plump into the

pool of matrimony before I've had time to fall in love! And oh, Matilda

Anne, Matilda Anne, I've _got_ to talk to you! You may be six thousand

miles away, but still you've got to be my safety-valve. I'd blow up and

explode if I didn't express myself to some one. For it's so lonesome out

here I could go and commune with the gophers. This isn't a twenty-part

letter, my dear, and it isn't a diary. It's the coral ring I'm cutting

my teeth of desolation on. For, every so long, I've simply got to sit

down and talk to some one, or I'd go mad, clean, stark, staring mad, and

bite the tops off the sweet-grass! It may even happen this will never be

sent to you. But I like to think of you reading it, some day, page by

page, when I'm fat and forty, or, what's more likely, when Duncan has

me chained to a corral-post or finally shut up in a padded cell. For you

were the one who was closest to me in the old days, Matilda Anne, and

when I was in trouble you were always the staff on which I leaned, the

calm-eyed Tillie-on-the-spot who never seemed to fail me! And I think

you will understand.

But there's so much to talk about I scarcely know where to begin. The

funny part of it all is, I've gone and married the _Other Man_. And you

won't understand that a bit, unless I start at the beginning. But when I

look back, there doesn't seem to be any beginning, for it's only in

books that things really begin and end in a single lifetime.

Howsomever, as Chinkie used to say, when I left you and Scheming Jack in

that funny little stone house of yours in Corfu, and got to Palermo, I

found Lady Agatha and Chinkie there at the Hotel des Palmes and the

yacht being coaled from a tramp steamer's bunkers in the harbor. So I

went on with them to Monte Carlo. We had a terrible trip all the way up

to the Riviera, and I was terribly sea-sick, and those lady novelists

who love to get their heroines off on a private yacht never dream that

in anything but duckpond weather the ordinary yacht at sea is about the

meanest habitation between Heaven and earth. But it was at Monte Carlo I

got the cable from Uncle Carlton telling me the Chilean revolution had

wiped out our nitrate mine concessions and that your poor Tabby's last

little nest-egg had been smashed. In other words, I woke up and found

myself a beggar, and for a few hours I even thought I'd have to travel

home on that Monte Carlo Viaticum fund which so discreetly ships away

the stranded adventurer before he musses up the Mediterranean scenery by

shooting himself. Then I remembered my letter of credit, and firmly but

sorrowfully paid off poor Hortense, who through her tears proclaimed

that she'd go with me anywhere, and without any thought of wages

(imagine being hooked up by a maid to whom you were under such

democratizing obligations!) But I was firm, for I knew the situation,

might just as well be faced first as last.

So I counted up my letter of credit and found I had exactly six hundred

and seventy-one dollars, American money, between me and beggary. Then I

sent a cable to Theobald Gustav (so condensed that he thought it was

code) and later on found that he'd been sending flowers and chocolates

all the while to the Hotel de L'Athénée, the long boxes duly piled up in

tiers, like coffins at the morgue. Then Theobald's aunt, the baroness,

called on me, in state. She came in that funny, old-fashioned, shallow

landau of hers, where she looked for all the world like an

oyster-on-the-half-shell, and spoke so pointedly of the danger of

international marriages that I felt sure she was trying to shoo me away

from my handsome and kingly Theobald Gustav--which made me quite calmly

and solemnly tell her that I intended to take Theobald out of

under-secretaryships, which really belonged to Oppenheim romances, and

put him in the shoe business in some nice New England town!

From Monte Carlo I scooted right up to Paris. Two days later, as I

intended to write you but didn't, I caught the boat-train for Cherbourg.

And there at the rail as I stepped on the _Baltic_ was the Other Man, to

wit, Duncan Argyll McKail, in a most awful-looking yellow plaid English

mackintosh. His face went a little blank as he clapped eyes on me, for

he'd dropped up to Banff last October when Chinkie and Lady Agatha and I

were there for a week. He'd been very nice, that week at Banff, and I

liked him a lot. But when Chinkie saw him "going it a bit too strong,"

as he put it, and quietly tipped Duncan Argyll off as to Theobald

Gustav, the aforesaid D. A. bolted back to his ranch without as much as

saying good-by to me. For Duncan Argyll McKail isn't an Irishman, as you

might in time gather from that name of his. He's a Scotch-Canadian, and

he's nothing but a broken-down civil engineer who's taken up farming in

the Northwest. But I could see right away that he was a gentleman (I

_hate_ that word, but where'll you get another one to take its place?)

and had known nice people, even before I found out he'd taught the

Duchess of S. to shoot big-horn. He'd run over to England to finance a

cooperative wheat-growing scheme, but had failed, because everything is

so unsettled in England just now.

But you're a woman, and before I go any further you'll want to know what

Duncan looks like.

Well, he's not a bit like his name. The West has shaken a good deal of

the Covenanter out of him. He's tall and gaunt and wide-shouldered, and

has brown eyes with hazel specks in them, and a mouth exactly like

Holbein's "Astronomer's," and a skin that is almost as disgracefully

brown as an Indian's. On the whole, if a Lina Cavalieri had happened to

marry a Lord Kitchener, and had happened to have a thirty-year-old son,

I feel quite sure he'd have been the dead spit, as the Irish say, of my

own Duncan Argyll. And Duncan Argyll, _alias_ Dinky-Dunk, is rather

reserved and quiet and, I'm afraid, rather masterful, but not as

Theobald Gustav might have been, for with all his force the modern

German, it seems to me, is like the bagpipes in being somewhat lacking

in suavity.

And all the way over Dinky-Dunk was so nice that he almost took my

breath away. He was also rather audacious, gritting his teeth in the

face of the German peril, and I got to like him so much I secretly

decided we'd always be good friends, old-fashioned, above-board,

Platonic good friends. But the trouble with Platonic love is that it's

always turning out too nice to be Platonic, or too Platonic to be nice.

So I had to look straight at the bosom of that awful yellow-plaid

English mackintosh and tell Dinky-Dunk the truth. And Dinky-Dunk

listened, with his astronomer mouth set rather grim, and otherwise not

in the least put out. His sense of confidence worried me. It was like

the quietness of the man who is holding back his trump. And it wasn't

until the impossible little wife of an impossible big lumberman from

Saginaw, Michigan, showed me the Paris _Herald_ with the cable in it

about that spidery Russian stage-dancer, L----, getting so nearly killed

in Theobald's car down at Long Beach, that I realized there _was_ a

trump card and that Dinky-Dunk had been too manly to play it.

The Prairie Wife · 第 5 / 10 题