MUNICH IN WAR TIME.

No matter what you want to do in Germany if you are a foreigner, even

a neutral, you have to go to the police. If you want to take a trip,

the first thing that you do is to go to the police and ask them if you

are allowed to go where you want to go, and then if you are allowed to

go you must return to the police exactly twenty-four hours before you

start and get your passport stamped.

Then you take your bread card, your butter card, your meat card and

your potato card to the bread commission. They cut off tickets for as

long as you are to be away, and in return they give you a traveling

bread card, a little book with twenty tickets in it. Each ticket is

good for either a roll or a piece of black bread, and for each week you

receive forty tickets. In the hotels where you stop you receive a meat

card on the days when meat is served.

[Illustration: _The Son of the Bavarian Crown Prince._]

As soon as you arrive at your destination you must go to the police and

register. Here they write your whole history down on a field-gray card.

One would think that it was an easy matter to slip away and the police

would never know. This can be done very easily, but if you are caught

you get in an awful muddle. Police come through the trains unexpectedly

and ask to see your passport. If it is not in order you are liable to

be imprisoned, and you must pay a fine for every day that you are not

registered. Sensible people follow all the police rules. They are well

advertised and one cannot fail to know them.

[Illustration: _The Wittelsbach Fountain in Munich._]

An American lady I know went from Berlin to Munich without registering

at the police station. A man came through the train and asked her for

her pass, and when he saw that it was not stamped she was ordered

to report to the Munich police at once. When she got to Munich she

forgot to go to the police for three days, and when she went there the

good-natured Bavarian policeman let her off.

"I am so glad," she said, "I would not know what to wear if I went to

jail.'"

It was in September, 1916, that I made my last trip to Munich. One

seldom sees French prisoners in Berlin, but all the way from Berlin to

Munich I saw them working in the fields. All of these prisoners had on

blue coats and their famous bright red trousers. They made gay spots on

the dull German landscapes.

Every little farm had geese, and every little town had its little

garrison of soldiers, training. In some places the soldiers were out in

the fields drilling. They were running, jumping and shooting.

[Illustration: _The Frauenkirche, the Symbol of Munich._]

The center of attraction of our whole train was a young sailor from the

"Deutschland." He was a fine young fellow and he smiled at everybody.

At every station he got out and bought something to eat. He seemed to

have an endless appetite and a very long purse.

[Illustration: _King Ludwig of Bavaria._]

As one gets farther and farther into Bavaria, the wayside shrines begin

to appear. They are everywhere along the roads and in the fields. At

different places harvest workers could be seen gathered around the

shrines in prayer.

When one is many, many miles away from Munich, one can see the two

towers of the _Frauenkirche_, red towers with green tops. These towers

are the symbol of Munich.

Outwardly, the only change that one can see in Munich is the

substituting of soldiers for students, and it really spoils the place,

for while the military spirit suits Berlin so well, it seems out of

place with these more gentle southern people. The Bavarian uniforms are

trimmed around the collar with a blue and white braid that looks like

the edging on a child's petticoat. It is hard to understand how such

artistic people could choose such a thing, but a Bavarian's artistic

sense is in his mind and not in his dress. The Bavarian soldiers have

a reputation all over Germany for being very fine warriors.

The loss of the old Prince Regent Luitpold meant much to these people,

and his son can never hope to be as popular even if he did have to wait

seventy years before he came to the throne. The Crown Prince Rupert is

more popular than his father. He is nearly always with his troops at

the front, and even when his eldest boy died, he felt that he could not

get away. He said, "This is no time for a soldier not to be attending

to his duty." His next son, Prince Albert, is now the heir to the

throne. He is a beautiful little boy and is tremendously popular in

Munich. The old Müncheners say that he is very much like what Ludwig II

was when he was a boy.

[Illustration: _Crown Prince Ruprecht of Bavaria, "The Fighter of

Metz."_]

Most things to eat are much more plentiful in Munich than in Berlin.

For instance, a man can have a pint of milk every day and a woman can

have more than that. Ham costs only seventy cents a pound without a

card, and on meat days it can be bought in any of the restaurants. The

meat portions in the Munich restaurants are one hundred and eighty

grams while in Berlin they range from fifty to forty grams; and in

Bavaria the price for the portion is no higher.

Vegetables and fruit are very plentiful, but butter and eggs are

scarcer than in Berlin. One person gets only fifty grams of butter each

week and one egg. In Berlin we generally got eighty grams of butter and

never less than an egg and a half a week.

In Bavaria everything is divided among the people. For instance, if a

man who lives in the country near Munich has a load of hay for sale,

he brings that load of hay to Munich to what they call the central

station. They have all kinds of central stations in Munich, for grain,

for meat, for eggs, for vegetables, and for butter. The load of hay

which the man brings is divided up and given out where it is most

needed; he does not dare to sell the load of hay himself.

[Illustration: _National Museum at Munich._]

It is just the same with eggs. Suppose that you had a brother in the

country, and he wanted to send you one hundred eggs to pack for the

winter. He could not send you the eggs direct. He would have to send

them first to the central station, and if eggs were plentiful that

week, the central station would let you have the eggs; but if eggs were

scarce and were needed elsewhere, you are given only a small part of

the eggs. This plan is followed in everything. Even if you raise a pig,

you cannot keep all the meat yourself, you must sell a part of it to

your neighbor if he needs it.

The rolls in Munich are much better than in Berlin, and they seem to be

made of entirely white flour. Cheese is very scarce in Berlin, but in

Munich there is plenty of cheese, and it is very cheap. Pure coffee can

be bought at a dollar a pound without a card, and although there is a

sugar card the same as in Berlin, still all the restaurants and cafés

serve pure sugar.

The price of beer has not been affected much by the war and beer

that was twenty-eight pfennigs before the war is now thirty-four

pfennigs, and the Hofbräu beer, or the beer made by the royal brewery,

is thirty-two pfennigs. Fine malt beers such as Bock Beer and Märzen

Beer are prohibited from being made, as they take too much malt and

saccharine.

[Illustration: _Karl's Gate._]

One evening when I was there we walked through the Mathazerbräu, the

greatest beer hall in the world. The place was one mass of people

drinking beer, soldiers and officers and women. Most of the guests

brought their supper with them, and everybody was smoking. It was like

walking through a thick fog, there was so much smoke.

[Illustration: _Franz von Stuck._]

We went to a lot of theaters, cafés and cabarets, and they were always

full. Everywhere we went we had trouble in getting a seat. Everybody

seemed to be having a very nice time. They were not hilarious, but

they seemed to think that staying at home and moping would not help

matters. The most astonishing part was the vast amount of money spent

everywhere. Some cabarets only served champagne, and the spenders

ordered it by the quart. No one got drunk in spite of the amount of

fluid they poured into them.

The art show at the Glass Palace was on when I was there, but I did

not find it as interesting as the great show I had seen there the year

before the war. There were too many landscapes of a dull color. This

did not interfere with the sale of the pictures, and one-tenth of them

were marked sold.

[Illustration: _The Home of Franz von Stuck in Munich._]

One day I paid a visit to the studio of Herr Franz von Stuck. He was

very cordial. He is a splendid, big, strong man. Lately he has built an

addition to his house so that he can have more room for his work, and

he has one of the finest studios I have ever seen. The first floor is

for modeling, and the second floor is for painting. He said that it was

very hard to get good models now as all the men of fine physique were

in the war.

"Do you get the same amount of bread as an ordinary man?" I asked him.

"Exactly the same," he answered. "The poorest workingman in the streets

gets the same as I. That is why our system is so splendid."

He hardly mentioned his work at all, indeed he seemed quite shy about

it. On his table was a dish made of Brazilian butterflies. He picked

it up and turned it so that it showed blue, then brown, and then green.

"Isn't it beautiful!" he said enthusiastically, "Look at it now!"

I looked around the room at all his wonderful pictures. I thought of

all the fame that was his and of all the honors that had been heaped at

his feet, and yet there he was admiring a butterfly's wing. I had the

feeling that a great man stood before me.

Germany in War Time: What an American Girl Saw and Heard · 第 49 / 56 题