XI

There are artists like Byron, like Goethe, like Shelley, who have

impressive personalities, active wills and all their faculties at the

service of the will; but he belonged to those who like Wordsworth, like

Coleridge, like Goldsmith, like Keats, have little personality, so far

as the casual eye can see, little personal will, but fiery and brooding

imagination. I cannot imagine him anxious to impress, or convince in

any company, or saying more than was sufficient to keep the talk

circling. Such men have the advantage that all they write is a part of

knowledge, but they are powerless before events and have often but one

visible strength, the strength to reject from life and thought all that

would mar their work, or deafen them in the doing of it; and only this

so long as it is a passive act. If Synge had married young or taken

some profession, I doubt if he would have written books or been greatly

interested in a movement like ours; but he refused various

opportunities of making money in what must have been an almost

unconscious preparation. He had no life outside his imagination, little

interest in anything that was not its chosen subject. He hardly seemed

aware of the existence of other writers. I never knew if he cared for

work of mine, and do not remember that I had from him even a

conventional compliment, and yet he had the most perfect modesty and

simplicity in daily intercourse, self-assertion was impossible to him.

On the other hand, he was useless amidst sudden events. He was much

shaken by the Playboy riot; on the first night confused and excited,

knowing not what to do, and ill before many days, but it made no

difference in his work. He neither exaggerated out of defiance nor

softened out of timidity. He wrote on as if nothing had happened,

altering 'The Tinker's Wedding' to a more unpopular form, but writing a

beautiful serene 'Deirdre,' with, for the first time since his 'Riders

to the Sea,' no touch of sarcasm or defiance. Misfortune shook his

physical nature while it left his intellect and his moral nature

untroubled. The external self, the mask, the persona was a shadow,

character was all.

Synge and the Ireland of His Time · 第 13 / 19 题