CHAPTER XLVII.--VALERIE VOLHONSKI.

Though convalescent, I was still too feeble to think of saddle-work;

and the Hospoza Volhonski had no means of transmitting me otherwise

than mounted, or of having me--even when able to travel--guided to the

British camp, without aid from her brother, of whom we had no tidings

for weeks; so the time slipped away at Yalta pleasantly enough for me.

To conceal me entirely from all the visitors who came there was an

impossibility; thus, though dressed in plain clothes now, and

generally passing for a German shut out from business at Sebastopol, I

ran hourly risks of suspicion and discovery. Some of Volhonski's

abrupt and ill-judged remarks, or some perhaps of mine, which had

escaped me when delirious under the double effect of wound and wine,

rendered Valerie a little reserved in her demeanour towards me for the

first day or two after I was able to leave my room; but she was so

frank in nature and so gay in spirit, that this unusual mood rapidly

wore away. We had many visitors from the Valley of Inkermann and from

Sebastopol itself, as the city was left unblockaded on one side; and

the tidings they brought us--tidings which we eagerly devoured--varied

strangely. Once we were informed that it had been assaulted, and that

all the outworks were in the hands of the Allies; next we heard that

another Inkermann had been fought--that the Allies had been scattered

and the siege raised; that the Austrians had entered Bulgaria; that

torpedoes had blown up the sunken ships; and that the British fleet

was actually in the harbour, shelling the town and burning it with

rockets and red-hot shot. But all reports converged in one unvarying

tale--the dreadful sufferings of our soldiers among the snow in the

trenches, where young men grew gray, and gray-haired men grew white

with misery. And so the Christmas passed; and when the Russian bells

by hundreds rang the old year out from the spires, the forts, and the

ships that lay above the booms and bridge of boats, the new year's

morning saw the black cross of St. Andrew still waving defiantly on

the Mamelon, and Redan, and all the forts of Sebastopol.

Once among our visitors came Prince Menschikoff himself, Valerie

advised my non-appearance, much to my relief; but I heard the din of

voices, the laughter, and the sound of music in the _salon_ or great

dining-room where a _déjeûner_ was served for him and his staff, while

the band of the Grand Duchess Olga's Hussars were stationed in the

marble vestibule, and played the grand national anthem of Russia and

Luloff's famous composition, _Borshoe zara brangie_--God save the

Emperor. After the Prince's departure we had the huge mansion entirely

to ourselves again, and any longings I might have to rejoin the Welsh

Fusileers and share the dangers they underwent, together with my

natural anxiety to hear of my friends in their ranks, I was compelled

to stifle and seek to forget, when tidings came that a great body of

Tchernimorski Cossacks had formed a temporary camp between Yalta and

the head of the long Baidar Valley, thus, while they remained,

completely cutting off all my chances of reaching either Balaclava or

the Allied camp; so there was nothing for me now but to resign myself

to a protracted residence in the same luxurious mansion with the

brilliant Valerie (and her watchful chaperone), with the somewhat

certain chance of losing my heart in the charms, of her society.

Madame Tolstoff assuredly kept guard over us with Argus eyes; but a

few of the devices in the heart that laugheth at locksmiths enabled me

to elude her at times; while, fortunately for me, the language we

spoke was perfectly unknown to her; yet "the Tolstoff," as I used to

call her, seemed, I knew not why, to exercise considerable control

over Valerie. In her youth she had been carried off by Schamyl's

mountaineers from a Russian outpost, and was a detained for three

years in the Caucasian chief's seraglio, where, with all my heart, I

wished her still. But while enjoying all the good things of this life

at Yalta--grapes, melons, and pineapples from Woronzow's hothouses at

Alupka, oysters from Hamburg, pickled salmon from Ladoga, sterlit from

the Volga, sturgeon from the Caspian Sea, reindeer's tongue from

Archangel, Crimean wines that nearly equalled champagne, imitation

Sillery from the Don, Cliquot, Burgundy, and Bordeaux,--I thought

often with compunction of the wretched rations and hard fare of our

poor fellows who were starving in the winter camp. Volhonski was

wealthy, and thus his sister and her attendants were able to command

every luxury. His rank was high, for he claimed, as usual with all the

Russian nobles of the first _tchinn_ or class, to be descended from

Ruric the Norman--Ruric of Kiev and Vladimir--who, more than a

thousand years ago, founded the dynasty by which Muscovy was governed

prior to the accession of the Romanoffs. All the best families in the

land boast of a descent from Gedemine the Lithuanian, or from this

Ruric and his followers; a weakness common also to the English

aristocracy, whose genealogical craze is a real or supposed descent

from those who were too probably the offscourings of Normandy. Beauty

belongs peculiarly to neither race nor nation; yet somehow Valerie

seemed to me, in her bearing and style, the embodiment of all that was

noble and lovely; and though always graceful, her air and sometimes

the carriage of her head seemed haughty--even defiant.

In the many opportunities afforded by propinquity and close residence

together in the same house, and by our speaking a language which we

alone understood, I know not all I said to her then, nor need I seek

to remember it now; suffice it, that softly and imperceptibly the

sentiments of those who love are communicated and adopted; and so it

was with me. She was catching my heart at the rebound--at the

ricochet, as we might say in the trenches. I was beginning to learn

that there were other women who might love me--others whom I might

love, and who were not worshippers of Mammon, like--ah, well--Estelle

Cressingham. If Pottersleigh died or broke his old neck in the

hunting-field, where he sometimes rashly ventured, would Estelle--I

thrust her image aside, and turned all my thoughts to Valerie; yet my

second choice seemed, by the peculiarity of our circumstances, a more

ambitious one and more hopeless of attainment than the first. Daily,

however, I strove to win her heart and to inspire her with that pure

passion which, as a casuist affirms, can only be felt by the pure in

spirit, as all virtues are closely connected with each other, and the

tenderness of the heart is one of them. Was the devil at my elbow, or

my evil angel, if such things be, whispering in my ear? Or how was it,

that whenever I grew tender with Valerie, the image of Estelle came

revengefully, yet sadly, to memory, as of an idol shattered, but

certainly not by me? Oddly enough I still wore her ring on my

finger--the single pearl set in blue and gold enamel--a gift I had as

yet no means of restoring, and could not give away. "Have you ever

looked at a portrait till it haunted you?" asks a writer. "Have you

ever seen the painted face of one, it may be, who was an utter

stranger to you, yet that seemed to fill your mind with a sort of

recognition that sent you out over the sea of speculation, wondering

where you had seen it before, or when you would see it again? The eyes

talk to you and the lips tell you a dreamy story."

Such, then, was the haunting character of the face of Valerie. Her

beauty and her graces of manner filled up all my thoughts, and her

strange dark eyes seemed to say that if it was impossible we had known

each other in the years that were past, we might be dear enough to

each other in the future; and I hoped in my heart that ours should be

one; thus yielding blindly to the influence, to the charm of her

presence and the whole situation. Once she was at the piano, and sang

to me with wonderful grace and brilliance "The Refusal," a Russian

gipsy song, in which a young man makes many desperate professions and

promises of love to a giddy young beauty, who laughs at them and

rejects him, because she values nothing so much as her own liberty.

When turning the leaves for her, the pearl ring of Estelle--a ring so

evidently that of a lady--caught her attention, and I saw Valerie's

colour heighten as she did so. I instantly drew it off; I felt no

compunction in doing so then, and said, "You admire this ring,

apparently?"

"Nay--do not say so, please," said she, bending over the instrument;

"when a lady admires thus, it seems only another fashion of coveting."

"In this instance that were useless," said I, laughing, "as the ring

is not mine to bestow; otherwise I should glory in your accepting it."

"Is it your wife's?"

"My wife's!"

"Yes. Have you one in that wretched little island of yours?" she

continued, sharply.

"No," I replied, delighted by this undisguised little ebullition of

jealousy.

"To whom does it belong, then?"

"The wife of another, to whom it shall be restored in England."

"This is very strange--it has, then, a history?" said she, bending her

dark eyes on mine.

"Yes."

"And this history--what is it?"

"I cannot--dare not tell you."

"Indeed!" Her black lashes drooped for a moment, and she passed a

white hand nervously over her golden braids. "And wherefore?"

"It would be to reveal the secrets of another."

"Another whom you love?" she asked, hurriedly, while her teeth seemed

to glitter as well as her eyes, for her lips were parted.

"No, no; on my honour, no!" said I, laying my right hand on my breast,

and feeling that then I spoke but the truth and without the

equivocation, to which her questions were forcing me. Then Valerie

seemed to blush with pleasure, and my heart beat lightly with joy. I

should certainly have done something rash; but the inevitable Madame

Tolstoff was in the room, embroidering a smoking cap for her son the

colonel, then in command of the 26th at Sebastopol; so I was compelled

to content myself by simply touching the hand of Valerie, and by

caressing it tenderly, while affecting to admire a beautiful opal ring

she wore, and urging her to continue her music. The whole episode

partook somewhat of the nature of a scene between us, and even the

usually self-possessed Valerie seemed a little confused, as she once

more laid her tapered fingers on the ivory keys.

"I am very far from perfect in my music, or anything else, perhaps,"

she said.

"Do not say so," I whispered; "yet had you been more perfect than you

are, I think no other woman in this world would have had the chance of

a lover."

"How--why?"

"All men would be loving you, and you only."

"This is more like the inflated flattery of a Frenchman than the

speech of a sober Briton," said Valerie, a little disdainfully.

"Does it displease you?"

"Yes, certainly."

"Why?"

"People don't love when they flatter," was the pretty pointed and

coquettish response, and preluded an air with a crash on the keys,

thus interrupting something I was about to say--heaven only knows

what--a formal declaration, I fear.

"You admired my opal. Listen to the story of its _origin_; I doubt if

the story of your ring is half so pretty," said she. And then she sang

in English the following song, which she had been taught by her

governess, a song the author of which I have never been able to

discover; but then and there, situated as I was, the English words

came deliciously home to my heart, and I quote them now from memory:--

"A dew-drop came, with a spark of flame

It had caught from the sun's last ray,

To a violet's breast, where it lay at rest,

Till the hours brought back the day.

With a blush and a frown a rose look'd down,

But smiled at once to view,

With its colouring warm, her own bright form

Reflected back by the dew!

Then a stolen look the stranger took

At the sky so soft and blue,

And a leaflet green, with its silvery sheen,

Was seen by the idler, too.

As he thus reclined, a cold north wind

Of a sudden blew around,

And a maiden fair, who was walking there,

Next morning _an opal_ found!"

I ventured to pat her shoulder approvingly. I glanced furtively round;

the Tolstoff had gone out of the room, and somehow my arm slipped

round Valerie, who looked up at me, smiling archly, yet she said,

firmly,

"Pray don't."

"How much longer am I to keep this silence?" I asked.

"How--what silence?"

"To be thus in suspense, Valerie," I added, lowering my voice and

bending my face towards her ear.

Her smile passed away, her white lids drooped, and perplexity and

trouble stole over her eyes, as she drew her head back.

"I do not know what you mean, or whither your conversation tends," she

said.

"You know that I love you!"

"No, I don't."

"You must have seen it--must have guessed it--since the happy hour in

which I first saw you."

"Do not speak to me thus, I implore you," said she, colouring deeply,

and covering her face with her beautiful hands.

"Why, Valerie, dearest, dearest Valerie?"

"I must not--dare not listen to you."

"Dare not?"

"I speak the truth," said she, and her breast heaved.

"Will you marry me, Valerie?"

"I cannot marry you."

"Why?"

"O heavens, don't ask me! But enough of this; and here comes Madame

Tolstoff, to announce that the _samovar_--the tea-urn--is ready."

In my irritation I muttered something that she of the red _sarafan_,

Madame Tolstoff, would not wish graved on her tombstone, and resumed

my previous task of turning the leaves at the piano; but Valerie sang

no more then, and for two entire days gave me no opportunity of

learning why she had received my declaration in a manner so odd and

unexpected. I could but sigh and conjecture the cause, and recall the

words of her brother on the night he first met me at Yalta; and if it

were the case that a convent proved the only barrier, I was not

without hopes of smoothing all such scruples away.

Under the Red Dragon: A Novel · 第 47 / 61 章