_The World Set Free_
They waited two days at Settler's Station. To push along the line into
the desert would have been useless, and both men were convinced that an
airplane would arrive for them. But it was not until the second
afternoon that the aviator arrived, half-dead with thirst and fatigue,
and almost incoherent.
His was the last plane on the Australian continent. He brought the news
of the destruction of Adelaide, and of the siege of Melbourne and
Sydney, as he termed it. He told Dodd and Tommy that the two cities had
been surrounded with trenches and barbed wire. Machine guns and
artillery were bombarding the trenches in which the beetles had taken
shelter.
"Has any one been out on reconnaissance?" asked Tommy.
Nobody had been permitted to pass through the barbed wire, though there
had been volunteers. It meant certain death. But, unless the beetles
were sapping deep in the ground, what their purpose was, nobody knew.
* * * * *
Tommy and Dodd led him to the piles of smoking, stinking debris and told
him.
That was where the aviator fainted from sheer relief.
"The Commonwealth wants you to take supreme command against the
beetles," he told Tommy, when he had recovered. "I'm to bring you back.
Not that they expect me back. But--God, what a piece of news! Forgive my
swearing--I used to be a parson. Still am, for the matter of that."
"How are you going to bring us three back in your plane?" asked Tommy.
"I shall stay here with Jimmydodd," said Haidia suavely. "There is not
the least danger any more. You must destroy the beetles before their
shells have grown again, that's all."
"Used to be a parson, you say? Still are?" shouted Dodd excitedly.
"Thank God! I mean, I'm glad to hear it. Come inside, and come quick. I
want you too, Tommy!"
Then Tommy understood. And it seemed as if Haidia understood, by some
instinct that belongs exclusively to women, for her cheeks were flushed
as she turned and smiled into Dodd's eyes.
Ten minutes later Tommy hopped into the biplane, leaving the happy
married couple at Settler's Station. His eyes grew misty as the plane
took the air, and he saw them waving to him from the ground. Dodd and
Haidia and he had been through so many adventures, and had reached
safety. He must not fail.
* * * * *
He did not fail. He found himself at Sydney in command of thirty
thousand men, all enthusiastic for the fight for the human race,
soldiers and volunteers ready to fight until they dropped. When the news
of the situation was made public, an immense wave of hope ran through
the world.
National differences were forgotten, color and creed and race grew more
tolerant of one another. A new day had dawned--the day of humanity's
true liberation.
Tommy's first act was to call out the fire companies and have the
beetles' trenches saturated with petrol from the fire hoses. Then
incendiary bullets, shot from guns from a safe distance, quickly
converted them into blazing infernos.
But even so only a tithe of the beetle army had been destroyed. Two
hundred planes had already been rushed from New Zealand, and their
aviators went up and scoured the country far and wide. Everywhere they
found trenches, and, where the soil was stony, millions of the beetles
clustered helplessly beneath great mounds of discarded shells.
An army of black trackers had been brought in planes from all parts of
the country, and they searched out the beetle masses everywhere along
the course that the invaders had taken. Then incendiary bombs were
dropped from above.
* * * * *
Day after day the beetle massacre went on. By the end of a week the
survivors of the invasion began to take heart again. It was certain that
the greater portion of the horde had been destroyed.
There was only one thing lacking. No trace of Bram had been seen since
his appearance at the head of his beetle army in front of Broken Hill.
And louder and more insistent grew the world clamor that he should be
found, and put to death in some way more horrible than any yet devised.
The ingenuity of a million minds worked upon this problem. Newspapers
all over the world offered prizes for the most suitable form of death.
Ingenious Oriental tortures were rediscovered.
The only thing lacking was Bram.
A spy craze ran through Australia. Five hundred Brams were found, and
all of them were in imminent danger of death before they were able to
prove an alias.
And, oddly enough, it was Tommy and Dodd who found Bram. For Dodd had
been brought back east, together with his bride, and given an important
command in the Army of Extermination.
* * * * *
Dodd had joined Tommy not far from Broken Hill, where a swarm of a
hundred thousand beetles had been found in a little known valley. The
monsters had begun to grow new shells, and the news had excited a fresh
wave of apprehension. The airplanes had concentrated for an attack upon
them, and Tommy and Dodd were riding together, Tommy at the controls,
and Dodd observing.
Dodd called through the tube to Tommy, and indicated a mass that was
moving through the scrub--some fifty thousand beetles, executing short
hops and evidently regaining some vitality. Tommy nodded.
He signalled, and the fleet of planes circled around and began to drop
their incendiary bombs. Within a few minutes the beetles were ringed
with a wall of fire. Presently the whole terrain was a blazing furnace.
Hours later, when the fires had died away, Tommy and Dodd went down to
look at the destruction that had been wrought. The scene was horrible.
Great masses of charred flesh and shell were piled up everywhere.
"I guess that's been a pretty thorough job," said Tommy. "Let's get
back, Jim."
"What's that?" cried Dodd, pointing. Then, "My God, Tommy, it's one of
our men!"
* * * * *
It was a man, but it was not one of their men, that creeping, maimed,
half-cinder and half-human thing that was trying to crawl into the
hollow of a rock. It was Bram, and recognition was mutual.
Bram dropping, moaning; he was only the shell of a man, and it was
incredible how he had managed to survive that ordeal of fire. The
remainder of his life, which only his indomitable will had held in that
shattered body, was evidently a matter of minutes, but he looked up at
Dodd and laughed.
"So--you're--here, damn you!" he snarled. "And--you think--you've won.
I've--another card--another invasion of the world--beside which this is
child's play. It's an invasion--"
Bram was going, but he pulled himself together with a supreme effort.
"Invasion by--new species of--monotremes," he croaked. "Deep
down in--earth. Was saving to--prove you the liar you are.
Monotremes--egg-laying platypus big as an elephant--existent long
before pleistocene epoch--make you recant, you lying fool!"
Bram died, an outburst of bitter laughter on his lips. Dodd stood silent
for a while; then reverently he removed his hat.
"He was a madman and a devil, but he had the potentialities of a god,
Tommy," he said.
* * * * *
SUCH WELL-KNOW WRITERS AS
Murray Leinster, Ray Cummings, Victor Rousseau, R. F. Starzl, A.
T. Locke, Capt. S. P. Meek and Arthur J. Burks
Write for
=ASTOUNDING STORIES=
* * * * *
Mad Music
_By Anthony Pelcher_
The sixty stories of the perfectly constructed Colossus building
had mysteriously crashed! What was the connection between this
catastrophe and the weird strains of the Mad Musician's violin?
[Illustration: _In an inner room they found a diabolical machine._]
To the accompaniment of a crashing roar, not unlike rumbling thunder,
the proud Colossus Building, which a few minutes before had reared its
sixty stories of artistic architecture towards the blue dome of the sky,
crashed in a rugged, dusty heap of stone, brick, cement and mortar. The
steel framework, like the skeleton of some prehistoric monster, still
reared to dizzy heights but in a bent and twisted shape of grotesque
outline.
No one knew how many lives were snuffed out in the avalanche.
As the collapse occurred in the early dawn it was not believed the
death list would be large. It was admitted, however, that autos, cabs
and surface cars may have been caught under the falling rock. One train
was known to have been wrecked in the subway due to a cave-in from the
surface under the ragged mountain of debris.
The litter fairly filled a part of Times Square, the most congested
cross-roads on God's footstool. Straggling brick and rock had rolled
across the street to the west and had crashed into windows and doors of
innocent small tradesmen's shops.
A few minutes after the crash a mad crowd of people had piled from
subway exits as far away as Penn Station and Columbus Circle and from
cross streets. These milled about, gesticulating and shouting
hysterically. All neighboring police stations were hard put to handle
the growing mob.
Hundreds of dead and maimed were being carried to the surface from the
wrecked train in the subway. Trucks and cabs joined the ambulance crews
in the work of transporting these to morgues and hospitals. As the
morning grew older and the news of the disaster spread, more milling
thousands tried to crowd into the square. Many were craning necks
hopelessly on the outskirts of the throng, blocks away, trying vainly to
get a view of what lay beyond.
The fire department and finally several companies of militia joined the
police in handling the crowd. Newsies, never asleep, yowled their
"Wuxtras" and made much small money.
The newspapers devoted solid pages in attempting to describe what had
happened. Nervously, efficient reporters had written and written, using
all their best adjectives and inventing new ones in attempts to picture
the crash and the hysterics which followed.
* * * * *
When the excitement was at its height a middle-aged man, bleeding at the
head, clothes torn and dusty, staggered into the West 47th street
police station. He found a lone sergeant at the desk.
The police sergeant jumped to his feet as the bedraggled man entered and
stumbled to a bench.
"I'm Pat Brennan, street floor watchman of the Colossus," he said. "I
ran for it. I got caught in the edge of the wreck and a brick clipped
me. I musta been out for some time. When I came around I looked back
just once at the wreck and then I beat it over here. Phone my boss."
"I'll let you phone your boss," said the sergeant, "but first tell me
just what happened."
"Earthquake, I guess. I saw the floor heaving in waves. Glass was
crashing and falling into the street. All windows in the arcade buckled,
either in or out. I ran into the street and looked up. God, what a
sight! The building from sidewalk to towers was rocking and waving and
twisting and buckling and I saw it was bound to crumple, so I lit out
and ran. I heard a roar like all Hell broke loose and then something
nicked me and my light went out."
"How many got caught in the building?"
"Nobody got out but me, I guess. There weren't many tenants. The
building is all rented, but not everybody had moved in yet and those as
had didn't spend their nights there. There was a watchman for every five
stories. An engineer and his crew. Three elevator operators had come in.
There was no names of tenants in or out on my book after 4 A.M. The
crash musta come about 6. That's all."
* * * * *
Throughout the country the news of the crash was received with great
interest and wonderment, but in one small circle it caused absolute
consternation. That was in the offices of the Muller Construction
Company, the builders of the Colossus. Jason V. Linane, chief engineer
of the company, was in conference with its president, James J. Muller.
Muller sat with his head in his hands, and his face wore an expression
of a man in absolute anguish. Linane was pacing the floor, a wild
expression in his eyes, and at times he muttered and mumbled under his
breath.
In the other offices the entire force from manager to office boys was
hushed and awed, for they had seen the expressions on the faces of the
heads of the concern when they stalked into the inner office that
morning.
Muller finally looked up, rather hopelessly, at Linane.
"Unless we can prove that the crash was due to some circumstance over
which we had no control, we are ruined," he said, and there actually
were tears in his eyes.
"No doubt about that," agreed Linane, "but I can swear that the Colossus
went up according to specifications and that every ounce and splinter of
material was of the best. The workmanship was faultless. We have built
scores of the biggest blocks in the world and of them all this Colossus
was the most perfect. I had prided myself on it. Muller, it was
perfection. I simply cannot account for it. I cannot. It should have
stood up for thousands of years. The foundation was solid rock. It
positively was not an earthquake. No other building in the section was
even jarred. No other earthquake was ever localized to one half block of
the earth's crust, and we can positively eliminate an earthquake or an
explosion as the possible cause. I am sure we are not to blame, but we
will have to find the exact cause."
"If there was some flaw?" questioned Muller, although he knew the
answer.
"If there was some flaw, then we're sunk. The newspapers are already
clamoring for probes, of us, of the building, of the owners and
everybody and everything. We have got to have something damned plausible
when we go to bat on this proposition or every dollar we have in the
world will have to be paid out."
"That is not all," said Muller: "not only will we be penniless, but we
may have to go to jail and we will never be able to show our faces in
reputable business circles again. Who was the last to go over that
building?"
"I sent Teddy Jenks. He is a cub and is swell headed and too big for his
pants, but I would bank my life on his judgment. He has the judgment of
a much older man and I would also bank my life and reputation on his
engineering skill and knowledge. He pronounced the building positively
O.K.--100 per cent."
"Where is Jenks?"
"He will be here as soon as his car can drive down from Tarrytown. He
should be here now."
* * * * *
As they talked Jenks, the youngest member of the engineering force,
entered. He entered like a whirlwind. He threw his hat on the floor and
drew out a drawer of a cabinet. He pulled out the plans for the
Colossus, big blue prints, some of them yards in extent, and threw them
on the floor. Then he dropped to his knees and began poring over them.
"This is a hell of a time for you to begin getting around," exploded
Muller. "What were you doing, cabareting all night?"
"It sure is terrible--awful," said Jenks, half to himself.
"Answer me," thundered Muller.
"Oh yes," said Jenks, looking up. He saw the look of anguish on his
boss's face and forgot his own excitement in sympathy. He jumped to his
feet, placed his arm about the shoulders of the older man and led him to
a chair. Linane only scowled at the young man.
"I was delayed because I stopped by to see the wreck. My God, Mr.
Muller, it is awful." Jenks drew his hand across his eye as if to erase
the scene of the wrecked building. Then patting the older man
affectionately on the back he said:
"Buck up. I'm on the job, as usual. I'll find out about it. It could not
have been our fault. Why man, that building was as strong as Gibraltar
itself!"
"You were the last to inspect it," accused Muller, with a break in his
voice.
"Nobody knows that better than I, and I can swear by all that's square
and honest that it was no fault of the material or the construction. It
must have been--"
"Must have been what?"
"I'll be damned if I know."
"That's like him," said Linane, who, while really kindly intentioned,
had always rather enjoyed prodding the young engineer.
"Like me, like the devil," shouted Jenks, glaring at Linane. "I suppose
you know all about it, you're so blamed wise."
"No, I don't know," admitted Linane. "But I do know that you don't like
me to tell you anything. Nevertheless, I am going to tell you that you
had better get busy and find out what caused it, or--"
"That's just what I'm doing," said Jenks, and he dived for his plans on
the floor.
Newspaper reporters, many of them, were fighting outside to get in.
Muller looked at Linane when a stenographer had announced the reporters
for the tenth time.
"We had better let them in," he said, "it looks bad to crawl for cover."
"What are you going to tell them?" asked Linane.
"God only knows," said Muller.
"Let me handle them," said Jenks, looking up confidently.
* * * * *
The newspapermen had rushed the office. They came in like a wild wave.
Questions flew like feathers at a cock-fight.
Muller held up his hand and there was something in his grief-stricken
eyes that held the gentlemen of the press in silence. They had time to
look around. They saw the handsome, dark-haired, brown-eyed Jenks poring
over the plans. Dust from the carpet smudged his knees, and he had
rubbed some of it over a sweating forehead, but he still looked the
picture of self-confident efficiency.
"Gentlemen," said Muller slowly, "I can answer all your questions at
once. Our firm is one of the oldest and staunchest in the trade. Our
buildings stand as monuments to our integrity--"
"All but one," said a young Irishman.
"You are right. All but one," confessed Muller. "But that one, believe
me, has been visited by an act of God. Some form of earthquake or some
unlooked for, uncontrolled, almost unbelievable catastrophe has
happened. The Muller company stands back of its work to its last dollar.
Gentlemen, you know as much as we do. Mr. Jenks there, whose reputation
as an engineer is quite sturdy, I assure you, was the last to inspect
the building. He passed upon it when it was finished. He is at your
service."
Jenks arose, brushed some dust from his knees.
"You look like you'd been praying," bandied the Irishman.
"Maybe I have. Now let me talk. Don't broadside me with questions. I
know what you want to know. Let me talk."
The newspapermen were silent.
"There has been talk of probing this disaster, naturally," began Jenks.
"You all know, gentlemen, that we will aid any inquiry to our utmost.
You want to know what we have to say about it--who is responsible. In a
reasonable time I will have a statement to make that will be startling
in the extreme. I am not sure of my ground now."
"How about the ground under the Colossus?" said the Irishman.
"Don't let's kid each other," pleaded Jenks. "Look at Mr. Muller: it is
as if he had lost his whole family. We are good people. I am doing all I
can. Mr. Linane, who had charge of the construction, is doing all he
can. We believe we are blameless. If it is proven otherwise we will
acknowledge our fault, assume financial responsibility, and take our
medicine. Believe me, that building was perfection plus, like all our
buildings. That covers the entire situation."
Hundreds of questions were parried and answered by the three engineers,
and the reporters left convinced that if the Muller Construction Company
was responsible, it was not through any fault of its own.
* * * * *
The fact that Jenks and Linane were not strong for each other, except to
recognize each other's ability as engineers, was due to an incident of
the past. This incident had caused a ripple of mirth in engineering
circles when it happened, and the laugh was on the older man, Linane.
It was when radio was new. Linane, a structural engineer, had paid
little attention to radio. Jenks was the kind of an engineer who dabbled
in all sciences. He knew his radio.
When Jenks first came to work with a technical sheepskin and a few tons
of brass, Linane accorded him only passing notice. Jenks craved the
plaudits of the older man and his palship. Linane treated him as a son,
but did not warm to his social advances.
"I'm as good an engineer as he is," mused Jenks, "and if he is going to
high-hat me, I'll just put a swift one over on him and compel his
notice."
The next day Jenks approached Linane in conference and said:
"I've got a curious bet on, Mr. Linane. I am betting sound can travel a
mile quicker than it travels a quarter of a mile."
"What?" said Linane.
"I'm betting fifty that sound can travel a mile quicker than it can
travel a quarter of a mile."
"Oh no--it can't," insisted Linane.
"Oh yes--it can!" decided Jenks.
"I'll take some of that fool money myself," said Linane.
"How much?" asked Jenks.
"As much as you want."
"All right--five hundred dollars."
"How you going to prove your contention?"
"By stop watches, and your men can hold the watches. We'll bet that a
pistol shot can be heard two miles away quicker than it can be heard a
quarter of a mile away."
"Sound travels about a fifth of a mile a second. The rate varies
slightly according to temperature," explained Linane. "At the freezing
point the rate is 1,090 feet per second and increases a little over one
foot for every degree Fahrenheit."
"Hot or cold," breezed Jenks, "I am betting you five hundred dollars
that sound can travel two miles quicker than a quarter-mile."
"You're on, you damned idiot!" shouted the completely exasperated
Linane.
* * * * *
Jenks let Linane's friends hold the watches and his friend held the
money. Jenks was to fire the shot.
Jenks fired the shot in front of a microphone on a football field. One
of Linane's friends picked the sound up instantaneously on a three-tube
radio set two miles away. The other watch holder was standing in the
open a quarter of a mile away and his watch showed a second and a
fraction.
All hands agreed that Jenks had won the bet fairly. Linane never exactly
liked Jenks after that.
Then Jenks rather aggravated matters by a habit. Whenever Linane would
make a very positive statement Jenks would look owl-eyed and say: "Mr.
Linane, I'll have to sound you out about that." The heavy accent on the
word "sound" nettled Linane somewhat.
Linane never completely forgave Jenks for putting over this "fast one."
Socially they were always more or less at loggerheads, but neither let
this feeling interfere with their work. They worked together faithfully
enough and each recognized the ability of the other.
And so it was that Linane and Jenks, their heads together, worked all
night in an attempt to find some cause that would tie responsibility
for the disaster on mother nature.
They failed to find it and, sleepy-eyed, they were forced to admit
failure, so far.
The newspapers, to whom Muller had said that he would not shirk any
responsibility, began a hue and cry for the arrest of all parties in any
way concerned with the direction of the building of the Colossus.
When the death list from the crash and subway wreck reached 97, the
press waxed nasty and demanded the arrest of Muller, Linane and Jenks in
no uncertain tones.
Half dead from lack of sleep, the three men were taken by the police to
the district attorney's offices and, after a strenuous grilling, were
formally placed under arrest on charges of criminal negligence. They put
up a $50,000 bond in each case and were permitted to go and seek further
to find the cause of what the newspapers now began calling the "Colossal
Failure."
Several days were spent by Linane and Jenks in examining the wreckage
which was being removed from Times Square, truckload after truckload, to
a point outside the city. Here it was again sorted and examined and
piled for future disposal.
So far as could be found every brick, stone and ounce of material used
in the building was perfect. Attorneys, however, assured Linane, Jenks
and Muller that they would have to find the real cause of the disaster
if they were to escape possible long prison sentences.
Night after night Jenks courted sleep, but it would not come. He began
to grow wan and haggard.
* * * * *
Jenks took to walking the streets at night, mile after mile, thinking,
always thinking, and searching his mind for a solution of the mystery.
It was evening. He had walked past the scene of the Colossus crash
several times. He found himself on a side street. He looked up and saw
in electric lights:
TOWN HALL
_Munsterbergen, the Mad Musician_
Concert Here To-night.
He took five dollars from his pocket and bought a ticket. He entered
with the crowd and was ushered to a seat. He looked neither to the right
or left. His eyes were sunken, his face lined with worry.
Something within Jenks caused him to turn slightly. He was curiously
aware of a beautiful girl who sat beside him. She had a mass of golden
hair which seemed to defy control. It was wild, positively tempestuous.
Her eyes were deep blue and her skin as white as fleecy clouds in
spring. He was dimly conscious that those glorious eyes were troubled.
She glanced at him. She was aware that he was suffering. A great surge
of sympathy welled in her heart. She could not explain the feeling.
A great red plush curtain parted in the center and drew in graceful
folds to the edges of the proscenium. A small stage was revealed.
A tousle-headed man with glaring, beady black eyes, dressed in black
evening clothes stepped forward and bowed. Under his arm was a violin.
He brought the violin forward. His nose, like the beak of some great
bird, bobbed up and down in acknowledgment of the plaudits which greeted
him. His long nervous fingers began to caress the instrument and his
lips began to move.
Jenks was aware that he was saying something, but was not at all
interested. What he said was this:
"Maybe, yes, I couldn't talk so good English, but you could understood
it, yes? Und now I tell you dot I never play the compositions of any
man. I axtemporize exgloosively. I chust blay und blay, und maybe you
should listen, yes? If I bleeze you I am chust happy."
Jenks' attention was drawn to him. He noted his wild appearance.
"He sure looks mad enough," mused Jenks.
* * * * *
The violinist flipped the fiddle up under his chin. He drew the bow over
the strings and began a gentle melody that reminded one of rain drops
falling on calm waters.
Jenks forgot his troubles. He forgot everything. He slumped in his seat
and his eyes closed. The rain continued falling from the strings of the
violin.
Suddenly the melody changed to a glad little lilting measure, as sweet
as love itself. The sun was coming out again and the birds began to
sing. There was the trill of a canary with the sun on its cage. There
was the song of the thrush, the mocking-bird and the meadow lark. These
blended finally into a melodious burst of chirping melody which seemed a
chorus of the wild birds of the forest and glen. Then the lilting love
measure again. It tore at the heart strings, and brought tears to one's
eyes.
Unconsciously the girl next to Jenks leaned towards him. Involuntarily
he leaned to meet her. Their shoulders touched. The cloud of her golden
hair came to rest against his dark locks. Their hands found each other
with gentle pressure. Both were lost to the world.
Abruptly the music changed. There was a succession of broken treble
notes that sounded like the crackling of flames. Moans deep and
melancholy followed. These grew more strident and prolonged, giving
place to abject howls, suggesting the lamentations of the damned.
The hands of the boy and girl gripped tensely. They could not help
shuddering.
The violin began to produce notes of a leering, jeering character,
growing more horrible with each measure until they burst in a loud
guffaw of maniacal laughter.
The whole performance was as if someone had taken a heaven and plunged
it into a hell.
The musician bowed jerkily, and was gone.
* * * * *
There was no applause, only wild exclamations. Half the house was on its
feet. The other half sat as if glued to chairs.
The boy and the girl were standing, their hands still gripping tensely.
"Come, let's get out of here," said Jenks. The girl took her wrap and
Jenks helped her into it. Hand in hand they fled the place.
In the lobby their eyes met, and for the first time they realized they
were strangers. Yet deep in their hearts was a feeling that their fates
had been sealed.
"My goodness!" burst from the girl.
"It can't be helped now," said Jenks decisively.
"What can't be helped?" asked the girl, although she knew in her heart.
"Nothing can be helped," said Jenks. Then he added: "We should know each
other by this time. We have been holding hands for an hour."
The girl's eyes flared. "You have no right to presume on that
situation," she said.
Jenks could have kicked himself. "Forgive me," he said. "It was only
that I just wanted so to know you. Won't you let me see you home?"
"You may," said the girl simply, and she led the way to her own car.
They drove north.
Their bodies seemed like magnets. They were again shoulder to shoulder,
holding hands.
"Will you tell me your name?" pleaded Jenks.
"Surely," replied the girl. "I am Elaine Linane."
"What?" exploded Jenks. "Why, I work with a Linane, an engineer with the
Muller Construction Company."
"He is my father," she said.
"Why, we are great friends," said the boy. "I am Jenks, his
assistant--at least we work together."
"Yes, I have heard of you," said the girl. "It is strange, the way we
met. My father admires your work, but I am afraid you are not great
friends." The girl had forgotten her troubles. She chuckled. She had
heard the way Jenks had "sounded" her father out.
Jenks was speechless. The girl continued:
"I don't know whether to like you or to hate you. My father is an old
dear. You were cruel to him."
Jenks was abject. "I did not mean to be," he said. "He rather belittled
me without realizing it. I had to make my stand. The difference in our
years made him take me rather too lightly. I had to compel his notice,
if I was to advance."
"Oh!" said the girl.
"I am sorry--so sorry."
"You might not have been altogether at fault," said the girl. "Father
forgets at times that I have grown up. I resent being treated like a
child, but he is the soul of goodness and fatherly care."
"I know that," said Jenks.
* * * * *
Every engineer knows his mathematics. It was this fact, coupled with
what the world calls a "lucky break," that solved the Colossus mystery.
Nobody can get around the fact that two and two make four.
Jenks had happened on accomplishment to advance in the engineering
profession, and it was well for him that he had reached a crisis. He had
never believed in luck or in hunches, so it was good for him to be
brought face to face with the fact that sometimes the footsteps of man
are guided. It made him begin to look into the engineering of the
universe, to think more deeply, and to acknowledge a Higher Power.
With Linane he had butted into a stone wall. They were coming to know
what real trouble meant. The fact that they were innocent did not make
the steel bars of a cage any more attractive. Their troubles began to
wrap about them with the clammy intimacy of a shroud. Then came the
lucky break.
Next to his troubles, Jenks' favorite topic was the Mad Musician. He
tried to learn all he could about this uncanny character at whose
concert he had met the girl of his life. He learned two facts that made
him perk up and think.
One was that the Mad Musician had had offices and a studio in the
Colossus and was one of the first to move in. The other was that the Mad
Musician took great delight in shattering glassware with notes of or
vibrations from a violin. Nearly everyone knows that a glass tumbler can
be shattered by the proper note sounded on a violin. The Mad Musician
took delight in this trick. Jenks courted his acquaintance, and saw him
shatter a row of glasses of different sizes by sounding different notes
on his fiddle. The glasses crashed one after another like gelatine balls
hit by the bullets of an expert rifleman.
Then Jenks, the engineer who knew his mathematics, put two and two
together. It made four, of course.
"Listen, Linane," he said to his co-worker: "this fiddler is crazier
than a flock of cuckoos. If he can crack crockery with violin sound
vibrations, is it not possible, by carrying the vibrations to a much
higher power, that he could crack a pile of stone, steel, brick and
cement, like the Colossus?"
"Possible, but hardly probable. Still," Linane mused, "when you think
about it, and put two and two together.... Let's go after him and see
what he is doing now."
Both jumped for their coats and hats. As they fared forth, Jenks cinched
his argument:
"If a madman takes delight in breaking glassware with a vibratory wave
or vibration, how much more of a thrill would he get by crashing a
mountain?"
"Wild, but unanswerable," said Linane.
* * * * *
Jenks had been calling on the Mad Musician at his country place. "He had
a studio in the Colossus," he reminded Linane. "He must have re-opened
somewhere else in town. I wonder where."
"Musicians are great union men," said Linane. "Phone the union."
Teddy Jenks did, but the union gave the last known town address as the
Colossus.
"He would remain in the same district around Times Square," reasoned
Jenks. "Let's page out the big buildings and see if he is not preparing
to crash another one."
"Fair enough," said Linane, who was too busy with the problem at hand to
choose his words.
Together the engineers started a canvass of the big buildings in the
theatrical district. After four or five had been searched without result
they entered the 30-story Acme Theater building.
Here they learned that the Mad Musician had leased a four-room suite
just a few days before. This suite was on the fifteenth floor, just half
way up in the big structure.
They went to the manager of the building and frankly stated their
suspicions. "We want to enter that suite when the tenant is not there,"
they explained, "and we want him forestalled from entering while we are
examining the premises."
"Hadn't we better notify the police?" asked the building manager, who
had broken out in a sweat when he heard the dire disaster which might be
in store for the stately Acme building.
"Not yet," said Linane. "You see, we are not sure: we have just been
putting two and two together."
"We'll get the building detective, anyway," insisted the manager.
"Let him come along, but do not let him know until we are sure. If we
are right we will find a most unusual infernal machine," said Linane.
* * * * *
The three men entered the suite with a pass-key. The detective was left
outside in the hall to halt anyone who might disturb the searchers. It
was as Jenks had thought. In an inner room they found a diabolical
machine--a single string stretched across two bridges, one of brass and
one of wood. A big horsehair bow attached to a shaft operated by a motor
was automatically sawing across the string. The note resulting was
evidently higher than the range of the human ear, because no audible
sound resulted. It was later estimated that the destructive note was
several octaves higher than the highest note on a piano.
The entire machine was enclosed in a heavy wire-net cage, securely
bolted to the floor. Neither the string or bow could be reached. It was
evidently the Mad Musician's idea that the devilish contrivance should
not be reached by hands other than his own.
How long the infernal machine had been operating no one knew, but the
visitors were startled when the building suddenly began to sway
perceptibly. Jenks jumped forward to stop the machine but could not find
a switch.
"See if the machine plugs in anywhere in a wall socket!" he shouted to
Linane, who promptly began examining the walls. Jenks shouted to the
building manager to phone the police to clear the streets around the big
building.
"Tell the police that the Acme Theater building may crash at any
moment," he instructed.
The engineers were perfectly cool in face of the great peril, but the
building manager lost his head completely and began to run around in
circles muttering: "Oh, my God, save me!" and other words of
supplication that blended into an incoherent babel.
Jenks rushed to the man, trying to still his wild hysteria.
The building continued to sway dangerously.
* * * * *
Jenks looked from a window. An enormous crowd was collecting, watching
the big building swinging a foot out of plumb like a giant pendulum. The
crowd was growing. Should the building fall the loss of life would be
appalling. It was mid-morning. The interior of the building teemed with
thousands of workers, for all floors above the third were offices.
Teddy Jenks turned suddenly. He heard the watchman in the hall scream in
terror. Then he heard a body fall. He rushed to the door to see the Mad
Musician standing over the prostrate form of the detective, a devilish
grin on his distorted countenance.
The madman turned, saw Jenks, and started to run. Jenks took after him.
Up the staircase the madman rushed toward the roof. Teddy followed him
two floors and then rushed out to take the elevators. The building in
its mad swaying had made it impossible for the lifts to be operated.
Teddy realized this with a distraught gulp in his throat. He returned to
the stairway and took up the pursuit of the madman.
The corridors were beginning to fill with screaming men and wailing
girls. It was a sight never to be forgotten.
Laboriously Jenks climbed story after story without getting sight of the
madman. Finally he reached the roof. It was waving like swells on a lake
before a breeze. He caught sight of the Mad Musician standing on the
street wall, thirty stories from the street, a leer on his devilish
visage. He jumped for him.
The madman grasped him and lifted him up to the top of the wall as a cat
might have lifted a mouse. Both men were breathing heavily as a result
of their 15-story climb.
The madman tried to throw Teddy Jenks to the street below. Teddy clung
to him. The two battled desperately as the building swayed.
The dense crowd in the street had caught sight of the two men fighting
on the narrow coping, and the shout which rent the air reached the ears
of Jenks.
* * * * *
The mind of the engineer was still working clearly, but a wild fear
gripped his heart. His strength seemed to be leaving him. The madman
pushed him back, bending his spine with brute strength. Teddy was forced
to the narrow ledge that had given the two men footing. The fingers of
the madman gripped his throat.
He was dimly conscious that the swaying of the building was slowing
down. His reason told him that Linane had found the wall socket and had
stopped the sawing of the devil's bow on the engine of hell.
He saw the madman draw a big knife. With his last remaining strength he
reached out and grasped the wrist above the hand which held the weapon.
In spite of all he could do he saw the madman inching the knife nearer
and nearer his throat.
Grim death was peering into the bulging eyes of Teddy Jenks, when his
engineering knowledge came to his rescue. He remembered the top stories
of the Acme building were constructed with a step of ten feet in from
the street line, for every story of construction above the 24th floor.
"If we fall," he reasoned, "we can only fall one story." Then he
deliberately rolled his own body and the weight of the madman, who held
him, over the edge of the coping. At the same time he twisted the
madman's wrist so the point of the knife pointed to the madman's body.
There was a dim consciousness of a painful impact. Teddy had fallen
underneath, but the force of the two bodies coming together had thrust
the knife deep into the entrails of the Mad Musician.
Clouds which had been collecting in the sky began a splattering
downpour. The storm grew in fury and lightning tore the heavens, while
thunder boomed and crackled. The rain began falling in sheets.
* * * * *
This served to revive the unconscious Teddy. He painfully withdrew his
body from under that of the madman. The falling rain, stained with the
blood of the Mad Musician, trickled over the edge of the building.
Teddy dragged himself through a window and passed his hand over his
forehead, which was aching miserably. He tried to get to his feet and
fell back, only to try again. Several times he tried and then, his
strength returning, he was able to walk.
He made his way to the studio where he had left Linane and found him
there surrounded by police, reporters and others. The infernal machine
had been rendered harmless, but was kept intact as evidence.
Catching sight of Teddy, Linane shouted with joy. "I stopped the damned
thing," he chuckled, like a pleased schoolboy. Then, observing Teddy's
exhausted condition he added:
"Why, you look like you have been to a funeral!"
"I have," said Teddy. "You'll find that crazy fiddler dead on the
twenty-ninth story. Look out the window of the thirtieth story," he
instructed the police, who had started to recover the body. "He stabbed
himself. He is either dead or dying."
It proved that he was dead.
No engineering firm is responsible for the actions of a madman. So the
Muller Construction Company was given a clean bill of health.
* * * * *
Jenks and Elaine Linane were with the girl's father in his study. They
were asking for the paternal blessing.
Linane was pretending to be hard to convince.
"Now, my daughter," he said, "this young man takes $500 of my good money
by sounding me out, as he calls it. Then he comes along and tries to
take my daughter away from me. It is positively high-handed. It dates
back to the football game--"
"Daddy, dear, don't be like that!" said Elaine, who was on the arm of
his chair with her own arms around him.
"I tell you, Elaine, this dates back to the fall of 1927."
"It dates back to the fall of Eve," said Elaine. "When a girl finds her
man, no power can keep him from her. If you won't give me to Teddy
Jenks, I'll elope with him."
"Well, all right then. Kiss me," said Linane as he turned towards his
radio set.
"One and one makes one," said Teddy Jenks.
Every engineer knows his mathematics.
* * * * *
_Have you written in to_
ASTOUNDING STORIES
_Yet, to Tell the Editors Just What Kind of Stories You Would
Like Them to Secure for You?_
* * * * *
The Thief of Time
_By Captain S. P. Meek_
The teller turned to the stacked pile of bills. They were gone!
And no one had been near!
[Illustration: "_That man never entered and stole that money as the
picture shows, unless he managed to make himself invisible._"]
Harvey Winston, paying teller of the First National Bank of Chicago,
stripped the band from a bundle of twenty dollar bills, counted out
seventeen of them and added them to the pile on the counter before him.
"Twelve hundred and thirty-one tens," he read from the payroll change
slip before him. The paymaster of the Cramer Packing Company nodded an
assent and Winston turned to the stacked bills in his rear currency
rack. He picked up a handful of bundles and turned back to the grill.
His gaze swept the counter where, a moment before, he had stacked the
twenties, and his jaw dropped.
"You got those twenties, Mr. Trier?" he asked.
"Got them? Of course not, how could I?" replied the paymaster. "There
they are...."
His voice trailed off into nothingness as he looked at the empty
counter.
"I must have dropped them," said Winston as he turned. He glanced back
at the rear rack where his main stock of currency was piled. He stood
paralyzed for a moment and then reached under the counter and pushed a
button.
The bank resounded instantly to the clangor of gongs and huge steel
grills shot into place with a clang, sealing all doors and preventing
anyone from entering or leaving the bank. The guards sprang to their
stations with drawn weapons and from the inner offices the bank
officials came swarming out. The cashier, followed by two men, hurried
to the paying teller's cage.
"What is it, Mr. Winston?" he cried.
"I've been robbed!" gasped the teller.
"Who by? How?" demanded the cashier.
"I--I don't know, sir," stammered the teller. "I was counting out Mr.
Trier's payroll, and after I had stacked the twenties I turned to get
the tens. When I turned back the twenties were gone."
"Where had they gone?" asked the cashier.
"I don't know, sir. Mr. Trier was as surprised as I was, and then I
turned back, thinking that I had knocked them off the counter, and I saw
at a glance that there was a big hole in my back racks. You can see
yourself, sir."
The cashier turned to the paymaster.
"Is this a practical joke, Mr. Trier?" he demanded sharply.
"Of course not," replied the paymaster. "Winston's grill was closed. It
still is. Granted that I might have reached the twenties he had piled
up, how could I have gone through a grill and taken the rest of the
missing money without his seeing me? The money disappeared almost
instantly. It was there a moment before, for I noticed when Winston
took the twenties from his rack that it was full."
"But someone must have taken it," said the bewildered cashier. "Money
doesn't walk off of its own accord or vanish into thin air--"
A bell interrupted his speech.
"There are the police," he said with an air of relief. "I'll let them
in."
* * * * *
The smaller of the two men who had followed the cashier from his office
when the alarm had sounded stepped forward and spoke quietly. His
voice was low and well pitched yet it carried a note of authority and
power that held his auditors' attention while he spoke. The voice
harmonized with the man. The most noticeable point about him was the
inconspicuousness of his voice and manner, yet there was a glint of
steel in his gray eyes that told of enormous force in him.
"I don't believe that I would let them in for a few moments, Mr.
Rogers," he said. "I think that we are up against something a little
different from the usual bank robbery."
"But, Mr. Carnes," protested the cashier, "we must call in the police in
a case like this, and the sooner they take charge the better chance
there will be of apprehending the thief."
"Suit yourself," replied the little man with a shrug of his shoulders.
"I merely offered my advice."
"Will you take charge, Mr. Carnes?" asked the cashier.
"I can't supersede the local authorities in a case like this," replied
Carnes. "The secret service is primarily interested in the suppression
of counterfeiting and the enforcement of certain federal statutes, but I
will be glad to assist the local authorities to the best of my ability,
provided they desire my help. My advice to you would be to keep out the
patrolmen who are demanding admittance and get in touch with the chief
of police. I would ask that his best detective together with an expert
finger-print photographer be sent here before anyone else is admitted.
If the patrolmen are allowed to wipe their hands over Mr. Winston's
counter they may destroy valuable evidence."
"You are right, Mr. Carnes," exclaimed the cashier. "Mr. Jervis, will
you tell the police that there is no violence threatening and ask them
to wait for a few minutes? I'll telephone the chief of police at once."
* * * * *
As the cashier hurried away to his telephone Carnes turned to his
companion who had stood an interested, although silent spectator of the
scene. His companion was a marked contrast to the secret service
operator. He stood well over six feet in height, and his protruding jaw
and shock of unruly black hair combined with his massive shoulders and
chest to give him the appearance of a man who labored with his
hands--until one looked at them. His hands were in strange contrast to
the rest of him. Long, slim, mobile hands they were, with tapering
nervous fingers--the hands of a thinker or of a musician. Telltale
splotches of acid told of hours spent in a laboratory, a tale that was
confirmed by the almost imperceptible stoop of his shoulders.
"Do you agree with my advice, Dr. Bird?" asked Carnes deferentially.
The noted scientist, who from his laboratory in the Bureau of Standards
had sent forth many new things in the realms of chemistry and physics,
and who, incidentally, had been instrumental in solving some of the most
baffling mysteries which the secret service had been called upon to
face, grunted.
"It didn't do any harm," he said, "but it is rather a waste of time. The
thief wore gloves."
"How in thunder do you know that?" demanded Carnes.
"It's merely common sense. A man who can do what he did had at least
some rudiments of intelligence, and even the feeblest-minded crooks know
enough to wear gloves nowadays."
Carnes stepped a little closer to the doctor.
"Another reason why I didn't want patrolmen tramping around," he said in
an undertone, "is this. If Winston gave the alarm quickly enough, the
thief is probably still in the building."
"He's a good many miles away by now," replied Dr. Bird with a shrug of
his shoulders.
* * * * *
Carnes' eyes opened widely. "Why?--how?--who?" he stammered. "Have you
any idea of who did it, or how it was done?"
"Possibly I have an idea," replied Dr. Bird with a cryptic smile. "My
advice to you, Carnes, is to keep away from the local authorities as
much as possible. I want to be present when Winston and Trier are
questioned and I may possibly wish to ask a few questions myself. Use
your authority that far, but no farther. Don't volunteer any information
and especially don't let my name get out. We'll drop the counterfeiting
case we were summoned here on for the present and look into this a
little on our own hook. I will want your aid, so don't get tied up with
the police."
"At that, we don't want the police crossing our trail at every turn,"
protested Carnes.
"They won't," promised the doctor. "They will never get any evidence on
this case, if I am right, and neither will we--for the present. Our
stunt is to lie low and wait for the next attempt of this nature and
thus accumulate some evidence and some idea of where to look."
"Will there be another attempt?" asked Carnes.
"Surely. You don't expect a man who got away with a crime like this to
quit operations just because a few flatfeet run around and make a
hullabaloo about it, do you? I may be wrong in my assumption, but if I
am right, the most important thing is to keep all reference to my name
or position out of the press reports."
The cashier hastened up to them.
"Detective-Captain Sturtevant will be here in a few minutes with a
photographer and some other men," he said. "Is there anything that we
can do in the meantime, Mr. Carnes?"
"I would suggest that Mr. Trier and his guard and Mr. Winston go into
your office," replied Carnes. "My assistant and I would like to be
present during the questioning, if there are no objections."
"I didn't know that you had an assistant with you," answered the
cashier.
Carnes indicated Dr. Bird.
"This gentleman is Mr. Berger, my assistant," he said. "Do you
understand?"
"Certainly. I am sure there will be no objection to your presence, Mr.
Carnes," replied the cashier as he led the way to his office.
* * * * *
A few minutes later Detective-Captain Sturtevant of the Chicago police
was announced. He acknowledged the introductions gruffly and got down to
business at once.
"What were the circumstances of the robbery?" he asked.
Winston told his story, Trier and the guard confirming it.
"Pretty thin!" snorted the detective when they had finished. He whirled
suddenly on Winston.
"Where did you hide the loot?" he thundered.
"Why--uh--er--what do you mean?" gulped the teller.
"Just what I said," replied the detective. "Where did you hide the
loot?"
"I didn't hide it anywhere," said the teller. "It was stolen."
"You had better think up a better one," sneered Sturtevant. "If you
think that you can make me believe that that money was stolen from you
in broad daylight with two men in plain sight of you who didn't see it,
you might just as well get over it. I know that you have some hiding
place where you have slipped the stuff and the quicker you come clean
and spill it, the better it will be for you. Where did you hide it?"
"I didn't hide it!" cried the teller, his voice trembling. "Mr. Trier
can tell you that I didn't touch it from the time I laid it down until I
turned back."
"That's right," replied the paymaster. "He turned his back on me for a
moment, and when he turned back, it was gone."
"So you're in on it too, are you?" said Sturtevant.
"What do you mean?" demanded the paymaster hotly.
"Oh nothing, nothing at all," replied the detective. "Of course Winston
didn't touch it and it disappeared and you never saw it go, although you
were within three feet of it all the time. Did _you_ see anything?" he
demanded of the guard.
"Nothing that I am sure of," answered the guard. "I thought that a
shadow passed in front of me for an instant, but when I looked again, it
was gone."
* * * * *
Dr. Bird sat forward suddenly. "What did this shadow look like?" he
asked.
"It wasn't exactly a shadow," said the guard. "It was as if a person had
passed suddenly before me so quickly that I couldn't see him. I seemed
to feel that there was someone there, but I didn't rightly _see_
anything."
"Did you notice anything of the sort?" demanded the doctor of Trier.
"I don't know," replied Trier thoughtfully. "Now that Williams has
mentioned it, I did seem to feel a breath of air or a motion as though
something had passed in front of me. I didn't think of it at the time."
"Was this shadow opaque enough to even momentarily obscure your vision?"
went on the doctor.
"Not that I am conscious of. It was just a breath of air such as a
person might cause by passing very rapidly."
"What made you ask Trier if he had the money when you turned around?"
asked the doctor of Winston.
"Say-y-y," broke in the detective. "Who the devil are you, and what do
you mean by breaking into my examination and stopping it?"
Carnes tossed a leather wallet on the table.
"There are my credentials," he said in his quiet voice. "I am chief of
one section of the United States Secret Service as you will see, and
this is Mr. Berger, my assistant. We were in the bank, engaged on a
counterfeiting case, when the robbery took place. We have had a good
deal of experience along these lines and we are merely anxious to aid
you."
Sturtevant examined Carnes' credentials carefully and returned them.
"This is a Chicago robbery," he said, "and we have had a little
experience in robberies and in apprehending robbers ourselves. I think
that we can get along without your help."
"You have had more experience with robberies than with apprehending
robbers if the papers tell the truth," said Dr. Bird with a chuckle.
* * * * *
The detective's face flushed.
"That will be enough from you, Mr. Sherlock Holmes," he said. "If you
open your mouth again, I'll arrest you as a material witness and as a
possible accomplice."
"That sounds like Chicago methods," said Carnes quietly. "Now listen to
me, Captain. My assistant and I are merely trying to assist you in this
case. If you don't desire our assistance we'll proceed along our own
lines without interfering, but in the meantime remember that this is a
National Bank, and that our questions will be answered. The United
States is higher than even the Chicago police force, and I am here under
orders to investigate a counterfeiting case. If I desire, I can seal the
doors of this bank and allow no one in or out until I have the evidence
I desire. Do you understand?"
Sturtevant sprang to his feet with an oath, but the sight of the gold
badge which Carnes displayed stopped him.
"Oh well," he said ungraciously. "I suppose that no harm will come of
letting Winston answer your fool questions, but I'll warn you that I'll
report to Washington that you are interfering with the course of justice
and using your authority to aid the getaway of a criminal."
"That is your privilege," replied Carnes quietly. "Mr. Winston, will you
answer Mr. Berger's question?"
"Why, I asked him because he was right close to the money and I thought
that he might have reached through the wicket and picked it up. Then,
too--"
He hesitated for a moment and Dr. Bird smiled encouragingly.
"What else?" he asked.
"Why, I can't exactly tell. It just seemed to me that I had heard the
rustle that bills make when they are pulled across a counter. When I saw
them gone, I thought that he might have taken them. Then when I turned
toward him, I seemed to hear the rustle of bills behind me, although I
knew that I was alone in the cage. When I looked back the money was
gone."
"Did you see or hear anything like a shadow or a person moving?"
"No--yes--I don't know. Just as I turned around it seemed to me that the
rear door to my cage had moved and there may have been a shadow for an
instant. I don't know. I hadn't thought of it before."
"How long after that did you ring the alarm gongs?"
"Not over a second or two."
"That's all," said Dr. Bird.
"If your high and mightiness has no further questions to ask, perhaps
you will let me ask a few," said Sturtevant.
* * * * *
"Go ahead, ask all you wish," replied Dr. Bird with a laugh. "I have all
the information I desire here for the present. I may want to ask other
questions later, but just now I think we'll be going."
"If you find any strange finger-prints on Winston's counter, I'll be
glad to have them compared with our files," said Carnes.
"I am not bothering with finger-prints," snorted the detective. "This is
an open and shut case. There would be lots of Winston's finger-prints
there and no others. There isn't the slightest doubt that this is an
inside case and I have the men I want right here. Mr. Rogers, your bank
is closed for to-day. Everyone in it will be searched and then all those
not needed to close up will be sent away. I will get a squad of men here
to go over your building and locate the hiding place. Your money is
still on the premises unless these men slipped it to a confederate who
got out before the alarm was given. I'll question the guards about that.
If that happened, a little sweating will get it out of them."
"Are you going to arrest me?" demanded Trier in surprise.
"Yes, dearie," answered the detective. "I am going to arrest you and
your two little playmates if these Washington experts will allow me to.
You will save a lot of time and quite a few painful experiences if you
will come clean now instead of later."
"I demand to see my lawyer and to communicate with my firm," said the
paymaster.
"Time enough for that when I am through with you," replied the
detective.
He turned to Carnes.
"Have I your gracious permission to arrest these three criminals?" he
asked.
"Yes indeed, Captain," replied Carnes sweetly. "You have my gracious
permission to make just as big an ass of yourself as you wish. We're
going now."
* * * * *
"By the way, Captain," said Dr. Bird as he followed Carnes out. "When
you get through playing with your prisoners and start to look for the
thief, here is a tip. Look for a left-handed man who has a thorough
knowledge of chemistry and especially toxicology."
"It's easy enough to see that he was left-handed if he pulled that money
out through the grill from the positions occupied by Trier and his
guard, but what the dickens led you to suspect that he is a chemist and
a toxicologist?" asked Carnes as he and the doctor left the bank.
"Merely a shrewd guess, my dear Watson," replied the doctor with a
chuckle. "I am likely to be wrong, but there is a good chance that I am
right. I am judging solely from the method used."
"Have you solved the method?" demanded Carnes in amazement. "What on
earth was it? The more I have thought about it, the more inclined I am
to believe that Sturtevant is right and that it is an inside job. It
seems to me impossible that a man could have entered in broad daylight
and lifted that money in front of three men and within sight of a
hundred more without some one getting a glimpse of him. He must have
taken the money out in a grip or a sack or something like that, yet the
bank record shows that no one but Trier entered with a grip and no one
left with a package for ten minutes before Trier entered."
"There may be something in what you say, Carnes, but I am inclined to
have a different idea. I don't think it is the usual run of bank
robbery, and I would rather not hazard a guess just now. I am going back
to Washington to-night. Before I go any further into the matter, I need
some rather specialized knowledge that I don't possess and I want to
consult with Dr. Knolles. I'll be back in a week or so and then we can
look into that counterfeiting case after we get this disposed of."
"What am I to do?" asked Carnes.
"Sit around the lobby of your hotel, eat three meals a day, and read the
papers. If you get bored, I would recommend that you pay a visit to the
Art Institute and admire the graceful lions which adorn the steps.
Artistic contemplations may well improve your culture."
"All right," replied Carnes. "I'll assume a pensive air and moon at the
lions, but I might do better if you told me what I was looking for."
"You are looking for knowledge, my dear Carnes," said the doctor with a
laugh. "Remember the saying of the sages: To the wise man, no knowledge
is useless."
* * * * *
A huge Martin bomber roared down to a landing at the Maywood airdrome,
and a burly figure descended from the rear cockpit and waved his hand
jovially to the waiting Carnes. The secret service man hastened over to
greet his colleague.
"Have you got that truck I wired you to have ready?" demanded the
doctor.
"Waiting at the entrance; but say, I've got some news for you."
"It can wait. Get a detail of men and help us to unload this ship. Some
of the cases are pretty heavy."
Carnes hurried off and returned with a gang of laborers, who took from
the bomber a dozen heavy packing cases of various sizes, several of them
labelled either "Fragile" or "Inflammable" in large type.
"Where do they go, Doctor?" he asked when the last of them had been
loaded onto the waiting truck.
"To the First National Bank," replied Dr. Bird, "and Casey here goes
with them. You know Casey, don't you, Carnes? He is the best
photographer in the Bureau."
"Shall I go along too?" asked Carnes as he acknowledged the
introduction.
"No need for it. I wired Rogers and he knows the stuff is coming and
what to do with it. Unpack as soon as you get there, Casey, and start
setting up as soon as the bank closes."
"All right, Doctor," replied Casey as he mounted the truck beside the
driver.
"Where do we go, Doctor?" asked Carnes as the truck rolled off.
"To the Blackstone Hotel for a bath and some clean clothes," replied the
doctor. "And now, what is the news you have for me?"
"The news is this, Doctor. I carried out your instructions diligently
and, during the daylight hours, the lions have not moved."
* * * * *
Dr. Bird looked contrite.
"I beg your pardon, Carnes," he said. "I really didn't think when I left
you so mystified how you must have felt. Believe me, I had my own
reasons, excellent ones, for secrecy."
"I have usually been able to maintain silence when asked to," replied
Carnes stiffly.
"My dear fellow, I didn't mean to question your discretion. I know that
whatever I tell you is safe, but there are angles to this affair that
are so weird and improbable that I don't dare to trust my own
conclusions, let alone share them. I'll tell you all about it soon. Did
you get those tickets I wired for?"
"Of course I got them, but what have two tickets to the A. A. U. track
meet this afternoon got to do with a bank robbery?"
"One trouble with you, Carnes," replied the doctor with a judicial air,
"is that you have no idea of the importance of proper relaxation. Is it
possible that you have no desire to see Ladd, this new marvel who is
smashing records right and left, run? He performs for the Illinois
Athletic Club this afternoon, and it would not surprise me to see him
lower the world's record again. He has already lowered the record for
the hundred yard dash from nine and three-fifths to eight and
four-fifths. There is no telling what he will do."
"Are we going to waste the whole afternoon just to watch a man run?"
demanded Carnes in disgust.
"We will see many men run, my dear fellow, but there is only one in
whom I have a deep abiding interest, and that is Mr. Ladd. Have you
your binoculars with you?"
"No."
"Then by all means beg, borrow or steal two pairs before this afternoon.
We might easily miss half the fun without them. Are our seats near the
starting line for the sprints?"
"Yes. The big demand was for seats near the finish line."
"The start will be much more interesting, Carnes. I was somewhat of a
minor star in track myself in my college days and it will be of the
greatest interest to me to observe the starting form of this new speed
artist. Now Carnes, don't ask any more questions. I may be barking up
the wrong tree and I don't want to give you a chance to laugh at me.
I'll tell you what to watch for at the track."
* * * * *
The sprinters lined up on the hundred yard mark and Dr. Bird and Carnes
sat with their glasses glued to their eyes watching the slim figure in
the colors of the Illinois Athletic Club, whose large "62" on his back
identified him as the new star.
"On your mark!" cried the starter. "Get set!"
"Ah!" cried Dr. Bird. "Did you see that Carnes?"
The starting gun cracked and the runners were off on their short grind.
Ladd leaped into the lead and rapidly distanced the field, his legs
twinkling under him almost faster than the eye could follow. He was
fully twenty yards in the lead when his speed suddenly lessened and the
balance of the runners closed up the gap he had opened. His lead was too
great for them, and he was still a good ten yards in the lead when he
crossed the tape. The official time was posted as eight and nine-tenths
seconds.
"Another thirty yards and he would have been beaten," said Carnes as he
lowered his glasses.
"That is the way he has won all of his races," replied the doctor. "He
piles up a huge lead at first and then loses a good deal at the finish.
His speed doesn't hold up. Never mind that, though, it is only an
additional point in my favor. Did you notice his jaws just before the
gun went?"
"They seemed to clench and then he swallowed, but most of them did some
thing like that."
"Watch him carefully for the next heat and see if he puts anything into
his mouth. That is the important thing."
Dr. Bird sank into a brown study and paid no attention to the next few
events, but he came to attention promptly when the final heat of the
hundred yard dash was called. With his glasses he watched Ladd closely
as the runner trotted up to the starting line.
"There, Carnes!" he cried suddenly. "Did you see?"
"I saw him wipe his mouth," said Carnes doubtfully.
"All right, now watch his jaws just before the gun goes."
* * * * *
The final heat was a duplicate of the first preliminary. Ladd took an
early lead which he held for three-fourths of the distance to the tape,
then his pace slackened and he finished only a bare ten yards ahead of
the next runner. The time tied his previous world's record of eight and
four-fifths seconds.
"He crunched and swallowed all right, Doctor," said Carnes.
"That is all I wanted to be sure of. Now Carnes, here is something for
you to do. Get hold of the United States Commissioner and get a John Doe
warrant and go back to the hotel with it and wait for me. I may phone
you at any minute and I may not. If I don't, wait in your room until you
hear from me. Don't leave it for a minute."
"Where are you going, Doctor?"
"I'm going down and congratulate Mr. Ladd. An old track man like me
can't let such an opportunity pass."
"I don't know what this is all about, Doctor," replied Carnes, "but I
know you well enough to obey orders and to keep my mouth shut until it
is my turn to speak."
Few men could resist Dr. Bird when he set out to make a favorable
impression, and even a world's champion is apt to be flattered by the
attention of one of the greatest scientists of his day, especially when
that scientist has made an enviable reputation as an athlete in his
college days and can talk the jargon of the champion's particular sport.
Henry Ladd promptly capitulated to the charm of the doctor and allowed
himself to be led away to supper at Bird's club. The supper passed off
pleasantly, and when the doctor requested an interview with the young
athlete in a private room, he gladly consented. They entered the room
together, remained for an hour and a half, and then came out. The smile
had left Ladd's face and he appeared nervous and distracted. The doctor
talked cheerfully with him but kept a firm grip on his arm as they
descended the stairs together. They entered a telephone booth where the
doctor made several calls, and then descended to the street, where they
entered a taxi.
"Maywood airdrome," the doctor told the driver.
* * * * *
Two hours later the big Martin bomber which had carried the doctor to
Chicago roared away into the night, and Bird turned back, reentered the
taxi, and headed for the city alone.
When Carnes received the telephone call, which was one of those the
doctor made from the booth in his club, he hurried over to the First
National Bank. His badge secured him an entrance and he found Casey
busily engaged in rigging up an elaborate piece of apparatus on one of
the balconies where guards were normally stationed during banking hours.
"Dr. Bird said to tell you to keep on the job all night if necessary,"
he told Casey. "He thinks he will need your machine to-morrow."
"I'll have it ready to turn on the power at four A.M.," replied Casey.
Carnes watched him curiously for a while as he soldered together the
electrical connections and assembled an apparatus which looked like a
motion picture projector.
"What are you setting up?" he asked at length.
"It is a high speed motion picture camera," replied Casey, "with a
telescopic lens. It is a piece of apparatus which Dr. Bird designed
while he was in Washington last week and which I made from his sketches,
using some apparatus we had on hand. It's a dandy, all right."
"What is special about it?"
"The speed. You know how fast an ordinary movie is taken, don't you? No?
Well, it's sixteen exposures per second. The slow pictures are taken
sometimes at a hundred and twenty-eight or two hundred and fifty-six
exposures per second, and then shown at sixteen. This affair will take
half a million pictures per second."
"I didn't know that a film would register with that short an exposure."
* * * * *
"That's slow," replied Casey with a laugh. "It all depends on the light.
The best flash-light powder gives a flash about one ten-thousandth of a
second in duration, but that is by no means the speed limit of the film.
The only trouble is enough light and sufficient shutter speed. Pictures
have been taken by means of spark photography with an exposure of less
than one three-millionth of a second. The whole secret of this machine
lies in the shutter. This big disc with the slots in the edge is set up
before the lens and run at such a speed that half a million slots per
second pass before the lens. The film, which is sixteen millimeter
X-ray film, travels behind the lens at a speed of nearly five miles per
second. It has to be gradually worked up to this speed, and after the
whole thing is set up, it takes it nearly four hours to get to full
speed."
"At that speed, it must take a million miles of film before you get up
steam."
"It would, if the film were being exposed. There is only about a hundred
yards of film all told, which will run over these huge drums in an
endless belt. There is a regular camera shutter working on an electric
principle which remains closed. When the switch is tripped, the shutter
opens in about two thirty-thousandths of a second, stays open just one
one-hundredth of a second, and then closes. This time is enough to
expose nearly all of our film. When we have our picture, I shut the
current down, start applying a magnetic brake, and let it slow down. It
takes over an hour to stop it without breaking the film. It sounds
complicated, but it works all right."
"Where is your switch?"
* * * * *
"That is the trick part of it. It is a remote control affair. The
shutter opens and starts the machine taking pictures when the back door
of the paying teller's cage is opened half an inch. There is also a hand
switch in the line that can be opened so that you can open the door
without setting off the camera, if you wish. When the hand switch is
closed and the door opened, this is what happens. The shutter on the
camera opens, the machine takes five thousand pictures during the next
hundredth of a second, and then the shutter closes. Those five thousand
exposures will take about five minutes to show at the usual rate of
sixteen per second."
"You said that you had to get plenty of light. How are you managing
that?"
"The camera is equipped with a special lens ground out of rock crystal.
This lens lets in ultra-violet light which the ordinary lens shuts out,
and X-ray film is especially sensitive to ultra-violet light. In order
to be sure that we get enough illumination, I will set up these two
ultra-violet floodlights to illumine the cage. The teller will have to
wear glasses to protect his eyes and he'll get well sunburned, but
something has to be sacrificed to science, as Dr. Bird is always telling
me."
"It's too deep for me," said Carnes with a sigh. "Can I do anything to
help? The doctor told me to stand by and do anything I could."
"I might be able to use you a little if you can use tools," said Casey
with a grin. "You can start bolting together that light proof shield if
you want to."
* * * * *
"Well, Carnes, did you have an instructive night?" asked Dr. Bird
cheerfully as he entered the First National Bank at eight-thirty the
next morning.
"I don't see that I did much good, Doctor. Casey would have had the
machine ready on time anyway, and I'm no machinist."
"Well, frankly, Carnes, I didn't expect you to be of much help to him,
but I did want you to see what Casey was doing, and a little of it was
pretty heavy for him to handle alone. I suppose that everything is
ready?"
"The motor reached full speed about fifteen minutes ago and Casey went
out to get a cup of coffee. Would you mind telling me the object of the
whole thing?"
"Not at all. I plan to make a permanent record of the work of the most
ingenious bank robber in the world. I hope he keeps his word."
"What do you mean?"
"Three days ago when Sturtevant sweated a 'confession' out of poor
Winston, the bank got a message that the robbery would be repeated this
morning and dared them to prevent it. Rogers thought it was a hoax, but
he telephoned me and I worked the Bureau men night and day to get my
camera ready in time for him. I am afraid that I can't do much to
prevent the robbery, but I may be able to take a picture of it and thus
prevent other cases of a like nature."
"Was the warning written?"
"No. It was telephoned from a pay station in the loop district, and by
the time it was traced and men got there, the telephoner was probably a
mile away. He said that he would rob the same cage in the same manner as
he did before."
"Aren't you taking any special precautions?"
"Oh, yes, the bank is putting on extra guards and making a lot of fuss
of that sort, probably to the great amusement of the robber."
"Why not close the cage for the day?"
"Then he would rob a different one and we would have no way of
photographing his actions. To be sure, we will put dummy money there,
bundles with bills on the outside and paper on the inside, so if I don't
get a picture of him, he won't get much. Every bill in the cage will be
marked as well."
"Did he say at what time he would operate?"
"No, he didn't, so we'll have to stand by all day. Oh, hello, Casey, is
everything all right?"
"As sweet as chocolate candy, Doctor. I have tested it out thoroughly,
and unless we have to run it so long that the film wears out and breaks,
we are sitting pretty. If we don't get the pictures you are looking for,
I'm a dodo, and I haven't been called that yet."
"Good work, Casey. Keep the bearings oiled and pray that the film
doesn't break."
* * * * *
The bank had been opened only ten minutes when the clangor of gongs
announced a robbery. It was practically a duplicate of the first. The
paying teller had turned from his window to take some bills from his
rack and had found several dozens of bundles missing. As the gongs
sounded, Dr. Bird and Casey leaped to the camera.
"She snapped, Doctor!" cried Casey as he threw two switches. "It'll take
an hour to stop and half a day to develop the film, but I ought to be
able to show you what we got by to-night."
"Good enough!" cried Dr. Bird. "Go ahead while I try to calm down the
bank officials. Will you have everything ready by eight o'clock?"
"Easy, Doctor," replied Casey as he turned to the magnetic brake.
By eight o'clock quite a crowd had assembled in a private room at the
Blackstone Hotel. Besides Dr. Bird and Carnes, Rogers and several other
officials of the First National Bank were present, together with
Detective-Captain Sturtevant and a group of the most prominent
scientists and physicians gathered from the schools of the city.
"Gentlemen," said Dr. Bird when all had taken seats facing a miniature
moving picture screen on one wall, "to-night I expect to show you some
pictures which will, I am sure, astonish you. It marks the advent of a
new departure in transcendental medicine. I will be glad to answer any
questions you may wish to ask and to explain the pictures after they are
shown, but before we start a discussion, I will ask that you examine
what I have to show you. Lights out, please!"
He stepped to the rear of the room as the lights went out. As his eyes
grew used to the dimness of the room he moved forward and took a vacant
seat. His hand fumbled in his pocket for a second.
"Now!" he cried suddenly.
In the momentary silence which followed his cry, two dull metallic
clicks could be heard, and a quick cry that was suddenly strangled as
Dr. Bird clamped his hand over the mouth of the man who sat between him
and Carnes.
"All right, Casey," called the doctor.
* * * * *
The whir of a projection machine could be heard and on the screen before
them leaped a picture of the paying teller's cage of the First National
Bank. Winston's successor was standing motionless at the wicket, his
lips parted in a smile, but the attention of all was riveted on a figure
who moved at the back of the cage. As the picture started, the figure
was bent over an opened suitcase, stuffing into it bundles of bills. He
straightened up and reached to the rack for more bills, and as he did so
he faced the camera full for a moment. He picked up other bundles of
bills, filled the suitcase, fastened it in a leisurely manner, opened
the rear door of the cage and walked out.
"Again, please!" called Dr. Bird. "And stop when he faces us full."
The picture was repeated and stopped at the point indicated.
"Lights, please!" cried the doctor.
The lights flashed on and Dr. Bird rose to his feet, pulling up after
him the wilted figure of a middle-aged man.
"Gentlemen," said the doctor in ringing tones, "allow me to present to
you Professor James Kirkwood of the faculty of the Richton University,
formerly known as James Collier of the Bureau of Standards, and robber
of the First National Bank."
Detective-Captain Sturtevant jumped to his feet and cast a searching
glance at the captive.
"He's the man all right," he cried. "Hang on to him until I get a wagon
here!"
"Oh, shut up!" said Carnes. "He's under federal arrest just now, charged
with the possession of narcotics. When we are through with him, you can
have him if you want him."
"How did you get that picture, Doctor?" cried the cashier. "I watched
that cage every minute during the morning and I'll swear that man never
entered and stole that money as the picture shows, unless he managed to
make himself invisible."
* * * * *
"You're closer to the truth than you suspect, Mr. Rogers," said Dr.
Bird. "It is not quite a matter of invisibility, but something pretty
close to it. It is a matter of catalysts."
"What kind of cats?" asked the cashier.
"Not cats, Mr. Rogers, catalysts. Catalysts is the name of a chemical
reaction consisting essentially of a decomposition and a new combination
effected by means of a catalyst which acts on the compound bodies in
question, but which goes through the reaction itself unchanged. There
are a great many of them which are used in the arts and in
manufacturing, and while their action is not always clearly understood,
the results are well known and can be banked on.
"One of the commonest instances of the use of a catalyst is the use of
sponge platinum in the manufacture of sulphuric acid. I will not burden
you with the details of the 'contact' process, as it is known, but the
combination is effected by means of finely divided platinum which is
neither changed, consumed or wasted during the process. While there are
a number of other catalysts known, for instance iron in reactions in
which metallic magnesium is concerned, the commonest are the metals of
the platinum group.
"Less is known of the action of catalysts in the organic reactions, but
it has been the subject of intensive study by Dr. Knolles of the Bureau
of Standards for several years. His studies of the effects of different
colored lights, that is, rays of different wave-lengths, on the
reactions which constitute growth in plants have had a great effect on
hothouse forcing of plants and promise to revolutionize the truck
gardening industry. He has speeded up the rate of growth to as high as
ten times the normal rate in some cases.
"A few years ago, he and his assistant, James Collier, turned their
attention toward discovering a catalyst which would do for the metabolic
reactions in animal life what his light rays did for plants. What his
method was, I will not disclose for obvious reasons, but suffice it to
say that he met with great success. He took a puppy and by treating it
with his catalytic drugs, made it grow to maturity, pass through its
entire normal life span, and die of old age in six months."
* * * * *
"That is very interesting, Doctor, but I fail to see what bearing it has
on the robbery."
"Mr. Rogers, how, on a dark day and in the absence of a timepiece, would
you judge the passage of time?"
"Why, by my stomach, I guess."
"Exactly. By your metabolic rate. You eat a meal, it digests, you expend
the energy which you have taken into your system, your stomach becomes
empty and your system demands more energy. You are hungry and you judge
that some five or six hours must have passed since you last ate. Do you
follow?"
"Certainly."
"Let us suppose that by means of some tonic, some catalytic drug, your
rate of metabolism and also your rate of expenditure of energy has been
increased six fold. You would eat a meal and in one hour you would be
hungry again. Having no timepiece, and assuming that you were in a
light-proof room, you would judge that some five hours had passed, would
you not?"
"I expect so."
"Very well. Now suppose that this accelerated rate of digestion and
expenditure of energy continued. You would be sleepy in perhaps three
hours, would sleep about an hour and a quarter, and would then wake,
ready for your breakfast. In other words, you would have lived through a
day in four hours."
"What advantage would there be in that?"
"None, from your standpoint. It would, however, increase the rate of
reproduction of cattle greatly and might be a great boom to agriculture,
but we will not discuss this phase now. Suppose it were possible to
increase your rate of metabolism and expenditure of energy, in other
words, your rate of living, not six times, but thirty thousand times. In
such a case you would live five minutes in one one-hundredth of a
second."
"Naturally, and you would live a year in about seventeen and one-half
minutes, and a normal lifespan of seventy years in about twenty hours.
You would be as badly off as any common may-fly."
* * * * *
"Agreed, but suppose that you could so regulate the dose of your
catalyst that its effect would last for only one one-hundredth of a
second. During that short period of time, you would be able to do the
work that would ordinarily take you five minutes. In other words, you
could enter a bank, pack a satchel with currency and walk out. You would
be working in a leisurely manner, yet your actions would have been so
quick that no human eye could have detected them. This is my theory of
what actually took place. For verification, I will turn to Dr. Kirkwood,
as he prefers to be known now."
"I don't know how you got that picture, but what you have said is about
right," replied the prisoner.
"I got that picture by using a speed of thirty thousand times the normal
sixteen exposures per second," replied Dr. Bird. "That figure I got from
Dr. Knolles, the man who perfected the secret you stole when you left
the Bureau three years ago. You secured only part of it and I suppose it
took all your time since to perfect and complete it. You gave yourself
away when you experimented on young Ladd. I was a track man myself in my
college days and when I saw an account of his running, I smelt a rat, so
I came back and watched him. As soon as I saw him crush and swallow a
capsule just as the gun was fired, I was sure, and got hold of him. He
was pretty stubborn, but he finally told me what name you were running
under now, and the rest was easy. I would have got you in time anyway,
but your bravado in telling us when you would next operate gave me the
idea of letting you do it and photographing you at work. That is all I
have to say. Captain Sturtevant, you can take your prisoner whenever you
want him."
* * * * *
"I reckoned without you, Dr. Bird, but the end hasn't come yet. You may
send me up for a few years, but you'll never find that money. I'm sure
of that."
"Tut, tut, Professor," laughed Carnes. "Your safety deposit box in the
Commercial National is already sealed until a court orders it opened.
The bills you took this morning were all marked, so that is merely
additional proof, if we needed it. You surely didn't think that such a
transparent device as changing your name from 'James Collier' to 'John
Collyer' and signing with your left hand instead of your right would
fool the secret service, did you? Remember, your old Bureau records
showed you to be ambidextrous."
"What about Winston's confession?" asked Rogers suddenly.
"Detective-Captain Sturtevant can explain that to a court when Mr.
Winston brings suit against him for false arrest and brutal treatment,"
replied Carnes.
"A very interesting case, Carnes," remarked the doctor a few hours
later. "It was an enjoyable interlude in the routine of most of the
cases on which you consult me, but our play time is over. We'll have to
get after that counterfeiting case to-morrow."
* * * * *
IN THE NEXT ISSUE
BRIGANDS OF THE MOON
_Beginning an Amazing Four-part Interplanetary Novel_
By RAY CUMMINGS
THE SOUL MASTER
_A Thrilling Novelette of the Substitution of Personality_
By WILL SMITH and R. J. ROBBINS
COLD LIGHT
_An Extraordinary Scientific Mystery_
By CAPT. S. P. MEEK
--_AND MANY OTHER STORIES, OF COURSE_
* * * * *
[Illustration: "_She is Yours, Master!_"]
Sick at heart, the trembling girl shuddered at the words that delivered
her to this terrible fate of the East. How could she escape from this
Oriental monster into whose hands she had been given--this mysterious
man of mighty power whose face none had yet seen?
Here is an _extraordinary situation_. What was to be the fate of
this beautiful girl? Who was this strange emissary whom no one
really knew?
_To know the answer to this and the most exciting tales of Oriental
adventure and mystery ever told, read on through the most thrilling,
absorbing, entertaining and fascinating pages ever written._
Masterpieces of Oriental Mystery
11 Superb Volumes by SAX ROHMER
Written with his uncanny knowledge of things Oriental
* * * * *
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14 sales in 2 hours
J. J. Corwin, Ariz., says: "Send more order books. I sold first 14
orders in 2 hours."
SPARE TIME
Big Money Spare Time
Bart, W. Va. says:
"Was only out a few evenings, and got 20 orders."
CENTRAL STATES MFG. CO., Dept. B-2403
4500 Mary Ave. (Est. over 20 years) St. Louis, Mo.
* * * * *
SPEEDO
Central States Mfg. Co.,
4500 Mary Ave. Dept. B-2403
St. Louis, Mo.
Yes, rush me the facts and details of your FREE OFFER.
Name ........................................
Address .....................................
City ...................... State ...........
[ ] Check here if interested only in one for your home.
* * * * *
Please mention NEWSSTAND GROUP--MEN'S LIST, when answering
advertisements
* * * * *
Half a Million People
_have learned music this easy way_
[Illustration]
You, too, Can Learn to Play Your Favorite Instrument Without a Teacher
_Easy as_ A-B-C
Yes, half a million delighted men and women all over the world have
learned music this quick, easy way.
Half a million--500,000--what a gigantic orchestra they would make! Some
are playing on the stage, others in orchestras, and many thousands are
daily enjoying the pleasure and popularity of being able to play some
instrument.
Surely this is convincing proof of the success of the _new, modern
method_ perfected by the U.S. School of Music! And what these people
have done, YOU, too, can do!
Many of this half million didn't know one note from another--others had
never touched an instrument--yet in half the usual time they learned to
play their favorite instrument. Best of all, they found learning music
_amazingly_ easy. No monotonous hours of exercises--no tedious
scales--no expensive teachers. This simplified method made learning
music as easy as A-B-C!
It is like a fascinating game. From the very start you are playing
_real_ tunes, perfectly, by _note_. You simply can't go wrong, for every
step, from beginning to end, is right before your eyes in print and
picture. First you are _told_ how to do a thing, then a picture _shows_
you how, then you do it yourself and _hear_ it. And almost before you
know it, you are playing your favorite pieces--jazz, ballads, classics.
No private teacher could make it clearer. Little theory--plenty of
accomplishment. That's why students of the U.S. School of Music get
ahead twice as fast--_three times as fast_ as those who study
old-fashioned, plodding methods.
You don't need any special "talent." Many of the half-million who have
already become accomplished players never dreamed they possessed musical
ability. They only wanted to play some instrument--just like you--and
they found they could quickly learn how this easy way. Just a little of
your spare time each day is needed--and you enjoy every minute of it.
The cost is surprisingly low--averaging only a few cents a day--and the
price is the same for whatever instrument you choose. And remember, you
are studying right in your own home--without paying big fees to private
teachers.
Don't miss any more good times! Learn now to play your favorite
instrument and surprise all your friends. Change from a wallflower to
the center of attraction. Music is the best thing to offer at a
party--musicians are invited everywhere. Enjoy the popularity you have
been missing. Get your share of the musician's pleasure and profit!
Start now!
Free Booklet and Demonstration Lesson
If you are in earnest about wanting to join the crowd of entertainers
and be a "big hit" at any party--if you really _do_ want to play your
favorite instrument, to become a performer whose services will be in
demand--fill out and mail the convenient coupon asking for our Free
Booklet and Free Demonstration Lesson. These explain our wonderful
method fully and show you how easily and quickly you can learn to play
at little expense. This booklet will also tell you all about the amazing
new _Automatic Finger Control_. Instruments are supplied when
needed--cash or credit, U.S. School of Music 3692 Brunswick Bldg., New
York City.
WHAT INSTRUMENT FOR YOU?
Piano
Organ
Violin
Clarinet
Flute
Harp
Coronet
'Cello
Guitar
Ukulele
Saxophone
Banjo, (Plectrum 5-String or Tenor)
Piccolo
Hawaiian Steel Guitar
Drums and Traps
Mandolin
Sight Singing
Trombone
Piano
Accordion
Voice and Speech Culture
Harmony and Composition
Automatic Finger Control
Italian and German Accordion
* * * * *
U.S. SCHOOL OF MUSIC,
3692 Brunswick Bldg., New York City.
Please send me your free book, "Music Lessons in Your Own Home," with
introduction by Dr. Frank Crane, Free Demonstration Lesson, and
particulars of your easy payment plan. I am interested in the following
course:
Have you an instrument: .........
Name ........................................
Address .....................................
City ...................... State ...........
* * * * *
Please mention NEWSSTAND GROUP--MEN'S LIST, when answering
advertisements
* * * * *
Only 28 years old and earning $15,000 a year
[Illustration: _Works in Shoe Factory_]
W. T. Carson was forced to leave school at an early age. His help was
needed at home. He took a "job" in a shoe factory in Huntington, W. Va.,
at $12 a week.
[Illustration: _Starts Studying at Home_]
Carson determined to make something of himself before it was too late,
so he took up a course with the International Correspondence Schools and
studied in spare time.
[Illustration: _Now Owns Big Business_]
Today W. T. Carson is the owner of one of the largest battery service
stations in West Virginia, with an income of $15,000 a year. And he is
only 28 years old!
[Illustration: _Lectures at College_]
Just a few months ago a large college asked Carson to lecture before a
class in electricity. That shows the practical value of his I. C. S.
course.
[Illustration: _How to Earn More Money_]
If the I. C. S. can smooth the path to success for men like W. T. Carson
it can help you. If it can help other men to earn more money it can help
you too.
[Illustration: _The Boss is Watching You_]
Show him you are ambitious and are really trying to get ahead. Decide
today that you are at least going to find out all about the I. C. S.
and what it can do for you.
=INTERNATIONAL CORRESPONDENCE SCHOOLS. Box 2124-E, Scranton, Penns.=
Without cost or obligation, please send me a copy of your booklet, "=Who
Wins and Why=," and full particulars about the course _before_ which I
have marked X in the list below:
BUSINESS TRAINING COURSES
[ ] Business Management
[ ] Industrial Management
[ ] Personnel Management
[ ] Traffic Management
[ ] Accounting and C.P.A. Coaching
[ ] Cost Accounting
[ ] Bookkeeping
[ ] Secretarial Work
[ ] Spanish
[ ] French
[ ] Salesmanship
[ ] Advertising
[ ] Business Correspondence
[ ] Show Card and Sign Lettering
[ ] Stenography and Typing
[ ] English
[ ] Civil Service
[ ] Railway Mail Clerk
[ ] Mail Carrier
[ ] Grade School Subjects
[ ] High School Subjects
[ ] Cartooning
[ ] Illustrating
[ ] Lumber Dealer
TECHNICAL AND INDUSTRIAL COURSES
[ ] Architect
[ ] Architectural Draftsman
[ ] Building Foreman
[ ] Concrete Builder
[ ] Contractor and Builder
[ ] Structural Draftsman
[ ] Structural Engineer
[ ] Electrical Engineer
[ ] Electrical Contractor
[ ] Electric Wiring
[ ] Electric Lighting
[ ] Electric Car Running
[ ] Telegraph Engineer
[ ] Telephone Work
[ ] Mechanical Engineer
[ ] Mechanical Draftsman
[ ] Machine Shop Practice
[ ] Toolmaker
[ ] Patternmaker
[ ] Civil Engineer
[ ] Surveying and Mapping
[ ] Bridge Engineer
[ ] Gas Engine Operating
[ ] Automobile Work
[ ] Aviation Engines
[ ] Plumber and Steam Fitter
[ ] Plumbing Inspector
[ ] Foreman Plumber
[ ] Heating and Ventilation
[ ] Sheet-Metal Worker
[ ] Steam Engineer
[ ] Marine Engineer
[ ] Refrigeration Engineer
[ ] R.R. Positions
[ ] Highway Engineer
[ ] Chemistry
[ ] Pharmacy
[ ] Mining Engineer
[ ] Navigation
[ ] Assayer
[ ] Iron and Steel Worker
[ ] Textile Overseer or Supt.
[ ] Cotton Manufacturing
[ ] Woolen Manufacturing
[ ] Agriculture
[ ] Fruit Growing
[ ] Poultry Farming
[ ] Mathematics
[ ] Radio
Name ................. Address ..............
City ...................... State ...........
* * * * *
Please mention NEWSSTAND GROUP--MEN'S LIST, when answering
advertisements
* * * * *
LET RCA INSTITUTES START YOU ON THE ROAD TO ... SUCCESS IN RADIO
[Illustration: Radio-Mechanic and Inspector $1800 to $4000 a Year.]
[Illustration: Broadcast Station Mechanic $1800 to $3600 a Year.]
[Illustration: Land Station Operator $1800 to $4000 a Year.]
[Illustration: Broadcast Operators $1800 to $4800 a Year.]
_Radio needs you_.... That's why the entire Radio industry is calling
for trained men. Radio is thrilling work ... easy hours, vacations with
pay and a chance to see the world. Manufacturers and broadcasting
stations are now eagerly seeking trained RCA Institutes men. Millions of
sets need servicing ... thousands of ships require experienced
operators.... Never before was there an opportunity like this!
_This is the Only Course Sponsored by Radio Corporation of America_
RCA sets the standards for the entire Radio industry.... The RCA
Institutes' Home Laboratory Training Course enables you to quickly learn
all the secrets of Radio.... In your spare time you can obtain a
thorough, practical education in Radio.
You learn Radio by actual experience with the remarkable outlay of
apparatus given to every student. That's why every graduate of RCA
Institutes has the experience, the ability and the confidence to hold a
big-money Radio job.
For the added convenience of students who prefer a Resident
Study Course, RCA Institutes, Inc., has established Resident Schools in
the following cities:
New York 326 Broadway
Boston, Mass. 899 Boylston St.
Philadelphia, Pa. 1211 Chestnut St.
Baltimore, Md. 1215 N. Charles St.
Newark, N.J. 560 Broad St.
Home Study graduates may also attend any one of our resident schools for
post-graduate instruction at no extra charge.
_Graduates of RCA Institutes Find It Easier to Get Good Jobs_
Students of RCA Institutes get first-hand knowledge, get it quickly and
get it complete. Success in Radio depends upon training and that's the
training you get with RCA Institutes. That's why every graduate of RCA
Institutes who desired a position has been able to get one.... That's
why graduates are always in big demand!
_Study Radio at the Oldest and Largest Commercial Training Organization
in the World_
Send for this Free Book ... or step in at any of our resident schools
and see for yourself how thousands of men are already on the road to
success in Radio. Remember that you, too, can speed up your earning
capacity ... can earn more money in Radio than you ever earned before.
The man who trains today will hold down the big-money Radio job of the
future. Come in and get this free book or send for it by mail.
Everything you want to know about Radio. 40 fascinating pages, packed
with pictures and descriptions of the brilliant opportunities in this
gigantic, world-wide money-making profession.
=SEND FOR IT TODAY!=
Clip this Coupon _NOW_!
SPONSORED BY
RCA INSTITUTES, INC.
Formerly
Radio Institute of America
[Illustration: RCA]
* * * * *
RCA INSTITUTES, Inc.
Dept. NS-2, 326 Broadway,
New York, N.Y.
Gentlemen: Please send me your FREE 40-page book which illustrates the
brilliant opportunities in Radio and describes your laboratory-method of
instruction at home!
Name ........................................
Address .....................................
* * * * *
Please mention NEWSSTAND GROUP--MEN'S LIST, when answering
advertisements
* * * * *
"INTO THE AFRICAN BLUE"
_High Spots in the Life of a Big Game Photographer_
_By_ MARTIN JOHNSON
[Illustration]
"Into the African Blue" is Africa--the land of romance--of adventure.
African big game is rapidly being shot off; the end is in sight, and it
is for the purpose of recording in pictures and in story the remarkable
wild life which soon must vanish, that Martin and Osa Johnson undertake
their safaris into the remotest corners of the "Blue."
Johnson's photographs are magnificent! They portray the primitive drama
of the wilderness. We see close-ups of elephants and giraffes suckling
their young; lions lolling in the broiling sun or disputing possession
of a zebra kill. We are introduced into the inner family circle of
rhinos, leopards, eland, oryx, gazelle and others--all unconscious of
the nearby presence of man. And there are, of course, thrilling moments
when a cantankerous rhino, elephant or lion resents the intrusion and
charges the camera with deadly intent.
=This thrilling serial, profusely illustrated with photographs by the
author, began in the December issue of FOREST and STREAM. Follow Martin
and Osa Johnson through the Soudan, the Congo, Kenya and Tanganyika;
share their adventures=--
Forest and Stream
80 Lafayette Street, New York, N.Y.
SPECIAL OFFER
In addition to this thrilling serial, which in book form would cost not
less than $3.00, the next six issues of FOREST and STREAM will contain
much of interest to the outdoorsman--angler, hunter, camper and nature
lover.
FOREST and STREAM brings to you the best outdoor literature written by
the foremost authorities in their respective fields. By making use of
the coupon to the left you can secure six issues of FOREST and STREAM
containing the complete story "Into the African Blue" for the special
price of $1.00, and you will receive in addition to the magazine and
without extra cost volumes 1 and 2 of the Sportsmen's Encyclopedia, an
invaluable reference book which presents in handy form accurate and
comprehensive information on every branch of outdoor sport.
Send in the coupon--"_DO IT NOW!_"
* * * * *
Department C
Here's my $1.00. I want the 6 issues beginning with the December number,
and Vols. 1 and 2 of the Sportsmen's Encyclopedia.
...............................................
...............................................
...............................................
* * * * *
Please mention NEWSSTAND GROUP--MEN'S LIST, when answering
advertisements
* * * * *
I Will Train You at Home to Fill a Big-Pay Radio Job
_Here's the_ PROOF
=$375 One Month In Spare Time=
"Recently I made $375 in one month in my spare time installing,
servicing, selling Radio Sets."
Earle Cummings,
18 Webster St.,
Haverhill, Mass.
=$450 a Month=
"I work in what I believe to be the largest and best-equipped Radio shop
in the Southwest and also operate KGFI. I am averaging $450 a month."
Frank M. Jones,
922 Guadalupe St.,
San Angelo, Tex.
[Illustration]
You can build 100 circuits with the six big outfits of
Radio parts I give you
_3 of the 100 you can build_
_Find out quick about this practical way to big pay_
If you are earning a penny less than $50 a week, send for my book of
information on the opportunities in Radio. It's FREE. Clip the coupon
NOW. A flood of gold is pouring into Radio, creating hundreds of big-pay
jobs. Why go along at $25, $30 or $45 a week when the good jobs in Radio
pay $50, $75 and up to $250 a week? "Rich Rewards in Radio" gives full
information on these big jobs and explains how you can quickly learn
Radio through my easy, practical home-study training.
Salaries of $50 to $250 a Week Not Unusual
The amazing growth of Radio has astounded the world. In a few short
years three hundred thousand jobs have been created. And the biggest
growth is still to come. That's why salaries of $50 to $250 a week are
not unusual. Radio simply hasn't got nearly the number of thoroughly
trained men it needs.
You Can Learn Quickly and Easily in Spare Time
Hundreds of N. R. I. trained men are today making big money--holding
down big jobs--in the Radio field. You, too, should get into Radio. You
can stay home, hold your job and learn in your spare time. Lack of high
school education or Radio experience are no drawbacks.
Many Earn $15, $20, $30 Weekly On the Side While Learning
I teach you to begin making money shortly after you enroll. My new
practical method makes this possible. I give you SIX BIG OUTFITS of
Radio parts and teach you to build practically every type of receiving
set known. M. E. Sullivan, 412 73rd St., Brooklyn, N.Y., writes: "I made
$720 while studying." G. W. Page, 1807 21st Ave. S., Nashville, Tenn.,
"I picked up $935 in my spare time while studying."
Your Money Back If Not Satisfied
My course fits you for all lines--manufacturing, selling, servicing
sets, in business for yourself, operating on board ship, or in a
broadcasting station--and many others. I back up my training with a
signed agreement to refund every penny of your money if, after
completion, you are not satisfied with the lessons and instructions I
give you.
Act NOW--NEW 64-Page Book is FREE
[Illustration: RADIO NEEDS TRAINED MEN!]
Send for this big book of Radio information. It has put hundreds of
fellows on the road to bigger pay and success. Get it. See what Radio
offers you, and how my Employment Department helps you get into Radio
after you graduate. Clip or tear out the coupon and mail it RIGHT NOW.
J. E. Smith, President, Dept. OBM
National Radio Institute
Washington, D.C.
Employment Service to all Graduates
Originators of Radio Home Study Training
* * * * *
Mail This FREE COUPON Today
J. E. Smith, President,
Dept. OBM, National Radio Institute,
Washington, D.C.
Dear Mr. Smith: Send me your Free book "Rich Rewards in Radio," giving
information on the big-money opportunities in Radio and your practical
method of teaching with six Radio Outfits. I understand this places me
under no obligation.
Name ......................... Age ..........
Address .....................................
City ...................... State ...........
* * * * *
Please mention NEWSSTAND GROUP--MEN'S LIST, when answering
advertisements
* * * * *
_A Year's Protection Against_ SICKNESS
Less than 3c a Day!
_A Year's Protection Against_ ACCIDENT
[Illustration: CASH _or sympathy_?]
_Which do you want?_
Suppose you met with an accident or sickness to-night--salary
stopped--which would you prefer,
$25 Weekly ... or Sympathy?
_Which will your family want?_
In case of your accidental death, which would you rather give your
family
$10,000 Cash ... or Sympathy?
_Which would you Pay?_
Would you rather pay bills and household expenses out of a slim savings
account or a
=$10 bill=
_For a Whole Year's Protection Against_
SICKNESS AND ACCIDENT
_Get Cash instead of Sympathy_
If you met with an accident in your home, on the street, or road, in the
field, or on your job--will your income continue? Remember, few escape
without accident--and none of us can tell what to-morrow holds for us.
While you are reading this warning, somewhere some ghastly tragedy is
taking its toll of human life or limb, some flood or fire, some
automobile or train disaster. Protect yourself now.