As for me, who am no Churchman, but merely a stray masquerad

Note: Images of the original pages are available through

HathiTrust Digital Library. See

https://hdl.handle.net/2027/mdp.39015063547536

THE SILVER DOMINO

* * * * * *

_OPINIONS OF THE PRESS._

"The 'Silver Domino' can handle words and phrases in a manner which

either proves an extraordinary original gift or a good deal of

practice.... The parody of Miss Olive Schreiner is one of the best and

severest parodies we have seen for years.... The book is one to read

and laugh over."--_Daily Chronicle, Oct. 14th._

"All unexpectedly one finds one's self in the midst of a most

up-to-date literary satire.... I am bound to say the 'thwackings' [in

the 'Silver Domino'] are entertaining."--_Star, Oct. 10th._

"The unknown author of the 'Silver Domino' has been good enough to send

me his book, which is very bright and amusing and outspoken. He has his

knife into a great many people."--_The World, Oct. 10th._

"An audacious little book called the 'Silver Domino' is causing a great

deal of amusement in literary circles.... There are some delightful

parodies; also a capital literary creed, which takes liberties with the

_Saturday Review_, which, by the way, is again for sale."--_Western

Daily Mercury, Oct. 15th._

"The 'Silver Domino' consists of truculently candid sallies at the

expense of men eminent in politics, literature, and journalism."--_The

Times, Oct. 15th._

"I must confess to have chuckled hugely over some of his [the 'Silver

Domino's'] diatribes."--_News of the World, Oct. 23rd._

"Pungent, mordant satire went out with Grenville Murray, but his mantle

has fallen upon the anonymous author of the 'Silver Domino,' who has

issued some intensely amusing social and literary side-whispers.... All

that he has to tell us is told with wonderful _verve_ and in an easy

flowing style which has a great charm for all who can appreciate such

satire.... I could dwell upon the 'Silver Domino' with great benefit

to my readers and satisfaction to myself, but space forbids; so I

will only say that the book is the most valuable contribution to our

satirical literature that has appeared for many, many years. Our advice

is: 'Get it; read it; and re-read it.'"--_Society, Oct, 19th._

"The 'Silver Domino' is a volume of essays.... There are pungency and

freshness about many of the writer's observations."--_Sunday Sun, Oct.

23rd._

"The 'Silver Domino' is suggestive of the gentle Malayan exercise of

running a-muck or the emancipated young person having a fling to its

own obvious enjoyment."--_Saturday Review, Oct. 29th._

"If it is to Mr. Lang's generosity that we owe the hatching of this

book, that gentleman must assuredly stand aghast."--_Vanity Fair, Oct.

29th._

"The literary puzzle of the hour is--Who wrote the 'Silver Domino'?...

The question of authorship apart, nothing at once so bitter and so

clever has appeared since the days of Lord Byron."--_The Literary

World, Nov. 4th._

"'Who is the author of the "Silver Domino"?' That is the question I am

asked wherever I go. Whoever it is, he is the author of an extremely

clever book.... Were I to make one single quotation from the 'Silver

Domino' you would be angry with me, yet there is not one of you but

will read it speedily."--_The Queen, Oct. 29th._

* * * * * *

THE SILVER DOMINO;

Or

Side Whispers, Social and Literary.

Eighth Edition.

With Author's Note to This Issue.

London:

Lamley and Co., Exhibition Road.

1893.

[All rights reserved.]

To

ANDREW LANG,

WHOSE LITERARY GENEROSITY TOWARDS ME

IS PAST ALL PRAISE,

I,

WITH THE UTMOST RECOGNITION,

DEDICATE THIS BOOK.

AUTHOR'S NOTE TO THE SECOND EDITION.

Since the first edition of this book was published, some three weeks

ago, a grave event has occurred, which may be said to have closed an

epoch in the history of Literature. Tennyson, Poet and Laureate, the

last, perhaps, of the exponents of a pure, refined, and musical school

of English poesy, has left us. I will not say he has "crossed the

bar," because I consider that phrase has been overdone. He has passed

away in the fulness of years and honours, amid the sorrowing regret

of all those thousands to whom his melodious muse was as a part of

home and country. No poet ever lived a more easy and amply rewarded

life,--no poet ever died a more easy and enviable death. And I have

nothing to recant in what I have said of him in my chapter entitled

"Of Certain Great Poets." I am only sorry that he did not live to

read my lines, as I know he would have readily understood the sincere

spirit of admiration for his great qualities that moved me to my candid

speech. My "reviewers" have not elected to quote any word of mine on

the subject of the late Laureate, they generally preferring to save

time and trouble by an all-round but rash declaration that there is no

good said of any one in my book. I therefore challenge my readers to

the perusal of "Certain Great Poets," for I will yield to no one in my

admiration of Tennyson, no, not even to Lewis Morris, who calls him

"Master," whereas I was privileged to call him "Friend." I have praised

his genius with as much fervour and possibly more sincerity than any of

the versifiers who have written rhymes to his memory while squabbling

for his vacant post; and, as regards his Diogenes-like unsociability

and distaste for the "outside vulgar," I have only said what every one

admits to be true. I transcribe here the copy of a letter received from

the great Poet not long before his death:--

"ALDWORTH, HASLEMERE, SURREY.

"MY DEAR ----,--I thank you heartily for your kind letter and

welcome gift. You do well not to care for fame. Modern fame is too

often a mere crown of thorns, and brings all the vulgarity of the

world upon you. I sometimes wish I had never written a line.

"Your friend,

"TENNYSON."

The "vulgarity of the world" and the "outside vulgar" are phrases

by which the literary folk designate the vast Public, without whose

substantial appreciation, they, the inside elect, would starve. The

"outside vulgar," however, with unerring good taste, have purchased

Tennyson's work for the past fifty years, and in the rich harvest

of thoughts they have thus gathered, they can smile with a tender

indulgence at their Kingly Minstrel's shrinking aversion to the

"crowd" who loved him. He was the greatest poet of the Victorian era;

and, draped in the flag of England, as befits his sturdy and splendid

patriotism, he sleeps the sleep of the just and pure-minded who have

served their Art, as worthy subjects serve their Queen, loyally and

unflinchingly to the end. It was "fitting," I suppose, that he should

be laid to rest in dismal "Poet's Corner"--(beside Browning, too! the

Real singer beside the Sham!)--but many would rather have seen him

placed in a shrine of his own,--a warm grassy grave under the "talking"

English oaks whose forest language he so well translated, than thus

pent up among the crumbling ashes of inferior and almost forgotten men.

Another change has come "o'er the spirit of my dream" since, in the

language of the _Daily Chronicle_, I flung back the curtain and made

my bow to the public "in a breezy, not to say slap-bang, manner." The

_Pall Mall Gazette_ has changed hands and politics. Once, as will

be seen in the ensuing pages, I adored the _Pall Mall Gazette_. Its

fads, its whimsies, its prize "booms," and above all its religious

notions, were my delight. It was, as I said, a "bright particular star"

in the sphere of journalism, but I doubt whether it will continue to

shine on. I much fear that its days of Whimsicality and Boom are over,

though it now has a serious and gentlemanly Scot for an editor, who

does not find his chief amusement in levelling cheap sneers at Crown

and Constitution, and advocating a dangerous and (at heart) unpopular

Democracy. However, we shall see. In the interim, though I may not now

"adore" the _Pall Mall_, I mournfully respect it.

I fancy I have made a slight error in that harmless, but Grundy-scaring

jest of mine entitled "The Journalist's Creed." I have alluded to the

excellent and brilliant Henry Labouchere, as "very Rad of very Rad." It

should have been "very Tory of very Tory." This is absurd? Incongruous?

Impossible? Well! Events will prove whether I am right or wrong. And

I beg to assure all whom it may concern, that I consider there is no

more "irreverence" in the "Journalist's Creed" than is displayed by the

respectable church-goer who murmurs an address or prayer to God in the

hollow of his stove-pipe hat, rather than spoil the set of his trousers

by kneeling down.

I very earnestly desire to thank my critics one and all for the

attention they have bestowed upon me. They have taken me very

seriously; much more seriously than I have taken myself. I am so

little "peculiar," that I confess to have copied the phraseology of

my diatribes on certain poets and novelists from the language of the

"reviews" in divers journals, and I am truly surprised to hear such

phraseology termed "vulgar." When I was a "known" author (I was, once!)

reviewers "reviewed" _me_ with a profuseness of vituperative force that

struck me as singular; but I did not presume to call their well-rounded

terms of abuse "vulgar" or "scurrilous." Now I see I might very well

have done so, as they all agree in a condemnation of their own

literary vernacular. One lives and learns (this is a platitude), and

when an author anonymously "slates" those who anonymously "slate" him,

it is curious and instructive to observe what a different view is taken

of his case! It is a strange world (platitude number two).

In conclusion I would fain express my gratitude for the diverting

entertainment which I have had out of the various "guesses" as to my

identity. They are guesses as wild and strange and erroneous as any

that ever followed the track of a "domino noir" through the mazes of

Carnival. I can, however, only repeat that I am not what I seem, and

that up to the present, so far as my personality has been hinted at, or

even boldly asserted, such supposititious "clues" are all random shots

and fall wide of the mark. With the utmost civility, I beg to inform

you, dear friends and enemies alike, that in this trivial matter of

"guessing," you are all, every one of you,--wrong!

THE SILVER DOMINO.

_Nov. 9th, 1892._

CONTENTS

PAGE

I. OPENETH DISCOURSE 3

II. SOLILOQUISETH ON LITTLE MANNERS 23

III. PRONOUNCETH ON LESSER MORALS 43

IV. OF SAVAGES AND SKELETONS 59

V. HOW NAMES ARE SUPERIOR TO PERSONS 79

VI. CONVERSETH WITH LORD SALISBURY 91

VII. CHATTETH WITH THE GRAND OLD MAN 109

VIII. OF THE TRUE JOURNALIST AND HIS CREED 127

IX. OF WRITERS IN GROOVES 137

X. OF THE SOCIAL ELEPHANT 165

XI. THE STORY OF A SOUTH AFRICAN DREAM 183

XII. QUESTIONETH CONCERNING THE SLOUGH OF DESPOND 197

XIII. DESCRIBETH THE PIOUS PUBLISHER 211

XIV. OF CERTAIN GREAT POETS 227

XV. OF MORE POETS 251

XVI. TO A MIGHTY GENIUS 267

XVII. CONCERNING A GREAT FRATERNITY 293

XVIII. EULOGISETH ANDREW 311

XIX. BYRON LOQUITUR 327

XX. MAKETH EXIT 359

I.

OPENETH DISCOURSE.

Well, old musty, dusty, time-trodden arena of Literature and Society,

what now? Are your doors wide open, and may a stranger enter? A

perpetual dance is going on, so your outside advertisements proclaim;

and truly a dance is good so long as it is suggestive of wholesome

mirth. But is yours a dance of Death or of Life? A fandango of mockery,

a rigadoon of sham, or a waltzing-game at "beggar my neighbour"?

Moreover, is the fun worth paying for? Let me look in and judge.

Nay, by the gods of Homer, what a dire confusion of sight and sense

and sound is all this "mortal coil" and whirligig of humanity! What

noise and laughter, interspersed with sundry groanings, as of fiends

in Hell! Listening, I catch the echoes of many voices I know; now

and again I have glimpses of faces that in their beauty or ugliness,

their smiling or sneering, are perfectly familiar to me. Friends? No,

not precisely. No man who has lived long enough to be wise in social

wisdom can be certain that he has a friend anywhere; besides, I do not

pretend to have found what Socrates himself could not discover. Enemies

then? Truly that is probable! Enemies are more than luxuries: they are

necessities; one cannot live strongly or self-reliantly without them.

One does not forgive them (such pure Christianity has never yet been in

vogue); one fights them, and fighting is excellent exercise. So, have

at you all, good braggarts of work done and undone! I am as ready to

give and take the "passado" as any Mercutio on a hot Italian day. Note

or disregard me, I care naught; it is solely for my own diversion, not

for yours, that I come amongst you. I want my amusement as others want

theirs, and nothing amuses me quite so much as the strange customs and

behaviour of the men and women of my time. I love them--in a way; but I

cannot, help laughing at them--occasionally. Sentiment would be wasted

on them; one does not "grieve" over folly and vice any more, unless

one is an ill-paid (and therefore ill-used) cleric, because folly and

vice assume such pettifogging and ludicrous aspects that one's risible

faculties are at once excited, and pity dries up at its fountain-head.

For we live in a little age, and nothing great can breathe in the

stifling atmosphere of our languid, listless indifference to God and

man.

Nevertheless, there is a curious touch of fantastic buffoonery in

everything that temporarily stirs our inertia nowadays. Consider

our Browning-mania! Our Stanley-measles! With what dubious and

half-bewildered enthusiasm we laid the mortal remains of our

incomprehensible "Sordello" to rest in Westminster Abbey! With what

vulgar staring and ridiculous parade we gathered together to see the

"cute" Welsh trader in ivory wedded to his "Tennant for life" in the

same wrongfully-used sacred edifice! Has not our "world of fashion"

metaphorically kissed the cow-boots of Buffalo Bill? and "once upon a

time," as the fairy-tales say, did not the great true heart of England

pour itself out on--Jumbo? A mere elephant, vast of trunk and small of

tail--a living representative of our Indian and African possessions;

sure 'twas an innocent beast-worship that became us well! What matter

if giddy France held her sides with hilarious laughter at us, and Spain

and Italy giggled decorously at us behind their fans and mantillas,

and Germany broke into a huge guffaw at our "goings-on" over the brim

of her beer-mug,--let those laugh who win! And have we not always

won? yea, though (in an absent-minded moment) we allowed Barnum, of

ever-blessed memory, to buy for vulgar dollars that which we once so

loved!

Ah, we are a marvellous and motley crowd at this huge gathering called

Life, dear gossips all!--gossips in society and out of society--a

motley, lying, hypocritical, crack-brained crowd! I glide in among

you, masked for the nonce; I hold my silver draperies well up to my

eyes that the smile of derision I now and then indulge in may not

show itself too openly. I am not wishful to offend, albeit I am oft

offended. Yet it is well-nigh impossible to avoid giving offence in

these days. We are like hedgehogs: we bristle at a touch, out of the

excess of our hog-like self-consciousness, and the finger of Truth

laid on a hair of our skins makes us start with feeble irritability

and tetchy nervousness. Christ's command to "bless them that curse

you, and pray for them which despitefully use you," is to us the

merest feeble paradox; for our detestation of all persons who presume

to interfere with our business, and who say unpleasant things about

us, is too burningly sincere to admit of discussion. I, for my part,

frankly confess to entertaining the liveliest animosity towards

certain individuals of my acquaintance, people who shake my hand with

the utmost cordiality, smile ingenuously in my eyes, and then go off

and write a lying paragraph about me in order to pocket a nefarious

half-crown. I never feel disposed to "bless" such folk, and certes, I

should be made of flabbier matter than a jelly-fish if I prayed for

them.

But then I am not a Christian; please understand that at once. I am a

Jew, a Gentile, a Pharisee, and--a devil! I may be all four if I like

and yet be Pope of Rome. Why not? since these are the days of free

thought, and one's private religious opinions are not made the subject

of inquisitorial examination. Moreover, all classes aid and abet the

truly pious hypocrite, provided his hypocrisy be strictly consistent.

With equal delightsomeness, all creeds, no matter how absurd, just now

obtain some kind of a hearing. We are at perfect liberty to worship any

sort of fetish we like, without interference. We can grovel before our

Divine Self, and sink to the lowest possible level of degradation in

ministering to its greedy wants, and yet we shall not for this cause be

ostracised from society or excommunicated from any sacred pale. With

clerics and with laymen alike, our Divine Self needs more care than our

soul's salvation; for our Divine Self, in its splendid egoism, is a

breathing, eating, drinking, digesting Necessity; our soul's salvation

is a hazy, far-off, dubious concern wherein we are but vaguely

interested, a sort of dream at night which we now and then remember

languidly in the course of the day.

Talking of dreams, one cannot but consider them with a certain respect.

They are such very powerful "factors," as the useful penny-a-liner

would say, in the world's history. We affect to despise them; and yet

how large a portion of the community are at this moment getting their

daily bread-and-butter out of nothing more substantial than the "airy

fabric" of a vision, which in this particular instance has proved

solid enough to establish itself as one of the foundations of European

civilisation.

"_The angel of the Lord appeared unto Joseph in a dream._"

It is all there. That dream of the good Joseph was the strange

nutshell in which lay the germ of all the multitudinous Churches,

Popes, Cardinals, Archbishops, bishops, confessors, priests, parsons,

and last (not least), curates. One wonders (when one is a doomed and

damned "masquer" like myself) what would have happened if Joseph had

dreamed a different dream? or, as might have chanced, if he had slept

so profoundly as not to have dreamed at all? We should have perhaps

been under the sway of Mahomet (another dream), or Buddha (another

dream); for certain it is we cannot do without dreams at any period of

our lives, from the celebrated "deep sleep" of Adam, when he dreamt he

lost a rib to gain a wife, down to the "hypnotic-trance" schools of

to-day, where we are gravely informed we can be taught how to murder

each other "by suggestion." The most abandoned of us has an Idea--or

an Ideal--of something better (or worse) than ourselves, according

to whether our daily potations be crushed out of burgundy grape, or

made of mere vulgar gin-and-water. Even Hodge, growing stertorous and

sleepy over his poisoned beer and _Daily Telegraph_ at his favourite

"public," takes his turn at castle-building, and drowsily muses on

a coming time of Universal Uproar, which _till_ it comes is proudly

called Socialism, when the "sanguinary" aristocrat will be laid low in

the levelling mire, and he, plain Hodge, will be proved a more valuable

human unit than any educated ruler of any realm. Alas for thee, good

Hodge, that thou should'st boozily indulge in such romantic flights of

fancy! Thou, who in uninstructed thirsty haste dost rush to vote for

him who most generously plies thee with beer, what would'st thou do

without the aristocrat or rich man thou would'st fain trample upon?

Who would employ thee, simple Hodge? Another Hodge like thyself? Grant

this, and lo! Hodge Number Two, by possessing the means, the will and

the power to make thee work for him, tacitly becomes thy master and

superior. Wherefore the Equality thou clamourest after, is wholly at an

end if thou, Hodge Number One, dost hire thyself out as labourer or

servant to Hodge Number Two! This is a plain statement, made plainly,

without Gladstonian periods of eloquence; think it over, friend Hodge,

when thou art alone, _sans_ beer and cheap news-sheet to obfuscate thy

simple intelligence.

Nevertheless, it would be cruel to deprive even Hodge of an idea,

provided the idea be good for him. For ideas are the only unalterable

suggestions of the eternal; their forms change, but themselves are

ever the same. One Idea, running through history, built Baal-bec,

the Pyramids, the temples of India, the Duomo of Milan, and in our

own poor day of brag, the hideous Eiffel tower. The idea has always

been the same; to compass great height and vastness of some kind, and

Eiffel has only dragged down to the level of his merely mechanical

intelligence Nimrod's fantastic notion of the Tower of Babel. Nimrod

had a belief that he could reach Heaven. M. Eiffel was convinced he

could advertise himself. _Voilà la difference!_ That "difference" is

the great gulf between ancient art and modern. In the past they went

star-gazing and tried to climb--in the present, we stay where we are,

look after ourselves, and put up an advertisement. Thus has the form of

the idea changed from the likeness of a god into a painted clown--yet,

fundamentally, it is still the same idea. And, reduced to its primeval

element, its first dim, nebulous hint, an idea is nothing but a dream.

Hence I return to my previous proposition, _i.e._, the respect we

owe to dreams, particularly when they result in fixed realities such

as, well!--such as curates, for example. I mention this class of

individuals particularly, because there are so many of them, and also

because they are generally so desperately poor, and (to young ladies

in country parishes) so desperately interesting. What English fiction

would do without a curate or a clerical personage of some kind or

other to figure in its pages I dare not imagine. The novels of other

countries do not produce such hosts of invaluable churchmen, but in

England the most successful books are frequently those which treat

of the clergy, from "Robert Elsmere," who found himself startled out

of orthodoxy by a few familiar and well-ventilated French and German

theories of creed, down to the gentle milksops of the church as found

in the novels of Anthony Trollope and the dreary stories of Miss

Edna Lyall. This well-intentioned lady's productions would assuredly

find few readers were it not for the "old-woman-and-faded-spinster"

fanaticism for clergymen. And yet--I once knew a wicked army man

(worshippers of Edna Lyall prepare to be disgusted! truth is always

disgusting) who for some years amused himself by collecting out of the

daily newspapers, cuttings of all the police reports and criminal cases

in which clergymen were implicated, and this volume, an exceedingly

bulky one, he brought to me, with a Mephistophelian twinkle in his bad

old eyes.

"Read, mark, learn, and inwardly digest!" said he. "These fellows in

'holy orders' have committed every crime in the calendar, and the only

mischief I have not found them out in yet is Arson!"

This was the fact. The calm, unromantic statements of the police, as

chronicled in that carefully-collected book of damnatory evidence,

bore black witness against clerical virtue and morality--a "reverend"

was mixed up in every sort of "abomination" which in old times called

down the judgments of the Lord--save and except the one thing--that

none of them had been convicted of wilfully setting fire to their own

or other peoples' dwellings. But I believe--I may be wrong--that Arson

is not a very common crime with any class. It is not of such frequent

occurrence as murder or bigamy--or if it is, it does not attract so

much attention. So I fancy it may be taken for granted that clergymen

are, on the whole, not a whit better, while they are very often worse,

than the laity they preach at--hence their "calling and election" is

vain, and nobody wonders that they are by their proven inefficiency

causing the very pillars of the Church to totter and fall. And has not

Parliament been seriously busying itself with a "Clerical Immorality"

Bill? This speaks volumes for the integrity of the preachers of the

Gospel!

As for me, who am no Churchman, but merely a stray masquerader

strolling through the social bazaar, I consider that all churches as

they at present exist, are mockeries, and as such, are inevitably

doomed. Nothing can save them; no prop will keep them up; neither

fancy spiritualism, nor theosophism, nor any other "ism" offered by

notoriety-hunting individuals as a stop-gap to the impending crash.

Not even the Booth-boom will avail--that balloon of cleverly-inflated

philanthropy which has been sent up just high enough to attract

attention from the gaping Britishers, who, like big children, must

always have something to stare at. Of course, my opinion, being the

opinion of an "anonymous," is worthless, and I do not offer it as

being valuable. In saying things, I say them for my own amusement, and

if I bore any one by my remarks, so much the more am I delighted.

As a matter of fact, I take peculiar pleasure in boring people. Why?

Because people always bore _me_, and I adore the sentiment of revenge!

And that I stand here, masked, a stranger to all the brilliant company

whirling wildly around me, is also for my own particular entertainment.

If I have said anything to offend any of the excellent clericals I see

running towards me with the inevitable "collection-plate," I am sorry.

But I will not bribe them for their good opinion, nor will I flatly

disobey the command received (which they all seem to forget), "Do not

your alms before men." Besides, I have nothing with me just now--not

a farthing. I am only in this great assembly for a few moments, and

my "silver domino," lavishly studded with stars, has cost me dear.

For the completion of churches, and the mending of chancels, and the

french-polishing of pews, I have no spare cash. Walls will not hold

me when I am fain to worship--I take the whole arching width of the

uncostly sky. There are rich old ladies in this vast throng of people,

doubtless?--dear Christian souls who hate their younger relatives,

and who are therefore willing to spend spare cash in order to prove

their love of God. From these gather your harvest while you may, all

ye ordained "disciples of the Lord," but excuse a poor wandering

Nobody from No-land from the uncongenial task of helping to provide

a new organ for parish yokels, and from sending out cheap Bibles to

the "heathen Chinee," who frequently disdains to read them. Let me

pass on--I am not worth buttonholing--and I want to take a passing

glance at things in general. I shall whisper, mutter, or talk loudly

about anything I see, just as the humour takes me. Only I will not

promise any polite lying. Not because I object to it, but simply

because it has become commonplace. Everybody does it, and thus it

has ceased to be original, or even diplomatic. To openly declare the

Truth--the truth of what we are now, and what, in the course of our

present down-hill "progress," we are likely to become; the truth that

is incessantly and relentlessly gnawing away at the foundations of

all our social sophistries--to do this, I say, and stand by it when

done, would be the only possible novelty that could really startle the

indolent and exhausted age. But nobody will undertake it. It would be

too troublesome. One would run so many risks. One would offend so many

"nice" people! True--very true. All the same, neither for convenience

nor amiability do I personally consider myself bound to tell lies

for the mere sake of lying. So, while elbowing a passage through the

crowd, I shall give expression to whatever thoughts occur to me,

inconsequentially or rationally, as my varying moods suggest; moreover,

I shall be very content to glide out of the "hurly-burly," and enter it

no more, when once I have said my say.

II.

SOLILOQUISETH ON LITTLE MANNERS.

One can hardly be among a great number of people more or less

distinguished, without observing the way they move, talk, walk,

and generally behave themselves. And the first impression received

on entering the throng over which the electric light flashes its

descriptive sky-sign "Present Day" is distinctly one of--bad manners;

yes, bad, ungainly, jostling, "higgledy-piggledy" manners. The general

effect (bird's-eye view) is as of motley-clothed lunatics hurrying

violently along to a land of Nowhere. Men stoop and shuffle and

amble from the knees, instead of walking with an erect and dignified

demeanour; women skip or waddle, making thereby an undue exhibition

of purely English feet. In art-collections one sees plenty of old

engravings wherein are depicted gallant, well-shaped gentlemen,

pressing three-cornered hats to the left sides of their lace-ruffled,

manly bosoms, and bending with exquisite deference and stately

deportment to demurely sweet dames, who, holding out gossamer skirts in

taper fingers, perform the prettiest curtsies in response. It must have

been charming to see them thus habitually realising the value of mutual

politeness in everyday life; one would like to witness a revival of the

same. Men lost nothing by outwardly expressing a certain reverence for

women; women gained a great deal by outwardly expressing their gentle

acknowledgment of that reverence. "Manner makyth the man," says the

old adage, and if that be true, then there are no men, for certainly

there are no manners--at least, not among the "upper ten." I am in a

position to judge, for I am somewhat of a favourite at Court, where

manners are not at a very high premium. I can only judge, of course, by

what I see, and in my observations of the fair sex I submit that, not

being a "fair" myself, I may be wrong. Yet I believe it is true that

ladies of high rank and good education are obliged to be taught (three

lessons for one guinea) how to make a proper obeisance to the Queen.

And the lesson is, I presume, too cheap to include any training in the

art of decently polite behaviour during the "wait" before entering

the Throne-room. The impudent push and self-assertion of these "noble

dames" is something amazing to witness: the looks at one another--looks

as bold as those of Jezebel--the scramble, the reckless tearing of

lace, and scratching of arms and shoulders in the heated _mêlée_

is--well--simply degrading to the very name of womanhood. Better,

dear ladies, not to go to a Drawing-room at all if you cannot get to

your Queen without tearing your fellow-woman's dress off her back and

inflicting scars on her unprotected shoulders. Men are better behaved

at the _levées_, but among them all scarce one knows how to bow.

Nevertheless, they are more polite to each other than women are; they

are obliged to be--no man will take insolence from another man without

instantly resenting it.

A strange thing it is to consider how poets have raved from time

immemorial about the "grace" of woman! It is pathetic to see how these

ingenuous verse-writers will persist in keeping up their illusions.

As a matter of fact, in England at least, there is scarce one woman

in a hundred who knows how to walk well. And that one is always such

a "peculiar" object that her movements are generally commented upon

as "affected." To a masculine observer this is very strange. A lady

who bundles up her clothes well behind, exposes thick legs, flat

feet, and ugly boots all at once in order to effect her entrance into

carriage, cab, or omnibus, is, by certain of her own sex, voted "a good

soul," "unaffected," "no nonsense about her," "as frank and simple

a creature as ever lived." But a lady who lifts her dress just high

enough to show the edge of a dainty lace on her petticoat, clean, trim

boots, the suspicion of an ankle, and only the pleasing suggestion

of a leg--she--ah! nasty designing creature! "No good, my dear!" "all

affectation, every bit of her!" "_Look at the lace on her petticoat!_"

This last clause, I have noticed, is always damnatory in the opinion

of super-excellent females with no lace on their petticoats. There is

enough in this suggestion to make even a strolling masquerader pause

and meditate, because, arguing from the point of view taken by many

eminently virtuous dames, it would seem that manners, _i.e._, walking

well, keeping clean, and holding one's self with a certain affable

grace and air of distinction, are indicative of latent cunning. This

curious but popular fallacy applies in England to men as well as women.

The awkward gawk, whose clothes never fit, and who appears to be always

encumbered and distressed by his own hands and feet, is frequently

declared to be a "good fellow," "heart in the right place," "regular

trump," and so forth, as probably he is. I do not for a moment imply

that he is not. But I will maintain that because a man holds himself

well, dresses well, and is perfectly at ease with the appurtenances of

his own body, he need not therefore be "a confirmed _roué_" "a turf

man," or "a club gamester." But this is what he frequently passes for

if he dares to indulge in a suspicion of "manner." In fact, the only

presumable effort of "style" now attempted by the men of to-day appears

to be concentrated in the art of twirling or stroking the moustache

whenever the owner of the moustache perceives a pretty woman. This

little trick is done in different ways, of course; the "twist" can be

rendered insolently, familiarly, aggressively, or with a caressing

feline movement, indicative of dawning amorousness. It is frequently

effective, particularly with schoolgirls and provincial misses, who

have been known to render up their susceptible hearts instantaneously

to one victorious twirl of a really well-grown moustache, but I have

also seen many creditable performances of moustache-twirling completely

thrown away on unappreciative women. It is, however, the only piece

of elegance--if elegance it can be called--indulged in by the true

"masher." And beyond it he never soars. He does not know how to lift

his hat gracefully; he does not know how to enter a room (without

looking vaguely surprised or beamingly idiotic), or leave it again with

any touch of affable dignity. His movements are generally stiff and

ungainly to the very last degree, and, worst of all, he seldom has any

brains to make up for his lack of breeding.

A good position from whence to observe the manners of the time is close

to the right hand of the Premier on the evening of a great crush at

the Foreign Office. If courtly Lord Salisbury be there, you get in his

bow, smile, and cordial handshake the finest essence of diplomatic

urbanity and ease. But when you have exchanged greetings with him and

his gracious lady you have seen nearly all you shall see of "manner."

The throng come tumbling in helter-skelter, treading on each other's

heels, for all the world like an untrained crowd of the "bas-peuple,"

all heated, all flustered, all vaguely staring ahead. Ambassadors,

foreign princes, military dignitaries, jerk their heads spasmodically

on entering the rooms, but evidently have no proper notion of a bow,

while some of them let their arms hang stiffly down at their sides,

and proffer a salutation that seems as though it were the result of a

galvanic wire working their spines by some curious patent process not

yet quite perfected. And the women!--the poets' goddesses! They arrive

in very ungoddess-like bundles of rich clothing, some waddling, some

ambling, some sidling, but only a rare few, a dozen at most, _walking_,

or carrying themselves as being at all superior to their gowns. Most

of these "fair" forget to curtsey properly to their distinguished

entertainers, and the general impression made on the mind of an

observer in looking at the "manner" of their entrance is distinctly

unpleasing. Most of them wear far too many diamonds, a notable sign

of egregious bad taste. A woman I saw there on one occasion wore a

sort of dish-cover of diamonds on her head. (A friend told me it was

a "garland"; it may have been, but it looked like a dish-cover.) Her

hair was straight and flat, and stuck close to her scalp, and beneath

the gorgeous headpiece of jewels was a fat red face profusely adorned

with wrinkles and pimples, on which the diamonds cast a cruel glare.

"Alas, good soul," I thought, as she went glittering past, "thou hast

fallen on the most evil hour of all thy span--the fateful time when thy

jewels are preferable to thyself!"--though, truly, as an unnoteworthy

personage, I may here remark that I do not like diamonds. I own that

a few choice stones, finely set and sparkling among old lace, are

effective, but the woman who can wear a soft white gown without any

ornaments save natural flowers would always carry away the palm of true

distinction for me. I confess my notions are old-fashioned, especially

those concerning women.

Talking of the Foreign Office, there was a terrible man there once

who trod on everybody's toes. He seemed born to do it. He was tall

and powerful, and wore the full Highland costume. I shall never

forget the bow he made to Lady Salisbury--it bent him double in true

Scottish fashion; for a _bonâ-fide_ Scot, you know, always yearns

to cast himself on his knees before a title. It is in his blood and

heritage so to do: the remains of the old humility practised by the

clans to their chiefs what time they were all robbers and rievers

together. This man literally divided himself to do fitting homage

to the Premier's lady--his head sank to the level of the hem of her

dress, while the back part of his kilt (not to be irreverent) rose

visibly in air in a way that was positively startling. The achievement

appeared to alarm some people, to judge by their anxious looks. Would

the noble Highlander ever come straight again? That was the question

that was evidently agitating the observers of his attitude. He did come

straight, with galvanic suddenness too, and marched off on the war-path

through the rooms, planting his foot, not "on his native heath," but on

every other foot he could find with a manly disregard of consequences.

He was a great man, he _is_ a great man; I feel sure he must be,

otherwise he would not have hurt so many people without apologising.

As a matter of fact, there is nothing so rare in these days as

distinguished and affable manners. An Arab thief has often more

external personal dignity than many an English peer. In some of

the best houses in the land I have seen the owners of the stately

surroundings comport themselves with such awkward sheepishness as to

suggest the idea that they were there by mistake. I have seen great

ladies sitting in their own drawing-rooms with a fidgety and anxious

air, as though they momentarily expected to be ordered out by their

paid domestics. When I was "green" and new to society I used to think

somewhat of dukes and earls. I had a foolish notion that the wearers

of great historic names must somehow look as if they inwardly felt

the distinction of race and ancestry. Now that I know a great many

of these titled folk, I have discovered my mistake. I find several

of them vote their "ancestors" a "bore." They carry no outward marks

to show that they ever had ancestors. They might indeed have been

ground into existence by means of a turning-lathe, for aught of

inherited beauty, stateliness or courtesy they exhibit. I have seen

great dukes bulge into a room with less grace than sacks of flour, and

I have watched "belted earls" sneaking timorously after the footman

who announced their lofty names, with a guilty air as though they

had picked that footman's plush pockets on the way. I once heard

a very, very "blue-blooded" duchess run through the items of her

chronic indigestion with as much weight and emphasis of detail as a

brandy-seeking cook. A famous lord, brother to a famous duke, has

shuffled into my study and sunk into a chair with the "manner" of

an escaped convict, and I have had much ado to drag him out of his

self-evident humiliation. He has picked his fingers and surveyed his

boots disconsolately. He has felt the leg of his trouser in doubtful

plight. That his "ancestry" performed acts of valour on Bosworth field

awakens in his flabby soul no pulse of pride. His heroic progenitors

might as well have been tallow-chandlers for all he cares. Yet he is

the living representative of their greatness, more's the pity! I often

wonder what those old Bosworth fellows would say if they could come to

life and see him--their descendant--as he is--with but two ideas in his

distinguished noddle--ballet-girls and brandy-and-soda!

I am here reminded of an incident which in this place may not come

amiss. I happened to be present on one occasion at a luncheon-party

made up chiefly of men, most of them well known in Parliament and

society. Our hostess was (and is) a lady who always has more men than

women at her parties, but on this particular day there was one stranger

present, a lady noted for a great literary success. After luncheon,

when this lady took leave of her hostess and went downstairs into

the hall, it was found that her carriage had not arrived. She waited

patiently, with the footman on guard staring at her. Meanwhile man

after man came downstairs, passed her in the hall as though she were a

stray servant (they had all eagerly conversed with her at luncheon,

and had tried to get as much entertainment out of her as possible),

and never uttered a word. Not one of them paused to say, "Allow me to

escort you upstairs till your carriage comes," or, "Can I do anything

for you?" or, "May I have the pleasure of waiting to see you into

your carriage?" or any other of the old-world chivalrous formalities

once _de rigueur_ with every gentleman. Not one man; except the last

who came down, and who (under the immediate circumstances) shall be

nameless, as he was evidently a fool. Because among the gentlemen who

thus passed the lady by, were Lord Randolph Churchill, Mr. Lockwood,

Q.C., and other "notabilities," so I am forced to argue from this

that it is the very essence of modern "good form" to ignore a lady

(with whom you have previously conversed) at the precise moment when

she might seem to require a little attention. So that the stupid and

ill-bred person was the nameless "he" who came down last, who spoke to

the solitary "damozel," escorted her upstairs again to her hostess,

waited with her, chatting pleasantly in the drawing-room till her

carriage arrived, then took her down to it, put her in, and lifted his

hat respectfully as she drove away. He was not "nineteenth-century

form"--and his "manner" was obsolete. Most people would rather be

considered downright vulgar than what they are pleased to term

"old-fashioned."

Hurry kills "manner," and there can be no doubt that in this day we

are all in a frantic hurry. I don't know what about, I'm sure. We are

after no good that I can see. I have tried to fathom the reason of

this extraordinary and vilely unbecoming haste, and the only apparent

cause I can discover is that we are trying to get as much out of life

as possible before we die. The means, however, entirely defeat the

object. We have no time to be generous, no time to be sympathetic, no

time to converse well, no time to do anything but feed and look after

our own interests, and we get so fatigued in the business of living

that life itself becomes worthless. At least, so it seems to me. I say

we are "all" in a terrible hurry, but this is not quite correct. There

are exceptions to the rule. I myself am one. I never hurry. I "laze"

through life and enjoy it. I never "scramble" for anything, and never

"fluster" myself for anybody. Even now I am sauntering, not rushing,

amidst you all with the utmost ease; I move softly and talk softly,

and, though frequently disposed to laughter, I never snigger aloud.

The loud snigger (sign of "well-bred" hilarity) is the muffled but

exact echo of the donkey's bray. It resembles it in tone and sense and

quality. I avoid it; because, though a donkey is an exceedingly clever

beast and much maligned, his voice might be easily surpassed. As it is,

_au naturel_, it does not appear to me worth imitating.

And now, pardon me, sirs and dames, but as I perceive a small crowd of

you engaged in the truly English occupation of staring, not at me, but

at my glittering domino, and as I do not wish to create an obstruction,

I will, with your very good leave, pass on. Observe how quietly I

glide; with only the very faintest rustle of my "star-spangled"

wrappings; striving not to tread on anybody's corns, carefully winding

my way in and out the busy throng, and only holding myself a little

more erect than some of you, because--well! because I have no favours

to ask of anybody, and therefore need not trouble myself to acquire the

nineteenth-century skulk and propitiatory grin. And so--on through the

motley!

III.

PRONOUNCETH ON LESSER MORALS.

The Silver Domino; Or, Side Whispers, Social and Literary · 第 1 / 13 段