INNOCENCE AND GUILT.

A painter, desiring to paint a picture of Innocence, found a beautiful

boy playing at the side of a stream, who became his model. He painted

him kneeling, with his hands clasped in prayer. The picture was prized

as a very beautiful one. Years passed away, and the artist became an old

man. He had often thought of painting a counterpart, the picture of

guilt, as a companion to the other; and at last he executed it. He went

to a neighboring prison, and there selected the most degraded and

repulsive man he could find. His body and eye were wasted; vice was

visible in his very face. But what was the artist's surprise when, on

questioning the man as to his history, he found that it was he who, as a

lovely boy, had kneeled for him as the model of Innocence! Evil habits

had gradually changed him, not only in heart and mind, but in face and

form.

817

All habits gather by unseen degrees.

As brooks make rivers, rivers run to seas.

--_Dryden: Ovid._

818

Old habits are hard to break; new habits are hard to make.

819

Taste may change; our inclinations never change.

820

Habits are soon assumed--acquired--but when we strive to strip them

off,--if of long standing--'tis being flayed alive!

--_Cowper._

821

To stop the hand, is the way to stop the mouth.

(If a man will not work, neither shall he eat.)

--_Chinese._

822

Life and Literature Over two thousand extracts from ancient and modern writers, and classified in alphabetical order · 第 159 / 867 题