THE OAK SETTLE

Gowans and Gray.

THE PRICE OF COAL: Picturing the stoical and terrible resignation

to peril of death of old women in the coal regions--and

presenting an unexpected ending.

Gowans and Gray.

+Harold Brock+

THE BANK ACCOUNT: A small but poignant tragedy of the

savings-account which a clerk has counted upon to free him after

many years of drudgery, and which he has entrusted to his stupid

and vulgar and cheaply frivolous wife.

In Harvard Dramatic Club Plays, First Series, Brentano's.

+Alice Brown+

JOINT OWNERS IN SPAIN: The two most refractory inmates of an Old

Ladies' Home have to face and solve the problem of living in the

same room.

Walter H. Baker.

+Witter Bynner+

THE LITTLE KING: A delineation of the cruel suffering and the

dauntless courage of the small Louis XVII; he refuses to be cowed

by the bullying of his keeper or to let a poor boy assume his

fate.

Kennerley.

+George Calderon+ idealized him meanwhile that her realization of

the altered situation brings an astounding reaction.

Sidgwick and Jackson.

+Margaret Cameron+

THE TEETH OF THE GIFT HORSE: A pleasant farce built about two

huge and hideous hand-painted vases and a charming little old

lady who perpetrated them.

French.

+Gilbert Cannan+

EVERYBODY'S HUSBAND: Three generations of ladies discuss the

individual characteristics of their husbands, but find them,

after all, indistinguishable men.

Seeker, London.

JAMES AND JOHN: They are faced with their invalid mother's

request that they crown many years of tedious sacrifice and

atonement for their father's weak crime by taking him into their

lives again.

In _Four Plays_, Sidgwick and Jackson.

MARY'S WEDDING: Bill's mother tries in vain to dissuade Mary from

the certain and inescapable misery of marrying her drunkard son.

Bill himself settles the problem.

_Ibid._

A SHORT WAY WITH AUTHORS: An entertaining farce showing how a

great actor-manager goes about encouraging serious dramatic

composition.

_Ibid._

+Harold Chapin+

AUGUSTUS IN SEARCH OF A FATHER: He returns from abroad and

discusses with a night-watchman the problem of his search for his

father.

THE LITTLE STONE HOUSE: A mother has denied herself everything to

build a small mausoleum to her dead son, and so Gowans and Gray.

THE AUTOCRAT OF THE COFFEE STALLS: A strange character with an

astonishing history is shown us in the night-light from a

refreshment wagon in London streets.

Gowans and Gray.

THE DUMB AND THE BLIND: A study of a bargeman's family in London

tenements. Mr. William Archer calls this "a veritable masterpiece

in its way--a thing Dickens would have delighted in.... We feel

that the dumb has spoken and the blind has seen."

Gowans and Gray; forthcoming, French, New York.

IT'S THE POOR THAT 'ELPS THE POOR: Of the simple kindliness of

London costermongers and their neighborly help and sympathy.

French.

MUDDLE ANNIE: Of course, it is "Muddle Annie" who helps their

friend the policeman save the more suave and self-satisfied

members of her family from a precious rogue.

Gowans and Gray.

THE THRESHOLD: Tells of a Welsh girl about to elope with a

specious rascal, and of the intervention of her old father, who

is killed in a mine accident.

Gowans and Gray; forthcoming, French.

The Atlantic Book of Modern Plays · 第 137 / 152 题