MATE. Yes, sir; but this voyage you been ice-bound, an'--

KEENEY (_scornfully_). And d' you s'pose any of 'em would believe

that--any o' them skippers I've beaten voyage after voyage? Can't

you hear 'em laughin' and sneerin'--Tibbots 'n' Harris 'n' Simms

and the rest--and all o' Homeport makin' fun o' me? "Dave Keeney

what boasts he's the best whalin' skipper out o' Homeport comin'

back with a measly four hundred barrel of ile?" (_The thought of

this drives him into a frenzy, and he smashes his fist down on

the marble top of the sideboard._) Hell! I got to git the ile, I

tell you. How could I figger on this ice? It's never been so bad

before in the thirty year I been a-comin' here. And now it's

breakin'up. In a couple o'days it'll be all gone. And they's

whale here, plenty of 'em. I know they is and I ain't never gone

wrong yit. I got to git the ile! I got to git it in spite of all

hell, and by God, I ain't a-goin' home till I do git it!

(_There is the sound of subdued sobbing from the door in rear. The

two men stand silent for a moment, listening. Then_ KEENEY _goes

over to the door and looks in. He hesitates for a moment as if he

were going to enter--then closes the door softly._ JOE, _the

harpooner, an enormous six-footer with a battered, ugly face,

enters from right and stands waiting for the captain to notice

him._)

KEENEY (_turning and seeing him_). Don't be standin' there like a

gawk, Harpooner. Speak up!

JOE (_confusedly_). We want--the men, sir--they want send a

depitation aft to have a word with you.

KEENEY (_furiously_). Tell 'em to go to--(_checks himself and

continues grimly_) Tell'em to come. I'll see'em.

JOE. Aye, aye, sir.

(_He goes out._)

KEENEY (_with a grim smile_). Here it comes, the trouble you spoke

of, Mr. Slocum, and we'll make short shift of it. It's better to

crush such things at the start than let them make headway.

MATE (_worriedly_). Shall I wake up the First and Fourth, sir? We

might need their help.

KEENEY. No, let them sleep. I'm well able to handle this alone,

Mr. Slocum.

(_There is the shuffling of footsteps from outside and five of the

crew crowd into the cabin, led by_ JOE. _All are dressed

alike--sweaters, sea-boots, etc. They glance uneasily at the_

CAPTAIN, _twirling their fur caps in their hands._)

KEENEY (_after a pause_). Well? Who's to speak fur ye?

JOE (_stepping forward with an air of bravado_). I be.

KEENEY (_eyeing him up and down coldly_). So you be. Then speak

your say and be quick about it.

JOE (_trying not to wilt before the CAPTAIN'S glance and avoiding

his eyes_). The time we signed up for is done to-day.

KEENEY (_icily_). You're tellin' me nothin' I don't know.

JOE. You ain't p'intin' fur home yit, far's we kin see.

KEENEY. No, and I ain't agoin' to till this ship is full of ile.

JOE. You can't go no further no'the with the ice afore ye.

KEENEY. The ice is breaking up.

JOB (_after a slight pause during which the others mumble angrily

to one another_). The grub we're gittin' now is rotten.

KEENEY. It's good enough fur ye. Better men than ye are have

eaten worse.

(_There is a chorus of angry exclamations from the crowd._)

JOE (_encouraged by this support_). We ain'ta-goin' to work no more

'less you puts back fur home.

KEENEY (_fiercely_). You ain't, ain't you?

JOE. No; and the law courts 'll say we was right.

KEENEY. To hell with your law courts! We're at sea now and I'm

the law on this ship. (_Edging up toward the harpooner._) And every

mother's son of you what don't obey orders goes in irons.

(_There are more angry exclamations from the crew._ MRS. KEENEY

_appears in the doorway in rear and looks on with startled eyes.

None of the men notices her._)

JOE (_with bravado_). Then we're a-goin' to mutiny and take the

old hooker home ourselves. Ain't we, boys?

(_As he turns his head to look at the others_, KEENEY'S _fist

shoots out to the side of his jaw._ JOE _goes down in a heap and

lies there._ MRS. KEENEY _gives a shriek and hides her face in

her hands. The men pull out their sheath knives and start a rush,

but stop when they find themselves confronted by the revolvers

of_ KEENEY _and the_ MATE.)

KEENEY (_his eyes and voice snapping_). Hold still! (_The men

stand huddled together in a sullen silence._ KEENEY'S _voice is

full of mockery._) You've found out it ain't safe to mutiny on

this ship, ain't you? And now git for'ard where ye belong, and

(_he gives_ JOE'S _body a contemptuous kick_) drag him with you.

And remember, the first man of ye I see shirkin' I'll shoot dead

as sure as there's a sea under us, and you can tell the rest the

same. Git for'ard now! Quick! (_The men leave in cowed silence,

carrying_ JOE _with them._ KEENEY _turns to the_ MATE _with a

short laugh and puts his revolver back in his pocket._) Best get

up on deck, Mr. Slocum, and see to it they don't try none of

their skulkin' tricks. We'll have to keep an eye peeled from now

on. I know 'em.

MATE. Yes, sir.

(_He goes out, right._ KEENEY _hears his wife's hysterical

weeping and turns around in surprise--then walks slowly to her

side._)

KEENEY (_putting an arm around her shoulder--with gruff

tenderness_). There, there, Annie. Don't be afeard. It's all past

and gone.

MRS. KEENEY (_shrinking away from, him_). Oh, I can't bear it! I

can't bear it any longer!

KEENEY (_gently_). Can't bear what, Annie?

MRS. KEENEY (_hysterically_). All this horrible brutality, and

these brutes of men, and this terrible ship, and this prison cell

of a room, and the ice all around, and the silence.

(_After this outburst she calms down and wipes her eyes with her

handkerchief._)

KEENEY (_after a pause during which he looks down at her with a

puzzled frown_). Remember, I warn't hankerin' to have you come on

this voyage, Annie.

MRS. KEENEY. I wanted to be with you, David, don't you see? I

didn't want to wait back there in the house all alone as I've

been doing these last six years since we were married--waiting,

and watching, and fearing--with nothing to keep my mind

occupied--not able to go back teaching school on account of being

Dave Keeney's wife. I used to dream of sailing on the great,

wide, glorious ocean. I wanted to be by your side in the danger

and vigorous life of it all. I wanted to see you the hero they

make you out to be in Homeport. And instead--(_her voice grows

tremulous_) all I find is ice--and cold--and brutality!

(_Her voice breaks._)

KEENEY. I warned you what it'd be, Annie. "Whalin' ain't no

ladies' tea party," I says to you, "and you better stay to home

where you've got all your woman's comforts." (_Shaking his head_)

But you was so set on it.

MRS. KEENEY (_wearily_). Oh, I know it isn't your fault, David. You

see, I didn't believe you. I guess I was dreaming about the old

Vikings in the story-books and I thought you were one of them.

KEENEY (_protestingly_). I done my best to make it as cozy and

comfortable as could be. (MRS. KEENEY _looks around her in wild

scorn._) I even sent to the city for that organ for ye, thinkin'

it might be soothin' to ye to be playin' it times when they was

calms and things was dull like.

MRS. KEENEY (_wearily_). Yes, you were very kind, David. I know

that. (_She goes to left and lifts the curtains from the porthole

and looks out--then suddenly bursts forth._) I won't stand it--I

can't stand it--pent up by these walls like a prisoner. (_She runs

over to him and throws her arms around him, weeping. He puts his

arm protectingly over her shoulders._) Take me away from here,

David! If I don't get away from here, out of this terrible ship,

I'll go mad! Take me home, David! I can't think any more. I feel

as if the cold and the silence were crushing down on my brain.

I'm afraid. Take me home!

KEENEY (_holds her at arm's length and looks at her face

anxiously_). Best go to bed, Annie. You ain't yourself. You got

fever. Your eyes look so strange like. I ain't never seen you

look this way before.

MRS. KEENEY (_laughing hysterically_). It's the ice and the cold

and the silence--they'd make anyone look strange.

KEENEY (_soothingly_). In a month or two, with good luck, three at

the most, I'll have her filled with ile and then we'll give her

everything she'll stand and p'int for home.

MRS. KEENEY. But we can't wait for that--I can't wait. I want to

get home. And the men won't wait. They want to get home. It's

cruel, it's brutal for you to keep them. You must sail back.

You've got no excuse. There's clear water to the south now. If

you've a heart at all, you've got to turn back.

KEENEY (_harshly_). I can't, Annie.

MRS. KEENEY. Why can't you?

KEENEY. A woman couldn't rightly understand my reason.

MRS. KEENEY (_wildly_). Because it's a stupid, stubborn reason. Oh,

I heard you talking with the second mate. You're afraid the other

captains will sneer at you because you didn't come back with a

full ship. You want to live up to our silly reputation even if

you do have to beat and starve men and drive me mad to do it.

KEENEY (_his jaw set stubbornly_). It ain't that, Annie. Them

skippers would never dare sneer to my face. It ain't so much what

anyone'd say--but--(_He hesitates, struggling to express his

meaning._) You see--I've always done it--since my first voyage as

skipper. I always come back--with a full ship--and--it don't seem

right not to--somehow. I been always first whalin' skipper out o'

Homeport, and--Don't you see my meanin', Annie? (_He glances at

her. She is not looking at him but staring dully in front of her,

not hearing a word he is saying._) Annie! (_She comes to herself

with a start._) Best turn in, Annie, there's a good woman. You

ain't well.

MRS. KEENEY (_resisting his attempts to guide her to the door in

rear_). David! Won't you please turn back?

KEENEY (_gently_). I can't, Annie--not yet awhile. You don't see my

meanin'. I got to git the ile.

MRS. KEENEY. It'd be different if you needed the money, but you

don't. You've got more than plenty.

KEENEY (_impatiently_). It ain't the money I'm thinkin' of. D'you

think I'm as mean as that?

MRS. KEENEY (_dully_). No--I don't know--I can't

understand--(_Intensely_) Oh, I want to be home in the old house

once more and see my own kitchen again, and hear a woman's voice

talking to me and be able to talk to her. Two years! It seems so

long ago--as if I'd been dead and could never go back.

KEENEY (_worried by her strange tone and the far-away look in her

eyes_). Best go to bed, Annie. You ain't well.

MRS. KEENEY (_not appearing to hear him_). I used to be lonely when

you were away. I used to think Homeport was a stupid, monotonous

place. Then I used to go down on the beach, especially when it

was windy and the breakers were rolling in, and I'd dream of the

fine free life you must be leading. (_She gives a laugh which is

half a sob._) I used to love the sea then. (_She pauses; then

continues with slow intensity._) But now--I don't ever want to see

the sea again.

KEENEY (_thinking to humor her_). 'Tis no fit place for a woman,

that's sure. I was a fool to bring ye.

MRS. KEENEY (_after a pause--passing her hand over her eyes with a

gesture of pathetic weariness_). How long would it take us to

reach home--if we started now?

KEENEY (_frowning_). 'Bout two months, I reckon, Annie, with fair

luck.

MRS. KEENEY (_counts on her fingers--then murmurs with a rapt

smile_). That would be August, the latter part of August, wouldn't

it? It was on the twenty-fifth of August we were married, David,

wasn't it?

KEENEY (_trying to conceal the fact that her memories have moved

him--gruffly_). Don't you remember?

MRS. KEENEY (_vaguely--again passes her hand over her eyes_). My

memory is leaving me--up here in the ice. It was so long ago. (_A

pause--then she smiles dreamily._) It's June now. The lilacs will

be all in bloom in the front yard--and the climbing roses on the

trellis to the side of the house--they're budding.

(_She suddenly covers her face with her hands and commences to

sob._)

KEENEY (_disturbed_). Go in and rest, Annie. You're all wore out

cryin' over what can't be helped.

MRS. KEENEY (_suddenly throwing her arms around his neck and

clinging to him_). You love me, don't you, David?

KEENEY (_in amazed embarrassment at this outburst_) Love you? Why

d'you ask me such a question, Annie?

MRS. KEENEY (_shaking him--fiercely_). But you do, don't you,

David? Tell me!

KEENEY. I'm your husband, Annie, and you're my wife. Could there

be aught but love between us after all these years?

MRS. KEENEY (_shaking him again--still more fiercely_). Then you do

love me. Say it!

KEENEY (_simply_). I do, Annie.

MRS. KEENEY. (_Gives a sigh of relief--her hands drop to her

sides._ KEENEY _regards her anxiously. She passes her hand across

her eyes and murmurs half to herself._) I sometimes think if we

could only have had a child. (KEENEY _turns away from her, deeply

moved. She grabs his arm and turns him around to face

her--intensely._) And I've always been a good wife to you,

haven't I, David?

KEENEY (_his voice betraying his emotion_). No man ever had a

better, Annie.

MRS. KEENEY. And I've never asked for much from you, have I,

David? Have I?

KEENEY. You know you could have all I got the power to give ye,

Annie.

MRS. KEENEY (_wildly_). Then do this, this once, for my sake, for

God's sake--take me home! It's killing me, this life--the

brutality and cold and horror of it. I'm going mad. I can feel

the threat in the air. I can hear the silence threatening me--day

after gray day and every day the same. I can't bear it.

(_Sobbing._) I'll go mad, I know I will. Take me home, David, if

you love me as you say. I'm afraid. For the love of God, take me

home!

(_She throws her arms around him, weeping against his shoulder.

His face betrays the tremendous struggle going on within him. He

holds her out at arm's length, his expression softening. For a

moment his shoulders sag, he becomes old, his iron spirit weakens

as he looks at her tear-stained face._)

KEENEY (_dragging out the words with an effort_). I'll do it,

Annie--for your sake--if you say it's needful for ye.

MRS. KEENEY (_with wild joy--kissing him_). God bless you for that,

David!

(_He turns away from her silently and walks toward the

companionway. Just at that moment there is a clatter of footsteps

on the stairs and the_ SECOND MATE _enters the cabin._)

MATE (_excitedly_). The ice is breakin' up to no'th'rd, sir.

There's a clear passage through the floe, and clear water beyond,

the lookout says.

(KEENEY _straightens himself like a man coming out of a trance._

MRS. KEENEY _looks at the_ MATE _with terrified eyes._)

KEENEY (_dazedly--trying to collect his thoughts_). A clear

passage? To no'th'rd?

MATE. Yes, sir.

KEENEY (_his voice suddenly grim with determination_). Then get her

ready and we'll drive her through.

MATE. Aye, aye, sir.

MRS. KEENEY (_appealingly_). David!

KEENEY (_not heeding her_). Will the men turn to willin' or must we

drag 'em out?

MATE. They 'll turn to willin' enough. You put the fear o' God

into 'em, sir. They're meek as lambs.

KEENEY. Then drive 'em--both watches. (_With grim determination_)

They's whale t' other side o' this floe and we're going to git

'em.

MATE. Aye, aye, sir.

(_He goes out hurriedly. A moment later there is the sound of

scuffing feet from the deck outside and the_ MATE'S _voice shouting

orders._)

KEENEY (_speaking aloud to himself--derisively_). And I was a-goin'

home like a yaller dog!

MRS. KEENEY (_imploringly_). David!

KEENEY (_sternly_). Woman, you ain't a-doin' right when you meddle

in men's business and weaken 'em. You can't know my feelin's. I

got to prove a man to be a good husband for ye to take pride in.

I got to git the ile, I tell ye.

MRS. KEENEY (_supplicatingly_). David! Aren't you going home?

KEENEY (_ignoring this question--commandingly_). You ain't well. Go

and lay down a mite. (_He starts for the door._) I got to git on

deck.

(_He goes out. She cries after him in anguish, "David!" A pause.

She passes her hand across her eyes--then commences to laugh

hysterically and goes to the organ. She sits down and starts to

play wildly an old hymn._ KEENEY _reënters from the doorway to the

deck and stands looking at her angrily. He comes over and grabs

her roughly by the shoulder._)

KEENEY. Woman, what foolish mockin' is this? (_She laughs wildly,

and he starts back from her in alarm._) Annie! What is it? (_She

doesn't answer him._ KEENEY'S _voice trembles._) Don't you know me,

Annie?

(_He puts both hands on her shoulders and turns her around so that

he can look into her eyes. She stares up at him with a stupid

expression, a vague smile on her lips. He stumbles away from her,

and she commences softly to play the organ again._)

KEENEY (_swallowing hard--in a hoarse whisper, as if he had

difficulty in speaking_). You said--you was agoin' mad--God!

(_A long wail is heard from the deck above: "Ah bl-o-o-o-ow!" A

moment later the_ MATE'S _face appears through the skylight. He

cannot see_ MRS. KEENEY.)

MATE (_in great excitement_). Whales, sir--a whole school of

'em--off the starb'd quarter 'bout five mile away--big ones!

KEENEY (_galvanized into action_). Are you lowerin' the boats?

MATE. Yes, sir.

KEENEY (_with grim decision_). I'm a-comin' with ye.

MATE. Aye, aye, sir. (_Jubilantly_) You'll git the ile now right

enough, sir.

(_His head is withdrawn and he can be heard shouting orders._)

KEENEY (_turning to his wife_). Annie! Did you hear him? I'll git

the ile. (_She doesn't answer or seem to know he is there. He

gives a hard laugh, which is almost a groan._) I know you're

foolin' me, Annie. You ain't out of your mind--(_anxiously_) be

you? I'll git the ile now right enough--jest a little while

longer, Annie--then we'll turn hom'ard. I can't turn back now,

you see that, don't ye? I've got to git the ile. (_In sudden

terror_) Answer me! You ain't mad, be you?

(_She keeps on playing the organ, but makes no reply. The_ MATE'S

_face appears again through the skylight._)

MATE. All ready, sir.

(KEENEY _turns his back on his wife and strides to the doorway,

where he stands for a moment and looks back at her in anguish,

fighting to control his feelings._)

MATE. Comin', sir?

KEENEY (_his face suddenly grown hard with determination_). Aye.

(_He turns abruptly and goes out._ MRS. KEENEY _does not appear to

notice his departure. Her whole attention seems centred in the

organ. She sits with half-closed eyes, her body swaying a little

from side to side to the rhythm of the hymn. Her fingers move

faster and faster and she is playing wildly and discordantly as

the Curtain falls._)

The Atlantic Book of Modern Plays · 第 64 / 152 题