CHARACTERS

WILLIAM WHITE, a famous Internationalist

HILDA, his wife

WALLACE, their son

SCENE: _At the Whites'; spring, 1917. A simply furnished study.

The walls are lined with bookshelves, indicating, by their

improvised quality, that they have been increased as occasion

demanded. On these are stacked, in addition to the books

themselves, many files of papers, magazines, and "reports." The

large work-table, upon which rests a double student lamp and a

telephone, is conspicuous. A leather couch with pillows is

opposite, pointing toward a doorway which leads into the

living-room. There is also a doorway in back, which apparently

opens on the hallway beyond. The room is comfortable in spite of

its general disorder: it is essentially the workshop of a busy

man of public affairs. The strong sunlight of a spring day comes

in through the window, flooding the table._

WILLIAM WHITE _is standing by the window, smoking a pipe. He is

about fifty, of striking appearance: the visual incarnation of

the popular conception of a leader of men. There is authority and

strength in the lines of his face; his whole personality is

commanding; his voice has all the modulations of a well-trained

orator; his gestures are sweeping--for, even in private

conversation, he is habitually conscious of an audience.

Otherwise, he is simple and engaging, with some indication of his

humble origin._

_On the sofa opposite, with a letter in her hand,_ HILDA WHITE, _his

wife, is seated. She is somewhat younger in fact, though in

appearance she is as one who has been worn a bit by the struggle

of many years. Her manner contrasts with her husband's: her

inheritance of delicate refinement is ever present in her soft

voice and gentle gesture. Yet she, too, suggests strength--the

sort which will endure all for a fixed intention._

_It is obvious throughout that she and her husband have been happy

comrades in their life together, and that a deep fundamental bond

has united them in spite of the different social spheres from

which each has sprung._

WHITE (_seeing she has paused_). Go on, dear; go on. Let's hear all

of it.

HILDA. Oh, what's the use, Will? You know how differently he

feels about the war.

WHITE (_with quiet sarcasm_). But it's been so many years since

your respectable brother has honored me even with the slightest

allusion--

HILDA. If you care for what he says--(_continuing to read the

letter_)--"Remember, Hilda, you are an American. I don't suppose

your husband considers that an honor; but I do."

WHITE (_interrupting_). And what kind of an American has he been in

times of peace? He's wrung forty per cent profit out of his

factory and fought every effort of the workers to organize. Ah,

these smug hypocrites!

HILDA (_reading_). "His violent opposition to America going in has

been disgrace enough--"

WHITE. But his war profits were all right. Oh, yes.

HILDA. Let me finish, dear, since you want it. (_Reading_) "--been

disgrace enough. But now that we're in, I'm writing in the faint

hope, if you are not too much under his influence, that you will

persuade him to keep his mouth shut. This country will tolerate

no difference of opinion now. You radicals had better get on

board the band wagon. It's prison or acceptance." (_She stops

reading._) He's right, dear. There will be nothing more

intolerant than a so-called democracy at war.

WHITE. By God! It's superb! Silence for twenty years and now he

writes his poor misguided sister for fear she will be further

disgraced by her radical husband.

HILDA. We mustn't descend to his bitterness.

WHITE. No: I suppose I should resuscitate the forgotten doctrine

of forgiving my enemies.

HILDA. He's not your enemy; he merely looks at it all

differently.

WHITE. I was thinking of his calm contempt for me these twenty

years--ever since you married me--"out of your class," as he

called it.

HILDA. Oh, hush, Will. I've been so happy with you I can bear him

no ill will. Besides, doesn't his attitude seem natural? You

mustn't forget that no man in this country has fought his class

more than you. That hurts--especially coming from an _acquired_

relative.

WHITE. Yes; that aggravates the offense. And I'll tell you

something you may not know. (_Bitterly_) Whenever I've spoken

against privilege and wealth it's been his pudgy, comfortable

face I've shaken my fist at. He's been so damned comfortable all

his life.

HILDA. (_She looks at him in surprise._) Why, Will, you surely

don't envy him his comfort, do you? I can't make you out. What's

come over you these last weeks? You've always been above such

personal bitterness; even when you were most condemned and

ridiculed. If it were anybody but you I'd think you had done

something you were ashamed of.

WHITE. What do you mean?

HILDA. Haven't you sometimes noticed that is what bitterness to

another means: a failure within oneself? (_He goes over to chair

and sits without answering._) I can think of you beaten by outside

things--that sort of failure we all meet; but somehow I can never

think of you failing yourself. You've been so brave and

self-reliant: you've fought so hard for the truth.

WHITE (_tapping letter_). But he thinks he knows the truth, too.

HILDA. He's also an intense nature.

WHITE (_thoughtfully after a pause_). Yet there is _some_

truth in what he says.

HILDA (_smiling_). But you didn't like it--coming from him?

WHITE. It will be different with you and me now that America's

gone in.

HILDA. Yes. It will be harder for us here; for hate is always

farthest from the trenches. But you and I are not the sort who

would compromise to escape the persecution which is the resource

of the non-combatant.

(_The phone rings: he looks at his watch._)

WHITE. That's for me.

HILDA. Let me. (_She goes._) It may be Wallace. (_At phone_) Yes:

this is 116 Chelsea. Long Distance? (_He starts as she says to

him_) It must be our boy. (_At phone_) Who? Oh--Mr. William White?

Yes: he'll be here. (_She hangs up receiver._) She'll ring when she

gets the connection through.

WHITE (_turning away_). It takes so long these days.

HILDA. Funny he didn't ask for me.

WHITE. What made you think it was Wallace?

HILDA. I took it for granted. He must be having a hard time at

college with all the boys full of war fever.

WHITE. And a father with my record.

HILDA. He should be proud of the example. He has more than other

boys to cling to these days when everybody is losing his head as

the band plays and the flag is waved. He won't be carried away by

it. He'll remember all we taught him. Ah, Will, when I think we

now have conscription--as they have in Germany--I thank God every

night our boy is too young for the draft.

WHITE. But when his time comes what will he do?

HILDA (_calmly_). He will do it with courage.

WHITE (_referring to her brother's letter_). Either prison or

acceptance!

HILDA. I would rather have my son in prison than have him do what

he felt was wrong. Wouldn't you?

WHITE (_evasively_). We won't have to face that problem for two

years.

HILDA. And when it comes--if he falters--I'll give him these

notes of that wonderful speech you made at the International

Conference in 1910. (_Picking it up_) I was looking through it only

this morning.

WHITE (_troubled_). Oh, that speech.

HILDA (_glancing through it with enthusiasm_). "All wars are

imperialistic in origin. Do away with overseas investments, trade

routes, private control of ammunition factories, secret

diplomacy--"

WHITE. Don't you see that's all dead wood?

HILDA (_not heeding him_). This part gave me new strength when I

thought of Wallace. (_Reading with eloquence_) "War will stop when

young men put Internationalism above Nationality, the law of God

above the dictates of statesmen, the law of love above the law of

hate, the law of self-sacrifice above the law of profit. There

must be no boundaries in man's thought. Let the young men of the

world once throw down their arms, let them once refuse to point

their guns at human hearts, and all the boundaries of the world

will melt away and peace will find a resting-place in the hearts

of men!"

WHITE (_taking it from her_). And I made you believe it! What silly

prophets we radicals were. (_He tears it up._) Mere scraps of

paper, dear; scraps of paper, now.

HILDA. But it was the truth; it still is the truth.

WHITE. Hilda, there's something I want to talk over very, very

seriously with you. I've been putting it off.

HILDA. Yes, dear? (_The outer door is heard to bang._) Listen:

wasn't that the front door?

WHITE. Perhaps it's the maid?

HILDA (_a bit nervously_). No: she's upstairs. No one rang. Please

see.

WHITE (_smiling_). Now don't worry! It can't possibly be the Secret

Service.

HILDA. One never knows in war times what to expect. I sometimes

feel I am in a foreign country.

(WHITE _goes slowly to the door in back and opens it._ WALLACE,

_their son, with valise in hand, is standing there, as if he had

hesitated to enter._

_He is a fine clean-cut young fellow, with his father's physical

endowment and his mother's spiritual intensity. The essential

note he strikes is that of honesty. It is apparent he is under

the pressure of a momentous decision which has brought him

unexpectedly home from college._)

WHITE. Wallace!

WALLACE (_shaking hands_). Hello, Dad!

HILDA. Wallace! My boy!

(WALLACE _drops valise and goes to his mother's arms._)

WALLACE (_with deep feeling_). Mother!

WHITE (_after a pause_). Well, boy; this is unexpected. We were

just talking of you.

WALLACE. Were you?

HILDA. I'm so glad to see you, so glad.

The Atlantic Book of Modern Plays · 第 57 / 152 题