XV

It was Susan Ash who came to her with the news: "He's downstairs, miss,

and he do look beautiful."

In the schoolroom at her father's, which had pretty blue curtains, she

had been making out at the piano a lovely little thing, as Mrs. Beale

called it, a "Moonlight Berceuse" sent her through the post by Sir

Claude, who considered that her musical education had been deplorably

neglected and who, the last months at her mother's, had been on the

point of making arrangements for regular lessons. She knew from him

familiarly that the real thing, as he said, was shockingly dear and that

anything else was a waste of money, and she therefore rejoiced the more

at the sacrifice represented by this composition, of which the price,

five shillings, was marked on the cover and which was evidently the real

thing. She was already on her feet. "Mrs. Beale has sent up for me?"

"Oh no--it's not that," said Susan Ash. "Mrs. Beale has been out this

hour."

"Then papa!"

"Dear no--not papa. You'll do, miss, all but them wandering 'airs,"

Susan went on. "Your papa never came 'ome at all," she added.

"Home from where?" Maisie responded a little absently and very

excitedly. She gave a wild manual brush to her locks.

"Oh that, miss, I should be very sorry to tell you! I'd rather tuck away

that white thing behind--though I'm blest if it's my work."

"Do then, please. I know where papa was," Maisie impatiently continued.

"Well, in your place I wouldn't tell."

"He was at the club--the Chrysanthemum. So!"

"All night long? Why the flowers shut up at night, you know!" cried

Susan Ash.

"Well, I don't care"--he child was at the door. "Sir Claude asked for me

ALONE?"

"The same as if you was a duchess."

Maisie was aware on her way downstairs that she was now quite as happy

as one, and also, a moment later, as she hung round his neck, that

even such a personage would scarce commit herself more grandly. There

was moreover a hint of the duchess in the infinite point with which,

as she felt, she exclaimed: "And this is what you call coming OFTEN?"

Sir Claude met her delightfully and in the same fine spirit. "My dear

old man, don't make me a scene--I assure you it's what every woman I

look at does. Let us have some fun--it's a lovely day: clap on something

smart and come out with me; then we'll talk it over quietly."

They were on their way five minutes later to Hyde Park, and nothing that

even in the good days at her mother's they had ever talked over had more

of the sweetness of tranquillity than his present prompt explanations.

He was at his best in such an office and with the exception of Mrs. Wix

the only person she had met in her life who ever explained. With him,

however, the act had an authority transcending the wisdom of woman. It

all came back--the plans that always failed, all the rewards and bribes

that she was perpetually paying for in advance and perpetually out of

pocket by afterwards--the whole great stress to be dealt with introduced

her on each occasion afresh to the question of money. Even she herself

almost knew how it would have expressed the strength of his empire to

say that to shuffle away her sense of being duped he had only, from

under his lovely moustache, to breathe upon it. It was somehow in the

nature of plans to be expensive and in the nature of the expensive to be

impossible. To be "involved" was of the essence of everybody's affairs,

and also at every particular moment to be more involved than usual.

This had been the case with Sir Claude's, with papa's, with mamma's,

with Mrs. Beale's and with Maisie's own at the particular moment, a

moment of several weeks, that had elapsed since our young lady had been

re-established at her father's. There wasn't "two-and-tuppence" for

anything or for any one, and that was why there had been no sequel to

the classes in French literature with all the smart little girls. It

was devilish awkward, didn't she see? to try, without even the limited

capital mentioned, to mix her up with a remote array that glittered

before her after this as the children of the rich. She was to feel

henceforth as if she were flattening her nose upon the hard window-pane

of the sweet-shop of knowledge. If the classes, however, that were

select, and accordingly the only ones, were impossibly dear, the

lectures at the institutions--at least at some of them--were directly

addressed to the intelligent poor, and it therefore had to be easier

still to produce on the spot the reason why she had been taken to none.

This reason, Sir Claude said, was that she happened to be just going to

be, though they had nothing to do with that in now directing their steps

to the banks of the Serpentine. Maisie's own park, in the north, had

been nearer at hand, but they rolled westward in a hansom because at the

end of the sweet June days this was the direction taken by every one

that any one looked at. They cultivated for an hour, on the Row and

by the Drive, this opportunity for each observer to amuse and for one

of them indeed, not a little hilariously, to mystify the other, and

before the hour was over Maisie had elicited, in reply to her sharpest

challenge, a further account of her friend's long absence.

"Why I've broken my word to you so dreadfully--promising so solemnly and

then never coming? Well, my dear, that's a question that, not seeing me

day after day, you must very often have put to Mrs. Beale."

"Oh yes," the child replied; "again and again."

"And what has she told you?"

"That you're as bad as you're beautiful."

"Is that what she says?"

"Those very words."

"Ah the dear old soul!" Sir Claude was much diverted, and his loud,

clear laugh was all his explanation. Those were just the words Maisie

had last heard him use about Mrs. Wix. She clung to his hand, which was

encased in a pearl-grey glove ornamented with the thick black lines

that, at her mother's, always used to strike her as connected with the

way the bestitched fists of the long ladies carried, with the elbows

well out, their umbrellas upside down. The mere sense of his grasp in

her own covered the ground of loss just as much as the ground of gain.

His presence was like an object brought so close to her face that she

couldn't see round its edges. He himself, however, remained showman of

the spectacle even after they had passed out of the Park and begun,

under the charm of the spot and the season, to stroll in Kensington

Gardens. What they had left behind them was, as he said, only a pretty

bad circus, and, through prepossessing gates and over a bridge, they

had come in a quarter of an hour, as he also remarked, a hundred miles

from London. A great green glade was before them, and high old trees,

and under the shade of these, in the fresh turf, the crooked course

of a rural footpath. "It's the Forest of Arden," Sir Claude had just

delightfully observed, "and I'm the banished duke, and you're--what was

the young woman called?--the artless country wench. And there," he went

on, "is the other girl--what's her name, Rosalind?--and (don't you

know?) the fellow who was making up to her. Upon my word he IS making

up to her!"

His allusion was to a couple who, side by side, at the end of the glade,

were moving in the same direction as themselves. These distant figures,

in their slow stroll (which kept them so close together that their

heads, drooping a little forward, almost touched), presented the back of

a lady who looked tall, who was evidently a very fine woman, and that

of a gentleman whose left hand appeared to be passed well into her arm

while his right, behind him, made jerky motions with the stick that it

grasped. Maisie's fancy responded for an instant to her friend's idea

that the sight was idyllic; then, stopping short, she brought out with

all her clearness: "Why mercy--if it isn't mamma!"

What Maisie Knew · 第 39 / 146 题