SATURDAY, OCTOBER 8, 1921.

The Goldwyn Studio Co., having arranged my reservations for me, sent a

car to take me to the 8 P.M. train for San Francisco.

When the hotel porter shouted down the line of parked cars: “Goldwyn

Studio Car” the crowd of dinner arrivals simply stood still and stared.

I had my parrot “General Baragan” on my shoulder and I stepped into

the car with the self-consciousness of a recognized prominent film star!

On the train I did as directed by my hosts-to-be: I sought out the

director of the train and told him “the Lark” would stop in the

morning at Burlingame. I hadn’t a notion where or what Burlingame was,

except that my friends lived there, and the train was to be stopped.

The director looked at me, in a curious way, as though I were a poor

lunatic suffering from hallucination. He had been, he said, on the

train for 25 years and it never yet had stopped at Burlingame. However,

the train did stop there in the morning and deposited me and Dick and

Louise and the parrot with all our luggage in the middle of the track

and hurriedly sped away. Then Constance Tobin, whom I had not seen

for 15 years and who had been a school-mate of mine at the convent in

Paris, appeared with her husband to greet me.

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