That same evening I made a number of inquiries concerning Doctor

Moroni. On every hand I heard high praise of his skill. He was one of

the principal physicians at the great hospital at Gelsomino, and among

other of his illustrious patients there had been a Russian Grand Duke

and an Austrian princess who lived in a magnificent villa upon the

Viale dei Colli.

I went about the wonderful city of art collecting information

concerning the doctor, where and when I could, because a startling

fact had been revealed to me by Robertson, namely, that Moroni was De

Gex's medical attendant.

In the night-time when the narrow ancient side-streets of Florence,

with their ponderous prison-like palaces with iron-barred windows are

so ill-lit and cavernous, the place seems a city of evil deeds, as

indeed it was in the days of the Medici and of the Borgias.

As I trod those streets between the Porta Romana and Santa Maria

Novella, I confess that I became apprehensive of a nervous breakdown.

That a girl had been wilfully done to death in that West End mansion,

and that I had accepted a bribe to aid and abet the assassin, were

undeniable facts. The wealthy man evidently believed that, for my own

sake and in order to escape prosecution, I would not seek to solve the

enigma. Now, as I reflected upon my interview at the Villa Clementini,

I realized how artful he was in denying everything, and yet allowing

me a loophole for escape. He had mentioned blackmail--an ugly word

with ugly consequences--well-knowing that I dare not go to the

Metropolitan Police and make any statement of what I had witnessed or

of how I had acted.

I still held that five thousand pounds bribe intact. The accursed

notes were at the flat at Rivermead Mansions. My position was now

untenable. When that night I retired to my room I realized that the

situation was hopeless. How could I support any charge against a man

who, being a millionaire, could purchase manufactured evidence--as is

done every day--just as easily as he could purchase a cigar?

The evidence given in judicial courts in every European capital in

cases where the party, either plaintiff or defendant, is well

possessed of this world's goods, is usually tainted. In no place on

earth can money work more marvels than in a court of law. Witnesses

who make testimony a profession for big fees appear in every Assize

court in the world. And some of them are, alas! experts. True it is

that every man has his price, and the more so in these hard, post-war

days of riot and ruin. Justice and brotherly love departed with the

Victorian era. The old game of "Beat-your-neighbour-out-of-doors,"

played by our grandfathers, seems to be the only one practised in our

modern times.

With such thoughts I fell asleep.

Next day I spent in again wandering the old-world streets of Florence,

hoping to obtain another glimpse of Moroni and his fair charge. I went

to the Duomo and waited near that side-chapel where I had first seen

them. Then, as they did not come, I idled before a café in the Via

Calzajoli, and again in the Piazza della Signorina. But I saw nothing

of them. That afternoon I spent the winter sunshine in the Cascine,

the beautiful wood beside the Arno where the Florentines go each day

for the _passeggiata_, either in their old-fashioned landaus with

armorial bearings upon the panels, in modern motor-cars, or on foot.

The afternoon, though it was winter, was glorious, even though the

cold wind from the snow-tipped Apennines swept sharply down the

valley. Yet everyone was wrapped up warmly, and the fresh air was

invigorating.

Though I kept my eyes open everywhere, I failed to detect that slim

figure in rusty black.

I allowed the following day to pass. Then, at four o'clock in the

afternoon, I called at the house of Doctor Moroni in pretence of again

consulting him.

Upon the door of the great old house, now converted into spacious

flats, was a small, rather tarnished brass plate with the words: "Dr.

Moroni, Primo Piano."

So I climbed the wide stone stairs to the first floor, and rang the

bell. My summons was answered by a tall, swarthy, dark-eyed Italian

maid, who wore a dainty muslin apron, but no cap--as is the custom in

Italy. She was a Piedmontese, for in her hair she wore several of

those large pins with round heads of silver filigree placed in a

semicircle at the back of her head, until they formed a kind of halo.

"The Signore Dottore is at home," was her reply in Italian. "Be

pleased to enter."

And she showed me along a narrow hall to what was evidently Moroni's

waiting-room. The atmosphere of the place was close on account of the

charcoal stove, and the barely-furnished room smelt of some

disinfectant.

I had sat there for some moments when I heard a door open, and men's

voices sounded speaking in English:

"Very well, signore," I heard the doctor say. "I will be up at the

villa at eleven o'clock."

"Good," replied the other. "You will not be troubled by Robertson this

time. He will be away. I am sending him on a message to Pisa, as I do

not want him about; he is too inquisitive. Besides, you will not come

to the house. You quite understand where we shall meet?"

"Quite, signore," replied Moroni.

By the mode in which the doctor addressed his visitor, and the mention

of Robertson, it was plain that he was speaking with Oswald De Gex.

Why was the butler to be sent to Pisa? I wondered.

I sat breathless, listening to the footsteps along the hall, and to

Moroni wishing his visitor good afternoon.

A few moments later he opened the door brusquely and with a pleasant

smile apologized for keeping me waiting. Then he conducted me to his

consulting-room, a gloomy, frowsy little apartment much over-heated,

as is usual in Florentine houses in winter.

"Well?" he asked. "And how do you feel now, Mr. Garfield?"

My reply was the reverse of satisfactory. The mixture had done me

good, I said, but I still felt excruciating pains after eating. In

consequence, he felt my pulse and took my temperature, while I, on my

part, strained my ears listening for any feminine voice. Was the girl

whose secret I sought still there?

Once I heard a woman's voice, but she cried in Italian to a

fellow-servant named Enrichetta, hence she was probably the maid who

had admitted me.

Moroni, after he had concluded his examination, seemed a little

puzzled. No doubt I had, in my ignorance, described some imaginary

symptom which was not in accordance with what he expected to find. He,

however, gave me another prescription, and as he wrote it I wondered

how he would act if he knew that my object in becoming his patient

was to probe the mystery of the affair in Stretton Street.

I had at least gained knowledge of his intended visit to the Villa

Clementini unknown to the butler, Robertson. He was to be there either

at eleven o'clock that night or at eleven next morning. It occurred to

me that I might possibly learn something of interest if I watched the

doctor's movements at the hours indicated.

"Your symptoms rather puzzle me," said the doctor at last, eyeing me

from beneath his bushy black brows. "To tell the truth, I fancy you

must have eaten something poisonous at one of the restaurants. They

sometimes use tinned food which is not quite good, and it sets up

irritant poisoning. I had a case very similar to yours last week. The

climate here did not suit him, and he has returned to England."

"Oh! I hope to be better in a few days, doctor," I said cheerfully,

for I was anxious for another opportunity to visit him. I wanted to

see, and if possible speak in secret with the girl who bore such a

striking resemblance to the dead Gabrielle Engledue.

On returning to the hotel I rang up the Villa Clementini and inquired

for Robertson. In a few moments I spoke to him, asking if he were

coming down to the Gambrinus.

"I'm sorry," he replied. "I have to go to Pisa by the eight o'clock

train. But I shall be back to-morrow morning."

By that I established the fact that Oswald De Gex had an appointment

with Moroni at eleven o'clock that night, and not on the following

morning.

I ate my dinner at Bonciani's, near the station, a place little

patronized by foreigners, but where one obtains the best Tuscan

cooking--and after an hour or so over coffee at the Bottegone, I took

a taxi up to Fiesole. The night was cold but dry and moonlit. As we

ascended the steep hill a glorious panorama spread before us, for

below lay the valley of the Arno with the twinkling lights of the

ancient city, and the great pale moon upon the shimmering river

rendering it like a scene from fairyland. And as we went up beyond San

Domenico, through those lands which in spring and summer are so

fruitful with their vines and olives, two peasant swains passed,

chanting one of the old _stornelli_, those quaint love-songs of the

Tuscan _contadini_--the same which have been sung for centuries in and

about old Firenze:

Acqua di rio.

Teco sarò di luglio e di gennaio

Dove tu muori te, morirò anch'io.

Tuscany is essentially a land of love, where the fierce flame of

affection burns in the hearts of all the people, and where a hot word

is quickly followed by a knife-thrust, and jealousy is ever cruel and

unrelenting.

Arriving at last in the little piazza, at Fiesole, where a number of

people were awaiting the last tram to take them back into Florence, I

alighted, paid the man, and continued my journey on foot, still

climbing the high road which led through the chestnut woods of

Ricorbico, until at last I found myself at the corner of the grounds

of the Villa Clementini, close to a pair of gates of mediæval

wrought-iron which closed the south entrance to the magnificent

domain.

On either side of the road were high walls with tall cypresses behind

which cast their deep shadows over the highway, rendering it dark

around the entrance. I glanced at my luminous wristwatch--a relic of

my war service--and found that it still wanted ten minutes to eleven.

Therefore I drew back beneath the wall, and in the black shadow

awaited the millionaire's visitor to pass on to the main entrance.

I suppose I had been there ten minutes or so when I detected

approaching footsteps in the darkness, and presently the doctor's

familiar figure appeared in the patch of moonlight, only to be

swallowed up in the black shadows a moment later. Approaching the

great iron gates which were a side entrance to the grounds, he drew a

key from his pocket, unlocked them easily, and passed in without,

however, re-locking them after him. His visit there was undoubtedly a

secret one, or De Gex would not have given him the key of the entrance

he used himself, nor would he have sent away his butler, Robertson.

The visitor's footsteps suddenly ceased, for he was undoubtedly

crossing the grass. In consequence, I stole on tiptoe up to the gates,

and entering, saw in the moonlight that Moroni was stealing along in

the opposite direction to the great country mansion, many of the

windows of which were illuminated. As I halted my ears caught the

strains of orchestral music. A waltz was being played, for, as I

afterwards knew, a gay ball was in progress, the cars entering and

leaving by the main carriage road.

A few seconds later I crept on in the direction the doctor had taken.

At first I feared that, as is so often the case in Italy, savage dogs

might be kept there at night to attack any thief or intruder. But as

Moroni had entered so boldly, it was evident that if any were kept

there they were that evening locked up. Hence, I went forward in

confidence until I came to the edge of a beautiful lake lying

unruffled in the moonlight, and surrounded by many pieces of ancient

statuary, most of them moss-grown and lichen-covered.

As I turned a corner there came into view a large white summer-house

with a domed roof, supported by columns--a kind of temple such as one

often finds in the gardens of ancient Italian villas. The marble-built

summer-house, with carved escutcheons, was a fashion of the

seventeenth century. As I peered forward I saw Moroni walking in the

full light, approaching the place, from which a dark figure emerged

and came forth to meet him.

Instantly I again halted, and straining my eyes recognized that the

man who was in evening dress was the owner of that palatial home.

They retired into the summer-house together. What, I wondered, was the

object of that secret meeting?

It struck me that perhaps if I succeeded in approaching the spot I

might overhear some of their confidential conversation, therefore I

stole forward, always keeping in the shadow, and treading upon the

grass, my eyes ever upon my goal.

The stillness of the night was unbroken, save by the harsh clanging of

the convent bell down at San Domenico, and the howl of a distant dog,

while ever and anon bursts of dance music from the villa reached my

ears.

At last, by skirting a shrubbery in almost pitch darkness, and

scratching my hands and face badly, I succeeded in gaining the rear of

the little marble temple, and on hearing De Gex's voice I drew back

and waited, scarce daring to breathe. I could hear my own heart beat

as I listened intently to certain words distinctly audible.

"Then you think he has suspicions--eh, Moroni? What you tell me is

interesting, but also alarming."

"I feel certain he has. He would not have consulted me for an

imaginary ailment were it not so."

"Then he must have seen her somewhere in Florence and recognized her!

I was a fool to suggest that she should be brought here--so near to

me! I was a fool to allow him to slip through my fingers!"

"I pointed that out to you at the time," remarked the Italian doctor

with a sigh. "But what you have just shown to me is amazing. I never

dreamed of that!"

He had evidently shown him something in the moonlight.

"Well, I don't intend that this fellow shall pry into my affairs,"

snapped the millionaire. I recognized that hard metallic voice of his,

and it recalled to me all those strange happenings on that November

night.

"I do not really see, if we act boldly, what we have to fear," said

the doctor in his very fair English.

We! Then they were both implicated in the plot, whatever its nature.

"Fear!" echoed De Gex. "Suppose he made some very compromising

statement to the London police."

"And in doing so he would compromise himself! He posed as a medical

man, and gave the death certificate in return for payment--five

thousand pounds. Beyond, he committed forgery by signing the name of

Gordon Garfield. No, Mr. De Gex, I feel sure he will never court

prosecution. He may busy himself in trying to solve what no doubt

appears to him a complete enigma--as indeed it is to us. But he will

never expose us--_never_!"

The millionaire grunted dubiously.

"Well, what are we to do now? What do you suggest, Moroni? Your brain

is always so fertile where crooked business is concerned."

"I have no suggestion. I came here to learn yours."

"Yes. I called you here to show you what I have shown you, and also

because I have a certain person here as guest at my wife's dance

to-night--you know whom I mean."

"Certainly. She is equally dangerous. You asked me to bring the little

tube. Here it is. But I urge you to use it with extreme caution. When

you break the glass be certain that none of the jelly inside touches

your fingers. If it does, wash them instantly in carbolic. It is

highly contagious."

De Gex gave vent to a queer laugh of satisfaction, as, no doubt, he

took the mysterious glass tube in his hand.

"I am not yet certain whether to try the experiment--or not," he

remarked with hesitation.

"It is, to say the least, a highly dangerous one."

"You mean dangerous from the point of view of discovery--eh?"

"No, not at all. Your act cannot be discovered, but it may be

dangerous for yourself and those about you--highly dangerous. I have

obeyed your orders, signore, as I always do, and I have brought it.

But my suggestion is that you should not break that tube and disperse

its contents."

"You seem to be growing unusually apprehensive, my dear Moroni. The

appearance in Florence of this young electrical engineer seems to have

quite upset you!" he laughed harshly. I could hear every word.

"I confess his presence here has not inspired me with confidence. We

do not know the extent of his knowledge, or what he has discovered,"

replied the doctor. "If he establishes one fact--you know to what I

refer--then he will become a very grave menace to us both."

"But surely he won't dare to reveal anything for his own sake. That is

why I made the bribe a substantial one."

"If he established that one fact to which I have referred, then it

would be quite within the bounds of possibility that he might face the

music, and lay bare the whole facts of the mystery of Stretton

Street," Moroni remarked in a rather lower tone. "At present I think

he will keep a still tongue."

"Then one thing is quite plain," said the millionaire. "He must not be

allowed to prosecute his inquiries any further. And it is for you,

Moroni, to rid us of this ever-growing menace. If he is allowed to go

on, then we shall one day awake to find our secret revealed."

"I quite agree. But how shall we act?"

"Ah! I leave that to you," replied De Gex. "You have many ways and

means within your power. He is a patient of yours," he added grimly.

"Yes. But I happen to know that he is sufficiently wide awake not to

take any of my mixtures."

"Ah! Then he suspects you! You must act with greatest caution, Moroni.

Act as you will, but we must, at all costs, get rid of this fellow."

"I suggested that after the affair at Stretton Street. It would then

have been so very easy."

"I know! I was a fool! I did not foresee the consequences if he met

and recognized the girl. Even now we do not know where and how he met

her. But the menace to us is the same. We must get rid of him--and

quickly, too! The trap must be baited--and what better bait than the

girl herself?"

CHAPTER THE EIGHTH

LITTLE MRS. CULLERTON

For nearly half an hour Oswald De Gex and the Italian doctor, Moroni,

sat chatting in the darkness.

De Gex apologized to his visitor for not offering him a cigarette,

remarking that the striking of a match might reveal their presence to

anyone strolling in the grounds, for guests at dances frequently have

that habit.

"Indeed, after you have gone, Moroni, I am meeting the lady whom I

mentioned, and shall walk with her outside here. I want to speak with

her in private."

"But surely that is dangerous!" exclaimed the doctor instantly.

"Why?"

"If you intend to act as you say you should not hold any clandestine

meeting with her," Moroni suggested.

"I shall take your advice and preserve this little tube intact," and

he paused, "intact at least for the present," he added. "Hence there

can be no harm in leaving the ballroom and coming out into the fresh

air--eh?"

"In that case I see no risk."

"The only risk we run is in allowing young Garfield to make inquiries

here, in Florence. When he saw me, I, of course, denied everything.

But I know that he must have noticed how upset I was at his

reappearance."

"Well, we have decided to suppress him, have we not?" said Moroni

briefly. "And now it is getting late and my taxi is awaiting me down

in Fiesole. So I had better be going."

"Have a care that the fellow does not meet her--not until you are

quite prepared," the millionaire urged. "And lose no time in making

ready. Each day's delay is increasingly dangerous."

"I do not disregard the fact, signore," replied the Italian, and next

moment they emerged from the little Greek temple, and having walked a

short distance, they parted, De Gex returning to the house, while

Moroni made his way back past the lake to the gate.

When the mysterious millionaire had disappeared, I approached the

broad terrace which ran along the side of the house from which such a

wonderful panorama of the Apennines was to be obtained. If he brought

his lady guest out, as was his intention, then he no doubt would

descend from the terrace, for I saw two couples walking there as I

approached.

Beneath a tree I took cover and waited--waited to establish the

identity of the person whom he had marked down as his next victim.

That night I had gained much knowledge of intense interest, yet it all

served to puzzle me the more.

That Tito Moroni was his accomplice I had established beyond doubt,

and equally that there had been a grave and deep-laid conspiracy

against me. And further, it seemed to be intended that I should again

meet the mysterious pale-faced girl in black, and that the meeting was

meant to be fatal to me.

Fortune had certainly been upon my side that night, otherwise I might

have acted in good faith and fallen into some cleverly-baited trap.

That the doctor of the Via Cavezzo was a dangerous malefactor was

proved by the airy manner in which he had brought to his rich client

that little glass tube which I, of course, had not seen, but which he

had no doubt put into the hands of his wealthy and unscrupulous host.

The more I reflected as I stood beneath the great oleander, the more

puzzled did I become. What was it that De Gex had shown the doctor

beneath the pale light of the moon? It was evidently something which

greatly surprised Moroni, and yet he had made but little comment

concerning it.

But the chief mystery of all was the whereabouts of that poor inert

girl Gabrielle Engledue. I waited, eager for the return of the tall,

well-set-up man in evening clothes, the man who so much in the public

eye was engaged in such a strange career of wickedness and crime.

It seemed incredible that the immensely rich man whose name was so

constantly in the papers as a generous patron of the arts, and a pious

philanthropist, should be implicated in such devil's doings as those

of which I had already proved him to be the author.

The discordant clanging of that convent-bell again aroused me to a

sense of my surroundings. I saw upon the terrace before me several men

strolling, smoking cigarettes, and with them their fair partners

wrapped in rich cloaks and furs. They had come out after supper to

admire the wonderful moonlit scene, for before them rose the

snow-tipped mountains in a long serrated range, the high Apennines

which divide the Adriatic from the Mediterranean.

Suddenly, almost before I was aware of it, a man and a woman passed

close to me. The figure revealed by the cold bright moon was that of

De Gex, who had now put on a light coat, while at his side walked a

slim, tall young woman wrapped warmly in a rich fur coat. The diamonds

in her fair hair gleamed in the moonlight, but unfortunately she had

passed into the shadow before I could gain a glimpse of her features.

So that was the intended victim--the woman to whom the dangerous

contents of that tiny glass tube was one day, sooner or later, to be

administered.

They went forward towards the edge of the placid lake, hence I sprang

upon the grass and followed them as noiseless as a cat. Little did the

owner of the great Villa Clementini dream that I was lurking in such

close vicinity.

They halted beside one of the ancient statues of yellow marble, a

heavy-limbed representation of Bacchus crowned with vine leaves, where

they admired the fairy-like scene. It was indeed glorious. Beneath the

pale moonlight lay the placid lake like a mirror, for no breath

stirred from the mountains, and beyond in the mystic light rose the

snow-capped peaks far away beyond the chestnut forests of Vallombrosa.

There is a charm in all seasons and at all hours about those ancient

villas of Tuscany; those country mansions of the nobles which have

seen the tramp of men in armour and in plush, and bear upon them the

crumbling escutcheons of races which have been rulers for five

centuries, and whose present descendants are perhaps waiters in Paris,

London, or New York.

The Stretton Street Affair · 第 5 / 19 段