CHAPTER I—SPELLING AND PRONUNCIATION

Transcribed from the 1904 David Nutt edition by David Price, email

ccx074@coventry.ac.uk

A HANDBOOK OF THE CORNISH LANGUAGE

CHIEFLY IN ITS LATEST STAGES WITH SOME ACCOUNT

OF ITS HISTORY AND LITERATURE

BY

HENRY JENNER

MEMBER OF THE GORSEDD OF THE BARDS OF BRITTANY

FELLOW OF THE SOCIETY OF ANTIQUARIES

“Never credit me but I will spowt some Cornish at him.

_Peden bras_, _vidne whee bis cregas_.”

_The Northern Lass_, by RICH BROME, 1632.

LONDON

DAVID NUTT, AT THE SIGN OF THE PHŒNIX

57-59 LONG ACRE

MCMIV

Printed by BALLANTYNE, HANSON & CO.

At the Ballantyne Press

_DHÔ_ ’_M GWRÊG GERNÛAK_

H. L. J.

_Kerra ow Holon_! _Beniges re vo_

_Gans bennath Dew an dêdh a ’th ros dhemmo_,

_Dhô whelas gerryow gwan pan dhetha vî_,

_Tavas dha dassow_, _ha dhô ’th drovya dî_.

_En cov an dêdh splan-na es pel passyes_;

_En cov idn dêdh lowenek_, _gwin ’gan bês_,

_War Garrak Loys en Côs_, _es en dan skês_

_Askelly Myhal El_, _o ’gan gwithes_;

_En cov lîas dêdh wheg en Kernow da_,

_Ha nŷ mar younk_—_na whekkah vel êr-ma_

_Dhemmo a dhîg genev an gwella tra_,

_Pan dhetha vî en kerh_, _en ol bro-na_;

_Dheso mî re levar dha davas teg_,

_Flogh ow empinyon vî_, _dhô ’m kerra Gwrêg_.

_GWAS MYHAL_.

_Scrîfes en agan Chŷ nŷ_,

_Dawthegves dêdh Mîs Gorefan_

_En Bledhan agan Arledh_, 1904.

PREFACE

This book is principally intended for those persons of Cornish

nationality who wish to acquire some knowledge of their ancient tongue,

and to read, write, and perhaps even to speak it. Its aim is to

represent in an intelligible form the Cornish of the later period, and

since it is addressed to the general Cornish public rather than to the

skilled philologist, much has been left unsaid that might have been of

interest to the latter, old-fashioned phonological and grammatical terms

have been used, a uniform system of spelling has been adopted, little

notice has been taken of casual variations, and the arguments upon which

the choice of forms has been based have not often been given.

The spelling has been adapted for the occasion. All writers of Cornish

used to spell according to their own taste and fancy, and would sometimes

represent the same word in different ways even in the same page, though

certain general principles were observed in each period. There was a

special uncertainty about the vowels, which will be easily appreciated by

those who are familiar with Cornish English. Modern writers of all

languages prefer consistent spelling, and to modern learners, whose

object is linguistic rather than philological, a fairly regular system of

orthography is almost a necessity. The present system is not the

phonetic ideal of “one sound to each symbol, and one symbol for each

sound,” but it aims at being fairly consistent with itself, not too

difficult to understand, not too much encumbered with diacritical signs,

and not too startlingly different from the spellings of earlier times,

especially from that of Lhuyd, whose system was constructed from living

Cornish speakers. The writer has arrived at his conclusions by a

comparison of the various existing spellings with one another, with the

traditional fragments collected and recorded by himself in 1875, with the

modern pronunciation of Cornish names, with the changes which English has

undergone in the mouths of the less educated of Cornishmen, and to some

extent with Breton. The author suggests that this form of spelling

should be generally adopted by Cornish students of their old speech. The

system cannot in the nature of things be strictly accurate, but it is

near enough for practical purposes. Possibly there is much room for

controversy, especially as to such details as the distribution of long

and short vowels, the representation of the Middle Cornish _u_, _ue_,

_eu_ sometimes by _î_, sometimes by _ê_, and sometimes by _eu_ or _ew_,

or of the Middle Cornish _y_ by _i_, _e_, or _y_, or occasionally by an

obscure _ă_, _ŏ_, or _ŭ_, and it is quite likely that others might arrive

at different conclusions from the same evidence, though those conclusions

might not be any the nearer to the sounds which the Cornishmen of the

seventeenth and eighteenth centuries really did make. As for grammatical

forms, it will be seen that the writer is of opinion that the difference

between Middle and Modern Cornish was more apparent than real, and that

except in the very latest period of all, when the language survived only

in the mouths of the least educated persons, the so-called “corruptions”

were to a great extent due to differences of spelling, to a want of

appreciation of almost inaudible final consonants, and to an

intensification of phonetic tendencies existing in germ at a much earlier

period. Thus it is that inflections which in the late Cornish often seem

to have been almost, if not quite, inaudible, have been written in full,

for that is the author’s notion, founded on what Middle Cornishmen

actually did write, of what Modern Cornishmen were trying to express.

For most things he has precedents, though he has allowed himself a

certain amount of conjecture at times, and in most cases of difficulty he

has trusted, as he would advise his readers to do, to Breton rather than

to Welsh, for the living Breton of to-day is the nearest thing to Cornish

that exists.

Why should Cornishmen learn Cornish? There is no money in it, it serves

no practical purpose, and the literature is scanty and of no great

originality or value. The question is a fair one, the answer is simple.

Because they are Cornishmen. At the present day Cornwall, but for a few

survivals of Duchy jurisdictions, is legally and practically a county of

England, with a County Council, a County Police, and a Lord-Lieutenant

all complete, as if it were no better than a mere Essex or Herts. {0a}

But every Cornishman knows well enough, proud as he may be of belonging

to the British Empire, that he is no more an Englishman than a Caithness

man is, that he has as much right to a separate local patriotism to his

little Motherland, which rightly understood is no bar, but rather an

advantage to the greater British patriotism, {0b} as has a Scotsman, an

Irishman, a Welshman, or even a Colonial; and that he is as much a Celt

and as little of an “Anglo-Saxon” as any Gael, Cymro, Manxman, or Breton.

Language is less than ever a final test of race. Most Cornishmen

habitually speak English, and few, very few, could hold five minutes’

conversation in the old Celtic speech. Yet the memory of it lingers on,

and no one can talk about the country itself, and mention the places in

it, without using a wealth of true Cornish words. But a similar thing

may be said of a very large proportion of Welshmen, Highlanders,

Irishmen, Manxmen, and Bretons.

_Omnia Græce_,

_Quum sit turpe magis nostris nescire Latine_.

The reason why a Cornishman should learn Cornish, the outward and audible

sign of his separate nationality, is sentimental, and not in the least

practical, and if everything sentimental were banished from it, the world

would not be as pleasant a place as it is.

Whether anything will come of the Cornish part of the Celtic movement

remains to be seen, but it is not without good omen that this book is

published at the “Sign of the Phoenix.”

A few words of comprehensive apology for the shortcomings of this

handbook. When the writer was asked by the Secretary of the

Celtic-Cornish Society to undertake a Cornish grammar, which was the

origin of this book, it was more than twenty years since he had dropped

his Cornish studies in favour of other and more immediately necessary

matters. Much of what he once knew had been forgotten, and had to be

learnt over again, and the new grammar was wanted quickly. There must

needs be, therefore, inaccuracies and inconsistencies, especially with

regard to the spelling, which had to be constructed, and he is conscious

also that there are at least two living men, if no more, who could have

made a far better book. Of either of these two, Dr. Whitley Stokes and

Prof. Joseph Loth, Doyen of the Faculty of Letters in Rennes University,

who probably know more about Cornish between them than any one else ever

did, the writer may well say, as John Boson of Newlyn said of Keigwin two

centuries ago, “_Markressa an dean deskez fear-na gwellaz hemma_, _ev a

venja kavaz fraga e owna en skreefa-composter_, _etc._” {0c} For,

indeed, even in that same _skreefa-composter_ is there much scope for

argument, and Boson’s “et cetera” stands for a good deal besides.

It is not given to a grammar-writer to strive after originality. If he

did so, he would probably not be the better grammarian. The writer

therefore has no hesitation in acknowledging to the full his many

obligations to previous workers on the subject. To Lhuyd and Pryce, to

Gwavas, Tonkin, Boson, and Borlase he owes much (and also,

parenthetically, he thanks Mr. John Enys of Enys for lending him the

Borlase MS.). But it is to the workers of the second half of the

nineteenth century, living or departed, that he owes most, and especially

to Dr. Edwin Norris, Dr. Whitley Stokes, Prof. Loth, Canon Robert

Williams, and Dr. Jago. Of the works of these writers he has made ample

use, though he has not necessarily agreed with them in every detail.

The well-known work of Edwin Norris has been of the greatest value in

every way, and the copious examples given in his “Sketch of Cornish

Grammar” have frequently saved the writer the trouble of searching for

examples himself. Dr. Whitley Stokes’s editions of two dramas and a poem

have been of the greatest assistance, the notes to the _St. Meriasek_

being especially valuable in collecting and comparing the various forms

of irregular verbs, etc. Without Canon Williams’s Lexicon nothing could

have been done, and though some amount of friendly criticism and

correction has been given to it by Dr. Stokes and Prof. Loth, neither of

whom, of course, really undervalues the Lexicon in the least, no one can

fail to appreciate that excellent work. Prof. Loth’s articles are mostly

on details. A more general work from his hand is much to be desired, and

every Cornish student must look forward to the forthcoming volume of his

_Chrestomathie Bretonne_, which will contain the Cornish section. It

would have been better for the present work if its author could have seen

that volume before writing this. But Prof. Loth’s articles in the _Revue

Celtique_ have been full of suggestions of the greatest value. Dr.

Jago’s English-Cornish Dictionary has also been most useful. In a

somewhat uncritical fashion, he has collected together all the various

forms and spellings of each word that he could find, and this rendered it

possible to make easily comparisons which would otherwise have given a

good deal of trouble. Even the somewhat unconventional lexicographical

arrangement of the book has had its uses, but, if one may venture an

adverse criticism, it was a pity to have followed Borlase in including

without notice so many Welsh and Breton words for which there is no

authority in Cornish. It is on this account that the work needs to be

used with caution, and may at times mislead the unwary.

The author begs to thank very heartily Mr. E. Whitfield Crofts (“Peter

Penn” of the _Cornish Telegraph_) for his great service in making this

handbook known among Cornishmen.

Perhaps a subject in connection with Cornish which may be of greater

general interest than anything else is the interpretation of Cornish

names. It is for this reason that a chapter embodying shortly some

general principles of such a study has been added, and for those who

would try their hands at original verse composition in Cornish a chapter

on the principles of Cornish prosody has also been given. The

composition of twentieth-century Cornish verse has already begun. Dr. C.

A. Picquenard of Quimper, well known as a Breton poet under the title of

_Ar Barz Melen_, has produced several excellent specimens, Mr. L. C. R.

Duncombe-Jewell published the first Cornish sonnet in _Celtia_ in 1901,

and the present writer has contributed a sonnet and translations of the

Trelawny Song and the National Anthem to the _Cornish Telegraph_, besides

writing two Christmas Carols, one in _Celtia_ and one printed separately,

and the dedication of this book, which, he may remark, is not meant for a

sonnet, though it happens to run to fourteen lines.

The writer had originally intended to add some reading lessons,

exercises, and vocabularies, but it was found that the inclusion of these

would make the book too large. He hopes to bring out shortly a quite

small separate book of this character, which may also include

conversations, and he has in preparation a complete vocabulary, though he

has no idea as to when it will be finished.

PART I—THE HISTORY OF THE CORNISH LANGUAGE AND LITERATURE

CHAPTER I—THE STORY OF THE CORNISH LANGUAGE

There have been seven Celtic languages—not all at once, of course—and

indeed it is possible that there may have been more; but seven are known

to have existed. One other may have been a Celtic speech, or it may have

been something pre-Celtic, but of it we know too little to judge.

The Celtic languages belong to the type known as Aryan or Indo-European,

the language of the higher or white races whose original habitat was once

taken to have been near or among the Himalayas, but is now located with

much less exactness than heretofore. To this class belong the Sanscrit,

with its multitude of Indian derivatives; the Persian, ancient and

modern; the Greek, the Latin with all its descendants, the Lithuanian,

the Slavonic, the Teutonic and Scandinavian, the Albanian and the Celtic.

It is not to be supposed that the possession of an Aryan language is

necessarily a proof of the possession of Aryan blood. In many cases the

conquering white race imposed its language on the aborigines whom it

subjugated and enslaved. This must have been very much the case in

Britain, and it is probable that the lower classes of a great part of

England, though they now speak a language of mixed Teutonic and Latin

origin, as they once spoke Celtic, are largely the descendants, through

the slaves successively of Britons, Romans, and Saxons, and the

“villains” or _nativi_ of the Norman manorial system, of the aboriginal

palæolithic “cave” man, and have far less in common with the Anglo-Saxon,

the Celt, or any other white man than they have with the Hottentot, the

Esquimaux, the Lapp, or the Australian “blackfellow.” This is

particularly the case in what was once the forest-covered district of

middle England. There, no doubt, when there was any fighting to be done,

the aboriginal hid in the woods until it was all over, and only then came

out to share in the spoil and the glory and the drinks; while the white

man, whether Briton, Saxon, or Norman, went out to fight, and not

infrequently to be killed. A survival, perhaps, of the unfittest was the

result, which may account for some of the peculiar characteristics of the

Midland lower classes. That the successive changes of masters were

matters of little or no importance to the enslaved aboriginal, while a

life of servitude was intolerable to the free white man, may account for

the fact that the labouring classes of Devon, Cornwall, Somerset, Wales,

and the Welsh border are of a type infinitely superior in manners,

morals, and physique to the same class in the Midlands, because they now

consist almost entirely of the descendants of the free Britons who were

driven westward rather than submit to the overwhelming invasion of the

Teutonic tribes. Thus it is that probably, except for a certain Silurian

(or Iberian) element in South Wales, which descends from the higher or

fighting sort of pre-Aryan, and a surviving aboriginal element in parts

of Ireland, the natives of what are known as the “Celtic” parts of these

islands are more purely Aryan than any except the upper and upper middle

classes of the so-called “Anglo-Saxon” districts of Britain. And of the

Celtic parts of Britain, the Highlanders of Scotland and the Cornish are

probably of the most unmixed Aryan or white race.

The Celtic languages are subdivided into two branches, representing two

separate immigrations, about which little is known for certain, except

that they happened a very long time ago. These are:—

1. The Goidelic (or Gaelic), consisting of the three languages, or

properly the three dialects, known as the Gaelic of Ireland, of the

Scottish Highlands, and of the Isle of Man. It has been said, with some

truth, that these three are as far apart as three dialects of the same

language can well be, but are not sufficiently far apart to be counted as

three distinct languages. Until the first half of the eighteenth century

the written Gaelic of the Scottish Highlands differed from that of

Ireland scarcely more than the written English of London differs from

that of New York. Even now, though the use of the sixth and seventh

century Latin minuscules, which people choose to call “Irish” letters,

has been dropped in Scotland, any one who can read the one dialect will

have little difficulty in reading the other. Manx adopted in the

seventeenth century an attempted, but not very successful, phonetic

spelling, based partly on Welsh and partly on English, and therefore

looks on paper very different from its sister languages; but it takes a

Gaelic-speaking Highlander of intelligence a very short time to get to

understand spoken Manx, though spoken Irish (except the Ulster dialect)

is more difficult to him. Possibly Pictish, if it was Celtic at all,

which is uncertain, was of the Gaelic branch, for we find but little of

any language difficulty when St. Columba and his fellow-missionaries,

whose own speech certainly was Gaelic, were evangelising among the Picts.

But the absence of such mention proves very little, for Christian

missionaries, from Pentecost onwards, have not infrequently made light of

the linguistic barrier, and we really know next to nothing about Pictish.

2. The Brythonic (or British), consisting of Welsh, Cornish, and Breton.

These may be said to be as near together as three separate languages can

well be, but to have drifted too far apart to be accounted three dialects

of the same language. The place of Cornish, linguistically as well as

geographically, is between Welsh and Breton, but though in some points in

which Welsh differs from Breton, Cornish resembles the former, on the

whole it approaches more nearly to the latter. Probably Cornish and

Breton are both derived from the language of the more southern, while

Welsh represents that of the more northern Britons. {6} Of course

Cornish, like Welsh, has been influenced to some extent by English, while

the foreign influence on Breton has been French. It is probable that the

ancient Gaulish, certainly a Celtic language, belongs to this branch.

The seven Celtic languages, then, are Irish, Albanic (or Scottish), and

Manx Gaelic, Welsh, Cornish, Breton, and Gaulish, and it is possible that

Pictish must be added to these.

Though a philologist has much to say on the points of resemblance between

the Goidelic and Brythonic branches, and though no one who studies both

can fail to be struck by their affinity in vocabulary, in grammar, and

even in idiom, the speakers of different branches—a Welshman and a

Highlander, for instance—are no more mutually intelligible than an

Englishman and a German would be, if as much so. The three sets of

Gaels, however, can understand one another with considerable difficulty,

and Irish priests have been known to preach sermons (with but moderate

success) in the Catholic parts of the Highlands. But though there has

been for some time a Welsh mission of some sort of Nonconformists in

Brittany (with doubtless a very limited following), it is said that the

missionaries, though they learnt Breton easily, were greatly disappointed

with the extent to which at first they could understand the Bretons or

make themselves understood. Simple things of everyday life might be

asked for in Welsh, and a Breton might “average” what was said, but no

sort of conversation could be held, though any one who knew both Welsh

and Breton might make himself understood at some length by a mixed

audience, if he very carefully picked his phrases; it would not, however,

be good Welsh or good Breton. But the same would only apply in a far

less degree to Cornish, for Cornish is very much nearer to Breton than

Welsh is. {7} The divergence is increased by the tendency of all the

Celtic languages, or, indeed, of all languages, to subdivide into local

dialects. Thus the Irish of Munster, of Connaught, and of Ulster must be

mutually intelligible only with great difficulty; the dialect of Munster,

by reason of the difference of the stress accent, being especially

divergent. There is growing up now, with the Irish revival, what may be

called a Leinster dialect, founded on the literary language, with

peculiarities of its own. The Scottish Gaelic has at least four marked

dialects: Northern, spoken in Sutherland, part of Caithness, and Ross;

Western, spoken in Inverness-shire and Argyle and in the Islands; and the

rather broken-down dialects of Arran and of Perthshire, but the speakers

of these are not very unintelligible to one another. Even Manx has a

tendency to a “north side” and a “south side” dialect. Welsh has two

fairly well marked dialects, of North Wales and South Wales, and the

Welsh of Glamorgan, once the classical form of the language, before the

Cardiganshire Welsh of the translation of the Bible superseded it, is now

tending to be a broken-down form of South Welsh. But all these spoken

dialects of Welsh are kept together and their tendency to divergence is

greatly checked by the existence of a very clearly defined spelling,

grammar, and standard of style in the book language of what is far and

away the most cultivated and literary of all the Celtic tongues. Breton

has four well-defined dialects, those of Leon, Treguier, Cornouailles,

and Vannes, besides the broken-down Breton of the Croisic district, the

Vannes dialect differing from the others as much as Cornish does, and

curiously resembling Cornish in some of its peculiarities. Here there is

no one literary standard, but each of the four dialects has its own,

though it is generally held, rightly or wrongly, that the Leonais dialect

is the best, and the Vannetais the worst. An examination of the names of

places in West Cornwall gives some indication that there was a slight

difference of dialect between the Hundred of Kerrier, or perhaps one

should rather say the peninsula of Meneage, and the Hundred of Penwith,

but it amounted to very little, and the evidence is very scanty.

The difference between Cornish and its two sisters is not very easy to

define in a few words. There are differences of phonology, vocabulary,

and grammatical forms. In phonology the most marked difference from both

is the substitution of _s_ or _z_, with a tendency, intensified in later

Cornish, to the sound of _j_ or _ch_, for _d_ or _t_ of Welsh and Breton.

Cornish agrees with Breton in not prefixing a vowel (_y_ in Welsh) to

words beginning with _s_ followed by a consonant, and its vowel sounds

are generally simpler and less diphthongalised than those of Welsh. It

agrees with Welsh in changing what one may call the French _u_ sound into

_î_ (English _ee_), going apparently further than Welsh in that

direction, while Breton still retains the _u_. Like Welsh, it retained

the _th_ and _dh_ sounds which Breton, in nearly all its dialects, has

changed into _z_, though these in Cornish, like the guttural _gh_, and

_v_ or _f_, showed a tendency to drop off and become silent, especially

as finals. In vocabulary Cornish follows Breton more closely than Welsh,

though there are cases where in its choice of words it agrees with the

latter, and cases in which it is curiously impartial. An instance of the

last is the common adjective _good_. The ordinary Welsh word is _da_,

though _mad_ (Gaelic _math_) does exist. In Breton _mad_ is the regular

word, though _da_ is used as a noun in the sense of _satisfaction_ or

_contentment_ (_da eo gant-han_, good is with him=he is pleased). In

Cornish _da_ and _mas_ are used about equally. As an instance of the

first, _bras_, which in Welsh means _fat_, _gross_, is the more common

Cornish and Breton word for _large_ or _great_, though _mêr_ (_mur_,

_meur_) in Cornish, and _meur_ in Breton, the equivalents of the Welsh

_mawr_, are also used. In grammatical forms Cornish almost invariably in

cases where Welsh and Breton differ follows the latter, but, as in

vocabulary, it sometimes has also ways of its own.

* * * * *

Except for the existence of Cornish names in the Bodmin Gospels, and in

Domesday Book and one or two early charters, and of the Cornish

vocabulary in the Cottonian Library, the earliest mention of the Cornish

as differentiated from any other British language that has been as yet

discovered occurs in Cott. MS. Vesp. A. xiv., in the British Museum (the

volume in which the said vocabulary is included), in a Latin life of St.

Cadoc. This speaks of St. Michael’s Mount being called, “in the idiom of

that province,” _Dinsol_ (or the Mount of the Sun).

Giraldus Cambrensis, writing in the latter part of the twelfth century,

says: “Cornubia vero et Armorica Britannia lingua utuntur fere persimili,

Cambris tamen propter originalem convenientiam in multis adhuc et fere

cunctis intelligibili. Quæ, quanto delicata minus et incomposita magis,

tanto antiquo linguæ Britanniæ idiomati, ut arbitror, est appropriata.”

{10a}

In the fifteenth-century cartulary of Glasney College, belonging to Mr.

Jonathan Rashleigh of Menabilly, an old prophecy is quoted: “_In

Polsethow ywhylyr anethow_, _in Polsethow habitaciones seu mirabilia

videbuntur_.” This is supposed to date before the foundation of the

college in 1265.

In a letter of 1328-9 from John de Grandisson, Bishop of Exeter,

1327-1369, to Pope John XXII., the writer speaks of Cornwall as looking

on the south upon Vasconia [Gascony] and Minor Britannia [Brittany]

{10b}; “Cujus lingua ipsi utuntur Cornubici.” And in another letter in

the same year to certain cardinals he says: “Lingua, eciam, in extremis

Cornubie non Anglicis set Britonibus extat nota.” With this comes

another passage in the Register of Bishop Grandisson, quoted by Dr.

Oliver in his _Monasticon Diæcesis Exoniensis_ (p. 11), which, in an

account of the submission of the parish of St. Buryan to the bishop,

after a certain quarrel between them, states that a formal submission was

made by the principal parishioners in French and English (the names are

given, thirteen in number), and by the rest in Cornish, interpreted by

Henry Marseley, the rector of St. Just, and that after this the bishop

preached a sermon, which was interpreted by the same priest for the

benefit of those members of the congregation who could only speak

Cornish. These records are to be found in Mr. Hingeston Randolph’s

edition of the Grandisson Registers, and in these and other

fourteenth-century Exeter registers there are several allusions to the

obligations of hearing confessions and propounding the Word of God in

Cornish.

But until the time of Henry VIII. we have no trustworthy information

about the state or extent of the language. It is highly probable, from

the number of places still retaining undoubtedly Celtic names, and

retaining them in an undoubtedly Cornish form, that until at least the

fifteenth century the Tamar was the general boundary of English and

Cornish; though there is said to be some evidence that even as late as

the reign of Elizabeth, Cornish was spoken in a few places to the east of

the Tamar, notably in the South Hams. Polwhele, however, limits the

South Hams use of Cornish to the time of Edward I., and we know from the

English Chronicle that when Athelstan drove the “Welsh” out of Exeter in

936, he set the Tamar for their boundary. In the reign of Henry VIII. we

have an account given by Andrew Borde in his _Boke of the Introduction of

Knowledge_, written in 1542. He says, “In Cornwall is two speches, the

one is naughty Englysshe, and the other is Cornysshe speche. And there

be many men and women the which cannot speake one worde of Englysshe, but

all Cornyshe.” He then gives the Cornish numerals and a few sentences of

ordinary conversation. These are much mixed with English, and were, no

doubt, such as might have been heard on the borders of Devon, for he

probably did not penetrate very far, being doubtless deterred by the

impossibility of obtaining drinkable beer—a circumstance which seems to

have much exercised his mind in describing Cornwall. These numerals and

sentences are, as far as is known, the earliest specimens of printed

Cornish, earlier by a hundred and sixty-five years than Lhuyd’s Grammar,

though Dr. Jago, quoting from Drew and Hutchins, who had evidently never

seen this book, Dr. Davies’s _Llyfr y Resolusion_ of 1632, or Gibson’s

edition of Camden’s _Britannia_ of 1695, says that there is no evidence

that anything was ever printed in Cornish before Lhuyd.

The Reformation did much to kill Cornish. Had the Book of Common Prayer

been translated into Cornish and used in that tongue, two things might

have happened which did not—the whole language might have been preserved

to us, and the Cornish as a body might have been of the Church of

England, instead of remaining (more or less) of the old religion until

the perhaps unavoidable neglect of its authorities caused them to drift

into the outward irreligion from which John Wesley rescued them. {12}

But it is said by Scawen and by Bishop Gibson in his continuation of

Camden’s _Britannia_, that they _desired_ that the Prayer-book might not

be translated, and, though the statement is disputed, it is quite

possible that the upper classes, who spoke English, did make some such

representation, and that the bulk of the population in Cornwall, as

elsewhere, had no wish for the Reformed Service-book in any language; for

there were churches in Cornwall in which the old Mass according to the

Use of Salisbury was celebrated as late as the seventeenth century,

notably in the Arundel Chapel in St. Columb Church, as may clearly be

inferred from the inscription on the tomb of John Arundel and his wife,

the latter of whom died in 1602.

It is asserted by Carew, Polwhele, Davies Gilbert, Borlase, and others,

that in the time of Henry VIII. Dr. John Moreman, the parson of

Menheniot, was the first to teach his parishioners the Creed, Lord’s

Prayer, and Commandments in English, these having been “used in Cornish

beyond all remembrance.” This same Dr. Moreman is mentioned in the

petition (or rather _demand_) presented to Edward VI. by the Cornwall and

Devon insurgents, in favour of the old form of worship. One paragraph of

this is as follows:—“We will not receive the new service, because it is

but like a Christmas game. We will have our old service of Matins, Mass,

Evensong, and Procession as it was before; and we the Cornish, _whereof

certain of us understand no English_, do utterly refuse the new service.”

In the early part of the reign of Elizabeth, during the course of the

many discussions on church matters, a number of articles were drawn up,

to judge by their general tone, by the extreme Protestant party, and a

copy of these, taken from a MS. in Corpus Christi College, Cambridge,

occurs in Egerton MS. 2350, f. 54, in the British Museum. They are

entitled “Articles drawn out by some certaine, and were exhibited to be

admitted by authority, but not so admitted,” and their date, to judge by

accompanying letters, etc., is about 1560. The last article is “A

punishment for such as cannot say the Catechisme,” and in it there occurs

the following sentence: “Item that it may be lawfull for such Welch or

Cornish children as can speake no English to learne the Præmises in the

Welch tongue or Cornish language.”

In the same reign, but somewhat later, a report on England, addressed to

Philip II. of Spain by an Italian agent, speaks thus of Cornwall: “Li

hauitanti sono del tutto differenti _di parlare_, di costume et di leggi

alli Inglesi; usano le leggi imperiali cosi como fa ancola li Walsche

loro vicini; quali sono in prospettiva alli Irlanda et sono similmente

tenuti la maggior parte Cattolici.” However, since the agent insists

that the Severn divides Cornwall from England, he can hardly have known

much about the country. The report occurs among a number of Spanish

state papers in Add. MS. 28,420, in the British Museum.

In Carew’s _Survey of Cornwall_, written about 1600, we read, however,

that the language had been driven into the uttermost parts of the Duchy,

and that very few were ignorant of English, though many affected to know

only their own tongue. It seems, however, from what he says further on,

that the _guaries_, or miracle plays, were then commonly acted in

Cornish, and that the people flocked to them in large numbers, and

evidently understood them. Carew adds that the principal love and

knowledge of the language died with one “Dr. Kennall, the civilian,”

probably John Kennall, D.C.L., Archdeacon of Oxford. Carew gives the

numerals and a few other specimens of the language.

In a survey of Cornwall, by John Norden, entitled _Speculum Magnæ

Britanniæ_, _pars Cornwall_, addressed to James I., the following account

of the language is given.

“The Cornish people for the moste parte are descended of British stocke,

though muche mixed since with the Saxon and Norman bloude, but untill of

late years retayned the British speache uncorrupted as theirs of Wales

is. For the South Wales man understandeth not perfectly the North Wales

man, and the North Wales man little of the Cornish, but the South Wales

man much. The pronunciation of the tongue differs in all, but the

Cornish is far the easier to be pronounced.” Here he goes on to compare

the sound of it with the Welsh, to the disadvantage of the latter. . . .

“But of late the Cornishmen have much conformed themselves to the use of

the English tongue, and their English is equal to the best, especially in

the Eastern partes; even from Truro eastward is in a manner wholly

Englishe. In the west parte of the county, as in the Hundreds of Penwith

and Kerrier, the Cornishe tongue is mostly in use, and yet it is to be

marvelled that though husband and wife, parents and children, master and

servauntes, doe mutually communicate in their native language, yet there

is none of them but in manner is able to converse with a stranger in the

English tongue, unless it be some obscure persons that seldom converse

with the better sort.”

In 1630 Sir John Dodridge in his _History of the Ancient and Modern

estate of the Principality of Wales_, _Duchy of Cornwall_, _and Earldom

of Chester_, says: “The people inhabiting the same [_i.e._ Cornwall] are

call’d Cornishmen, and are also reputed a remanent of the Britaines . . .

they have a particular language called Cornish (although now much worn

out of use), differing but little from the Welsh and the language of the

Britaines of France.”

In 1632, Dr. John Davies, the well-known Welsh lexicographer, published a

Welsh translation of the _Booke of Christian Exercise_ of Robert Parsons

the Jesuit, under the title of _Llyfr y Resolusion_. In it he gives a

Cornish version of the Lord’s Prayer and Creed, the earliest extant, and

evidently translated from Latin, not from English.

In the same year appeared a play called _The Northern Lass_, by Richard

Brome. In this occurs an opprobrious sentence of Cornish, put into the

mouth of a Cornishman bearing the absurd name of “Nonsence,” and

addressed to a Spaniard who had no English, on the argument that Cornwall

being the nearest point of Britain to Spain, Cornish might possibly

approach nearer to Spanish than English did.

The next mention of Cornish we find in a diary of the Civil War, written

by Richard Symonds, one of the Royalist army in Cornwall in 1644 (Brit.

Mus., Add. MS. 17,052). He gives a short vocabulary of common words,

together with four short sentences. To these he appends the following

note:—

“The language is spoken altogether at Goonhilly, and about Pendennis

and the Land’s End they speak no English. All beyond Truro they

speak the Cornish language.”

Much about the same time William Jackman, the vicar of St. Feock, near

Falmouth, chaplain of Pendennis Castle during its siege by the rebel

troops, was in the habit of using Cornish for the words of administration

of Holy Communion, because the old people did not understand English.

The Cornish words asserted to have been used by him were printed in

Hals’s History of Cornwall in 1750, though they do not occur in all

copies of that scarce book.

In 1662 and 1667 John Ray, in his _Itinerary_, mentions one Dickon Gwyn

(his real name was Dick Angwin), of St. Just, as the only man who could

write Cornish. Ray adds that few of the children could speak it, “so

that the language is like in a short time to be quite lost.”

This is probably the “Sieur Angwin” mentioned in a valuable little

treatise on the Cornish language by John Boson of Newlyn, of which more

later. This little tract, entitled _Nebbaz Gerriau dro tho Carnoack_ (or

“A few words about Cornish”), is only known from a copy which formerly

belonged to the late Mr. W. C. Borlase. It was written about the year

1700, and according to it the Cornish-speaking district was then “from

the Land’s End to the Mount and towards St. Ives and Redruth, and again

from the Lizard to Helston and towards Falmouth,” but the language had

decreased very much within the writer’s memory.

It is recorded by Dr. Borlase that Cheston Marchant, who died at Gwithian

in 1676 aged 164 (!), could speak nothing but Cornish.

Writing in the latter part of the reign of Charles II., William Scawen, a

Cornish antiquary, gives a long account of the state of the language in

his time, in a treatise in which he laments the decline thereof,

accounting for it by no less than sixteen elaborate reasons. This

treatise, _Antiquities Cornu-Britannick_, was abridged by Thomas Tonkin,

the Cornish historian, and the abridgment was printed in 1777, and again

by Davies Gilbert at the end of his history. A copy of the full form of

it in Tonkin’s beautiful handwriting, a much more elaborate work, is in

Add. MS. 33,420 in the British Museum. According to this, the

inhabitants of the western promontories of Meneage and Penwith were in

the habit of speaking the language, so much so that the parson of

Landewednack, Mr. Francis Robinson, used to preach in Cornish down to the

year 1678, that being the only tongue well understood by his

parishioners. Scawen mentions the MSS. of the aforesaid “Anguin,” as he

spells him, and laments their destruction. He also speaks of a “Matins”

(possibly a Primer, or Hours of our Lady) in Cornish, which had belonged

to “Mr. Maynard.” {17}

In Bishop Gibson’s edition of Camden’s _Britannia_, published in 1695,

there is a short account of the Cornish Language, and the Lord’s Prayer

and Creed, the same versions as those given by Scawen, are given as

specimens. According to Gibson the language was confined to two or three

western parishes, and was likely to last a very little longer. He

mentions the _Poem of the Passion_, the _Ordinalia_, and the _Creation_

as the only books existing in the language.

The next authority is that excellent Celtic scholar, Dr. Edward Lhuyd,

who published his _Archæologia Britannica_ in the year 1707. He gives

the following list of the parishes in which the language was spoken:—St.

Just, Paul, Buryan, Sennen, St. Levan, Morva, Sancreed, Madron, Zennor,

Towednack, St. Ives, Lelant, Ludgvan, and Gulval, and along the coast

from the Land’s End to St. Keverne (this would also include St. Hillary,

Perran Uthno, Breage, Germoe, Mullion, Gunwalloe, Ruan Major and Minor,

Landewednack, Grade, and St. Keverne), adding that many of the

inhabitants of these parishes, especially the gentry, do not understand

it, “there being no need, as every Cornishman speaks English.” There is

a letter of Lhuyd’s to Henry Rowlands, author of _Mono Antiqua

Restaurata_ (1723), printed at the end of that work, in which similar

information, dated 1701, is given. Lhuyd in this letter relates his

adventures in Brittany, and remarks on the closeness of Cornish to

Breton.

Then the language quickly receded, until, in 1735, there were left only a

few people at Mousehole, Paul, Newlyn, St. Just, and other parishes along

the coast between Penzance and the Land’s End who understood it. It was

about this time that Gwavas and Tonkin finished their collections on the

subject, and the language they found seemed to them a most irregular

jargon—a peculiarity of which was a striking uncertainty of the speakers

as to where one word left off and another began.

In the early part of the eighteenth century there was a little coterie of

antiquaries at Penzance and the neighbourhood, who had busied themselves

much with the remains of the old language. The patriarch of these was

old John Keigwin of Mousehole, the translator of the _Poem of the

Passion_ and the play of _The Creation_. He was born in 1641, and died

in 1710, and, according to Lhuyd and Borlase, his knowledge of Cornish

was “profound and complete.” However, that did not prevent him from

making some extraordinary mistakes in his translations, which should

perhaps be set down to the archaic form of the language with which he had

to deal. He seems to have been a considerable if rather pedantic

linguist, being accredited with an acquaintance with Latin, Greek,

French, and even Hebrew, and in a translation into Cornish of the letter

of King Charles to the people of Cornwall, he made use of his Hebrew

knowledge when he failed to remember the exact Cornish word, writing

“milcamath” for “war.” Among the other members of this little party may

be mentioned William Gwavas, John Boson and his brother Thomas, Thomas

Tonkin the historian, Oliver Pender, and last (as probably the youngest)

Dr. William Borlase, the author of the well-known History of Cornwall.

It does not seem that any of these, except Keigwin, troubled themselves

much about Cornish literature, but they did good service in the way of

preserving words, proverbs, colloquial sentences, etc., and seem to have

found great enjoyment in translating various passages of Scripture,

songs, etc., into the Cornish that was current in their own day. These

being spelt more or less phonetically (as far as the writers knew how to

do so), and therefore varying a good deal in orthography, are now of

great value in determining the sound of the latest Cornish.

When Lhuyd was at work upon his Cornish Grammar, he received considerable

assistance from Keigwin, Gwavas, and Tonkin, and a vocabulary and

collection of Cornish fragments compiled by the last two under the title

of _Archæologia Cornu-Britannica_ were afterwards printed by Dr. William

Pryce in 1790, with Lhuyd’s Grammar, _under his own name_, with the same

title. {19} This fraud, if it really deserves so harsh a name, was

exposed by Prince L. L. Bonaparte, into whose hands the original MS. of

some of it fell; but though it certainly was not right of Pryce to act in

this manner, he does deserve some credit for having published the

vocabulary at all, and the service that he did in so doing may be the

better estimated by a knowledge of the fact that it was very considerably

through the medium of Pryce’s publication that Dr. Edwin Norris obtained

the acquaintance with Cornish necessary to enable him to bring out his

valuable edition of the early Cornish dramas. It is strange that so much

abuse has been heaped upon Pryce, while Davies Gilbert has escaped with

comparative freedom, in spite of a villainously careless edition of a

number of scraps of Cornish (printed at the end of his edition of the

play of _The Creation_), gathered entirely from Tonkin’s MS., the Gwavas

MS., or the Borlase MS., and inserted, with notes and all, without a word

of acknowledgment, and in such a manner as to lead one to think that the

translation and notes at any rate were his own doing. Pryce certainly

took the trouble to correct his proofs, and Davies Gilbert could hardly

have attempted to do so. Moreover, if Pryce’s preface be read carefully,

it will be seen that he by no means claims the whole credit for himself,

but gives plenty of it, though perhaps not enough, to Gwavas, Tonkin,

Lhuyd, and Borlase. The impression left by the preface is that Pryce was

a more or less intelligent editor who added a little of his own, the

amount of which he exaggerated.

In 1746 Captain (afterwards Admiral) the Hon. Samuel Barrington, brother

of Daines Barrington the antiquary, took a sailor from Mount’s Bay, who

spoke Cornish, to the opposite coast of Brittany, and found him fairly

able to make himself understood. In 1768 Daines Barrington himself

writes an account of an interview with the celebrated Mrs. Dolly

Pentreath, popularly, but erroneously, supposed to have been the last

person who spoke the language. He also contributed to _Archæologia_, in

1779, a letter received in 1776, written in Cornish and English, from

William Bodenor, a fisherman of Mousehole, who according to Polwhele died

in 1794. The writer states that not more than four or five people in his

town, and these old folk of eighty years of age, could speak Cornish.

But Barrington says that he received information that John Nancarrow of

Market-Jew, aged only forty in 1779, could speak it. Dolly Pentreath

died in 1777; but Pryce, in the preface to his book of 1790, part of

which is his own, though one knows not how much of it to believe, and

Whitaker, vicar of Ruan-Lanihorne, in his Supplement to Polwhele’s

_History of Cornwall_ (1799), mention that two or three people were still

living who were able to speak Cornish, though this was only hearsay

evidence.

In his _History of Cornwall_, vol. v. (1806), the Rev. R. Polwhele speaks

of one Tompson, an engineer of Truro, whom he met in 1789, the author of

the well-known epitaph on Dolly Pentreath, and says that he knew more

Cornish than ever Dolly Pentreath did. But Polwhele did not think that

at the time he wrote there were two persons living who could really

converse in Cornish for any length of time. Some years ago the present

writer came upon a letter in the British Museum addressed to Sir Joseph

Banks, and dated 1791, the author of which mentions his own father as the

only living man who could speak Cornish. Unluckily the reference to the

letter has been lost, and there is so much Banks correspondence in the

British Museum that it is almost impossible to find it again. But the

statement is by no means conclusive, and there were probably several

other “last living men” going on at once, and certainly John Tremethack,

who died in 1852 at the age of eighty-seven, must have known a good deal

of Cornish, some words of which he taught to his daughter, Mrs. Kelynack

of Newlyn, who was living in 1875. There was also George Badcock, the

grandfather of Bernard Victor of Mousehole, who taught a certain amount

of Cornish to his grandson, who was living in 1875, when the present

writer saw him.

Then it is considered that Cornish, as a spoken language, died out. The

process was gradual, though perhaps rather rapid at the last, and, as far

as is generally known, the old tongue finally disappeared in the earlier

half of the nineteenth century. Words and sentences, and even such

things as the Creed and Lord’s Prayer were handed on, some of them to our

own day. The mother-in-law of the present writer, Mrs. W. J. Rawlings

(_née_ Hambly) of Hayle, who died in 1879 at the age of fifty-seven, had

learnt to repeat the Lord’s Prayer and Creed in Cornish when she was a

child at school at Penzance, but unluckily had quite forgotten them in

later life. In 1875 Mr. and Mrs. John Kelynack, Mrs. Soady, Mrs.

Tregarthen, and Captain Stephen Richards, all of Newlyn, and Mr. Bernard

Victor of Mousehole handed on to the Rev. W. S. Lach Szyrma, then vicar

of Newlyn, and to the present writer the tradition of the numerals and a

few words and sentences, which may be found in a paper contributed by the

present writer to the _Transactions of the Philological Society_ in 1876,

and a few years later Dr. Jago received some of the same tradition. Thus

it may be said that so long as any of these three are alive, a faint

flicker of living Cornish remains, even if there is no verity in the

weird legends of the survival of more as an esoteric language among the

peasantry and the mining and fishing folk of the West. But even if the

spoken Cornish be dead, its ghost still haunts its old dwelling, for the

modern English speech of West Cornwall is full of Celtic words, and

nine-tenths of the places and people from the Tamar to the Land’s End

bear Cornish names.

Mr. Hobson Matthews in his _History of St. Ives_, _Lelant_, _Towednack_,

_and Zennor_, has an interesting chapter on Cornish. He gives reasons

for supposing that the language survived in St. Ives, Zennor, and

Towednack even longer than in Mounts Bay, and states that the families of

Stevens and Trewhella were among the last to keep it up in Towednack. He

also mentions one John Davy, who was living in 1890 at Boswednack in

Zennor (a hamlet between the Gurnard’s Head and Zennor Churchtown), who

had some traditional knowledge of Cornish, knew the meanings of the

place-names in the neighbourhood, and “could converse on a few simple

topics in the ancient language.” Unless Mr. Matthews, whose judgment one

would trust in such a matter, actually heard him do so, the last

statement is not easy to believe.

CHAPTER II—THE LITERATURE AND OTHER REMAINS OF CORNISH

The following is a list, in order of date, of the known remains of

Cornish from the earliest times to the end of the eighteenth century.

There may be others of very early date, which have been hitherto

classified as old Welsh or Breton, such as the Lament for Geraint, King

of Devon, generally attributed to Llywarch Hen, and certain glosses in

Latin MSS.

1. _The Manumissions in the Bodmin Gospels_ (Add. MS. 9381, in the

British Museum). The MS. is of the tenth century, and belonged to St.

Petrock’s Priory of Black Canons, originally Benedictine, at Bodmin. At

the beginning and end are manumissions of serfs from whose names about

two hundred Cornish words may be gathered. These have been printed in

the _Revue Celtique_ (vol. i. p. 332), with notes by Dr. Whitley Stokes.

2. _The Cottonian Vocabulary_ (Cott. MS. Vesp. A. xiv., in the British

Museum). This forms part of a MS. of the end of the twelfth century, and

consists of about seven pages, preceded by a calendar containing many

Celtic names, and followed by lives of Welsh and Cornish saints. The

words are classified under various headings such as heaven and earth,

different parts of the human body, birds, beasts, fishes, trees, herbs,

ecclesiastical and liturgical terms, and at the end occur a number of

adjectives. It has been printed by Zeuss in his _Grammatica Celtica_, by

Dr. Norris with the _Ordinalia_, and has been incorporated into Canon

Williams’s Cornish Lexicon. Many of the words in it were incorporated by

Dr. John Davies in his Welsh Dictionary, as coming from what he calls the

_Liber Landavensis_, and a quotation from the Life of St. Cadoc in the

same MS. is spoken of in Camden’s _Britannia_ as coming from the Book of

Llandaff. The MS. evidently bore that name for a time. It is probable,

from certain mistakes in it, that the vocabulary is a copy of an earlier

one, in which the letters _Ƿ_ and þ of the Saxon alphabet were used.

Of about the same date as this manuscript was a composition in Cornish,

of which the original is lost, except a few words. This was a _Prophecy

of Merlin_, which only exists in a translation into Latin hexameters by

John of Cornwall, who in his notes gives a few words of the original,

which are certainly Cornish. Like many of the so-called Merlin

prophecies, this relates to the struggle between Stephen and the Empress

Matilda, but it contains local Cornish allusions of great interest. The

only known MS. is one of the fourteenth century, in the Vatican.

3. The single sentence, _In Polsethow ywhylyr anetkow_, in the Cartulary

of Glasney College. If the writer of the history of the foundation of

the college is correct, this prophecy, “In Polsethow [the Pool of Arrows,

the old name of Glasney] shall be seen habitations,” is older than the

foundation in 1265. It is therefore the oldest known complete sentence

of Cornish, and is interesting as containing the inflected passive

_whylyr_. There is an abstract of the cartulary, by Mr. J. A. C.

Vincent, in the 1879 volume of the _Journal of the Royal Institution of

Cornwall_, and this sentence is given there, with an explanatory note by

the late Mr. W. C. Borlase. The original belongs to Mr. Jonathan

Rashleigh of Menabilly.

4. On the back of a charter in the British Museum (Add. Charter 19,491)

the present writer discovered in 1877 a fragment of forty-one lines of

Cornish verse. The writing was very faint, indeed the MS. had passed

through other and by no means incompetent hands without this precious

endorsement being noticed, and the finder might have missed it too had he

not been deliberately looking for possible Cornish words on the backs of

a number of charters relating to St. Stephen-in-Brannel, after he had

finished the necessary revision of the cataloguing of these documents.

The date of the document is 1340, but the Cornish writing on the back is

somewhat later, perhaps about 1400. The language and spelling agree with

those of the _Poem of the Passion_ and the _Ordinalia_, and the exact

metre is not found anywhere else. The speaker (it may be a part in some

play) offers a lady to some other person as a wife, praises her virtues,

and then gives the lady some rather amusing advice as to her behaviour to

her future husband, and how to acquire the position attributed in Cornish

folklore to the influence of the Well of St. Keyne and St. Michael’s

Chair. A copy of these verses was printed in the _Athenæum_ in 1877,

but, as the writer admits, his readings were not at all good, for the

writing was very faint. Dr. Whitley Stokes, who had the advantage of

working on a photograph, which brought out many letters which were

invisible in the original, published an amended version in the _Revue

Celtique_.

5. _The Poem of Mount Calvary_, or _The Passion_.—There are five MSS. of

this in existence. One is in the British Museum (Harl. 1782), and is

probably the original, said to have been found in the church of Sancreed.

It is a small quarto, on rough vellum, written very badly in a

mid-fifteenth-century hand, and embellished with very rude pictures. Of

the other copies, two are in the Bodleian, an incomplete and much

“amended” one in the Gwavas collection of Cornish writings in the British

Museum, with an illiterate translation by William Hals, the Cornish

historian, and one is in private hands. It has been twice printed, once

with a translation by John Keigwin of Mousehole, edited by Davies Gilbert

in 1826, and by Dr. Whitley Stokes for the Philological Society in 1862.

There is very little in this poem beyond a versified narrative of the

events of the Passion, from Palm Sunday to Easter morning, taken directly

from the four Gospels, with some legendary additions from the Gospel of

Nicodemus and elsewhere, preceded by an account of our Lord’s fasting and

temptation. The metre consists of eight-lined stanzas (written as four

lines) of seven-syllabled lines. There are two hundred and fifty-nine of

these stanzas.

6. _The Ordinalia_.—These consist of three dramas collectively known

under this title. The first play, called _Origo Mundi_, begins with the

Creation of the World, the Fall of Man, Cain and Abel, etc.; this being

followed by the building of the Ark and the Flood, the story of the

temptation of Abraham closing the first act. The second act gives us the

history of Moses, and the third represents the story of David and of the

building of Solomon’s Temple, curiously ending with a description of the

martyrdom of St. Maximilla as a Christian (!) by the bishop placed in

charge of the temple by Solomon. The second play, _Passio Domini_,

represents the Temptation of Christ, and the events from the entry into

Jerusalem to the Crucifixion; and this goes on without interruption into

the third play, _Resurrectio Domini_, which gives an account of the

Harrowing of Hell, the Resurrection, and the Ascension, with the Legend

of St. Veronica and Tiberius, and the death of Pilate. As in the _Poem

of the Passion_, the pseudo-Gospel of Nicodemus and other legendary

sources are drawn upon.

But running through the whole and interwoven with the Scriptural

narrative comes the beautiful and curious Legend of the Cross. The

legend, most of which is in the dramas, is this. When Adam found himself

dying, he sent his son Seth to the Gates of Paradise to beg of the angel

that guarded them the oil of mercy, that his father might live. The

angel let him look into Paradise, where he saw many strange and beautiful

foreshadowings of things that should be upon the earth; and the angel

gave him three seeds from the Tree of Life, and he departed. When he

came to where his father was, he found that he was already dead, and he

laid the three seeds in his mouth, and buried him therewith on Mount

Moriah; and in process of time the three seeds grew into three small

trees, and Abraham took of the wood thereof for the sacrifice of Isaac

his son; and afterwards Moses’ rod, wherewith he smote the rock, was made

from one of their branches. And soon the three trees grew together into

one tree, whereby was symbolised the mystery of the Trinity; and under

its branches sat King David when Nathan the Prophet came to him, and

there he bewailed his sin, and made the Miserere Psalm. And Solomon,

when he would build the Temple on Mount Sion, cut down the tree, which

was then as one of the chiefest of the cedars of Lebanon, and bid men

make a beam thereof; but it would in no wise fit into its place,

howsoever much they cut it to its shape. Therefore Solomon was wroth,

and bid them cast it over the brook Cedron as a bridge, so that all might

tread upon it that went that way. But after a while he buried it, and

over where it lay there came the Pool Bethesda with its healing powers;

and when our Lord came on earth the beam floated up to the surface of the

pool, and the Jews found it, and made thereof the Cross whereon Christ

died on Calvary.

The metres of these plays are various arrangements of seven and

four-syllabled lines, of which more anon in the chapter on prosody.

There are three MSS. of this Trilogy in existence, 1. The Oxford MS. of

the fifteenth century, from which the others were copied, and from which

Dr. Edwin Norris edited the plays in 1859. 2. Another Oxford MS.,

presented to the Bodleian by Edwin Ley of Bosahan about 1859, with a

translation by John Keigwin. The copy of the text is older by a century

than the translation. 3. A copy in the library of Sir John Williams,

Bart., of Llanstephan, Carmarthenshire, with an autograph translation by

Keigwin. This was Lhuyd’s copy.

7. _The Life of St. Meriasek_.—This play, the MS. of which was written

by “Dominus Hadton” in the year 1504, as appears by the colophon, was

discovered by Dr. Whitley Stokes some thirty-two years ago among the MSS.

of the Peniarth Library, near Towyn in Merioneth. It represents the life

and death of Meriasek, called in Breton Meriadec, the son of a Duke of

Brittany, and interwoven with it is the legend of St. Sylvester the Pope

and the Emperor Constantine, quite regardless of the circumstance that

St. Sylvester lived in the fourth century, and St. Meriasek in the

seventh. The play contains several references to Camborne, of which St.

Meriasek was patron, and to the Well of St. Meriasek there. It is

probable that it was written for performance at that town. The language

of the play is later than that of the _Ordinalia_, the admixture of

English being greater, while a few of the literal changes, such as the

more frequent substitution of _g_ (soft) for _s_, and in one instance

(_bednath_ for _bennath_) the change of _nn to dn_, begin to appear. The

grammar has not changed much, but the use of the compound and impersonal

forms is more frequent, and the verb _menny_ has begun to be more

commonly used as a simple future auxiliary. The metres are much the same

as those of the _Ordinalia_. The spelling is rather more grotesque and

varied. But, since this play (or combination of plays) is to a large

extent on local Cornish and Breton, rather than on conventional

Scriptural lines, it has an interest, full of mad anachronisms as it is,

which is not to be found in the Biblical plays. Some passages are of

considerable literary merit, and a good deal of early Cornish and Breton

history is jumbled up in it, and yet remains to be worked out, for Dr.

Whitley Stokes’s excellent edition of 1872 does not go very much into

historical side questions. It is unlucky that this play was not

discovered until after the publication of Canon Williams’s Lexicon, but

his own interleaved copy of the Lexicon, with words and quotations from

_St. Meriasek_, is in the possession of Mr. Quaritch of Piccadilly, and

Dr. Stokes has published forty pages of new words and forms from the same

play in _Archiv für Celtische Lexicographie_.

8. The Cornish conversations in Andrew Borde’s _Booke of the

Introduction of Knowledge_, printed in 1542.—These consist of the

numerals and twenty-four sentences useful to travellers. They were

evidently taken down by ear, and appear in a corrupted form. Restored

texts, agreeing in almost every detail, were published by Dr. Whitley

Stokes in the _Revue Celtique_, vol. iv., and by Prof. Loth in the

_Archiv fur Celtische Lexicographie_ in 1898.

9. In Carew’s _Survey of Cornwall_, 1602, are the numerals up to twenty,

with a hundred, a thousand, and what is meant for ten thousand, but is

really something else. There are also ten words compared with Greek, a

dozen phrases, some more words, and the Cornish equivalents of twelve

common Christian names.

10. _The Creation of the World_, _with Noah’s Flood_, by William Jordan

of Helston, A.D. 1611. The construction of this play is very like that

of the first act of the _Origo Mundi_ (the metres are substantially the

same), and the author has borrowed whole passages from it; but as a whole

Jordan’s play possesses greater literary merit, and there are many

additions to the story in it, and much amplification of the ideas and

dialogue. Occasionally sentences of several lines in English are

introduced, and it is curious to note that whenever this is the case,

they are given to Lucifer or one of his angels, and in such a manner as

to seem as if the author meant to imply that English was the natural

language of such beings, and that they only spoke Cornish when on their

good behaviour, relapsing into their own tongue whenever they became more

than ordinarily excited or vicious. Five complete copies of this play

are known, two of which are in the Bodleian, one in the British Museum

(Harl. MS. 1867), and two are in private hands (one bound up with the MS.

of _The Passion_ already mentioned). Besides these there is a fragment

in a similar hand to that of the complete Museum copy (certainly not that

of John Keigwin, who translated the play in 1693 at the request of Sir

Jonathan Trelawny, then Bishop of Exeter, though it has his translation

on the opposite pages to the text) in the Gwavas collection in the

British Museum. In a list of books published in _Welsh_ (as it is

expressed), given in one of Bagford’s collections for a History of

Printing (Lansdowne MS. 808, in the British Museum), mention is made of

this play. No date is given, but the names of the books are arranged

chronologically, and this comes between one of 1642 and one of 1662. The

play has been printed (with Keigwin’s translation) by Davies Gilbert in

1827, and with a translation by Dr. Whitley Stokes in the Philological

Society’s volume for 1864. Of William Jordan, the writer, nothing is

known whatever. He may have been merely the transcriber, and it is

possible that the transcription may be connected with that revival of

Cornish patriotism which seems to have happened in the early seventeenth

century.

11. _Nebbaz Gerriau dro tho Carnoack_ (A few words about Cornish), by

John Boson of Newlyn. The only known MS. of this little tract in Cornish

and English was formerly among the MSS. of Dr. William Borlase in the

possession of his descendant, Mr. W. C. Borlase. The present writer had

it in his possession for a short time in 1877 or 1878, and copied about

half of it, but returned it to Mr. Borlase, who wanted it back, and it

was then printed in the 1879 volume of the _Journal of the Royal

Institution of Cornwall_. At the time of the sale of Mr. Borlase’s

library, this tract, which when the present writer last saw it used to

live between the pages of Dr. Borlase’s MS. Collections on Cornish, did

not appear, and its present ownership is unknown. It is in the

handwriting of the Rev. Henry Usticke, Vicar of Breage (died 1769), and

in the Gwavas MS. in the British Museum there are several pieces in the

same hand. As a copy of Boson’s original it is rather inaccurate, but

Boson wrote by no means a clear hand. It is of great interest as the

composition of one who, though he was brought up to speak English, as he

himself says, had acquired a thorough knowledge of Cornish as it was

spoken in his day, without having even looked at any of the literary

remains of the language. He was also a man of general education, and in

this tract and in his letters is rather fond of airing his Latin. Very

little is known of him except that he was the son of Nicholas Boson and

was born at Newlyn in 1655 and died some time between 1720, the date of

his last letter to Gwavas, and 1741, the date of the death of the latter,

who is recorded to have received a copy of verses in Cornish found among

Boson’s papers after his death. The date of the _Nebbaz Gerriau_ is

unknown, but it mentions a little book called _The Duchess of Cornwall’s

Progress_, which the author says that he wrote “some years past” for his

children, refers (though not by name) to John Keigwin, who died in 1710,

as being still alive, and does not mention Lhuyd’s Grammar, published in

1707, so that we may infer that the date is somewhere about 1700. _The

Duchess of Cornwall’s Progress_, which had at least thirty pages (for he

refers to the thirtieth page), was probably in English, with a few

passages in Cornish, which Dr. Borlase, who had seen two copies of it,

transcribed into his Cornish Collections. Judging from his letters and

from this tract, John Boson was a man of considerable intelligence, and

one about whom one would like to know more, and his Cornish writings are

of more value than those of the somewhat pedantic Keigwin.

12. _The Story of John of Chy-an-Hur_.—This is a popular tale of some

length, of a labouring man who lived at Chy-an-Hur, or the Ram’s House,

in St. Levan, and went east seeking work, and of what befell him. It is

the _Tale of the Three Advices_, found in many forms. It appears first

in Lhuyd’s Grammar, printed in 1707, where it has a Welsh translation.

Lhuyd says that it “was written about forty years since,” which dates it

_circ._ 1667. Part of it, undated, but in the hand of John Boson, occurs

with an English translation in the Gwavas MS. (Brit. Mus., Add. MS.

28,554). This, as appears by a note on the back of the first leaf, was

written out for Gwavas’s instruction in Cornish. The spelling is

altogether different from Lhuyd’s. Another copy in Cornish of Lhuyd’s

spelling, with an English translation, is in the Borlase MS., copied from

the lost MS. of Thomas Tonkin, with some corrections by Dr. Borlase. It

was printed with Lhuyd’s Welsh and an English version, in Pryce’s

_Archæologia Cornu-Britannica_ in 1790, and by Davies Gilbert at the end

of his edition of Jordan’s _Creation_, 1827, in Cornish and English. The

English versions of Borlase, Pryce, and Davies Gilbert are substantially

the same, and are probably Tonkin’s. An English version, translated from

Lhuyd’s Welsh, but pretended to be from Cornish, was printed in

_Blackwood’s Magazine_ in 1818, and again in an abridged and expurgated

form in Mr. J. Jacob’s collection of Celtic Fairy Tales in 1891. There

is a much amplified version of the story in English in William

Botterell’s _Traditions and Hearthside Stories of West Cornwall_,

published at Penzance in 1870, and a short and rather foolish one in

Hunt’s _Popular Romances of the West of England_, 1865, 1871, 1881. The

language is a good specimen of the latest Cornish. The same story is

given as an Irish folk-tale in an early volume of _Chambers’s Journal_.

13. The Preface to the Cornish Grammar in Lhuyd’s _Archæologia

Britannica_. This consists of two and a quarter folio pages of close

print, and is written in the Cornish of his own day. It is the work of a

foreigner, but is nevertheless very well done. A not very good

translation, probably the work of Tonkin and Gwavas, is given by Pryce,

and reprinted by Polwhele in the fifth volume of his History.

14. The rest of the remains of Cornish consist of a few songs, verses,

proverbs, epigrams, epitaphs, maxims, letters, conversations, mottoes,

and translations of chapters and passages of Scripture, the Lord’s

Prayer, the Creed, the Ten Commandments, King Charles’s Letter, etc.

They are found in the Gwavas MS. (Brit. Mus., Add. MS. 28,554), a

collection made by William Gwavas, barrister-at-law, and ranging in date

from 1709 to 1736; in the Borlase MS. of the date of about 1750, in the

handwriting of Dr. William Borlase, Rector of Ludgvan, formerly in the

possession of his descendant, the late W. C. Borlase, F.S.A., M.P., but

now belonging to Mr. J. D. Enys, of Enys; in Pryce’s _Archæologia

Cornu-Britannica_, 1790, and in Davies Gilbert’s editions of the _Poem of

the Passion_ and Jordan’s play of _The Creation_, published respectively

in 1826 and 1827. Those in the Borlase MS. (except a few from a work of

John Boson), and those printed by Pryce and Davies Gilbert, were probably

taken from the Gwavas MS. and from Tonkin’s MSS. There is also one

epitaph dated 1709 in Paul Church, an epitaph on Dolly Pentreath, which

does not appear ever to have been inscribed on her tomb, and the letter

of William Bodenor in 1776.

These fragments may be classified as follows:—

Songs and Poems.

1. Lhuyd’s Elegy on William of Orange, 1702. Sixty-three lines of verse

in rhyming triplets, in modern Cornish, with occasional archaic turns. A

copy occurs in the Gwavas MS.; it was printed by Pryce, with a Latin

version, as part of a correspondence between Lhuyd and Tonkin, and by

Polwhele in his fifth volume, with the same correspondence. There is a

copy with an English version by John Keigwin in the library of Sir John

Williams, Bart., of Llanstephan.

2. A song beginning “_Ma leeas gwreage_, _lacka vel zeage_,” a series of

moral platitudes on married life and the bringing up of children, by

James Jenkins of Alverton, near Penzance (died 1710). This consists of

five stanzas of five or six lines each. There is a complete copy in the

Gwavas MS., and a copy wanting one line in the Borlase MS., and this in

complete version, with a translation, has been printed by Pryce and

Davies Gilbert. A note in Pryce says that Tonkin had it from Lhuyd and

again from Gwavas, whose is the translation. It is in idiomatic late

Cornish, in rather wild spelling.

3. Song on James II. and William of Orange, by John Tonkin of St. Just,

a tailor, who appears to have been a solitary Whig in a nation of

Jacobites, as with very few exceptions the Cornish certainly were. It

begins, “_Menja tiz Kernuak buz galowas_,” and consists of fourteen

four-lined stanzas of modern Cornish, probably composed in 1695, to judge

by the historical allusions. It is in the Gwavas MS. only, and has never

been printed.

4. A song of moral advice by the same writer, beginning “_Ni venja pea a

munna seer_,” and consisting of seven four-lined stanzas, only one of

which, beginning “_An Prounter ni ez en Plew East_,” has been printed

(from the Borlase MS.) in the _Journal of the Royal Institution of

Cornwall_ for 1866. The complete song is in the Gwavas MS., and has

never been published.

5. A song beginning “_Pelea era why moaz_, _moz_, _fettow_, _teag_”

(Where are you going, fair maid? he said). This consists of six

four-lined stanzas, the second and fourth lines of each stanza being the

burthen:—

“_Gen agaz bedgeth gwin_ (or according to Borlase, Tonkin, and

Gwavas, _pedn du_) _ha agaz blew mellyn_”

(With your white face, or black head, and your yellow hair)

and

“_Rag delkiow sevi gwra muzi teag_”

(For strawberry leaves make maidens fair).

The song was sung by one Edward Chirgwin or Chygwin, “brother-in-law to

Mr. John Groze of Penzance, at Carclew, in 1698,” as a note by T. Tonkin

says. Whether it was translated from English or whether the Cornish is

the original does not appear. The story is not quite the same (or quite

so scrupulously “proper”) as the English nursery version. There is a

copy in the handwriting of Chirgwin in the Gwavas MS., and one copied

from Tonkin’s MS. in the Borlase MS. It was printed by Pryce in an

amended form, and by Polwhele.

6. A song on the curing of pilchards (not a very poetical subject) by

John Boson. Twenty-six lines of rhyming couplets beginning “_Me canna ve

war hern gen cock ha ruz_” (I will sing, or my song is, of pilchards with

boat and net), and describing the process of bringing the fish ashore and

putting them into bulks and making “fairmaids” of them. There is a copy

with a translation in the Borlase MS., which was printed in the _Journal

of the Royal Institution of Cornwall_ for 1866, and Davies Gilbert

printed it at the end of his edition of Jordan’s _Creation_ in 1827, but

without any translation.

Verses and Epigrams.

1. Nine short sayings in verse, printed in Pryce and Davies Gilbert, and

copied by Borlase from Tonkin. The first, “_An lavar goth ewe lavar

gwir_,” etc., occurs also in Lhuyd.

2. Epigram on the verdict in the suit of Gwavas _v._ Kelynack,

respecting tithes of fish. Eight lines by W. Gwavas. It occurs in the

Gwavas and Borlase MSS., and in Pryce and Polwhele.

3. “To Neighbour Nicholas Pentreath,” by Gwavas. Six lines. In the

Borlase MS., and in Pryce and Polwhele.

4. “Advice from a friend in the country to his neighbour who went up to

receive £16,000 in London,” by John Boson. In the Borlase MS., and in

Pryce and Polwhele. Eight lines.

5. “On a lazy, idle weaver.” In the Gwavas and Borlase MSS., and in

Pryce and Polwhele. Six lines.

6. “Verses on the Marazion Bowling-Green.” In the Gwavas and Borlase

MSS., and in Pryce and Polwhele. Six lines by Gwavas.

7. “Advice to Drunkards.” Four lines, by Gwavas. In the Gwavas and

Borlase MSS., and in Pryce and Polwhele.

8. A Cornish riddle. Five lines. In the Gwavas and Borlase MSS., and

in Pryce, Gilbert, and Polwhele.

9. “Advice to all men.” Written by Gwavas to form part of his own

epitaph. Four lines.

10. “Another” [of the same sort], three lines, also by Gwavas.

11. “A concluding one,” four lines, also by Gwavas. These last three,

copied from the same page of the Gwavas MS., all occur also in the

Borlase MS., and in Pryce, Gilbert, and Polwhele.

12. “A Fisherman’s Catch,” given by Capt. Noel Cator of St. Agnes to T.

Tonkin, 1698. In the Borlase MS., and printed in the _R_. _I_. _C_.

_Journal_, 1866, and in Mr. Hobson Matthews’s History of St. Ives,

Lelant, Towednack, and Zennor.

13. Six lines of moral advice, found among the papers of J. Boson after

his death, and given to Gwavas. In the Borlase MS., and _R_. _I_. _C_.

_Journal_, 1866.

14. Certificate of Banns from W. Drake, Rector of St. Just, to Thos.

Trethyll, Vicar of Sennen. Two versions, one in the Gwavas MS. and one

in Pryce, the latter being also in the Borlase MS. Drake died in 1636.

15. Verses on a silver hurling ball given to W. Gwavas. Seven lines by

Thos. Boson, 1705. In the Gwavas MS. Unpublished.

16. Three couplets of verse, and a short piece of prose from J. Boson’s

_Duchess of Cornwall’s Progress_. In the Borlase MS. Unpublished.

17. Prophecy, attributed to Merlin, of the burning of Paul, Penzance,

and Newlyn. Two lines. In the Borlase MS., and often printed in Cornish

histories and guide-books.

18. Elegy on the death of James Jenkin of Alverton. Four verses of

three lines each, by John Boson, 17 Feb. 17 [11/12]. In the Gwavas MS.

Unpublished.

Proverbs, Mottoes, and Maxims.

1. From Scawen. Fourteen proverbs. In the Borlase MS.; printed in the

edition of Tonkin’s abridgment of Scawen’s _Antiquities

Cornu-Britannick_, 1777, and in Davies Gilbert’s History, and in his

edition of the _Poem of the Passion_. Also in _R_. _I_. _C_. _Journal_,

1866, with sixteen others from the Borlase MS.

2. Mottoes of the families of Gwavas, Harris of Hayne, {39} Glynne,

Tonkin, Godolphin, Boscawen, Polwhele, Noye, and Willyams of Carnanton.

All except those of Glynne, Noye, and Willyams are printed in Pryce. All

but Glynne and Willyams occur in Davies Gilbert’s edition of Jordan’s

_Creation_, and the Willyams motto, though it occurs as a Cornish phrase

in Pryce’s preface and in the Gwavas and Tonkin MSS., is only found as a

motto in pedigree books and on the sign-board of the inn in Mawgan

Churchtown. The Glynne motto, “_Dre weres agan Dew_” (Through the help

of our God), is given, with an incorrect translation, in Mr. Hobson

Matthews’s History.

3. Mottoes for bowls, occurring in the Gwavas MS., and some in Davies

Gilbert’s edition of _The Creation_.

4. Maxims, proverbs, etc., about thirty in number, in the Borlase MS.,

in Pryce, and in Davies Gilbert’s edition of _The Creation_, under the

title of “Sentences in vulgar Cornish.” Some of them are also in the

Gwavas MS.

Conversations and Phrases.

1. About seventy sentences, in the Borlase MS., in Pryce, and in Davies

Gilbert’s edition of _The Creation_, under the title of “Things occurring

in common discourse.” There are some additional ones in the Borlase MS.

2. About a hundred and fifty phrases, sentences, and idioms, copied by

Dr. Borlase from Lhuyd’s MSS. Some, but by no means all, are in Lhuyd’s

Grammar.

3. A considerable number of similar phrases scattered throughout

Borlase’s Cornish Vocabulary at the end of his History of Cornwall.

These are to be found, evidently copied from the Vocabulary, in a

manuscript which belonged in 1777 to Henry Brush of Carnaquidn Stamps (on

the road from Penzance to Zennor), which place belonged to William Veale

of Trevaylor, who married the daughter of Gwavas. The MS. is now in the

possession of a descendant of Henry Brush.

4. A few expressions and phrases scattered through the Gwavas MS., in

the letters of Boson, and in letters and notes of Gwavas.

Epitaphs.

1. On James Jenkins, by John Boson, 17[11/12], in the Gwavas MS. Four

lines. The Borlase MS., quoting the very letter in which it occurs, says

that it is on John Keigwin, which is a mistake.

2. On John Keigwin, by John Boson, 1715. In the Gwavas MS. Four lines.

3. On Capt. Stephen Hutchens, in Paul Church, 1709. The only Cornish

inscription in any church. Probably by John Boson. Two lines.

Frequently printed in guide-books, etc.

4. On William Gwavas, by himself. In the Gwavas MS., and in Pryce,

Polwhele, and Davies Gilbert. Partly in English.

These four are also in the Borlase MS., and are printed in the _R_. _I_.

_C_. _Journal_, 1866.

5. On Dolly Pentreath, by --- Tompson of Truro, engineer. Printed by

Polwhele, and later in Blight’s _Week at the Land’s End_, and other

guide-books. A variant occurs in John Skinner’s _Journal of a Tour in

Somerset_, _Devon_, _and Cornwall_, 1797, in Add. MS. 28,793, f. 62, in

the British Museum.

Letters.

1. William Gwavas to Oliver Pender, 11th August 1711. Partly in

Cornish.

2. Oliver Pender to W. Gwavas, 22nd August 1711. Mostly in Cornish.

3. John Boson to W. Gwavas, 5th April 1710. Nearly all in Cornish.

4. An unsigned letter, including a version of the “Old Hundredth.”

Partly in rhyme.

5. Note, addressed apparently to one going to America, by William

Gwavas, 1710, on the back of a copy of the Creed in Cornish.

These five are in the Gwavas MS., and have never been printed.

6. Letter of William Bodenor to the Honble. Daines Barrington, 3rd July

1776. Printed in _Archæologia_ (vol. v., 1779), in “Uncle Jan

Treenoodle’s” _Specimens of Cornish Provincial Dialects_, 1846; in a

paper on the Cornish Language by the present writer in the _Transactions

of the Philological Society_, 1873, and in _Archiv für Celtische

Lexicographic_, with notes and emendations by Prof. Loth, in 1898.

Translations.

Passages of Scripture.

_Genesis_ i. Two versions, one by John Boson and one probably by John

Keigwin. Both are in the Gwavas MS. One, Boson’s, with his name to it,

is in the Borlase MS. Boson’s was printed by D. Gilbert at the end of

his edition of the _Poem of the Passion_, and in a much revised form by

Canon Williams at the end of his Lexicon. Keigwin’s version was printed

by D. Gilbert at the end of his edition of Jordan’s _Creation_. There

are many verbal variations from the Gwavas copies in the printed

editions.

_Genesis_ iii., translated by William Kerew, in the Gwavas MS. Published

by Prof. Loth in the _Revue Celtique_, April 1902.

_St. Matthew_ ii. 1-20, translated by W. Kerew, in the Gwavas MS.

Published in the _Revue Celtique_, April 1902.

_St. Matthew_ iv., also by W. Kerew, in the Gwavas MS. Published in the

_Revue Celtique_, April 1902.

The last three were copied from a MS. of Matthew Rowe of Hendra in

Sancreed, by H. Usticke.

_Proverbs_ xxx. 5, 6.

_Psalms_ ii. 11; vii. 11; xxxv. 1, 2.

These are in the Gwavas MS., probably translated by W. Gwavas himself.

Unpublished.

_The Hundredth Psalm_, of the Sternhold and Hopkins version, literally

translated line for line, followed by an unsigned letter partly in rhyme.

In the Gwavas MS. Unpublished.

The Lord’s Prayer.

There are ten versions extant besides the modern one of Canon Williams.

1. In John Davies’s _Llyfr y Resolusion_ (a translation of Robert

Parsons’s _Book of Christian Exercise_), printed in 1632, and again in

1684. Translated from the Latin.

2. In Scawen’s _Antiquities Cornu-Brittanick_, circ. 1680. Printed in

Tonkin’s abridgment in 1777. The same version is given in Bishop

Gibson’s additions to Camden’s _Britannia_ in 1695, and by Polwhele.

3, 4. Two versions in John Chamberlayne’s _Oratio Dominica in diversas

linguas versa_, 1715, one of which is evidently meant for the version in

Scawen and Camden.

5, 6. Two versions by John Keigwin, one said to be in Ancient Cornish

and the other in Modern. Both are in the Gwavas and Borlase MSS., and

were printed by Pryce and D. Gilbert.

7, 8. Two versions, one by John and one by Thomas Boson, in the Gwavas

MS. Unpublished.

9, 10. Two versions by W. Gwavas, in the Gwavas MS. Unpublished. One

of these, nearly identical with Keigwin’s Modern, is said in a note to

have been collected from J. Keigwin, Thomas Boson, Captain Thomas Tonkin,

Oliver Pender, James Schollar, and T. Tonkin.

The first four are without the εκφώνησις at the end. All except the

first are from the English.

The Apostles’ Creed.

1. In the _Llyfr y Resolusion_, 1632, 1684.

2. In Scawen and in Gibson’s Camden.

3. In Hals’s _History of Cornwall_.

4, 5. By John Keigwin, one in the Gwavas MS. and both m the Borlase MS.,

and printed by Pryce and D. Gilbert.

6. By Thomas Boson, in the Gwavas MS. Unpublished.

7, 8. By William Gwavas, in the Gwavas MS. Unpublished.

There is a modern revised version in Williams’s Lexicon.

The Ten Commandments.

1, 2. By John Keigwin, one in the Gwavas MS., and both in the Borlase

MS., and in Pryce and D. Gilbert. One of these in a revised form is in

Williams’s Lexicon.

3. In the Gwavas MS., but without name. Unpublished.

4. By John Boson, in the Gwavas MS. Printed with notes by Prof. Loth in

vol. xxiv. of the _Revue Celtique_.

5. By William Kerew, in the Gwavas MS. Printed with the preceding.

6. By T. Boson, in the Gwavas MS. Unpublished.

7. By W. Gwavas, in the Gwavas MS. Unpublished.

The Words of Administration of Holy Communion.

These are stated to be the words used by William Jackman, Vicar of St.

Feock. They occur in Hals’s History.

King Charles I.’s Letter to the People of Cornwall.

This is a translation by John Keigwin of the Letter of Thanks from the

Martyr King to the People of Cornwall for their loyalty in 1643, still to

be seen in many churches in the Duchy. It occurs in the handwriting of

Keigwin in the Gwavas MS., and in Dr. Borlase’s hand in the Borlase MS.

It has been misprinted, with notes by the present writer (who had no

opportunity of revising the proofs), in the Rev. A. Cummings’s _History

of Cury and Gunwalloe_, 1875, and Mrs. Dent’s _Annals of Winchcombe and

Sudeley_ (the place from which the original Letter is dated), 1877.

* * * * *

The following grammatical and lexicographical pieces belong more or less

to the living period of Cornish:—

1. Lhuyd’s _Cornish Grammar_, printed in his _Archæologia Britannica_ in

1707, and reprinted by Pryce in 1790.

2. Lhuyd’s _Cornish Vocabulary_. The unpublished MS. belongs to Sir

John Williams, Bart., of Llanstephan, Carmarthenshire. Most of the words

in it are to be found in Borlase’s and Pryce’s Vocabularies (see below).

They were collected partly from the Dramas, partly from the Cottonian

Vocabulary, and partly from living people.

3. _The Gwavas Vocabulary_. This is a short vocabulary of the latest

Cornish (extending from A to O) in the Gwavas MS. The words were

incorporated into Borlase’s Vocabulary.

4. _The Hals Vocabulary_. This is a fragment (A to C) in the Gwavas MS.

It is fantastic and of little value.

5. _The Borlase Vocabulary_, compiled from the MSS. of Lhuyd, Gwavas,

and Tonkin, from Lhuyd’s _Archæologia_, from oral tradition, and from

other sources. The original MS. is in the Borlase Collection, now

belonging to Mr. J. D. Enys, and it was printed at the end of Dr.

Borlase’s _Antiquities Historical and Monumental of Cornwall_ in 1754,

and again, revised, in 1769. It is a copious vocabulary, but is rendered

rather less valuable by the inclusion of a large number of Welsh and

Breton words, gathered chiefly from other parts of Lhuyd’s _Archæologia_,

or from John Davies’s Welsh Dictionary.

6. _Pryce’s Vocabulary_, or rather that of Gwavas, Tonkin, and Pryce.

Printed, with Pryce’s edition of Lhuyd’s Grammar, at Sherborne in 1790.

Some of this vocabulary was collected from the literary remains of

Cornish, but a very large part was compiled from living tradition, not

much by Pryce himself, but by Gwavas and Tonkin.

Though some of these have been used by Canon Williams in his _Lexicon

Cornu-Britannicum_, by Dr. Whitley Stokes in his Supplementary Cornish

Glossary (_Transactions of the Philological Society_, 1868-9), and still

more in Dr. Jago’s English-Cornish Dictionary, they have not been

thoroughly exhausted yet, and a good many more words may be collected

from them, as also from the attempted interpretations of place-names in

Pryce’s book and in the Gwavas MS.

PART II—THE GRAMMAR OF THE CORNISH LANGUAGE

INTRODUCTORY NOTE

The Cornish language divides very naturally into three periods, (1)

Ancient, (2) Middle, (3) Modern.

1. The Ancient period is only represented by the Cottonian Vocabulary,

which, though a MS. of the twelfth century, is probably a copy of a much

earlier one, by perhaps a few glosses, and by the names in the Bodmin

Gospels. It has no extant literature.

2. The Middle period is that of the Add. Charter fragment, the

_Ordinalia_, the _Poem of the Passion_ (fifteenth century), the _Life of

St. Meriasek_ (1504), and to some extent of the play of _The Creation_

(1611), though the last is partly transitional. Judging from the few

words preserved in John of Cornwall’s twelfth-century translation of a

prophecy of Merlin, the lost original of that was perhaps in an early

form of Middle Cornish.

3. The Modern period begins with the few sentences in Andrew Borde’s

book (1542), and continues to the end.

As the whole of the extant literature of Middle Cornish is in verse, it

gives us little help as regards the colloquial Cornish even of its own

period, and judging from Andrew Borde’s sentences, only some forty years

later than the _St. Meriasek_ and seventy years earlier than Jordan’s

play, Middle and Modern Cornish must have overlapped one another a good

deal. It is probable that those who wrote verse would continue to use

archaic forms long after they had been dropped in prose and in

conversation. But the difference between Middle and Modern Cornish is

not really very great, and comes to very little more than a difference of

spelling, an uncertainty about the final letters of certain words, and a

tendency to contractions, elisions, and apocopations in words, which,

though recognised in their fuller form in the spelling of Middle Cornish

verse, may have been nearly as much contracted, elided, and apocopated in

Middle Cornish conversation. Dr. Whitley Stokes points out in his

edition of Jordan’s _Creation_ certain changes, and though the language

of that play is substantially Middle Cornish, the spelling is largely of

the pre-Lhuydian popular Modern Cornish sort. Among these changes are

the following:—

1. The final _e_ becomes _a_. [This is perhaps only a question of

spelling, and need not imply a difference of sound. Probably a sound

as of the German final _e_ is intended. {50}]

2. _th_ and _gh_ have become mute, and are often interchanged. [In

Modern Cornish _th_ is often omitted, or represented by _h_.]

3. _m_, _n_, become respectively _bm_, _dn_. [Probably the sounds

existed long before they were recognised in spelling.]

4. _s_ becomes frequently a soft _g_ (_j_). [This _j_ sound also may

have existed long before it was written as a _g_ or _j_. The _s_ of

the earlier MSS. was probably never intended to represent in these

cases a true _s_. Dr. Stokes might also have mentioned the similar

cases of _she_ being used where the older MSS. write _sy_ for the

second person singular.]

The apparent changes of vowel sounds in the still later Cornish, more

fully discussed further on, are mostly these:

1. _a_ long sometimes becomes _aw_, especially before _l_, _n_, or

_r_, and occasionally as a final; _a_ short, under similar

circumstances, becomes _o_ short.

2. _u_, with (approximately) the French sound of that letter, becomes

_ee_ (_î_), or else _ew_, as in the English word _dew_.

3. _eu_, _ue_, with the French sound of _eu_, or the German _o_,

becomes _ê_ (=_ay_ in _may_).

4. _y_ of Middle Cornish, perhaps pronounced as _ĭ_, but sometimes

obscurely, like the primary sound of the Welsh _y_, often became short

_e_.

5. An open long _y_, which may have been sounded _ee_ (_î_) in Middle

Cornish, often later became _ei_ (or as _i_ in _mine_), though there

are inconsistencies in this respect, showing that the change was not

universal.

6. In a considerable number of cases short _o_ became the “obscure

vowel,” _o_ of _London_ or _u_ of _until_.

It does not follow that these were very distinct changes between Middle

and Modern Cornish. Possibly the change in sound was a good deal less

than on paper, and consisted in intensifying earlier changes. The Middle

Cornish system of spelling looks very like an inheritance from an earlier

time still.

The grammatical changes were few, and, except for a diminishing use of

pronominal suffixes, those, like the new preterite of _gwîl_, to do, were

chiefly false analogies, or else imitations of English. But it is to be

remembered that a great proportion of the remains of Modern Cornish

consists of translations and a few original compositions by persons whose

own language was English, who had in some cases learnt Cornish very

imperfectly. This would apply to most of the translations of passages of

Scripture, to Lhuyd’s Preface (though, of course, _his_ own language was

Welsh), and to Gwavas’s attempts. The really valuable specimens are the

writings of Boson, Bodenor’s Letter to Daines Barrington, some of the

Gwavas MS. letters and songs, and the story of John of Chy-an-Hur.

These, written by men who spoke Cornish fluently and had no theories and

often no knowledge of philology, probably represent what people really

spoke in the seventeenth and eighteenth centuries. That faintness and

even silence of final letters, which seems to have been a characteristic

of Cornish as it is of French, was the cause that, in writing as

phonetically as they knew how, these practical speakers of Cornish often

omitted the ends of words, and made it seem as though their verbs had

largely lost their inflections. Words were spelt alike which should have

been differentiated—it was as though one should spell _avais_, _avait_,

_avez_, and _avaient_ all alike, and words were run together that should

have had at least apostrophes between them; but the grammar was not

always as broken-down as it looks, and by a comparison with the older

remains of Cornish it is not difficult to restore approximately the

proper spelling. The Cornish represented in Lhuyd’s writings has tended

to confuse some things. Lhuyd was a Welshman, and is constantly trying

to run off into Welsh, and he had for his teacher John Keigwin, who

thought that he understood the Cornish of the mediæval dramas, but was

often mistaken. Probably had a resuscitated mediæval Cornishman read the

dramas aloud to Keigwin, he would have understood them quite as well as

the ordinary English board-school boy would understand St. Paul’s

Epistles in the Authorised Version, read by a revived Jacobean divine;

but the spelling and the mediæval handwriting, which he could not always

read, put him out terribly, and some very weird forms and words are the

result. Also Keigwin had, or thought he had, a knowledge of Hebrew and

Greek, which he uses on occasions with dire results. Far be it from any

Cornish student to undervalue the usefulness of Keigwin. But for him,

and for Gwavas and Tonkin, the work of reconstruction would have been

much more difficult than it is, and these writers undoubtedly preserved a

great deal of most valuable matter that otherwise would have been lost,

but their work needs to be used with great caution, and the translations

and original compositions which they produced do not always represent

quite fairly the late forms of the language.

CHAPTER I—SPELLING AND PRONUNCIATION

§ 1. On the Pronunciation in general.

In simple Cornish words of more than one syllable the stress accent is

generally, though not universally, on the last but one. {54} The vowel

of this syllable has usually its plain, clear _long_ or _short_ sound.

The vowels of the unaccented syllables are usually _obscure_ in the case

of two of the broad vowels (_a_, _o_), and _short_ in the case of the

thin vowels (_e_, _i_, _y_) and of _u_, unless they are combinations of

two vowels, in which case they are always long; but _e_ in a final

unaccented syllable is also generally _obscure_. The _obscure_ vowel is

the sound of _u_ in the English word _until_, or _o_ in _London_, and

there is very little, if any, difference in sound between the obscure

_a_, _e_, _o_, and _u_. When this sound occurs, as it occasionally does,

on an accented syllable, or anywhere where it might be mistaken for a

plain sound, it is written, according to the spelling of this book, _ă_,

_ŏ_, or _ŭ_.

In words of one syllable ending in a consonant the vowel is generally to

be taken as _short_, unless it is marked long (_â_, _ê_, _î_, _ô_, _û_,

_ŷ_), or is a combination of two vowels. In monosyllables ending in a

vowel, that vowel usually has its _long_ sound, but as Cornish is largely

accented in ordinary conversation by _sentences_ (as is the case in

Gaelic, and to a considerable extent in English), many monosyllables are

slurred over with no accent (as _enclitics_ or _proclitics_, according to

whether they follow or precede the word on which they depend), and with

more or less of the _obscure_ vowel. The modern Cornish intonation of

English is probably a very fair guide to the intonation of Cornish. {55}

The consonants, especially _f_, _v_, _dh_, _th_, are rather more lightly

sounded than in English. Any peculiarities of sound will be given under

each consonant.

During the period in which the existing remains of Cornish literature

were written, that is, between the twelfth and the middle of the

eighteenth century, the spelling was very unsettled. There were at least

six different systems, if no more.

1. That of the Cotton Vocabulary.

2. That of the _Ordinalia_, with a sub-variety in that of the _Poem of

the Passion_.

3. That of the _St. Meriasek_.

4. That of Jordan’s _Creation_.

5. That of Boson, Keigwin, and other seventeenth and eighteenth

century writers.

6. That of Lhuyd.

Not only did different writers differ from one another, but various ways

of representing the same sound were used by the same writer. The earlier

spelling shows a certain amount of Welsh, old English, and old French

affinities; the latest is evidently modelled on modern English, which

does not suit it very well, and the transition from one to the other is

not very abrupt. It is the object of the present book to represent the

probable pronunciation of Modern Cornish by a system fairly consistent in

itself, but not too startlingly divergent from those adopted by previous

writers (or from that of Breton, where coincidence occurs), and not too

much encumbered with diacritical signs. It is to some extent a following

of Dr. Edward Lhuyd, whose system, though rather clumsy and unnecessarily

puzzling in places, was on the whole very good and of great value.

§ 2. The Vowels.

Simple: _a_, _â_, _e_, _ê_, _i_, _î_, _o_, _ô_, _ŏ_, _u_, _û_, _ŭ_, _y_,

_ŷ_.

Compound: _aw_, _ei_, _ey_, _ew_, _oi_, _oy_, _ou_, _ow_.

a. Simple vowels.

1. _a_, short, as _a_ in _man_. Before _l_ and _r_ it is generally

sounded as _o_ in _not_.

2. _â_, long, the lengthened sound of _a_ short, _not_ as the English

broad _a_ in _father_, or long _a_ in _mane_, but as a broad _a_ is

commonly sounded in Cornish English. Thus _bâ_ would have something

between the sound of the English word _bare_ (of course without the _r_

trilled at all) in the mouth of a correct speaker, and the actual sound

of the bleat of a sheep. {56}

In some words, and especially before a liquid followed by a consonant,

_a_ tends to be sounded as _aw_ or short _o_. Thus _âls_, cliff,

_gwander_, weakness, _wartha_, upper, are sounded _awls_, _gwonder_,

_wortha_ or _worra_, and _brâs_, great, is sounded _brawz_.

In unaccented syllables _a_ represents nearly the sound of _u_ in

_until_, or, as a final, the English sound of _a_ at the end of proper

names, such as _Vienna_, _Maria_, etc., which is more or less the final

_e_ of German, _meine_, _deine_, etc., or perhaps the _e_ of the French

words _le_, _de_, _me_, etc.

3. _e_, short, as _e_ in _men_, _pen_, etc.

4. _ê_, long, as _ai_ in _main_, _ay_ in _say_. {57}

5. _i_, short, as _i_ in _in_, _pin_, etc.

6. _î_, long, as _ee_ in _seen_, etc.

7. _o_, short, as _o_ in _on_.

8. _ô_, long, as _aw_ in _dawn_, not as _o_ in _bone_.

9. _ŏ_, obscure, as _o_ in _London_, _ton_, etc.

10. _u_, short, as _u_ in _full_.

11. _û_, long, as _oo_ in _fool_.

12. _ǔ_, obscure, as _u_ in _until_.

13. _ŷ_, long, as _i_ in _mine_.

14. _y_, short, as _y_ in _carry_, _marry_, etc. This is used chiefly

as an unaccented final in a word of more than one syllable.

In the case of the letter _y_, there is a variation of sound in such

monosyllables as _nŷ_, _whŷ_, _jŷ_, _hŷ_ under certain circumstances. In

this system of spelling the circumflex is omitted when these words are

enclitic.

b. Compound vowels.

Of these, _aw_, _ai_, _ei_, _ay_, _ey_, _ou_, are only repetitions of the

simple vowels _ô_, _û_, and _ŷ_. The other four have sounds not

otherwise represented.

1. _aw_ has the same sound as _ô_. It is very rarely used.

2. _ai_, _ay_, _ei_, _ey_, have nearly the same sound as _ŷ_, rather

more diphthongalised.

3. _eu_, _ew_ have the sound of _ew_ in the English word _dew_, the

usual English long _u_. This sound is also represented in Cornish by _y_

consonant followed by _u_, as in the word _yu_, is, which has exactly the

sound of the English personal pronoun _you_.

4. _oi_, _oy_ have the sound of _oy_ in _boy_.

5. _Ow_ has two sounds—(1) as an unaccented final, as _o_ in _bone_.

This is also its sound when it occurs without any consonant, in the

possessive pronoun _ow_, my, and the participle particle _ow_; (2) in

other cases it sounds as _ou_ in _you_, and rarely as _ow_ in _now_.

6. _Ou_ has the same sound as _û_, and as the second sound of _ow_. It

is the regular symbol for that sound in Breton, and very commonly in the

Cornish dramas, where, as in Breton, _u_ commonly represented,

approximately, the French _u_, which later became _î_ or _ew_.

General Remarks on the Vowels.

In the Middle Cornish manuscripts the vowels are represented in various

ways, and there is a special uncertainty about unaccented and obscure

vowels.

Vowels were sometimes lengthened by doubling, or by adding a _y_, and

rarely, until Jordan’s _Creation_, by adding a mute _e_ after the closing

consonant; but often quantity was not indicated at all.

Long _î_ (_ee_ in _see_) was more often than not represented by _y_, but,

as in Welsh, _y_ not infrequently represented the obscure vowel (_u_ in

_until_), and often a sound which later became a short _e_, but in

unaccented syllables was, as is not unusually the case in English, more

of the nature of the obscure vowel, or perhaps something between that and

a short _i_. Indeed all unaccented vowels tend to become obscure, very

much as they do in English, and hence are variously expressed.

The _u_ of the earlier MSS. probably once represented approximately the

French _u_ or the German _u_, the _u_ of Devon and East Cornwall English,

or the _ao_ of Scottish Gaelic, not exactly the same sounds, but very

near to each other. As in Greek and Welsh, this sound approached nearer

and nearer to _î_ (_ee_ in _seen_), until in Cornish it ceased to be

recognised as having any _u_ sound in it at all. In Welsh it is still

written as _u_, and in carefully spoken Welsh is quite distinguishable

from _î_. In Breton the sound is still approximately that of the French

_u_. In some words in Cornish this sound became _ew_ (as in the English

word _few_) and rarely _û_ (_oo_ in _moon_), but generally it became _î_

(English _ee_). {59a}

What was once the sound of the French and Breton _eu_ or the German _o_,

was represented in the MSS. by _u_, _eu_, _ue_. Later this became _ê_

(_ay_ in _may_). Thus, _dueth_ or _duth_, “came,” became _dêth_; _luen_,

_leun_, “full,” became _lên_; _due_, “comes,” became _dê_; _mur_, _meur_,

“great,” became _mêr_. This change is found occasionally as early as the

_Poem of the Passion_. The rhythm shows that _ue_ and _eu_ form only one

syllable. In the case of _lues_ (=_luas_), many, which later became

_lîas_ (or _leeas_), the rhythm shows that the _u_ and _e_ did not form a

single vowel. Occasionally, as in the second person plural of certain

tenses, _eu_ of the early MSS. became _ew_, which it was probably

intended to represent, but was often confused with _ou_ (=_û_ or _oo_).

{59b}

The sound of _ô_ or _aw_, as it certainly became in later Cornish, was

represented by _e_, _o_, _oy_, _a_, _oa_, _ao_, _au_, _aw_. The tendency

to pronounce _a_ as _aw_ or short _o_ before _l_, _n_, _r_, doubled or

followed by a consonant, and sometimes single, is very marked in the

spelling of late Cornish, and in the present pronunciation of

place-names. There is no evidence of its age in Cornish; but it is very

common in English and Irish, though unknown in standard Welsh or Breton.

There seems no doubt, by the same evidence, that a long _y_ of older

Cornish often became _i_, as in the English word _mine_. Vulgarly, as

with the English long i, it sometimes even became _oy_. Boson writes

_choy_ for _chy_, house, but Lhuyd writes it _tshẏi_ or _tshei_, which

last is its usual modern sound in place-names. _Nŷ_, we, _whŷ_, you,

_jŷ_, they, and _hŷ_, she, are written _nei_, _huei_, _dzhei_, _hei_, by

Lhuyd, and Jenkins of Alverton, using the earlier form of the third

person plural, written _y_ in the Dramas, spells it _eye_. Yet there are

cases where the older pronunciation is retained, and probably this was

always the case when the words were enclitic. Prof. Loth has pointed out

a similar change in the Quiberon sub-dialect of Vannetais Breton, and

that in some of the same words.

In the unscientific spelling of the seventeenth and eighteenth centuries,

that is to say, in the system of every one except Lhuyd, and occasionally

of Gwavas and Tonkin when they followed Lhuyd, the English values of the

period were often given to the letters; but the following were vowel

symbols in general use:—

For _â_ of the _a_, _aa_ Lhuyd _â_.

present system

,, _a_ ,, _a_, _u_, _e_, _o_ ,, _a_.

,, _ê_ ,, _ea_ ,, _ê_.

,, _e_ ,, _e_, _i_ ,, _e_.

,, _î_ ,, _ee_ ,, _î_, _ŷ_.

,, _i_ ,, _i_ ,, _i_.

,, _ô_, _aw_ ,, _oa_, _o_, _aw_, Lhuyd writes an inverted

_au_, _ao_ _a_ or _ô_.

,, _o_ ,, _o_ Lhuyd _o_.

,, _ŏ_, _ŭ_, _ă_ ,, _o_, _u_, _a_, _e_ ,, _ẏ_.

,, _ŭ_, _ou_ ,, _u_, _oo_, _ou_ ,, _ụ_, _û_.

,, _ow_ ,, _ô_, _ow_, _ou_, _au_ ,, _oụ_, _o_, _ô_.

,, _u_ ,, _u_, _oo_ ,, _u_.

,, _ew_, _yu_, _eu_ _ew_, _yu_, _yw_ ,, _iụ_, _yụ_, _eụ_.

,,

,, _ŷ_, _ei_, _ay_ ,, _y_, _ei_, _ay_ ,, _ei_, _y_, _ẏ_.

,, _y_ ,, _y_, _i_, _e_ ,, _y_, _i_.

A final _e_ mute was often used to lengthen a vowel, as in English. Many

names of places and persons retain this _e_ mute at the present day, and

when the preceding vowel is _a_, educated persons generally give it the

sound of the English long _a_ in _mane_, but that is a change analogous

to the modern vulgarism of pronouncing _clerk_ as _clurk_ instead of

_clark_. The proper sound of the Cornish _â_ is still heard in such

words in the mouths of the peasantry. Compare such a name as _Polglaze_

in the two pronunciations.

§ 3. The Consonants.

Simple: _b_, _c_, _d_, _f_, _g_, _h_, _j_, _k_, _l_, _m_, _n_, _p_, _q_,

_r_, _s_, _t_, _v_, _w_, _y_, _z_.

Compound: _bm_, _ch_, _dh_, _dn_, _gw_, _gh_, _ng_, _qw_, _sh_, _th_,

_wh_, _zh_, _gwl_, _gwr_, _qwr_, _wl_, _wr_.

a. Simple consonants.

1. _b_ has the same sound as in English.

2. _c_ is always hard, being used only before _a_, _o_, _u_. The same

sound before _e_, _i_, _y_ is represented by _k_.

3. _d_ before _a_, _o_, _u_ is usually hard, as in English, but, as in

Gaelic, before _e_, _i_, _y_ it has a sound approaching to _j_, or like

_di_ in _soldier_. In the MSS. a soft _g_ was often written for _d_ in

such cases. It is a common change in many languages. Cf. the Italian

_oggi_, to-day, for the Latin _hodie_.

4. _f_ has the same sound as in English. In the MSS. it is often

confused with _v_. As a final it is very lightly sounded.

5. _g_ is always hard, as in _get_, _go_. The soft _g_, as in _gin_, is

here represented by _j_, but in the MSS. _g_ was often used for it.

6. _h_ has two degrees of sound. As an initial it is rather more

lightly sounded than in English, except when it is a mutation of _c_ (see

Chapter II.), when it is more strongly sounded. Then, and when it occurs

in the middle of a word, it represents in a lighter form the guttural

_c’h_ of Breton, the _ch_ of German, Welsh, and Gaelic, or the guttural

_gh_ of older English. At the end of a word this is to be written _gh_.

It is a smooth guttural, as in Scottish Gaelic, without the rasping sound

which it has in colloquial Welsh or in German.

7. _j_ is sounded as in English. It generally represents what was once

written _s_. Lhuyd writes _dzh_ for this sound, and the MSS. often

represent it by _g_.

8. _k_ is generally only used before _e_, _i_, _y_, or as a final. It

has the same sound as in English. It often happens in grammatical

inflections that a broad root vowel is changed to a thin one. In such

cases if the preceding letter is a _c_ it must be changed to _k_.

9. _l_ has the ordinary English sound. Sometimes a double _l_ of

earlier Cornish was written _lh_ (_telhar_, place, for _teller_). This

may perhaps represent the aspirated _ll_ of Welsh, or (as in Portuguese)

the _l mouillé_ (as _li_ in _valiant_).

10. _m_ has usually the same sound as in English. When it follows a

_short_ vowel in an _accented syllable_ or a _monosyllable_, it has a

peculiar sound as though a _b_ were prefixed to it, or as though the

speaker had a slight cold in the head. This _b_ was frequently written

in the later MSS., and in the mouths of less educated persons the _b_

supplanted the _m_ altogether. Thus _lemmyn_, now, became successively

_lebman_ and _lebban_. The vanishing of the _m_ altogether did not occur

in monosyllables, and it is undesirable to imitate it in other words. In

the system of spelling adopted in this book, the _b_ will be written in

cases where it was habitually written in later Cornish, but even when it

is not written it is always to be sounded in the case of _short_ vowels

in _accented_ syllables or _monosyllables_.

11. _n_ is usually sounded as in English. When it follows a _short_

vowel in an _accented_ syllable or in a _monosyllable_, a _d_ sound

(analogous to the _b_ sound with _m_) precedes it. This _d_ is often

written in the later MSS., and will be used in this book in cases where

it is regularly found in later Cornish, but it is to be pronounced even

where it is not written. In words of more than one syllable {63} the _d_

often supplanted the _n_ (e.g. _henna_, that, became successively _hedna_

and _hedda_), and monosyllables were sometimes made into dissyllables by

it (e.g. _pen_, _pedn_, _pedden_); but both of these are vulgarisms not

to be imitated.

12. _p_ is sounded as in English.

13. _q_ is sounded as in English, and is always followed by _w_. It is

generally used in an initial mutation (see Chapter II.) of _gw_, but

occurs occasionally, followed by _w_, as a radical sound.

14. _r_ has the same sound as in correct English, that is to say, it is

very slightly heard when followed by a consonant or at the end of a word,

unless the next word begins with a vowel, but, as in English, it often

influences the preceding vowel. Its full sound is trilled, not guttural.

15. _s_ is the most puzzling of the consonants. It had probably four or

five different values in the MSS., and might represent _s_, _z_, _sh_,

_zh,_ _j_ according to circumstances. As an initial, or before _c_, _k_,

_f_, _l_, _m_, _n,_ _p_, _q_, _r_, _t_, _w_, it was generally _s_, as in

_so_; as a final, and before _b_, _d_, _g_, _j_, _v_, it was normally _z_

or as _s_ in _rose_. But between two vowels in the same word, or coming

after another consonant and followed by a vowel, or as a final followed

by a word beginning with a vowel and closely connected grammatically with

its predecessor, it had commonly the sound of _j_, so much so that _g_

soft was often substituted for it, and there are cases where even an

initial _s_ must have meant _sh_ or _zh_. Thus we find _cowsesow_,

speeches, written _cowgegyow_, _carensa_, love, _carenga_ (for

_carenja_), and in place-names, though we find _Nanskeval_, _Nanspean_,

_Nanswidn_ when the epithet begins with a consonant, when it begins with

a vowel we find _Nanjizel_ (=_Nans isal_, the lower valley). Sometimes

in late Cornish the definite _j_ sound so completely superseded the _s_

or _z_, that it or its equivalent, _g_ soft or _dzh_, was always written

for it, and in such cases it is written _j_ in the present system of

spelling, but in other cases the best rules will be to pronounce _s_

1. As an initial; before _c_, _k_, _f_, _l_, _m_, _n_, _p_, _q_, _r_,

_t_, _w_; or when doubled, as _s_ in _so_.

2. As a final, except when the next word, grammatically connected,

begins with a vowel; or before _b_, _d_, _g,_ _j_, _v_, as _z_ or _s_

in _rose_.

3. Between two vowels in the same word; after another consonant and

followed by a vowel; or as a final followed by a grammatically

connected word, such as an epithet, beginning with a vowel, as _j_.

For the last rule compare Mrs. Gamp’s pronunciation of English (in

_Martin Chuzzlewit_). There seems to have been an inherent tendency to

the _j_, _sh_, or _zh_ sounds in every Cornish _s_, {64} but especially

in those which represent a _d_ or _t_ of Welsh and Breton. The writer is

aware that this is a very inadequate discussion of the question, but he

does not wish to be unduly intricate, or to enter into a deep phonetic

explanation. Those who would study the question more minutely are

referred to an article by Prof. J. Loth in vol. xviii. of the _Revue

Celtique_.

16. _t_ before _a_, _o_, _u_ is hard, as in English, but before _e_,

_i_, _y_ has a sound approaching to that of _ch_ in _church_, or to _ti_

in words ending in _tion_. Sometimes _ch_ is written and fully

pronounced where a _t_ was formerly written. Thus _chŷ_, house, was

formerly _ty_, and in the eighteenth century _tî_, thou, was pronounced

and often written _chee_.

17. _v_ is sounded as in English, but is often nearly inaudible at the

end of a word, unless the next word begins with a vowel. Thus _ev_, he,

is often written _e_ in later MSS.

18. _w_, except in compound vowels, is always a consonant, and has the

same sound as in English. For its sound before _l_ and _r_ see Compound

consonants.

19. _y_ consonant is sounded as _y_ consonant in English, or as _j_ in

German. It is always consonant when it precedes a vowel, unless it is

written _ŷ_, when it is a vowel, as in such words as _crŷes_, _tŷak_,

etc.

20. _z_ is only used as an initial, but it is seldom used at all. The

sound is that of an English _z_.

b. Compound consonants.

1. _bm_, _dn_ represent respectively the sound of _m_ and _n_ after a

short vowel in an accented syllable or monosyllable (see _m_, _n_).

There is no vowel sound between the two letters.

2. _ch_ is always sounded as in _church_. It usually represents a

former _t_, or else occurs in borrowed English words.

3. _dh_ is sounded as _th_ in _thy_, _the_, etc., the Welsh _dd_, the

Old English and Icelandic ð, the Modern Greek δ. In the MSS. it is

represented by _th_ or [Picture: Letter]. Lhuyd writes it δ. {65}

4. _th_ (written [Picture: Letter] by Lhuyd) is sounded as _th_ in

_thin_, _thick_, etc., the Welsh _th_, the Old English and Icelandic þ,

the Greek _θ_. At the end of a syllable, especially after _r_, the

sounds of _dh_ and _th_ are very light and tend to become inaudible, and

are often represented by _h_, or omitted altogether. Thus, _gwartha_,

_porth_, _barth_, _lowarth_, _gordhya_, _gortheb_, _kerdh_ often appear

as _gwarha_, _gwarra_, _por_, _barh_, _lowar_, _lowarh_, _gorria_,

_gorreb_, _kerr_. Thus also, _Porthgwartha_ (in St. Levan), is now

written _Porthgwarrah_ and pronounced nearly _Pergworra_.

5. _gh_ is used at the end of words for the strong or guttural _h_.

Lhuyd writes a Greek χ for this sound.

6. _ng_ (written by Lhuyd with an inverted Irish _g_) has the sound of

_ng_ in _singer_, not as in _finger_ or _manger_.

7. _sh_ has the same sound as in English. It is only used in a few

words of English derivation.

8. In _wh_ the _h_ is always sounded. This combination represents the

Welsh _chw_. Lhuyd writes it _hu_.

9. _zh_ has the broader sound of _sh_, or that of the French _j_.

10. In _gwl_, _gwr_, _qwr_, _wl_, _wr_ there is a very light but quite

audible sound of _w_ before the _l_ or _r_. So light is the _w_ that it

was often omitted in the MSS. Thus _gwlasketh_, kingdom, _gwrîg_, did,

and the mutation _wrîg_ were sometimes written _glasketh_, _grîg_, _rîg_.

But this was incorrect.

* * * * *

There must have been among Cornish speakers a tendency to a somewhat

blurred sound of certain letters, as though there were an obstruction of

some sort in their vocal organs, not altogether unlike that attributed on

the stage and in fiction, with some foundation in fact, to the Hebrew

race. This is shown by the tendency to turn _s_ and _z_ into _sh_ and

_zh_, and to insert _b_ before _m_, and _d_ before _n_. In the English

spoken in Cornwall at the present day this tendency has quite

disappeared, and the pronunciation, though not always the same as the

standard English, is remarkably crisp and clear. Readers are solemnly

warned against attempting to base or support any theories of Jewish or

even of Phœnician influence in Cornwall on the above coincidence.

These directions for pronunciation must needs be only approximate. The

exact phonetics are not attainable. The pronunciation of Cornish

place-names forms something of a guide to the old sounds, only one must

be careful not to be misled by the modern tendency to pronounce words as

they are spelt according to the English values of letters, and one must

also remember that there is no settled system of place-name orthography.

A Handbook of the Cornish Language chiefly in its latest stages with some account of its history and literature · 第 1 / 16 章