FLOWER-DAY.
"Cousin Wealthy," said Hildegarde at breakfast the next morning, "may I
tell you what it was that made me so rude as to interrupt you last
night?"
"Certainly, my dear," said Miss Wealthy; "you may tell me, and then you
may forget the little accident, as I had already done."
"Well," said Hildegarde, "you spoke of the time when Mamma was a
'harum-scarum girl;' and the idea of her ever having been anything of
the sort was so utterly amazing that--that was why I cried out. Is it
possible that Mammy was not always quiet and blessed and peaceful?"
"Mildred!" exclaimed Miss Wealthy. "Mildred peaceful! My _dear_ Hilda!"
An impressive pause followed, and Hildegarde's eyes began to twinkle.
"Tell us!" she murmured, in a tone that would have persuaded an oyster
to open his shell. Then she stroked Miss Wealthy's arm gently, and was
silent, for she saw that speech was coming in due time.
Miss Wealthy looked at her teacup, and shook her head slowly, smiled,
and then sighed. "Mildred!" she said again. "My dear, your mother is now
forty years old, and I am seventy. When she came to visit me for the
first time, _I_ was forty years old, and she was ten. She had on, when
she arrived, a gray stuff frock, trimmed with many rows of narrow green
braid, and a little gray straw bonnet, with rows of quilled satin
ribbon, green and pink." The girls exchanged glances of horror and
amazement at the thought of this headgear, but made no sound. "I shall
never forget that bonnet," continued Miss Wealthy, pensively, "nor that
dress. In getting out of the carriage her skirt caught on the step, and
part of a row of braid was ripped; this made a loop, in which she caught
her foot, and tumbled headlong to the ground. I mended it in the
evening, after she was in bed, as it was the frock she was to wear every
morning. My dears, I mended that frock every day for a month. It is the
truth! the braid caught on everything,--on latches, on brambles, on
pump-handles, on posts, on chairs. There was always a loop of it
hanging, and the child was always putting her foot through it and
tumbling down. She never cried, though sometimes, when she fell
downstairs, she must have hurt herself. A very brave little girl she
was. At last I took all the braid off, and then things went a little
better."
Miss Wealthy paused to sip her coffee, and Hildegarde tried not to look
as if she begrudged her the sip. "Then," she went on, "Mildred was
always running away,--not intentionally, you understand, but just going
off and forgetting to come back. Once--dear, dear! it gives me a turn to
think of it!--she had been reading 'Neighbor Jackwood,' and was much
delighted with the idea of the heroine's hiding in the haystack to
escape her cruel pursuers. So she went out to the great haystack in the
barnyard, pulled out a quantity of hay, crept into the hole, and found
it so comfortable that she fell fast asleep. You may imagine, my dears,
what my feelings were when dinner-time came, and Mildred was not to be
found. The house was searched from garret to cellar. Martha and
I--Martha had just come to me then--went down to the wharf and through
the orchard and round by the pasture, calling and calling, till our
throats were sore. At last, as no trace of the child could be found, I
made up my mind that she must have wandered away into the woods and got
lost. It was a terrible thought, my dears! I called Enoch, the man, and
bade him saddle the horse and ride round to call out the neighbors, that
they might all search together. As he was leading the horse out, he
noticed a quantity of hay on the ground, and wondered how it had come
there. Coming nearer, he saw the hole in the stack, looked in,
and--there was the child, fast asleep!"
"Oh! naughty little mother!" cried Hildegarde. "What did you do to her,
Cousin Wealthy?"
"Nothing, my dear," replied the good lady. "I was quite ill for several
days from the fright, and that was enough punishment for the poor child.
She never _meant_ to be naughty, you know. But my heart was in my mouth
all the time. Once, coming home from a walk, I heard a cheery little
voice crying, 'Cousin Wealthy! Cousin! see where I am!' I looked up.
Hilda, she was sitting on the ridge-pole of the house, waving her bonnet
by a loop of the pink quilled ribbon,--it was almost as bad as the green
braid about coming off,--and smiling like a cherub. 'I came through the
skylight,' she said, 'and the air up here is _so_ fresh and nice! I wish
you would come up, Cousin!'
"Another time--oh, that was the worst time of all! I really thought I
should die that time." Miss Wealthy paused, and shook her head.
"Oh, do go on, dear!" cried Hildegarde; "unless you are tired, that is.
It is so delightful!"
"It was anything but delightful for me, my dear, I can assure you,"
rejoined Miss Wealthy. "This happened several years later, when Mildred
was thirteen or fourteen. She came to me for a winter visit, and I was
delighted to find how womanly she had grown. We had a great deal of bad
weather, and she was with me in the house a good deal, and was most
sweet and helpful; and as I did not go out much, I did not see what she
did out of doors, and she _always_ came home in time for dinner and tea.
Well, one day--it was in March, and the river was just breaking up, as
we had had some mild weather--the minister came to see me, and I began
to tell him about Mildred, and how she had developed, and how much
comfort I took in her womanly ways. He was sitting on the sofa, from
which, you know, one can see the river very well. Suddenly he said,
'Dear me! what is that? Some one on the river at this time! Very
imprudent! Very--' Then he broke off short, and gave me a strange look.
I sprang up and went to the window. What did I see, my dear girls? The
river was full of great cakes of ice, all pressed and jumbled together;
the current was running very swiftly; and there, in the middle of the
river, jumping from one cake to another like a chamois, or some such
wild creature, was Mildred Bond."
"Oh!" cried Rose, "how dreadful! Dear Miss Bond, what did you do?"
Hildegarde was silent. It was certainly very naughty, she thought; but
oh, what fun it must have been!
"Fortunately," said Miss Wealthy, "I became quite faint at the sight.
Fortunately, I say; for I might have screamed and startled the child,
and made her lose her footing. As it was, the minister went and called
Martha, and she, like the sensible girl she is, simply blew the
dinner-horn as loud as she possibly could. It was the middle of the
afternoon; but as she rightly conjectured, the sound, without startling
Mildred, gave her to understand that she was wanted. The minister
watched her making her way to the shore, leaping the dark spaces of
rushing water between the cakes, apparently as unconcerned as if she
were walking along the highway; and when he saw her safe on shore, he
was very glad to sit down and drink a glass of the wine that Martha had
brought to revive me. 'My dear madam,' he said,--I was lying on the sofa
in dreadful suspense, and could not trust myself to look,--'the young
lady is safe on the bank, and will be here in a moment. I fear she is
not so sedate as you fancied; and as she is too old to be spanked and
put to bed, I should recommend your sending her home by the coach
to-morrow morning. That girl, madam, needs the curb, and you have been
guiding her with the snaffle.' He was very fond of horses, good man,
and always drove a good one himself."
"And did you send her home?" asked Hildegarde, anxiously, thinking what
a dreadful thing it would be to be sent back in disgrace.
"Oh, no!" said Miss Wealthy, "I could not do that, of course. Mildred
was my god-child, and I loved her dearly. But she was not allowed to see
me for twenty-four hours, and I fancy those were very sad hours for her.
Dear Mildred! that was her last prank; for the next time she came here
she was a woman grown, and all the hoyden ways had been put off like a
garment. And now, dears," added Miss Wealthy, rising, "we must let
Martha take these dishes, or she will be late with her work, and that
always distresses her extremely."
They went into the parlor, and Hildegarde, as she patted and "plumped"
the cushions of the old lady's chair, reminded her that she had promised
them some work for the morning, but had not told them what it was.
"True!" said Miss Wealthy. "You are right, dear. This is my Flower-day.
I send flowers once a week to the sick children in the hospital at
Fairtown, and I thought you might like to pick them and make up the
nosegays."
"Oh, how delightful that will be!" cried Hildegarde. "And is that what
you call work, Cousin Wealthy? I call it play, and the best kind. We
must go at once, so as to have them all picked before the sun is hot.
Come, Rosebud!"
The girls put on their broad-brimmed hats and went out into the garden,
which was still cool and dewy. Jeremiah was there, of course, with his
wheelbarrow; and as they stood looking about them, Martha appeared with
a tray in one hand and a large shallow tin box in the other. Waving the
tray as a signal to the girls to follow, she led the way to a shady
corner, where, under a drooping laburnum-tree, was a table and a rustic
seat. She set the tray and box on the table, and then, diving into her
capacious pocket, produced a ball of string, two pairs of
flower-scissors, and a roll of tissue paper.
"There!" she said, in a tone of satisfaction, "I think that's all.
Pretty work you'll find it, Miss Hilda, and it's right glad I am to have
you do it; for it is too much for Miss Bond, stooping over the beds, so
it is. But do it she will; and I almost think she hardly liked to give
it up, even to you."
"Indeed, I don't wonder!" said Hildegarde. "There cannot be anything
else so pleasant to do. And thank you, Martha, for making everything so
comfortable for us. You are a dear, as I may have said before."
Martha chuckled and withdrew, after telling the girls that the flowers
must be ready in an hour.
"Now, Rose," said Hildegarde, "you will sit there and arrange the pretty
dears as I bring them to you. The question is now, where to begin. I
never, in all my life, saw so many flowers!"
"Begin with those that will not crush easily," said Rose, "and I will
lay them at the bottom. Some of those splendid sweet-williams over
there, and mignonette, and calendula, and sweet alyssum, and--"
"Oh, certainly!" cried Hildegarde. "All at once, of course, picking with
all my hundred hands at the same moment. Couldn't you name a few more,
Miss?"
"I beg pardon!" said Rose, laughing. "I will confine my attention to the
laburnum here. 'Allee same,' I don't believe you see that beautiful
mourning-bride behind you."
"Why mourning, and why bride?" asked Hildegarde, plucking some of the
dark, rich blossoms. "It doesn't strike me as a melancholy flower."
"I don't know!" said Rose. "I used to play that she was a princess, and
so wore crimson instead of black for mourning. She is so beautiful, it
is a pity she has no fragrance. She is of the teasel family, you know."
"Lady Teazle?" asked Hildegarde, laughing.
"A different branch!" replied Rose, "but just as prickly. The fuller's
teasel,--do you know about it, dear?"
"No, Miss Encyclopaedia, I do not!" replied Hildegarde, with some
asperity. "You know I _never_ know anything of that kind; tell me about
it!"
"Well, it is very curious," said Rose, taking the great bunch of
mourning-bride that her friend handed her, and separating the flowers
daintily. "The flower-heads of this teasel, when they are dried, are
covered with sharp curved hooks, and are used to raise the nap on
woollen cloth. No machine or instrument that can be invented does it
half so well as this dead and withered blossom. Isn't that interesting?"
"Very!" said Hildegarde. "Oh, dear! oh, dear!"
"What _is_ the matter?" cried Rose, in alarm. "Has something stung you?
Let me--"
"Oh, no!" said Hildegarde, quickly. "I was only thinking of the
appalling number of things there are to know. They overwhelm me! They
bury me! A mountain weighs me down, and on its top grows a--a teasel.
Why, I never heard of the thing! I am not sure that I am clear what a
fuller is, except that his earth is advertised in the Pears'
soap-boxes."
They both laughed at this, and then Hildegarde bent with renewed energy
over a bed of feathered pinks of all shades of crimson and rose-color.
"A mountain!" said Rose, slowly and thoughtfully, as she laid the
blossoms together and tied them up in small posies. "Yes, Hilda, so it
is! but a mountain to climb, not to be buried under. To think that we
can go on climbing, learning, all our lives, and always with higher and
higher peaks above us, soaring up and up,--oh, it is glorious! What
might be the matter with you to-day, my lamb?" she added; for Hildegarde
groaned, and plunged her face into a great white lily, withdrawing it to
show a nose powdered with virgin gold. "Does your head ache?"
"I think the sturgeon is at the bottom of it," was the reply. "I have
not yet recovered fully from the humiliation of having been so
frightened by a sturgeon, when I had been brought up, so to speak, on
the 'Culprit Fay.' I have eaten caviare too," she added
gloomily,--"odious stuff!"
"But, my _dear_ Hilda!" cried Rose, in amused perplexity, "this is too
absurd. Why shouldn't one be frightened at a monstrous creature leaping
out of the water just before one's nose, and how should you know he was
a sturgeon? You couldn't expect him to say 'I am a sturgeon!' or to
carry a placard hung round his neck, with 'Fresh Caviare!' on it."
Hildegarde laughed. "You remind me," added Rose, "that my own ignorance
list is getting pretty long. Get me some sweet-peas, that's a dear; and
I can ask you the things while you are picking them." Hildegarde moved
to the long rows of sweet-peas, which grew near the laburnum bower; and
Rose drew a little brown note-book from her pocket, and laid it open on
the table beside her. "What is 'Marlowe's mighty line'?" she demanded
bravely. "I keep coming across the quotation in different things, and I
don't know who Marlowe was. Yet you see I am cheerful."
"Kit Marlowe!" said Hildegarde. "Poor Kit! he was a great dramatist; the
next greatest after Shakspeare, I think,--at least, well, leaving out
the Greeks, you know. He was a year younger than Shakspeare, and died
when he was only twenty-eight, killed in a tavern brawl."
"Oh, how dreadful!" cried gentle Rose. "Then he had only begun to
write."
"Oh, no!" said Hildegarde. "He had written a great deal,--'Faustus' and
'Edward II.,' and 'Tamburlaine,' and--oh! I don't know all. But one
thing of his _you_ know, 'The Passionate Shepherd,'--'Come live with me
and be my love;' you remember?"
"Oh!" cried Rose. "Did he write that? I love him, then."
"And so many, many lovely things!" continued Hildegarde, warming to her
subject, and snipping sweet-peas vigorously. "Mamma has read me a good
deal here and there,--all of 'Edward II.,' and bits from 'Faustus.'
There is one place, where he sees Helen--oh, I must remember it!--
"'Was this the face that launched a thousand ships,
And burnt the topless towers of Ilium?'
Isn't that full of pictures? I see them! I see the ships, and the white,
royal city, and the beautiful, beautiful face looking down from a tower
window."
Both girls were silent a moment; then Rose asked timidly, "And who spoke
of the 'mighty line,' dear? It must have been another great poet. Only
three words, and such a roll and ring and brightness in them."
"Oh! Ben Jonson!" said Hildegarde. "He was another great dramatist, you
know; a little younger, but of the same time with Shakspeare and
Marlowe. He lived to be quite old, and he wrote a very famous poem on
Shakspeare, 'all full of quotations,' as somebody said about 'Hamlet.'
It is in that that he says 'Marlowe's mighty line,' and 'Sweet Swan of
Avon,' and 'Soul of the Age,' and all sorts of pleasant things. So nice
of him!"
"And--and was he an ancestor of Dr. Samuel's?" asked Rose, humbly.
"Why, darling, you are really quite ignorant!" cried Hildegarde,
laughing. "How delightful to find things that you don't know! No, he had
no _h_ in his name,--at least, it had been left out; but he came
originally from the Johnstones of Annandale. Think of it! he may have
been a cousin of Jock Johnstone the Tinkler, without knowing it. Well,
his father died when he was little, and his mother married a
brick-layer; and Ben used to carry hods of mortar up ladders,--oh me!
what a strange world it is! By-and-by he was made Laureate,--the first
Laureate,--and he was very great and glorious, and wrote masques and
plays and poems, and quarrelled with Inigo Jones--no! I can't stop to
tell you who he was," seeing the question in Rose's eyes,--"and grew
very fat. But when he was old they neglected him, poor dear! and when he
died he was buried standing up straight, in Westminster Abbey; and his
friend Jack Young paid a workman eighteenpence to carve on a stone 'O
Rare Ben Jonson!' and there it is to this day."
She paused for breath; but Rose said nothing, seeing that more was
coming. "But the best of all," continued Hildegarde, "was his visit to
Drummond of Hawthornden. Oh, Rose, that was so delightful!"
"Tell me about it!" said Rose, softly. "Not that I know who _he_ was;
but his name is a poem in itself."
"Isn't it?" cried Hildegarde. "He was a poet too, a Scottish poet,
living in a wonderful old house--"
"Not 'caverned Hawthornden,' in 'Lovely Rosabelle'?" cried Rose, her
eyes lighting up with new interest.
"Yes!" replied Hildegarde, "just that. Do you know why it is 'caverned'?
That must be another story. Remind me to tell you when we are doing our
hair to-night. But now you must hear about Ben. Well, he went on a
walking tour to Scotland, and one of his first visits was to William
Drummond, with whom he had corresponded a good deal. Drummond was
sitting under his great sycamore-tree, waiting for him, and at last he
saw a great ponderous figure coming down the avenue, flourishing a huge
walking-stick. Of course he knew who it was; so he went forward to meet
him, and called out, 'Welcome, welcome, royal Ben!' 'Thank ye, thank ye,
Hawthornden!' answered Jonson; and then they both laughed and were
friends at once."
"Hildegarde, where do you find all these wonderful things?" cried Rose,
in amazement. "That is delightful, enchanting. And for you to call
yourself ignorant! Oh!"
"There is a life of Drummond at home," said Hildegarde, simply. "Of
course one reads lovely things,--there is no merit in that; and the
teasel still flaunts. But I _do_ feel better. That is just my baseness,
to be glad when you don't know things, you dearest! But do just look at
these sweet-peas! I have picked all these,--pecks! bushels!--and there
are as many as ever. Don't you think we have enough flowers, Rosy?"
"I do indeed!" answered Rose. "Enough for a hundred children at least.
Besides, it must be time for them to go. The lovely things! Think of all
the pleasure they will give! A sick child, and a bunch of flowers like
these!" She took up a posy of velvet pansies and sweet-peas, set round
with mignonette, and put it lovingly to her lips. "I remember--" She
paused, and sighed, and then smiled.
"Yes, dear!" said Hildegarde, interrogatively. "The house where you were
born?"
[Illustration: "'DON'T YOU THINK WE HAVE ENOUGH FLOWERS, ROSY?'"]
"One day I was in dreadful pain," said Rose,--"pain that seemed as if it
would never end,--and a little child from a neighbor's house brought a
bunch of Ragged Robin, and laid it on my pillow, and said, 'Poor
Pinky! make she better!' I think I have never loved any other flower
quite so much as Ragged Robin, since then. It is the only one I miss
here. Do you want to hear the little rhyme I made about it, when I was
old enough?"
Hildegarde answered by sitting down on the arm of the rustic seat, and
throwing her arm round her friend's shoulder in her favorite fashion.
"Such a pleasant Rosebud!" she murmured. "Tell now!"
And Rose told about--
RAGGED ROBIN.
O Robin, ragged Robin,
That stands beside the door,
The sweetheart of the country child,
The flower of the poor,
I love to see your cheery face,
Your straggling bravery;
Than many a stately garden bloom
You're dearer far to me.
For you it needs no sheltered nook,
No well-kept flower-bed;
By cottage porch, by roadside ditch,
You raise your honest head.
The small hedge-sparrow knows you well,
The blackbird is your friend;
With clustering bees and butterflies
Your pink-fringed blossoms bend.
O Robin, ragged Robin,
The dearest flower that grows,
Why don't you patch your tattered cloak?
Why don't you mend your hose?
Would you not like to prank it there
Within the border bright,
Among the roses and the pinks,
A courtly dame's delight?
"Ah no!" says jolly Robin,
"'T would never do for me;
The friend of bird and butterfly,
Like them I must be free.
"The garden is for stately folk,
The lily and the rose;
They'd scorn my coat of ragged pink,
Would flout my broken hose.
"Then let me bloom in wayside ditch,
And by the cottage door,
The sweetheart of the country child,
The flower of the poor."