CHAPTER X

ADRIAN GOES OUT HAWKING

In a house down a back street not very far from the Leyden prison, a

man and a woman sat at breakfast on the morning following the burning

of the Heer Jansen and his fellow martyr. These also we have met

before, for they were none other than the estimable Black Meg and her

companion, named the Butcher. Time, which had left them both strong and

active, had not, it must be admitted, improved their personal

appearance. Black Meg, indeed, was much as she had always been, except

that her hair was now grey and her features, which seemed to be covered

with yellow parchment, had become sharp and haglike, though her dark

eyes still burned with their ancient fire. The man, Hague Simon, or the

Butcher, scoundrel by nature and spy and thief by trade, one of the

evil spawn of an age of violence and cruelty, boasted a face and form

that became his reputation well. His countenance was villainous, very

fat and flabby, with small, pig-like eyes, and framed, as it were, in a

fringe of sandy-coloured whiskers, running from the throat to the

temple, where they faded away into a great expanse of utterly bald

head. The figure beneath was heavy, pot-haunched, and supported upon a

pair of bowed but sturdy legs.

But if they were no longer young, and such good looks as they ever

possessed had vanished, the years had brought them certain

compensations. Indeed, it was a period in which spies and all such

wretches flourished, since, besides other pickings, by special

enactment a good proportion of the realized estates of heretics was

paid over to the informers as blood-money. Of course, however, humble

tools like the Butcher and his wife did not get the largest joints of

the heretic sheep, for whenever one was slaughtered, there were always

many honest middlemen of various degree to be satisfied, from the judge

down to the executioner, with others who never showed their faces.

Still, when the burnings and torturings were brisk, the amount totalled

up very handsomely. Thus, as the pair sat at their meal this morning,

they were engaged in figuring out what they might expect to receive

from the estate of the late Heer Jansen, or at least Black Meg was so

employed with the help of a deal board and a bit of chalk. At last she

announced the result, which was satisfactory. Simon held up his fat

hands in admiration.

“Clever little dove,” he said, “you ought to have been a lawyer’s wife

with your head for figures. Ah! it grows near, it grows near.”

“What grows near, you fool?” asked Meg in her deep mannish voice.

“That farm with an inn attached of which I dream, standing in rich

pasture land with a little wood behind it, and in the wood a church.

Not too large; no, I am not ambitious; let us say a hundred acres,

enough to keep thirty or forty cows, which you would milk while I

marketed the butter and the cheeses——”

“And slit the throats of the guests,” interpolated Meg.

Simon looked shocked. “No, wife, you misjudge me. It is a rough world,

and we must take queer cuts to fortune, but once I get there,

respectability for me and a seat in the village church, provided, of

course, that it is orthodox. I know that you come of the people, and

your instincts are of the people, but I can never forget that my

grandfather was a gentleman,” and Simon puffed himself out and looked

at the ceiling.

“Indeed,” sneered Meg, “and what was your grandmother, or, for the

matter of that, how do you know who was your grandfather? Country

house! The old Red Mill, where you hide goods out there in the swamp,

is likely to be your only country house. Village church? Village

gallows more likely. No, don’t you look nasty at me, for I won’t stand

it, you dirty little liar. I have done things, I know; but I wouldn’t

have got my own aunt burned for an Anabaptist, which she wasn’t, in

order to earn twenty florins, so there.”

Simon turned purple with rage; that aunt story was one which touched

him on the raw. “Ugly——” he began.

Instantly Meg’s hand shot out and grasped the neck of a bottle, whereon

he changed his tune.

“The sex, the sex!” he murmured, turning aside to mop his bald head

with a napkin; “well, it’s only their pretty way, they will have their

little joke. Hullo, there is someone knocking at the door.”

“And mind how you open it,” said Meg, becoming alert. “Remember we have

plenty of enemies, and a pike blade comes through a small crack.”

“Can you live with the wise and remain a greenhorn? Trust me.” And

placing his arm about his spouse’s waist, Simon stood on tiptoe and

kissed her gently on the cheek in token of reconciliation, for Meg had

a nasty memory in quarrels. Then he skipped away towards the door as

fast as his bandy legs would carry him.

The colloquy there was long and for the most part carried on through

the keyhole, but in the end their visitor was admitted, a beetle-browed

brute of much the same stamp as his host.

“You are nice ones,” he said sulkily, “to be so suspicious about an old

friend, especially when he comes on a job.”

“Don’t be angry, dear Hans,” interrupted Simon in a pleading voice.

“You know how many bad characters are abroad in these rough times; why,

for aught we could tell, you might have been one of these desperate

Lutherans, who stick at nothing. But about the business?”

“Lutherans, indeed,” snarled Hans; “well, if they are wise they’d stick

at your fat stomach; but it is a Lutheran job that I have come from The

Hague to talk about.”

“Ah!” said Meg, “who sent you?”

“A Spaniard named Ramiro, who has recently turned up there, a humorous

dog connected with the Inquisition, who seems to know everybody and

whom nobody knows. However, his money is right enough, and no doubt he

has authority behind him. He says that you are old friends of his.”

“Ramiro? Ramiro?” repeated Meg reflectively, “that means Oarsman,

doesn’t it, and sounds like an alias? Well, I’ve lots of acquaintances

in the galleys, and he may be one of them. What does he want, and what

are the terms?”

Hans leant forward and whispered for a long while. The other two

listened in silence, only nodding from time to time.

“It doesn’t seem much for the job,” said Simon when Hans had finished.

“Well, friend, it is easy and safe; a fat merchant and his wife and a

young girl. Mind you, there is no killing to be done if we can help it,

and if we can’t help it the Holy Office will shield us. Also it is only

the letter which he thinks that the young woman may carry that the

noble Ramiro wants. Doubtless it has to do with the sacred affairs of

the Church. Any valuables about them we may keep as a perquisite over

and above the pay.”

Simon hesitated, but Meg announced with decision,

“It is good enough; these merchant woman generally have jewels hidden

in their stays.”

“My dear,” interrupted Simon.

“Don’t ‘my dear’ me,” said Meg fiercely. “I have made up my mind, so

there’s an end. We meet by the Boshhuysen at five o’clock at the big

oak in the copse, where we will settle the details.”

After this Simon said no more, for he had this virtue, so useful in

domestic life—he knew when to yield.

On this same morning Adrian rose late. The talk at the supper table on

the previous night, especially Foy’s coarse, uneducated sarcasm, had

ruffled his temper, and when Adrian’s temper was ruffled he generally

found it necessary to sleep himself into good humour. As the bookkeeper

of the establishment, for his stepfather had never been able to induce

him to take an active part in its work, which in his heart he

considered beneath him, Adrian should have been in the office by nine

o’clock. Not having risen before ten, however, nor eaten his breakfast

until after eleven, this was clearly impossible. Then he remembered

that here was a good chance of finishing a sonnet, of which the last

lines were running in his head. It chanced that Adrian was a bit of a

poet, and, like most poets, he found quiet essential to the art of

composition. Somehow, when Foy was in the house, singing and talking,

and that great Frisian brute, Martin, was tramping to and fro, there

was never any quiet, for even when he could not hear them, the sense of

their presence exasperated his nerves. So now was his opportunity,

especially as his mother was out—marketing, she said—but in all

probability engaged upon some wretched and risky business connected

with the people whom she called martyrs. Adrian determined to avail

himself of it and finish his sonnet.

This took some time. First, as all true artists know, the Muse must be

summoned, and she will rarely arrive under an hour’s appropriate and

gloomy contemplation of things in general. Then, especially in the case

of sonnets, rhymes, which are stubborn and remorseless things, must be

found and arranged. The pivot and object of this particular poem was a

certain notable Spanish beauty, Isabella d’Ovanda by name. She was the

wife of a decrepit but exceedingly noble Spaniard, who might almost

have been her grandfather, and who had been sent as one of a commission

appointed by King Philip II. to inquire into certain financial matters

connected with the Netherlands.

This grandee, who, as it happened, was a very industrious and

conscientious person, among other cities, had visited Leyden in order

to assess the value of the Imperial dues and taxes. The task did not

take him long, because the burghers rudely and vehemently declared that

under their ancient charter they were free from any Imperial dues or

taxes whatsoever, nor could the noble marquis’s arguments move them to

a more rational view. Still, he argued for a week, and during that time

his wife, the lovely Isabella, dazzled the women of the town with her

costumes and the men with her exceedingly attractive person.

Especially did she dazzle the romantic Adrian; hence the poetry. On the

whole the rhymes went pretty well, though there were difficulties, but

with industry he got round them. Finally the sonnet, a high-flown and

very absurd composition, was completed.

By now it was time to eat; indeed, there are few things that make a man

hungrier than long-continued poetical exercise, so Adrian ate. In the

midst of the meal his mother returned, pale and anxious-faced, for the

poor woman had been engaged in making arrangements for the safety of

the beggared widow of the martyred Jansen, a pathetic and even a

dangerous task. In his own way Adrian was fond of his mother, but being

a selfish puppy he took but little note of her cares or moods.

Therefore, seizing the opportunity of an audience he insisted upon

reading to her his sonnet, not once but several times.

“Very pretty, my son, very pretty,” murmured Lysbeth, through whose

bewildered brain the stilted and meaningless words buzzed like bees in

an empty hive, “though I am sure I cannot guess how you find the heart

in such times as these to write poetry to fine ladies whom you do not

know.”

“Poetry, mother,” said Adrian sententiously, “is a great consoler; it

lifts the mind from the contemplation of petty and sordid cares.”

“Petty and sordid cares!” repeated Lysbeth wonderingly, then she added

with a kind of cry: “Oh! Adrian, have you no heart that you can watch a

saint burn and come home to philosophise about his agonies? Will you

never understand? If you could have seen that poor woman this morning

who only three months ago was a happy bride.” Then bursting into tears

Lysbeth turned and fled from the room, for she remembered that what was

the fate of the Vrouw Jansen to-day to-morrow might be her own.

This show of emotion quite upset Adrian whose nerves were delicate, and

who being honestly attached to his mother did not like to see her

weeping.

“Pest on the whole thing,” he thought to himself, “why can’t we go away

and live in some pleasant place where they haven’t got any religion,

unless it is the worship of Venus? Yes, a place of orange groves, and

running streams, and pretty women with guitars, who like having sonnets

read to them, and——”

At this moment the door opened and Martin’s huge and flaming poll

appeared.

“The master wants to know if you are coming to the works, Heer Adrian,

and if not will you be so good as to give me the key of the strong-box

as he needs the cash book.”

With a groan Adrian rose to go, then changed his mind. No, after that

perfumed vision of green groves and lovely ladies it was impossible for

him to face the malodorous and prosaic foundry.

“Tell them I can’t come,” he said, drawing the key from his pocket.

“Very good, Heer Adrian, why not?”

“Because I am writing.”

“Writing what?” queried Martin.

“A sonnet.”

“What’s a sonnet?” asked Martin blankly.

“Ill-educated clown,” murmured Adrian, then—with a sudden inspiration,

“I’ll show you what a sonnet is; I will read it to you. Come in and

shut the door.” Martin obeyed, and was duly rewarded with the sonnet,

of which he understood nothing at all except the name of the lady,

Isabella d’Ovanda. But Martin was not without the guile of the serpent.

“Beautiful,” he said, “beautiful! Read it again, master.”

Adrian did so with much delight, remembering the tale of how the music

of Orpheus had charmed the very beasts.

“Ah!” said Martin, “that’s a love-letter, isn’t it, to that splendid,

black-eyed marchioness, whom I saw looking at you?”

“Well, not exactly,” said Adrian, highly pleased, although to tell the

truth he could not recollect upon what occasion the fair Isabella had

favoured him with her kind glances. “Yet I suppose that you might call

it so, an idealised love-letter, a letter in which ardent and distant

yet tender admiration is wrapt with the veil of verse.”

“Quite so. Well, Master Adrian, just you send it to her.”

“You don’t think that she might be offended?” queried Adrian

doubtfully.

“Offended!” said Martin, “if she is I know nothing of women” (as a

matter of fact he didn’t.) “No, she will be very pleased; she’ll take

it away and read it by herself, and sleep with it under her pillow

until she knows it by heart, and then I daresay she will ask you to

come and see her. Well, I must be off, but thank you for reading me the

beautiful poetry letter, Heer Adrian.”

“Really,” reflected Adrian, as the door closed behind him, “this is

another instance of the deceitfulness of appearances. I always thought

Martin a great, brutal fool, yet in his breast, uncultured as it is,

the sacred spark still smoulders.” And then and there he made up his

mind that he would read Martin a further selection of poems upon the

first opportunity.

If only Adrian could have been a witness to the scene which at that

very moment was in progress at the works! Martin having delivered the

key of the box, sought out Foy, and proceeded to tell him the story.

More, perfidious one, he handed over a rough draft of the sonnet which

he had surreptitiously garnered from the floor, to Foy, who, clad in a

leather apron, and seated on the edge of a casting, read it eagerly.

“I told him to send it,” went on Martin, “and, by St. Peter, I think he

will, and then if he doesn’t have old Don Diaz after him with a pistol

in one hand and a stiletto in the other, my name isn’t Martin Roos.”

“Of course, of course,” gasped Foy, kicking his legs into the air with

delight, “why, they call the old fellow ‘Singe jaloux.’ Oh! it’s

capital, and I only hope that he opens the lady’s letters.”

Thus did Foy, the commonplace and practical, make a mock of the poetic

efforts of the high-souled and sentimental Adrian.

Meanwhile Adrian, feeling that he required air after his literary

labours, fetched his peregrine from its perch—for he was fond of

hawking—and, setting it on his wrist, started out to find a quarry on

the marshes near the town.

Before he was halfway down the street he had forgotten all about the

sonnet and the lovely Isabella. His was a curious temperament, and this

sentimentality, born of vainness and idle hours, by no means expressed

it all. That he was what we should nowadays call a prig we know, and

also that he possessed his father’s, Montalvo’s, readiness of speech

without his father’s sense of humour. In him, as Martin had hinted, the

strain of the sire predominated, for in all essentials Adrian was as

Spanish in mind as in appearance.

For instance, the sudden and violent passions into which he was apt to

fall if thwarted or overlooked were purely Spanish; there seemed to be

nothing of the patient, phlegmatic Netherlander about this side of him.

Indeed it was this temper of his perhaps more than any other desire or

tendency that made him so dangerous, for, whereas the impulses of his

heart were often good enough, they were always liable to be perverted

by some access of suddenly provoked rage.

From his birth up Adrian had mixed little with Spaniards, and every

influence about him, especially that of his mother, the being whom he

most loved on earth, had been anti-Spanish, yet were he an hidalgo

fresh from the Court at the Escurial, he could scarcely have been more

Castilian. Thus he had been brought up in what might be called a

Republican atmosphere, yet he was without sympathy for the love of

liberty which animated the people of Holland. The sturdy independence

of the Netherlanders, their perpetual criticism of kings and

established rules, their vulgar and unheard-of assumption that the good

things of the world were free to all honest and hard-working citizens,

and not merely the birthright of blue blood, did not appeal to Adrian.

Also from childhood he had been a member of the dissenting Church, one

of the New Religion. Yet, at heart, he rejected this faith with its

humble professors and pastors, its simple, and sometimes squalid rites;

its long and earnest prayers offered to the Almighty in the damp of a

cellar or the reek of a cowhouse.

Like thousands of his Spanish fellow-countrymen, he was

constitutionally unable to appreciate the fact that true religion and

true faith are the natural fruits of penitence and effort, and that

individual repentance and striving are the only sacrifices required of

man.

For safety’s sake, like most politic Netherlanders, Adrian was called

upon from time to time to attend worship in the Catholic churches. He

did not find the obligation irksome. In fact, the forms and rites of

that stately ceremonial, the moving picture of the Mass in those dim

aisles, the pealing of the music and the sweet voices of hidden

choristers—all these things unsealed a fountain in his bosom and at

whiles moved him well nigh to tears. The system appealed to him also,

and he could understand that in it were joy and comfort. For here was

to be found forgiveness of sins, not far off in the heavens, but at

hand upon the earth; forgiveness to all who bent the head and paid the

fee. Here, ready made by that prince of armourers, a Church that

claimed to be directly inspired, was a harness of proof which, after

the death he dreaded (for he was full of spiritual fears and

superstitions), would suffice to turn the shafts of Satan from his poor

shivering soul, however steeped in crime. Was not this a more

serviceable and practical faith than that of these loud-voiced,

rude-handed Lutherans among whom he lived; men who elected to cast

aside this armour and trust instead to a buckler forged by their faith

and prayers—yes, and to give up their evil ways and subdue their own

desires that they might forge it better?

Such were the thoughts of Adrian’s secret heart, but as yet he had

never acted on them, since, however much he might wish to do so, he had

not found the courage to break away from the influence of his

surroundings. His surroundings—ah! how he hated them! How he hated

them! For very shame’s sake, indeed, he could not live in complete

idleness among folk who were always busy, therefore he acted as

accountant in his stepfather’s business, keeping the books of the

foundry in a scanty and inefficient fashion, or writing letters to

distant customers, for he was a skilled clerk, to order the raw

materials necessary to the craft. But of this occupation he was weary,

for he had the true Spanish dislike and contempt of trade. In his heart

he held that war was the only occupation worthy of a man, successful

war, of course, against foes worth plundering, such as Cortes and

Pizarro had waged upon the poor Indians of New Spain.

Adrian had read a chronicle of the adventures of these heroes, and

bitterly regretted that he had come into the world too late to share

them. The tale of heathen foemen slaughtered by thousands, and of the

incalculable golden treasures divided among their conquerors, fired his

imagination—especially the treasures. At times he would see them in his

sleep, baskets full of gems, heaps of barbaric gold and guerdon of fair

women slaves, all given by heaven to the true soldier whom it had

charged with the sacred work of Christianising unbelievers by means of

massacre and the rack.

Oh! how deeply did he desire such wealth and the power which it would

bring with it; he who was dependent upon others that looked down upon

him as a lazy dreamer, who had never a guilder to spare in his pouch,

who had nothing indeed but more debts than he cared to remember. But it

never occurred to him to set to work and grow rich like his neighbours

by honest toil and commerce. No, that was the task of slaves, like

these low Hollander fellows among whom his lot was cast.

Such were the main characteristics of Adrian, surnamed van Goorl;

Adrian the superstitious but unspiritual dreamer, the vain Sybarite,

the dull poet, the chopper of false logic, the weak and passionate

self-seeker, whose best and deepest cravings, such as his love for his

mother and another love that shall be told of, were really little more

than a reflection of his own pride and lusts, or at least could be

subordinated to their fulfilment. Not that he was altogether bad;

somewhere in him there was a better part. Thus: he was capable of good

purposes and of bitter remorse; under certain circumstances even he

might become capable also of a certain spurious spiritual exaltation.

But if this was to bloom in his heart, it must be in a prison strong

enough to protect from the blows of temptation. Adrian tempted would

always be Adrian overcome. He was fashioned by nature to be the tool of

others or of his own desires.

It may be asked what part had his mother in him; where in his weak

ignoble nature was the trace of her pure and noble character? It seems

hard to find. Was this want to be accounted for by the circumstances

connected with his birth, in which she had been so unwilling an agent?

Had she given him something of her body but naught of that which was

within her own control—her spirit? Who can say? This at least is true,

that from his mother’s stock he had derived nothing beyond a certain

Dutch doggedness of purpose which, when added to his other qualities,

might in some events make him formidable—a thing to fear and flee from.

Adrian reached the Witte Poort, and paused on this side of the moat to

reflect about things in general. Like most young men of his time and

blood, as has been said, he had military leanings, and was convinced

that, given the opportunity, he might become one of the foremost

generals of his age. Now he was engaged in imagining himself besieging

Leyden at the head of a great army, and in fancy disposing his forces

after such fashion as would bring about its fall in the shortest

possible time. Little did he guess that within some few years this very

question was to exercise the brain of Valdez and other great Spanish

captains.

Whilst he was thus occupied suddenly a rude voice called,

“Wake up, Spaniard,” and a hard object—it was a green apple—struck him

on his flat cap nearly knocking out the feather. Adrian leaped round

with an oath, to catch sight of two lads, louts of about fifteen,

projecting their tongues and jeering at him from behind the angles of

the gate-house. Now Adrian was not popular with the youth of Leyden,

and he knew it well. So, thinking it wisest to take no notice of this

affront, he was about to continue on his way when one of the youths,

made bold by impunity, stepped from his corner and bowed before him

till the ragged cap in his hand touched the dust, saying, in a mocking

voice,

“Hans, why do you disturb the noble hidalgo? Cannot you see that the

noble hidalgo is going for a walk in the country to look for his most

high father, the honourable duke of the Golden Fleece, to whom he is

taking a cockolly bird as a present?”

Adrian heard and winced at the sting of the insult, as a high-bred

horse winces beneath the lash. Of a sudden rage boiled in his veins

like a fountain of fire, and drawing the dagger from his girdle, he

rushed at the boys, dragging the hooded hawk, which had become

dislodged from his wrist, fluttering through the air after him. At that

moment, indeed, he would have been capable of killing one or both of

them if he could have caught them, but, fortunately for himself and

them, being prepared for an onslaught, they vanished this way and that

up the narrow lanes. Presently he stopped, and, still shaking with

wrath, replaced the hawk on his wrist and walked across the bridge.

“They shall pay for it,” he muttered. “Oh! I will not forget, I will

not forget.”

Here it may be explained that of the story of his birth Adrian had

heard something, but not all. He knew, for instance, that his father’s

name was Montalvo, that the marriage with his mother for some reason

was declared to be illegal, and that this Montalvo had left the

Netherlands under a cloud to find his death, so he had been told,

abroad. More than this Adrian did not know for certain, since everybody

showed a singular reticence in speaking to him of the matter. Twice he

had plucked up courage to question his mother on the subject, and on

each occasion her face had turned cold and hard as stone, and she

answered almost in the same words:

“Son, I beg you to be silent. When I am dead you will find all the

story of your birth written down, but if you are wise you will not

read.”

Once he had asked the same question of his stepfather, Dirk van Goorl,

whereupon Dirk looked ill at ease and answered:

“Take my advice, lad, and be content to know that you are here and

alive with friends to take care of you. Remember that those who dig in

churchyards find bones.”

“Indeed,” replied Adrian haughtily; “at least I trust that there is

nothing against my mother’s reputation.”

At these words, to his surprise, Dirk suddenly turned pale as a sheet

and stepped towards him as though he were about to fly at his throat.

“You dare to doubt your mother,” he began, “that angel out of Heaven—”

then ceased and added presently, “Go! I beg your pardon; I should have

remembered that you at least are innocent, and it is but natural that

the matter weighs upon your mind.”

So Adrian went, also that proverb about churchyards and bones made such

an impression on him that he did no more digging. In other words he

ceased to ask questions, trying to console his mind with the knowledge

that, however his father might have behaved to his mother, at least he

was a man of ancient rank and ancient blood, which blood was his

to-day. The rest would be forgotten, although enough of it was still

remembered to permit of his being taunted by those street louts, and

when it was forgotten the blood, that precious blue blood of an hidalgo

of Spain, must still remain his heritage.

Lysbeth, a Tale of the Dutch · 第 10 / 30 章