CHILDREN'S JOYS AND SORROWS.

I can endure a melancholy man, but not a melancholy child; the former,

in whatever slough he may sink, can raise his eyes either to the

kingdom of reason or of hope; but the little child is entirely

absorbed and weighed down by one black poison-drop of the present.

Think of a child led to the scaffold, think of Cupid in a Dutch

coffin; or watch a butterfly, after its four wings have been torn off,

creeping like a worm, and you will feel what I mean. But wherefore?

The first has been already given; the child, like the beast, only

knows purest, though shortest sorrow; one which has no past and no

future; one such as the sick man receives from without, the dreamer

from himself into his asthenic brain; finally, one with the

consciousness not of guilt, but of innocence. Certainly, all the

sorrows of children are but shortest nights, as their joys are but

hottest days; and indeed both so much so, that in the latter, often

clouded and starless time of life, the matured man only longingly

remembers his old childhood's pleasures, while he seems altogether to

have forgotten his childhood's grief. This weak remembrance is

strangely contrasted with the opposing one in dreams and fevers in

this respect, that in the two last it is always the cruel sorrows of

childhood which return; the dream this mock-sun of childhood--and the

fever, its distorting glass--both draw forth from dark corners the

fears of defenceless childhood, which press and cut with iron fangs

into the prostrate soul. The fair scenes of dreams mostly play on an

after-stage, whereas the frightful ones choose for theirs the cradle

and the nursery. Moreover, in fever, the ice-hands of the fear of

ghosts, the striking one of the teachers and parents, and every claw

with which fate has pressed the young heart, stretch themselves out to

catch the wandering man. Parents, consider then, that every

childhood's Rupert--the name given in Germany to the fictitious being

employed to frighten children into obedience--even though it has lain

chained for tens of years, yet breaks loose and gains mastery over the

man so soon as it finds him on a sick-bed. The first fright is more

dangerous the sooner it happens: as the man grows older, he is less

and less easily frightened; the little cradle or bed-canopy of the

child is more easily quite darkened than the starry heaven of the

man.--_Jean Paul Richter._

Chambers's Edinburgh Journal, No. 430 Volume 17, New Series, March 27, 1852 · 第 14 / 18 题