CHAPTER XXV.

THAT RAINY SUNDAY.

"He hath put the world in their hearts."

This is how that had come about which was such a trouble and oppression

to Emily.

Emily was walking to church on a Sunday morning, just three weeks before

John Mortimer's first call upon her.

Her little nephew, Dorothea's child, was four days old. He had spent

many of his new-found hours sleeping in her arms, while she cherished

him with a keen and painful love, full of sweet anguish and unsatisfied

memories.

The tending of this small life, which in some sort was to be a

plenishing for her empty heart, had, however, made her more fully alive

than usual to the loneliness of her lot, and as she walked on through a

fir-wood, in the mild weather, everything seemed also to be more alive,

waking, and going to change. The lights that slanted down were more

significant. The little shaded hollows were more pathetic, but on the

whole it seemed as if the best part of the year was coming on for the

world. It made her heart ache to feel or fancy how glad the world was,

and how the open sky laughed down upon it in helpful sympathy. The old

question presents itself over and over again to be answered,--What is it

that gives us so much joy in looking at earth and air and water?

We love a landscape, but not merely because remoteness makes blue the

distant hills, as if the sky itself having come down, we could look

through a portion of it, as through a veil. It is not the vague

possibility of what may be shrouded in the blue that stirs our hearts.

We know that if we saw it close it would be set full of villages, and

farmhouses, lanes and orchards, and furrowed fields; no other, and not

fairer than we have near.

Is it what we impart, or impute to nature from ourselves, that we

chiefly lean upon? or does she truly impart of what is really in her to

us?

What delight we find in her action, what sentiment in her rest! What

passion we impute to her changes, what apathy of a satisfying calming

sort to her decline!

If one of us could go to another world, and be all alone in it, perhaps

that world would appear to be washed perfectly clean of all this kind of

beauty, though it might in itself and for itself be far more beautiful

than ours.

Who has not felt delight in the grand movements of a thunder-storm, when

the heavens and earth come together, and have it out, and seem to feel

the better for it afterwards, as if they had cleared off old scores? The

sight of noble wrath, and vehement action, cannot only nerve the

energetic; they can comfort those obliged to be still. There is so

little these may do, but the elements are up and doing; and they are in

some sort theirs.

And who does not like to watch the stately white cloud lying becalmed

over the woods, and waiting in a rapture of rest for a wind to come and

float it on? Yet we might not have cared to see the cloud take her rest,

but for the sweetness of rest to ourselves. The plough turned over on

one side under a hedge, while the ploughman rests at noon, might hint to

us what is the key-note of that chord which makes us think the rest of

the cloud so fair.

If the splendour of some intense passion had never suddenly glorified

the spread-out ether of time in which our spirits float, should we feel

such a strange yearning on looking at a sunset, with its tender

preliminary flush, and then the rapid suffusions of scarlet and growth

of gold? If it is not ourselves that we look at then, it is at one of

the tokens and emblems which claim a likeness with us, a link to hold us

up to the clear space that washes itself so suddenly in an elixir costly

as the golden chances of youth, and the crimson rose of love. With what

a sigh, even youth itself will mark that outpouring of coloured glory!

It whelms the world and overcomes the sky, and then, while none

withstand it, and all is its own, it will change as if wearied, and on a

sudden be over; or with pathetic withdrawal faint slowly away.

Her apathy, too--her surrender, when she has had everything, and felt

the toil in it, and found the hurry of living. The young seldom perceive

the apathy of nature; eyes that are enlightened by age can often see her

quiet in the autumn, folding up her best things, as they have done, and

getting ready to put them away under the snow. They both expect the

spring.

Emily was thinking some such thoughts as these while she walked on to

the small country church alone. She went in. This was the first Sunday

after the funeral of old Augustus Mortimer. A glance showed her that

John was at church, sitting among his children.

The Mortimers were much beloved thereabout. This was not the place where

the old man had worshipped, but a kindly feeling towards his son had

induced the bringing out of such black drapery as the little church

possessed. It was hung round the pulpit, and about the wall at the back

of his pew; and as he sat upright, perfectly still, and with his face

set into a grave, immobile expression, the dark background appeared to

add purity to the fair clear tints of his hair and complexion, and make

every line of his features more distinct.

And while she looked from time to time at this face, the same thing

occurred to her, as does to us in looking at nature; either she

perceived something she had never known of or looked for before, or she

imparted to his manhood something from the tenderness of her womanhood,

and mourned with him and for him.

For this was what she saw, that in spite of the children about him (all

in deep mourning), his two tall young daughters and his sweet little

girls and boys, there was a certain air of isolation about him, a sort

of unconsciousness of them all as he towered above them, which gave him

a somewhat desolate effect of being alone. The light striking down upon

his head and the mourning drapery behind him, made every shadow of a

change more evident. She knew how the withdrawal of this old father

weighed on his heart, and his attitude was so unchanging, and his

expression so guarded, that she saw he was keeping watch over his

self-possession, and holding it well in hand.

All this appeared so evident to her that she was relieved, as the

service went on, to find him still calm and able to command himself, and

keep down any expression of trouble and pain. He began to breathe more

freely too; but Emily felt that he would not meet any eyes that day, and

she looked at him and his children many times.

In the middle of the sermon a dark cloud came over, and before the

service was finished it poured with rain. Emily was not going back to

her brother's house; she had only the short distance to traverse that

led to her own, and she did not intend to speak to the Mortimers; so she

withdrew into the porch, to wait there till they should have passed out

by the little door they generally used. They scarcely ever had out a

carriage on Sunday, for John preserved many of his father's habits,

without, in all cases, holding the opinions which had led to them.

That day, however, the servants brought a carriage, and as the little

girls were carried to it under umbrellas they caught sight of Emily, and

to her annoyance, she presently saw John advancing to her. She had

already begun to walk when he met her, and, sheltering her with his

umbrella, proposed to take her home in the carriage; but she declined;

she felt the oppression and sadness of his manner, and knew he did not

want her company. "I would much rather walk," she declared.

"Would you?" he said, and waved to the men to take the carriage on.

"Well, it is not far;" and he proceeded to conduct her. Indeed there was

nothing else for him to do, for she could not hold up her umbrella. He

gave her his arm, and for two or three minutes the wind and the rain

together made her plenty of occupation; but when they got under the

shelter of the cliff-like rock near her house she felt the silence

oppressive, and thinking that nothing to the purpose, nothing touching

on either his thoughts or her own, would be acceptable, she said, by way

of saying something,--

"And so Valentine is gone! Has he written from Melcombe to you, John?"

"No," John answered, and added, after another short silence, "I feel the

loss of his company; it leaves me the more alone."

Then, to her surprise, he began at once to speak of this much-loved old

man, and related two or three little evidences of his kindness and

charity that she liked to hear, and that it evidently was a relief to

him to tell. She was just the kind of woman unconsciously to draw forth

confidences, and to reward them. Something poignant in his feeling was

rather set forth than concealed by his sober, self-restrained ways and

quiet words; it suited Emily, and she allowed herself to speak with that

tender reverence of the dead which came very well from her, since she

had loved him living so well. She was rather eloquent when her feelings

were touched, and then she had a sweet and penetrative voice. John liked

to hear her; he recalled her words when he had parted with her at her

own door, and felt that no one else had said anything of his father that

was half so much to his mind. It was nearly four weeks after this that

Emily fully confessed to herself what had occurred.

The dinner, after John Mortimer withdrew that day and Emily made to

herself this confession, was happily relieved by the company of three or

four neighbours, otherwise the hostess might have been made to feel very

plainly that she had displeased her guest. But the next morning Justina,

having had time to consider that Emily must on no account be annoyed,

came down all serenity and kindliness. She was so attentive to the lame

old aunt, and though the poor lady, being rather in pain, was decidedly

snappish, she did not betray any feeling of disapproval.

"Ay," said Miss Christie to herself when the two ladies had set off on

their short walk, "yon's not so straightforward and simple as I once

thought her. Only give her a chance, and as sure as death she'll get

hold of John, after all."

Emily and Justina went across the fields and came to John's garden, over

the wooden bridge that spanned the brook.

The sunny sloping garden was full of spring flowers. Vines, not yet in

leaf, were trained all over the back of the house, clematis and jasmine,

climbing up them and over them, were pouring themselves down again in

great twisted strands; windows peeped out of ivy, and the old red-tiled

roof, warm and mossy, looked homely and comfortable. A certain air of

old-fashioned, easy comfort pervaded the whole place; large bay windows,

with little roofs of their own, came boldly forth, and commanded a good

view of other windows--ivied windows that retired unaccountably. There

were no right lines. Casements at one end of the house showed in three

tiers, at the other there were but two. The only thing that was

perfectly at ease about itself, and quite clear that it ought to be

seen, was the roof. You could not possibly make a "stuck-up" house, or a

smart villa, or a modern family house of one that had a roof like that.

The late Mrs. Mortimer had wished it could be taken away. She would have

liked the house to be higher and the roof lower. John, on the other

hand, delighted in his roof, and also in his stables, the other

remarkable feature of the place.

As the visitors advanced, children's voices greeted them; the little

ones were running in and out; they presently met and seized Mrs. Walker,

dancing round her, and leading her in triumph into the hall. Then

Justina observed a good-sized doll, comfortably put to bed on one of the

hall chairs, and tightly tucked up in some manifest pinafores; near it

stood a child's wheel-barrow, half full of picture-books. "I shall not

allow that sort of litter here when I come, as I hope and trust I soon

shall do," thought Justina. "Children's toys are all very well in their

proper places."

Then Justina, who had never been inside the house before, easily induced

the children to take her from room to room, of those four which were

thoroughfares to one another. Her attentive eyes left nothing unnoticed,

the fine modern water-colour landscapes on the walls of one, the

delicate inlaid cabinets in another. Then a library, with a capital

billiard-table, and lastly John's den. There was something about all

these rooms which seemed to show the absence of a woman. They were not

untidy, but in the drawing-room was John's great microscope, with the

green-shaded apparatus for lighting it; the books also from the library

had been allowed to overflow into it, and encroach upon all the tables.

The dining-room alone was as other people's dining-rooms, but John's

own den was so very far gone in originality and strangeness of litter,

that Justina felt decidedly uneasy when she saw it; it made manifest to

her that her hoped-for spouse was not the manner of man whom she could

expect to understand; books also here had accumulated, and stood in rows

on chairs and tables and shelves; pipes were lying on the stone

chimneypiece, sharing it with certain old and new, beautiful and ugly

bronzes; long papers of genealogies and calculations in John's

handwriting were pinned against the walls; various broken bits of

Etruscan pottery stood on brackets here and there. It seemed to be the

owner's habit to pin his lucubrations about the place, for here was a

vocabulary of strange old Italian words, with their derivations, there a

list of peculiarities and supposed discoveries in an old Norse dialect.

Emily in the meantime had noticed the absence of the twins; it was not

till lunch was announced, and she went back into the dining-room that

she saw them, and instantly was aware that something was amiss.

Justina advanced to them first, and the two girls, with a shyness very

unusual with them, gave her their hands, and managed, but not without

difficulty, to escape a kinder salutation.

And then they both came and kissed Emily, and began to do the honours of

their father's table. There was something very touching to her in that

instinct of good breeding which kept them attentive to Miss Fairbairn,

while a sort of wistful sullenness made the rosy lips pout, and their

soft grey eyes twinkle now and then with half-formed tears.

Justina exerted herself to please, and Emily sat nearly silent. She saw

very plainly that from some cause or other the girls were looking with

dread and dislike on Justina as a possible step-mother. The little ones

were very joyous, very hospitable and friendly, but nothing could warm

the cold shyness of Gladys and Barbara. They could scarcely eat

anything; they had nothing to say.

It seemed as if, whatever occurred, Justina was capable of construing it

into a good omen. Somebody must have suggested to these girls that their

father meant to make her his second wife. What if he had done it

himself? Of course, under the circumstances, her intelligence could not

fail to interpret aright those downcast eyes, those reluctant answers,

and the timid, uncertain manner that showed plainly they were afraid of

her. They did not like the notion, of course, of what she hoped was

before them. That was nothing; so, as they would not talk, she began to

devote herself to the younger children, and with them she got on

extremely well.

Emily's heart yearned with a painful pity that returned upon herself

over the two girls. She saw in what light they regarded the thought of a

stepmother. Her heart ached to think that she had not the remotest

chance of ever standing in such a relation towards them. Yet, in despite

of that, she was full of tender distress when she considered that if

such a blissful possibility could ever draw near, the love of all these

children would melt away. The elder ones would resent her presence, and

teach the younger to read all the writing of her story the wrong way.

They would feel her presence their division from the father whom they

loved. They would brood with just that same sullen love and pouting

tenderness--they would pity, their father just the same, whoever wore

his ring, and reigned over them in his stead.

Emily, as she hearkened to Justina's wise and kindly talk, so well

considered and suitable for the part she hoped to play--Emily began to

pity John herself. She wanted something so much better for him. She

reflected that she would gladly be the governess there, as she could not

be the wife, if that would save John from throwing himself into

matrimony for his children's sake; and yet had she not thought a year

ago that Justina was quite good enough for him? Ah, well! but she had

not troubled herself then to learn the meaning of his voice, and look so

much as once into the depths of his eyes.

Lunch was no sooner over than the children were eager to show the

flowers, and all went out. Barbara and Gladys followed, and spoke when

appealed to; but they were not able to control their shoulders so well

as they did their tongues. Young girls, when reluctant to do any

particular thing, often find their shoulders in the way. These useful,

and generally graceful, portions of the human frame appear on such

occasions to feel a wish to put themselves forward, as if to bear the

brunt of it, and their manner is to do this edgeways.

Emily heard Justina invited to see the rabbits and all the other pets,

and knew she would do so, and also manage to make the children take her

over the whole place, house included. She, however, felt a shrinking

from this inspection, an unwonted diffidence and shyness made her almost

fancy it would be taking a liberty. Not that John would think so. Oh,

no; he would never think about it.

They soon went to look at the flowers; and there was old Swan ready to

exhibit and set off their good points.

"And so you had another prize, Nicholas. I congratulate you," remarked

Emily.

"Well, yes, ma'am, I had another. I almost felt, if I failed, it would

serve me right for trying too often. I said it was not my turn. 'Turn,'

said the umpire; 'it's merit we go by, not turn, Mr. Swan,' said he."

"And poor Raby took a prize again, I hear," said Emily. "That man seems

to be getting on, Swan."

"He does, ma'am; he's more weak than wicked, that man is. You can't make

him hold up his head; and he's allers contradicting himself. He promised

his vote last election to both sides. 'Why,' said I, 'what's the good

of that, William? Folks'll no more pay you for your words when you've

eaten them than they will for your bacon.' But that man really couldn't

make up his mind which side should bribe him. Still, William Raby is

getting on, I'm pleased to say."

Justina had soon seen the flowers enough, and Emily could not make up

her mind to inspect anything else. She therefore returned towards the

library, and Barbara walked silently beside her.

As she stepped in at the open window, a sound of sobbing startled her.

An oil painting, a portrait of John in his boyhood, hung against the

wall. Gladys stood with her face leaning against one of the hands that

hung down. Emily heard her words distinctly: "Oh, papa! Oh, papa! Oh, my

father beloved!" but the instant she caught the sound of footsteps, she

darted off like a frightened bird, and fled away without even looking

found.

Then the twin sister turned slowly, and looked at Emily with entreating

eyes, saying--"Is it true, Mrs. Walker? Dear Mrs. Walker, is it really

true?"

Emily felt cold at heart. How could she tell? John's words went for

nothing; Miss Christie might have mistaken them. She did not pretend to

misunderstand, but said she did not know; she had no reason to think it

was true.

"But everybody says so," sighed Barbara.

"If your father has said nothing--" Emily began.

"No," she answered; her father had said nothing at all; but the mere

mention of his name seemed to overcome her.

Emily sat down, talked to her, and tried to soothe her; but she had no

distinct denial to give, and in five minutes Barbara, kneeling before

her, was sobbing on her bosom, and bemoaning herself as if she would

break her heart.

Truly the case of a step-mother is hard.

Emily leaned her cheek upon the young upturned forehead. She faltered a

little as she spoke. If her father chose to marry again, had he not a

right? If she loved him, surely she wanted him to be--happy.

"But she is a nasty, nasty thing," sobbed Barbara, with vehement

heavings of the chest and broken words, "and--and--I am sure I hate her,

and so does Gladys, and so does Johnnie too." Then her voice softened

again--"Oh, father, father! I would take such care of the little ones if

you wouldn't do it! and we would never, never quarrel with the

governesses, or make game of them any more."

Emily drew her yet nearer to herself, and said in the stillest, most

matter-of-fact tone--

"Of course you know that you are a very naughty girl, my sweet."

"Yes," said Barbara ruefully.

"And very silly too," she continued; but there was something so tender

and caressing in her manner, that the words sounded like anything but a

reproof.

"I don't think I am silly," said Barbara.

"Yes, you are, if you are really making yourself miserable about an idle

rumour, and nothing more."

"But everybody says it is true. Why, one of Johnnie's schoolfellows, who

has some friends near here, told him every one was talking of it."

"Well, my darling," said Emily with a sigh, "but even if it is true, the

better you take it, the better it will be for you; and you don't want to

make your father miserable?"

"No," said the poor child naively; "and we've been so good--so very

good--since we heard it. But it is so horrid to have a step-mother! I

told you papa had never said anything; but he did say once to Gladys

that he felt very lonely now Grand was gone. He said that he felt the

loss of mamma."

She dried her eyes and looked up as she said these words, and Emily felt

a sharp pang of pity for John. He must be hard set indeed for help and

love and satisfying companionship if he was choosing to suppose that he

had buried such blessings as these with the wife of his youth.

"Oh!" said Barbara, with a weary sigh, "Johnnie does so hate the thought

of it! He wrote us such a furious letter. What was my mother like, dear

Mrs. Walker? It's so hard that we cannot remember her."

Emily looked down at Barbara's dark hair and lucid blue-grey eyes, at

the narrow face and pleasant rosy mouth.

"Your mother was like you--to look at," she answered.

She felt obliged to put in those qualifying words, for Janie Mortimer

had given her face to her young daughter; but the girl's passionate

feelings and yearning love, and even, as it seemed, pity for her father

and herself, had all come from the other side of the house.

Barbara rose when she heard this, and stood up, as if to be better seen

by her who had spoken what she took for such appreciative words, and

Emily felt constrained to take the dead mother's part, and say what it

was best for her child to hear.

"Barbara, no one would have been less pleased than your mother at your

all setting yourselves against this. Write and tell Johnnie so, will

you, my dear?"

Barbara looked surprised.

"She was very judicious, very reasonable; it is not on her account at

all that you need resent your father's intention--if, indeed, he has

such an intention."

"But Johnnie remembers her very well," said Barbara, not at all pleased,

"and she was very sweet and very delightful, and that's why he does

resent it so much."

"If I am to speak of her as she was, I must say that is a state of

feeling she would not have approved of, or even cared about."

"Not cared that father should love some one else!"

The astonishment expressed in the young, childlike face daunted Emily

for the moment.

"She would have cared for your welfare. You had better think of her as

wishing that her children should always be very dear to their father, as

desirous that they should not set themselves against his wishes, and vex

and displease him."

"Then I suppose I'd better give you Johnnie's letter," said Barbara,

"because he is so angry--quite furious, really." She took out a letter,

and put it into Emily's hand. "Will you burn it when you go home? but,

Mrs. Walker, will you read it first, because then you'll see that

Johnnie does love father--and dear mamma too."

Voices were heard now and steps on the gravel. Barbara took up her

eyeglass, and moved forward; then, when she saw Justina, she retreated

to Emily's side with a gesture of discomfiture and almost of disgust.

"Any step-mother at all," she continued, "Johnnie says, he hates the

thought of; but that one--Oh!"

"What a lesson for me!" thought Emily; and she put the letter in her

pocket.

"It's very rude," whispered Barbara; "but you mustn't mind that;" and

with a better grace than could have been expected she allowed Justina to

kiss her, and the two ladies walked back through the fields, the younger

children accompanying them nearly all the way home.

Fated to Be Free: A Novel · 第 25 / 37 章