A good number of the houses too might be open to the road or green.

The unfenced common coming right up to one’s doorstep, always gives a

charming sense of openness whether viewed from within or from without;

a sense in no way diminished by the contrast that occasional fenced

gardens or forecourts offer where the houses are set back somewhat.

All sorts of individual tastes and needs would afford opportunity for

obtaining variety: the one thing to be avoided at all costs would be

the producing of anything like a street of detached villas.

The common insatiable desire for detachment is very remarkable; it

appears to arise mainly from a resigned acceptance of the jerry

builder’s party wall as the inevitable one. Everyone suspects a party

wall, looks to hear through it his neighbour’s child in the dead of

night, or his piano on a Sunday afternoon. Guarantee a sound-proof

party wall, and few will be able to give any valid reason why there

should be from ten to fifty feet of useless ground between every two

houses. In a properly built house, one is really much less conscious

of one’s neighbour, and much less over-looked by him, if his house is

attached, than if it is a few yards away. Where it is desired, however,

many minor devices, such as a highly walled garden or a covered-in

yard, may be used with effect to increase the number of separate houses

without destroying the grouping.

Artistically, the success of the plan would depend largely on the

clustering of the buildings, the avoidance of mere rows on the one hand

and of detached villas on the other. But, in addition, some controlling

influence must maintain a certain degree of harmony. The use of local

materials as far as possible should be encouraged, and the introduction

of discordant colours or styles of building be prevented. The extremest

degree of simplicity should be allowed, but anything pretentious,

showy, or false, be rigidly excluded. Probably this general control

could be best secured by giving to some architect in full sympathy with

the scheme powers similar to those usually possessed by the agent of a

large ground landlord, though exercised in the latter case more often

to maintain the value of the property than its beauty.

The question of design in the individual building is one that cannot

be touched on here, though obviously a matter of vital importance to

the degree of beauty attainable; rather I seek to emphasize the great

advance which is possible to us by a right use of such taste and

designing ability as may be readily commanded to-day. So soon as the

desire for some collective beauty in our buildings has been stimulated,

the chief difficulty will have been overcome. If by some little

co-operation we can arouse interest and pride in the matter, time will

develop that collective appreciation of what is fitting, to which we

must look for final success.

[Sidenote: _See plates 36 and 38._]

Association for mutual help in various ways is undoubtedly the growing

influence which is destined to bring to communities that crystalline

structure which was so marked a feature of feudal society, and the lack

of which is so characteristic of our own. When our new settlements

begin to feel this influence they will again take on some of the unity

which comes from organic growth. And as this influence increases

in force, and interest and thought become more and more centred in

the communal institutions and buildings, so will these begin to

grow in beauty; for the people will wish to adorn them. The beauty

of the village and its public buildings will then become a first

consideration, and the pride of the inhabitants will be displayed in

these, not in the aggressive elaboration of their own houses.

There is the more hope of this because the practical advantages to be

derived from such co-operation as suggested, are so great and obvious

as to form just such a reliable basis of utility as is required for

the healthy growth of art. Without going fully into this side of the

question, a few of the more obvious directions in which co-operation

could help people of limited means, after they had associated for the

purpose of purchasing and developing their settlement, may be referred

to. The improvement and use of the land not required for building

purposes, by draining, planting of fruit trees, or the erection of

a suitable dairy, would be one of the first and most important of

these; this would secure a good supply of pure milk and fresh farm

produce, and at the same time allow the open ground to be enjoyed to

the full for recreative purposes. A laundry would be another enterprise

specially easy to organize on co-operative lines, and even in a village

too small to support a fully staffed laundry, it would make all the

difference if everyone could have the advantage of a well appointed

wash-house instead of having to use the ordinary inconvenient cramped

scullery with no proper appliances. In a community where several

business men daily journeyed to the town, a co-operative conveyance to

and from the station could be arranged in connection with the farm, as

could also the general carriage and cartage requirements. In providing

education for the young and recreation for all, association would be

invaluable; while it could easily be used as a means of buying, on

advantageous terms, in large quantities, commodities which cannot

economically be obtained in the country in small quantities, and of

securing many valuable services for all which would be out of the reach

of individuals.

It is of course not necessary that the first steps towards the

development of such a building scheme should be taken by the

prospective tenants. A landowner might well work on this line; he

would find in it a means of adding greatly to the value of estates

which might not be available for an ordinary building scheme. If he

would lay out a plot of land and offer to all comers a site of such

size as they wanted with sufficient open land between them and any

future buildings that might block their view secured by perpetual

guarantee, he would get plenty of applications even in positions that

are not the most favourable. He could also, by building some houses

of various sizes and carefully grouping them, give an example of the

sort of building he would encourage, which would soon be followed. By

retaining some control of plans for buildings to be carried out by

others on his land, he would be able to secure a general harmony and a

consistent development. He could too enlist the interest of his tenants

or purchasers in the growth of the colony, and foster among them

co-operative effort in that direction.

On the same lines, also, the state or municipal landlord might relieve

the over-crowding in towns by developing hamlets and villages in the

out-lying districts wherever they had, or could get, suitable land.

And even in the towns and immediately surrounding suburbs, much might

be done to remove the dreary ugliness of the streets by the use of

co-operation in building, and by the fostering of it in the occupants

of the houses. The arrangement would need to be different for a town or

suburb, where land would be costly, from that suggested for a village.

For just as the price of land in the centre of cities regulates to

a large extent the height to which it is profitable to carry up the

buildings, so on the outskirts it must determine the area of land

that can be allowed to each house. By co-operation it may be secured,

however, that all the land which can be afforded shall be available to

give air and outlook to all alike, while its actual occupation can be

reserved for those who really want a garden.

[Sidenote: _See plates 6 to 10, also 34 and 35._]

In the country we have seen how co-operation could give back to

us some of the picturesqueness of old villages. In the same way

it would add character and dignity to our towns, even to rows of

cottages. What more satisfactory town buildings could one desire

than some of the old colleges? Yet these consist primarily of rows

of small tenements grouped round quadrangles or gardens with certain

common rooms attached. The hall, the chapel, and the gatehouse, are

prominent features; while the cloisters, where such exist, affording

covered ways from the tenements to the common rooms, help to give a

sense of unity to the whole. Why should not cottages be grouped into

quadrangles, having all the available land in a square in the centre?

Some of the space so often wasted in a useless front parlour in each

cottage, could be used to form instead a Common Room, in which a

fire might always be burning in an evening, where comfort for social

intercourse, for reading, or writing, could always be found. Such a

room could be used also for music & general recreation, and might

add much colour to the lives of all those who frequented it. To this

Common Room could be added a laundry and drying-room fitted with a few

modern appliances which would not only reduce by half the labour and

time occupied in the weekly wash, but would take the bulky copper and

mangle out of each cottage, and relieve them all of the unpleasantness

of the steam and the encumbrance of the drying clothes. In connection

with this a bath-room could be arranged for groups of the smallest

cottages, while the growth of co-operation would soon bring the common

bakehouse and kitchen. From this to the preparation of meals and the

serving of them in the Common Room would be only a matter of time; for

the advantage of it is obvious. Instead of thirty or forty housewives

preparing thirty or forty little scrap dinners, heating a like number

of ovens, boiling thrice the number of pans & cleaning them all up

again, two or three of them retained as cooks by the little settlement

would do the whole, and could give better and cheaper meals into the

bargain.

It is not only to those who live in cottages that co-operation offers

advantages. From another class we hear much of the great servant

difficulty. Hotels, boarding houses, and hydropathics, are springing up

in every direction to accommodate those who are seeking to escape from

the worry of servants, the trouble and expense of jerry-built houses,

and the endless small anxieties that go to the running of a separate

establishment. But hotels and boarding houses do not really meet the

wants of this class. What they need is some arrangement by which they

could retain the privacy and individuality of a separate house, while

gaining the advantage, which they have in a boarding house, of properly

organized service and skilled cooking. These needs would be admirably

met by groups of houses arranged to give ready access to a communal

establishment, where meals would be supplied, laid either in the common

dining room or in the private house as desired; where the occasional

use of commodious rooms could be obtained for entertaining purposes;

and from whence properly trained effective helps could be sent out

daily, for as long or as short a time as might be required, to do all

the domestic work of the separate houses, or such part of it as the

occupants might prefer not to do themselves. Such an establishment

could readily be built and worked on co-operative lines, giving many of

the advantages of hotel life without entailing its disadvantages or its

costliness.

The planning of the Common Rooms would require much thought and care.

On this would depend greatly the success of the co-operative effort.

The usual small meeting-room, high, four-square, having a great deal

of tawdry decoration, but lacking anything whatever to give a sense of

comfort or to add a bit of interest, would be fatal. High the rooms

should be, in parts, sufficient to give air space and promote easy

ventilation. But there should be deep recesses or ingles with low

ceilings, places which by the contrast of their special cosiness should

attract people to sit there. If there could be a little gallery for the

musicians, a deep balcony overlooking the street or the gardens for

the smokers, these would prove great attractions for which everyone

would gladly dispense with the adornments usually thought necessary

for public rooms: though adornments of a more interesting character

there well might be, and undoubtedly would be, when people came to

appreciate their Common Rooms. As such co-operative quadrangles

multiplied, the necessary variety to suit different habits of life

would arise; for even those composed of houses of similar size would

become differentiated, somewhat as different colleges in a university

acquire a character for hard reading, for athletics, or for sport, and

each could choose according to his tastes. The essential thing from the

æsthetic point of view is that there shall be enough co-operation to

secure some grouping of buildings, some centralising influence on them.

How different our streets would look if instead of the rows upon rows

of dreary uninteresting cottages and hardly less dreary terraces of

larger houses, we could have blocks such as suggested. Some might be

adorned with a colonnade facing the street, and leading to the common

rooms at the corner; some might have a comely arched gateway into the

court as a special feature, through which, as one passed, a peep at

the quadrangle, tennis ground, or garden, would be obtained. There

need be nothing elaborate about such buildings. Quite simple cottages

or houses, with some variety of size to suit large and small families,

a little taste in proportioning doors, windows, and other details, a

little imagination in welding them into a complete whole--these would

suffice to change our dreary streets into something, the beauty and

interest of which would be a constant source of pleasure.

Architecture has always reflected the condition of the society in which

it flourished, being great in times of organisation, and deteriorating

in times of disintegration. Recently it has very clearly represented

the inordinate desire for individual independence. One sees terraces

of houses, each painted a different colour to try and emphasize their

independence. Or one may find the gable end of a porch which is common

to two villas, painted half a bright green to match one house, half a

chocolate red to accord with the other. These may be extreme instances,

but they are very typical of the length to which independence has

been carried. Society is, however, now realising very fast that

this independence is no end in itself, and is only good in that it

sets free the individuals to form new relationships based on mutual

association. This is already having its effect on architecture, in that

it is now not uncommon for the individual to make some effort to have

his buildings made beautiful for the public to look at, as well as

convenient for himself: the interest of the community in the matter is

so far acknowledged. Very soon it will seem equally obvious that the

relations of the separate buildings to each other should be considered,

and concerted effort be directed to the creation of streets with at

least some unity and dignity of effect, and settlements that, if they

may not have all the charm of the old English village, shall at any

rate look at home in their country surroundings.

RAYMOND UNWIN.

THE ART OF DESIGNING SMALL HOUSES AND COTTAGES.

By Barry Parker and Raymond Unwin.

A paper read by Mr. Unwin before an audience of Architects in January,

1901.

In the domestic branch of architecture, each commission presents to us

a fresh problem, full of human interest, the right solution of which

demands that we shall consider it from many points of view. We must

look upon the task primarily as the providing of a suitable setting for

the life of our client and his family. In this connection, not only his

actual wants but his ideals of life have to be taken thought of; nor

must we overlook our possible influence upon him through his house.

Again, each house appeals to us as a new creation of our art. We are in

much the same position as the portrait painter: the likeness, truly, is

that of the sitter, but the interpretation of it, the setting, and the

colour--in short, the art of the picture--belong to the painter. So,

too, the house as a habitation belongs to and must satisfy the client,

while as a work of art it belongs to and must satisfy its designer.

In this matter we stand as guardians, alike of our reputation and of

the general interest of the public as beholders of the building. The

right of the public to be considered is much clearer than many seem to

realize. No one who might add to the joy of life by building something

comely should add to its gloom by building what is ill-looking.

I do not anticipate that these considerations, or those to which we

shall presently come, are new to you. But it is probable that they

would appeal to each one in a different order of relative importance,

so that in no two of us would our attitude towards the problem be

exactly alike. In no house can every advantage be obtained; each must

be somewhat of a compromise; in each there must be a sacrificing of

what we deem less important to secure what we esteem of greater value.

It follows that the variety of our attitude must produce individuality

in the result. When, therefore, you did me the honour to suggest that

I should bring this subject before you, I felt that the best response

I could make would be to try to give you, as from one fellow-workman

to another, some account of the way in which we approach our domestic

work, hoping, that in comparing this, and the results which we shall

show, with other methods and results, you might find some little

interest.

Suppose then that we have received a commission for a dwelling house;

that we have made ourselves sufficiently acquainted with our new

client’s wishes, his mode of life, and habits, by getting him to

write to us very fully of everything he would like to be specially

considered, discussing points with him, or visiting his home, as

circumstances may suggest; and further, that we have made full notes of

all the instructions and information thus gathered for our own use;

the first thing is to visit the site and devote some time to thinking

out the problem on the spot.

The site is the most important factor to be considered, for it usually

suggests both the internal arrangement and the external treatment.

If the site is a large one the position of the house upon it must

first be determined. In past times the house was regarded mainly as a

shelter, and this greatly influenced the choice of its position. But

we do not to-day so much build shelters for people who live out of

doors, as dwellings whence they may occasionally go forth. A primary

consideration then must be, to so place the house as to afford its

occupants the greatest possible enjoyment of such beauty of adjacent

country or grandeur of distant view as the site can command. While

doing this, however, we must place and design the house in such a way

that it shall not stand out as a disturbing excrescence, but shall look

at home in its site, in harmony with its surroundings.

This consideration of the house as a detail in a larger picture will

bring us to a determination of its general form, its treatment and its

colouring. Some positions demand a lofty building, while others seem

to suggest that it be kept as low as possible. And in the country,

certainly, the low house is more successful, more in harmony with the

scenery; perhaps because it is suggestive more of man’s dependence upon

Nature, less of his defiance of her powers. In the choice of materials

and colouring, harmony rather than strong contrast should be sought.

There is only one sure way of obtaining this at all generally, which

is, of course, to keep to local materials and local ways of using them.

At any rate I think we may lay it down that strong reasons of use or

economy are needed to justify a departure from these. Where a departure

is made, let the contrast with what is usual in the district be as

slight as may be. We do not enough consider when we introduce for the

first time into some valley a bright red roof, how it will haunt the

eye from every point of view, and may go far towards marring the beauty

of the whole scene by destroying its restfulness. We should let the

surroundings which are to constitute the picture suggest the colouring

as well as the form of the new object we are about to introduce. Some

definite scheme suitable to the position should be adopted, and colours

of paint and any enrichments made to contribute to it.

Greatly as must the site influence the external treatment of the house,

its internal arrangement will be even more definitely dictated by it.

The position of each room in relation to the points of the compass

& the outlook should be determined on the spot. It is now pretty

generally realised that no sacrifice is too great which is necessary to

enable us to bring plenty of sunshine into all the main living rooms.

In the South of England perhaps some moderation must be observed in

applying this rule, there being no inconsiderable number of days on

which a too sunny room may become unbearably hot; and, where the size

of the house will allow of it, to have an east and west room is often

a great boon. But over the greater part of our country, certainly in

the Midlands and the North, the importance of arranging for the few

days when the sun is oppressive is small indeed compared with that of

planning to suit the many days when every hour of sunshine is of the

utmost value. The general rule, then, would seem to be, so to contrive

as to get the sunshine into a room at the time when it is most likely

to be occupied. Let a study or breakfast-room be east or south-east,

a general living-room or drawing-room south and south-west. A good

western window in the room we most occupy during the latter part of the

day, gives us many an extra hour of daylight; while the opportunity

it affords us of habitually seeing the bright colour of sunset is a

privilege which is worth some effort to obtain. A kitchen is best

north-east or east, for the first coming down into the fireless house

may well have its cheerlessness reduced for the servants by what

sunshine is to be had at an early hour; later in the day, when the

kitchen is hot with cooking, the heat of the sun should not be added.

A bath-room and bedrooms, too, are pleasant with an eastern aspect,

though some cannot sleep in a room into which early sunshine can come.

Next only in importance to such considerations of aspect, and certainly

important enough to modify them somewhat, is the question of prospect;

for a pleasant outlook is a boon only less great than a sunny aspect.

We must not ignore a fine view even when it can only be had to the

north, and much less must we allow any trivial conventions, like the

old commonly accepted idea that the front of the house should be to the

road, to betray us into sacrificing such solid advantages as sunshine

and a pleasant view. In fact, to produce a good plan, one should go to

the site without any preconceived conventions, but with a quite open

mind, prepared to think out each fresh problem on the spot from the

beginning, and to receive all the suggestions the site can offer. I

hope you will pardon me if I seem to insist unduly on the importance

of so elementary a principle as that of building to suit each site.

But one sees the principle so commonly disregarded that it is needful

to emphasize it. Not only do we find houses perched uncomfortably on

the shoulder of a hill, or thrust into prominence one way or another

regardless of their effect on their surroundings; but, in arrangement,

the disregard of the site is carried so far that semi-detached houses

are even built with their plans just reversed, so that a plan designed

for the north end is made to serve for the south, or one arranged

to suit the east side allowed to pass for the west. Before leaving

the site one should be able to carry away not only detailed notes of

drainage, water supply, levels, fine trees, views and aspects, but also

a general idea as to the best arrangement of the rooms of the new

house, an ideal plan to be aimed at, and a sort of mental sketch in

block of the general form the new creation should take externally.

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