CHAPTER XXIX. IN THE LIGHT.

A LITTLE interval of solitude was a relief to me, as well as to

Miserrimus Dexter.

Startling doubts beset me as I walked restlessly backward and forward,

now in the anteroom, and now in the corridor outside. It was plain that

I had (quite innocently) disturbed the repose of some formidable secrets

in Miserrimus Dexter’s mind. I confused and wearied my poor brains

in trying to guess what the secrets might be. All my ingenuity--as

after-events showed me--was wasted on speculations not one of which

even approached the truth. I was on surer ground when I arrived at the

conclusion that Dexter had really kept every mortal creature out of

his confidence. He could never have betrayed such serious signs of

disturbance as I had noticed in him, if he had publicly acknowledged at

the Trial, or if he had privately communicated to any chosen friend, all

that he knew of the tragic and terrible drama acted in the bedchamber at

Gleninch. What powerful influence had induced him to close his lips?

Had he been silent in mercy to others? or in dread of consequences to

himself? Impossible to tell! Could I hope that he would confide to Me

what he had kept secret from Justice and Friendship alike? When he knew

what I really wanted of him, would he arm me, out of his own stores of

knowledge, with the weapon that would win me victory in the struggle to

come? The chances were against it--there was no denying that. Still the

end was worth trying for. The caprice of the moment might yet stand my

friend, with such a wayward being as Miserrimus Dexter. My plans and

projects were sufficiently strange, sufficiently wide of the ordinary

limits of a woman’s thoughts and actions, to attract his sympathies.

“Who knows,” I thought to myself, “if I may not take his confidence by

surprise, by simply telling him the truth?”

The interval expired; the door was thrown open; the voice of my host

summoned me again to the inner room.

“Welcome back!” said Miserrimus Dexter.

“Dear Mrs. Valeria, I am quite myself again. How are you?”

He looked and spoke with the easy cordiality of an old friend. During

the period of my absence, short as it was, another change had passed

over this most multiform of living beings. His eyes sparkled with

good-humor; his cheeks were flushing under a new excitement of some

sort. Even his dress had undergone alteration since I had seen it last.

He now wore an extemporized cap of white paper; his ruffles were tucked

up; a clean apron was thrown over the sea-green coverlet. He hacked his

chair before me, bowing and smiling, and waved me to a seat with

the grace of a dancing master, chastened by the dignity of a lord in

waiting.

“I am going to cook,” he announced, with the most engaging simplicity.

“We both stand in need of refreshment before we return to the serious

business of our interview. You see me in my cook’s dress; forgive it.

There is a form in these things. I am a great stickler for forms. I have

been taking some wine. Please sanction that proceeding by taking some

wine too.”

He filled a goblet of ancient Venetian glass with a purple-red liquor,

beautiful to see.

“Burgundy!” he said--“the king of wine: And this is the king of

Burgundies--Clos Vougeot. I drink to your health and happiness!”

He filled a second goblet for himself, and honored the toast by draining

it to the bottom. I now understood the sparkle in his eyes and the flush

in his cheeks. It was my interest not to offend him. I drank a little of

his wine, and I quite agreed with him. I thought it delicious.

“What shall we eat?” he asked. “It must be something worthy of our Clos

Vougeot. Ariel is good at roasting and boiling joints, poor wretch!

but I don’t insult your taste by offering you Ariel’s cookery. Plain

joints!” he exclaimed, with an expression of refined disgust. “Bah!

A man who eats a plain joint is only one remove from a cannibal or a

butcher. Will you leave it to me to discover something more worthy of

us? Let us go to the kitchen.”

He wheeled his chair around, and invited me to accompany him with a

courteous wave of his hand.

I followed the chair to some closed curtains at one end of the room,

which I had not hitherto noticed. Drawing aside the curtains, he

revealed to view an alcove, in which stood a neat little gas-stove for

cooking. Drawers and cupboards, plates, dishes, and saucepans, were

ranged around the alcove--all on a miniature scale, all scrupulously

bright and clean. “Welcome to the kitchen!” said Miserrimus Dexter. He

drew out of a recess in the wall a marble slab, which served as a table,

and reflected profoundly, with his hand to his head. “I have it!” he

cried, and opening one of the cupboards next, took from it a black

bottle of a form that was new to me. Sounding this bottle with a spike,

he pierced and produced to view some little irregularly formed black

objects, which might have been familiar enough to a woman accustomed to

the luxurious tables of the rich, but which were a new revelation to a

person like myself, who had led a simple country life in the house of a

clergyman with small means. When I saw my host carefully lay out these

occult substances of uninviting appearance on a clean napkin, and then

plunge once more into profound reflection at the sight of them, my

curiosity could be no longer restrained. I ventured to say, “What are

those things, Mr. Dexter, and are we really going to eat them?”

He started at the rash question, and looked at me with hands outspread

in irrepressible astonishment.

“Where is our boasted progress?” he cried. “What is education but a name?

Here is a cultivated person who doesn’t know Truffles when she sees

them!”

“I have heard of truffles,” I answered, humbly, “but I never saw them

before. We had no such foreign luxuries as those, Mr. Dexter, at home in

the North.”

Miserrimus Dexter lifted one of the truffles tenderly on his spike, and

held it up to me in a favorable light.

“Make the most of one of the few first sensations in this life which

has no ingredient of disappointment lurking under the surface,” he said.

“Look at it; meditate over it. You shall eat it, Mrs. Valeria, stewed in

Burgundy!”

He lighted the gas for cooking with the air of a man who was about to

offer me an inestimable proof of his good-will.

“Forgive me if I observe the most absolute silence,” he said, “dating

from the moment when I take this in my hand.” He produced a bright

little stew-pan from his collection of culinary utensils as he spoke.

“Properly pursued, the Art of Cookery allows of no divided attention,”

he continued, gravely. “In that observation you will find the reason why

no woman ever has reached, or ever will reach, the highest distinction

as a cook. As a rule, women are incapable of absolutely concentrating

their attention on any one occupation for any given time. Their

minds will run on something else--say; typically, for the sake of

illustration, their sweetheart or their new bonnet. The one obstacle,

Mrs. Valeria, to your rising equal to the men in the various industrial

processes of life is not raised, as the women vainly suppose, by the

defective institutions of the age they live in. No! the obstacle is in

themselves. No institutions that can be devised to encourage them will

ever be strong enough to contend successfully with the sweetheart and

the new bonnet. A little while ago, for instance, I was instrumental in

getting women employed in our local post-office here. The other day I

took the trouble--a serious business to me--of getting downstairs, and

wheeling myself away to the office to see how they were getting on. I

took a letter with me to register. It had an unusually long address. The

registering woman began copying the address on the receipt form, in a

business-like manner cheering and delightful to see. Half way through, a

little child-sister of one of the other women employed trotted into the

office, and popped under the counter to go and speak to her relative.

The registering woman’s mind instantly gave way. Her pencil stopped; her

eyes wandered off to the child with a charming expression of interest.

‘Well, Lucy,’ she said, ‘how d’ye do?’ Then she remembered business

again, and returned to her receipt. When I took it across the counter,

an important line in the address of my letter was left out in the copy.

Thanks to Lucy. Now a man in the same position would not have seen

Lucy--he would have been too closely occupied with what he was about

at the moment. There is the whole difference between the mental

constitution of the sexes, which no legislation will ever alter as long

as the world lasts! What does it matter? Women are infinitely superior

to men in the moral qualities which are the true adornments of humanity.

Be content--oh, my mistaken sisters, be content with that!”

He twisted his chair around toward the stove. It was useless to dispute

the question with him, even if I had felt inclined to do so. He absorbed

himself in his stew-pan.

I looked about me in the room.

The same insatiable relish for horrors exhibited downstairs by the

pictures in the hall was displayed again here. The photographs hanging

on the wall represented the various forms of madness taken from the

life. The plaster casts ranged on the shelf opposite were casts (after

death) of the heads of famous murderers. A frightful little skeleton

of a woman hung in a cupboard, behind a glazed door, with this cynical

inscription placed above the skull: “Behold the scaffolding on which

beauty is built!” In a corresponding cupboard, with the door wide

open, there hung in loose folds a shirt (as I took it to be) of chamois

leather. Touching it (and finding it to be far softer than any chamois

leather that my fingers had ever felt before), I disarranged the folds,

and disclosed a ticket pinned among them, describing the thing in these

horrid lines: “Skin of a French Marquis, tanned in the Revolution of

Ninety-three. Who says the nobility are not good for something? They

make good leather.”

After this last specimen of my host’s taste in curiosities, I pursued

my investigation no further. I returned to my chair, and waited for the

truffles.

After a brief interval, the voice of the poet-painter-composer-and-cook

summoned me back to the alcove.

The gas was out. The stew-pan and its accompaniments had vanished. On

the marble slab were two plates, two napkins, two rolls of bread, and

a dish, with another napkin in it, on which reposed two quaint little

black balls. Miserrimus Dexter, regarding me with a smile of benevolent

interest, put one of the balls on my plate, and took the other himself.

“Compose yourself, Mrs. Valeria,” he said. “This is an epoch in your

life. Your first Truffle! Don’t touch it with the knife. Use the fork

alone. And--pardon me; this is most important--eat slowly.”

I followed my instructions, and assumed an enthusiasm which I honestly

confess I did not feel. I privately thought the new vegetable a great

deal too rich, and in other respects quite unworthy of the fuss that had

been made about it. Miserrimus Dexter lingered and languished over his

truffles, and sipped his wonderful Burgundy, and sang his own praises

as a cook until I was really almost mad with impatience to return to

the real object of my visit. In the reckless state of mind which this

feeling produced, I abruptly reminded my host that he was wasting our

time, by the most dangerous question that I could possibly put to him.

“Mr. Dexter,” I said, “have you seen anything lately of Mrs. Beauly?”

The easy sense of enjoyment expressed in his face left it at those rash

words, and went out like a suddenly extinguished light. That furtive

distrust of me which I had already noticed instantly made itself felt

again in his manner and in his voice.

“Do you know Mrs. Beauly?” he asked.

“I only know her,” I answered, “by what I have read of her in the

Trial.”

He was not satisfied with that reply.

“You must have an interest of some sort in Mrs. Beauly,” he said, “or

you would not have asked me about her. Is it the interest of a friend,

or the interest of an enemy?”

Rash as I might be, I was not quite reckless enough yet to meet that

plain question by an equally plain reply. I saw enough in his face to

warn me to be careful with him before it was too late.

“I can only answer you in one way,” I rejoined. “I must return to a

subject which is very painful to you--the subject of the Trial.”

“Go on,” he said, with one of his grim outbursts of humor. “Here I am at

your mercy--a martyr at the stake. Poke the fire! poke the fire!”

“I am only an ignorant woman,” I resumed, “and I dare say I am quite

wrong; but there is one part of my husband’s trial which doesn’t at

all satisfy me. The defense set up for him seems to me to have been a

complete mistake.”

“A complete mistake?” he repeated. “Strange language, Mrs. Valeria, to

say the least of it!” He tried to speak lightly; he took up his goblet

of wine; but I could see that I had produced an effect on him. His hand

trembled as it carried the wine to his lips.

“I don’t doubt that Eustace’s first wife really asked him to buy the

arsenic,” I continued. “I don’t doubt that she used it secretly to

improve her complexion. But w hat I do _not_ believe is that she died of

an overdose of the poison, taken by mistake.”

He put back the goblet of wine on the table near him so unsteadily that

he spilled the greater part of it. For a moment his eyes met mine, then

looked down again.

“How do you believe she died?” he inquired, in tones so low that I could

barely hear them.

“By the hand of a poisoner,” I answered.

He made a movement as if he were about to start up in the chair, and

sank back again, seized, apparently, with a sudden faintness.

“Not my husband!” I hastened to add. “You know that I am satisfied of

_his_ innocence.”

I saw him shudder. I saw his hands fasten their hold convulsively on the

arms of his chair.

“Who poisoned her?” he asked, still lying helplessly back in the chair.

At the critical moment my courage failed me. I was afraid to tell him in

what direction my suspicions pointed.

“Can’t you guess?” I said.

There was a pause. I supposed him to be secretly following his own

train of thought. It was not for long. On a sudden he started up in his

chair. The prostration which had possessed him appeared to vanish in

an instant. His eyes recovered their wild light; his hands were steady

again; his color was brighter than ever. Had he been pondering over the

secret of my interest in Mrs. Beauly? and had he guessed? He had!

“Answer on your word of honor!” he cried. “Don’t attempt to deceive me!

Is it a woman?”

“It is.”

“What is the first letter of her name? Is it one of the first three

letters of the alphabet?”

“Yes.”

“B?”

“Yes.”

“Beauly?”

“Beauly.”

He threw his hands up above his head, and burst into a frantic fit of

laughter.

“I have lived long enough!” he broke out, wildly. “At last I have

discovered one other person in the world who sees it as plainly as I

do. Cruel Mrs. Valeria! why did you torture me? Why didn’t you own it

before?”

“What!” I exclaimed, catching the infection of his excitement. “Are

_your_ ideas _my_ ideas? Is it possible that _you_ suspect Mrs. Beauly

too?”

He made this remarkable reply:

“Suspect?” he repeated, contemptuously. “There isn’t the shadow of a

doubt about it. Mrs. Beauly poisoned her.”

The Law and the Lady · 第 16 / 37 章