On the following afternoon Lamberti waited for Cecilia at the Villa
Madama, and she came not long after him, with Petersen. He had been to
the Palazzo Massimo in the evening, and a glance and a sign had
explained to her that all was well. Then they had sat together awhile,
talking in a low tone, while the Countess read the newspaper. When
Lamberti had given Guido's brave message, they had looked earnestly at
each other, and had agreed to tell her mother the truth at once, and to
meet on the morrow at the villa, which was Cecilia's own house, after
all. For they felt that they must be really alone together, to say the
only words that really mattered.
The head gardener had admitted Lamberti to the close garden, by the
outer steps, but had not let him into the house, as he had received no
orders. When Cecilia came, he accompanied her with the keys and opened
wide the doors of the great hall. Cecilia and Lamberti did not look at
each other while they waited, and when the man was gone away Cecilia
told Petersen to sit down in the court of honour on the other side of
the little palace. Petersen went meekly away and left the two to
themselves.
They walked very slowly along the path towards the fountain, and past
it, to the parapet at the other end, where they had talked long ago. But
as they passed the bench, they glanced at it quietly, and saw that it
was still in its place. Cecilia had not been at the villa since the
afternoon before Guido fell ill, and Lamberti had never come there since
the garden party in May.
They stood still before the low wall and looked across the shoulder of
the hill. Saving commonplace words at meeting, they had not spoken yet.
Cecilia broke the silence at last, looking straight before her, her lids
low, her face quiet, almost as if she were in a dream.
"Have we done all that we could do, all that we ought to do for him?"
she asked. "Are you sure?"
"We can do nothing more," Lamberti answered gravely.
"Tell me again what he said. I want the very words."
"He said, 'Tell her that it would be a little hard for me to talk with
her now, but that she must not think I am not glad that she is going to
marry my best friend.' He said those words, and he said he would write
to you from the Tyrol. He leaves to-morrow night."
"He has been very generous," Cecilia said softly.
"Yes. He will be your best friend, as he is mine."
She knew that it was true.
"We have done what we can," Lamberti continued presently. "He has given
all he has, and we have given him what we could. The rest is ours."
He took her hand and drew her gently, turning back towards the fountain.
"It was like this in the dream," she said, scarcely breathing the words
as she walked beside him.
They stood still before the falling water, quite alone and out of sight
of every one, in the softening light, and suddenly the girl's heart beat
hard, and the man's face grew pale, and they were facing each other,
hands in hands, look in look, thought in thought, soul in soul; and they
remembered that day when each had learned the other's secret in the
shadowy staircase of the palace, and each dreamt again of a meeting long
ago in the House of the Vestals; but only the girl knew what she had
felt of mingled joy and regret when she had sat alone at night weeping
on the steps of the Temple.
There was no veil between them now, as their eyes drew them closer
together by slow and delicious degrees. It was the first time, though
every instant was full of memories, all ending where this was to begin.
Their lips had never met, yet the thrill of life meeting life and the
blinding delight of each in the other were long familiar, as from ages,
while fresh and untasted still as the bloom on a flower at dawn.
Then, when they had kissed once, they sat down in the old place,
wondering what words would come, and whether they should ever need words
at all after that. And somehow, Cecilia thought of her three questions,
and they all were answered as youth answers them, in one way and with
one word; and the answer seemed so full of meaning, and of faith and
hope and charity, that the questions need never be asked again, nor any
others like them, to the end of her life; nor did she believe that she
could ever trouble her brain again about _Thus spake Zarathushthra_, and
the Man who had killed God, and the overcoming of Pity, and the Eternal
Return, and all those terrible and wonderful things that live in
Nietzsche's mazy web, waiting to torment and devour the poor human moth
that tries to fly upward.
But as for Kant's Categorical Imperative, in order to act in such a
manner that the reasons for her actions might be considered a universal
law, it was only necessary to realise how very much she loved the man
she had chosen, and how very much he loved her; for how indeed could it
then be possible not to live so as to deserve to be happy?
She had thought of these things during the night and had fallen asleep
very happy in realising the perfect simplicity of all science,
philosophy, and transcendental reasoning, and vaguely wondering why
every one could not solve the problems of the universe as she had.
"Is it all quite true?" she asked now, with a little fluttering wonder.
"Shall I wake and hear the door shutting, and be alone, and frightened
as I used to be?"
Lamberti smiled.
"I should have waked already," he said, "when we were standing there by
the fountain. I always did when I dreamt of you."
"So did I. Do you think we really met in our dreams?" She blushed
faintly.
"Do you know that you have not told me once to-day that you care for me,
ever so little?" he asked.
"I have told you much more than that, a thousand times over, in a
thousand ways."
"I wonder whether we really met!"
MARIETTA
A MAID OF VENICE
By F. MARION CRAWFORD
_Author of "Saracinesca," etc._
Cloth. 12 mo. $1.50
"There are two important departments of the novelist's art in which
Marion Crawford is entirely at home. He can tell a love story better
than any one now living save the unapproachable George Meredith. And he
can describe the artistic temperament and the artistic environment with
a security born of infallible instinct."--_The New York Herald._
"This is not the first time that Mr. Crawford's pen has drawn the
conscious love of a pure girl for a man whose own heart she believed to
be untouched, yet, in the love of Marietta for the Dalmatian, we have
something that, while so utterly human, is so delicately revealed that
the reader must be a stoic indeed who does not take a delightful
interest in the fate of that love."--_New York Times._
"It suggests the bright shimmer of the moon on still waters, the soft
gliding of brilliant-hued gondolas, the tuneful voices of the gondoliers
keeping rhythmic time to the oar stroke and the faint murmuring of
lovers' vows lightly made and lightly broken."--_Richmond Dispatch._
"Furnishes another illustration of the author's remarkable facility in
assimilating different atmospheres, and in mastering, in a minute way,
as well as sympathetically, very diverse conditions of life.... The plot
is intricate, and is handled with the ease and skill of a past-master in
the art of story-telling."--_Outlook._
"The workshop, its processes, the ways and thought of the time,--all
this is handled in so masterly a manner, not for its own sake, but for
that of the story.... It has charm, and the romance which is eternally
human, as well as that which was of the Venice of that day. And over it
all there is an atmosphere of worldly wisdom, of understanding,
sympathy, and tolerance, of intuition and recognition, that makes Marion
Crawford the excellent companion he is in his books for mature men and
women."--_New York Mail and Express._
THE MACMILLAN COMPANY
66 FIFTH AVENUE, NEW YORK
WRITINGS OF F. MARION CRAWFORD
12 mo. Cloth
Corleone $1.00
Casa Braccio. 2 vols 2.00
Taquisara 1.50
Saracinesca 1.00
Sant' Ilario 1.00
Don Orsino 1.50
Mr. Isaacs 1.00
A Cigarette-Maker's Romance,
and Khaled 1.50
Marzio's Crucifix 1.00
An American Politician 1.00
Paul Patoff 1.00
To Leeward 1.00
Dr. Claudius 1.50
Zoroaster 1.50
A Tale of a Lonely Parish 1.00
With the Immortals 1.00
The Witch of Prague 1.00
A Roman Singer 1.50
Greifenstein 1.00
Pietro Ghisleri 1.00
Katherine Lauderdale 1.00
The Ralstons 1.00
Children of the King 1.00
The Three Fates 1.00
Adam Johnstone's Son, and A
Rose of Yesterday 1.50
Marion Darche 1.50
Love in Idleness 2.00
Via Crucis 1.50
In the Palace of the King 1.50
Ave Roma Immortalis. 2 v. $6.00 net
Rulers of the South: Sicily,
Calabria, Malta. 2 vols $6.00 net
CORLEONE
A TALE OF SICILY
The last of the famous Saracinesca Series
"It is by far the most stirring and dramatic of all the author's Italian
stories.... The plot is a masterly one, bringing at almost every page a
fresh surprise, keeping the reader in suspense to the very end."--_The
Times_, New York.
MR. ISAACS
"It is lofty and uplifting. It is strongly, sweetly, tenderly written.
It is in all respects an uncommon novel."--_The Literary World._
DR. CLAUDIUS
"The characters are strongly marked without any suspicion of caricature,
and the author's ideas on social and political subjects are often
brilliant and always striking. It is no exaggeration to say that there
is not a dull page in the book, which is peculiarly adapted for the
recreation of the student or thinker."--_Living Church._
A ROMAN SINGER
"A powerful story of art and love in Rome."--_The New York Observer._
AN AMERICAN POLITICIAN
"One of the characters is a visiting Englishman. Possibly Mr. Crawford's
long residence abroad has made him select such a hero as a safeguard
against slips, which does not seem to have been needed. His insight into
a phase of politics with which he could hardly be expected to be
familiar is remarkable."--_Buffalo Express._
TO LEEWARD
"It is an admirable tale of Italian life told in a spirited way and far
better than most of the fiction current."--_San Francisco Chronicle._
ZOROASTER
"As a matter of literary art solely, we doubt if Mr. Crawford has ever
before given us better work than the description of Belshazzar's feast
with which the story begins, or the death-scene with which it
closes."--_The Christian Union_ (now _The Outlook_).
A TALE OF A LONELY PARISH
"It is a pleasure to have anything so perfect of its kind as this brief
and vivid story. It is doubly a success, being full of human sympathy,
as well as thoroughly artistic."--_The Critic._
MARZIO'S CRUCIFIX
"We take the liberty of saying that this work belongs to the highest
department of character-painting in words."--_The Churchman._
PAUL PATOFF
"It need scarcely be said that the story is skilfully and picturesquely
written, portraying sharply individual characters in well-defined
surroundings."--_New York Commercial Advertiser._
PIETRO GHISLERI
"The strength of the story lies not only in the artistic and highly
dramatic working out of the plot, but also in the penetrating analysis
and understanding of the impulsive and passionate Italian
character."--_Public Opinion._
THE CHILDREN OF THE KING
"One of the most artistic and exquisitely finished pieces of work that
Crawford has produced. The picturesque setting, Calabria and its
surroundings, the beautiful Sorrento and the Gulf of Salerno, with the
bewitching accessories that climate, sea, and sky afford, give Mr.
Crawford rich opportunities to show his rare descriptive powers. As a
whole the book is strong and beautiful through its simplicity."--_Public
Opinion._
MARION DARCHE
"We are disposed to rank 'Marion Darche' as the best of Mr. Crawford's
American stories."--_The Literary World._
KATHERINE LAUDERDALE
"It need scarcely be said that the story is skilfully and picturesquely
written, portraying sharply individual characters in well-defined
surroundings."--_New York Commercial Advertiser._
THE RALSTONS
"The whole group of character studies is strong and vivid."--_The
Literary World._
LOVE IN IDLENESS
"The story is told in the author's lightest vein; it is bright and
entertaining."--_The Literary World._
CASA BRACCIO
"We are grateful when Mr. Crawford keeps to his Italy. The poetry and
enchantment of the land are all his own, and 'Casa Braccio' gives
promise of being his masterpiece.... He has the life, the beauty, the
heart, and the soul of Italy at the tips of his fingers."--_Los Angeles
Express._
TAQUISARA
"A charming story this is, and one which will certainly be liked by all
admirers of Mr. Crawford's work."--_New York Herald._
ADAM JOHNSTONE'S SON and A ROSE OF YESTERDAY
"It is not only one of the most enjoyable novels that Mr. Crawford has
ever written, but is a novel that will make people think."--_Boston
Beacon._
"Don't miss reading Marion Crawford's new novel, 'A Rose of Yesterday.'
It is brief, but beautiful and strong. It is as charming a piece of pure
idealism as ever came from Mr. Crawford's pen."--_Chicago Tribune._
SARACINESCA
"The work has two distinct merits, either of which would serve to make
it great: that of telling a perfect story in a perfect way, and of
giving a graphic picture of Roman society.... The story is exquisitely
told, and is the author's highest achievement, as yet, in the realm of
fiction."--_The Boston Traveler._
SANT' ILARIO
A SEQUEL TO SARACINESCA
"A singularly powerful and beautiful story.... It fulfils every
requirement of artistic fiction. It brings out what is most impressive
in human action, without owing any of its effectiveness to
sensationalism or artifice. It is natural, fluent in evolution,
accordant with experience, graphic in description, penetrating in
analysis, and absorbing in interest."--_The New York Tribune._
DON ORSINO
A SEQUEL TO SARACINESCA AND SANT' ILARIO
"Offers exceptional enjoyment in many ways, in the fascinating
absorption of good fiction, in the interest of faithful historic
accuracy, and in charm of style. The 'New Italy' is strikingly revealed
in 'Don Orsino.'"--_Boston Budget._
WITH THE IMMORTALS
"The strange central idea of the story could have occurred only to a
writer whose mind was very sensitive to the current of modern thought
and progress, while its execution, the setting it forth in proper
literary clothing, could be successfully attempted only by one whose
active literary ability should be fully equalled by his power of
assimilative knowledge both literary and scientific, and no less by his
courage, and so have a fascination entirely new for the habitual reader
of novels. Indeed, Mr. Crawford has succeeded in taking his readers
quite above the ordinary plane of novel interest."--_The Boston
Advertiser._
GREIFENSTEIN
"... Another notable contribution to the literature of the day. Like all
Mr. Crawford's work, this novel is crisp, clear, and vigorous, and will
be read with a great deal of interest."--_New York Evening Telegram._
A CIGARETTE-MAKER'S ROMANCE and KHALED
"It is a touching romance, filled with scenes of great dramatic
power."--_Boston Commercial Bulletin._
"It abounds in stirring incidents and barbaric picturesqueness; and the
love struggle of the unloved Khaled is manly in its simplicity and noble
in its ending."--_The Mail and Express._
THE WITCH OF PRAGUE
"The artistic skill with which this extraordinary story is constructed
and carried out is admirable and delightful.... Mr. Crawford has scored
a decided triumph, for the interest of the tale is sustained
throughout.... A very remarkable, powerful, and interesting
story."--_New York Tribune._