Princess Anatolie was very angry when she learned that Cecilia was
breaking her engagement, and she said things to the poor Countess which
she did not regret, and which hurt very much, because they were said
with such perfect skill and knowledge of the world that it was
impossible to answer them and it did not even seem proper to show any
outward resentment, considering that Cecilia's conduct was apparently
indefensible. As it is needless to say, the Princess appeared to regret
the circumstance much more for Cecilia's sake than for Guido's. She said
that Guido, of course, would soon get over it, for all men were
perfectly heartless in reality, and could turn from one woman to another
as carelessly as if women were pictures in a gallery. She really did not
think that Guido had much more heart than the rest of his kind, and he
would soon be consoled. After all, he could marry whom he pleased, and
Cecilia's fortune had never been any object to him. She, his thoughtful
and affectionate aunt, would naturally leave him her property, or a
large part of it. Guido was not at all to be pitied.
But Cecilia, poor Cecilia! What a life she had before her, sighed the
Princess, after treating a man in such a way! Of course, she could never
live in Rome after this, and as for Paris, she would be no better off
there. Guido's friends and relations were everywhere, and none of them
would ever forgive her for having jilted him. Perhaps England was the
only place for her now. The English were a sordid people, consisting
chiefly of shopkeepers, jockeys, tyrants, and professional beauties, and
as they thought of nothing but money and their own advantage, Cecilia's
fortune would insure her a good reception among them, even though it was
not a very large one. Not that the girl was lacking in the most charming
qualities and the most exceptional gifts, which would have made her a
desirable wife for any man, if only she had not made this fatal mistake.
Such things stuck to a woman through life, like a disgrace, though that
was a great injustice, because Cecilia was acting under conviction, poor
girl, and believed she was doing right! It was most unfortunate. The
Princess pitied her very much and would always treat her just as if
nothing had happened, if they ever met. Guido would certainly behave in
the same way and would always be kind, though he would naturally not
seek her society.
The Princess was very angry, and it was not strange that the Countess
should have come home a little flushed after the interview and very
unexpectedly inclined to be glad, after all, that the engagement was at
an end. The Princess had not said one rude word to her, but it was quite
clear that she was furious at seeing Cecilia's fortune slip from the
grasp of her nephew. It almost looked as if she had expected to get a
part of it herself, though the Countess supposed that should be out of
the question. Nevertheless the past question of the million which was to
have constituted Cecilia's dowry began to rankle, and the Countess's
instinct told her that the old lady had probably had some interest in
the matter. Indeed, the Princess had told her that Guido had
considerable debts, and had vaguely hinted that she had herself
sometimes helped him in his difficulties. Of the two, Guido was more to
be believed than his aunt, but there was a mysterious element in the
whole matter.
The Princess and Monsieur Leroy consulted the spirits now, and she found
some consolation when she was told that she should yet get back most of
the money she had lost, if she would only trust herself to her truest
friend, who was none other than Monsieur Leroy himself. The forlorn
little ghost of the only being she had ever really loved in the world
was made to assume the character of a financial adviser, and she herself
was led like a lamb by the thread of affection that bound her to her
dead child.
Monsieur Leroy had not foreseen what was to happen, but he was not
altogether at a loss, and the first step was to insure the Princess's
obedience to his will. He did not understand the nature of the phenomena
he caused, but he knew that in some way certain things that passed in
her mind were instantly present in his, and that he could generally
produce by rappings the answers he desired her to receive. He at least
knew beforehand, in almost every case, what those answers would be, if
he did not consciously make the sounds that signified them. If he had
ever examined his conscience, supposing that he had any left, he would
have found that he himself did not know just where deception ended, and
where something else began which he could not explain, which frightened
him when he was alone, and which, when he had submitted wholly to it,
left him in a state of real physical exhaustion. He was inclined to
believe that the mysterious powers were really the spirits of dead
persons which possessed him for a short time, and spoke through him. Yet
when one of these spirits represented itself as being that of some one
whom neither he nor the Princess had ever met in life, he was dimly
conscious that it never said anything which had not been already known
to her or to him at some time, or which, if unknown, was the spontaneous
creation of his own clouded brain.
To her, he always gravely asserted his sure belief in the authenticity
of the spirits that came, and since he had unexpectedly succeeded in
producing messages from her little girl, any doubt she had ever
entertained had completely disappeared. She was wholly at his mercy so
long as this state of things could be made to last, and he was
correspondingly careful in the use he made of his new power.
The Princess was therefore told that she must trust him altogether, and
that he could get back the most of her money for her. She was consoled,
indeed, but she was naturally curious as to the means he meant to use,
and she questioned him when the rappings ceased and the lights were
turned up. He seemed less tired than usual.
"I shall trust to the inspiration of the spirits," he said evasively.
"In any case we have the law on our side. Guido cannot deny his
signature to those receipts for your money, and he will find it hard to
show what became of such large sums. They are a gentleman's promise to
pay a lady, but they are also legal documents."
"But they are not stamped," objected the Princess, who knew more about
such things than she sometimes admitted.
"You are mistaken. They are all stamped for their respective values, and
the stamps are cancelled by Guido's signature."
"That is very strange! I could almost have sworn that there was not a
stamp on any of them! How could that be? He used to write them on half
sheets of very thick note paper, and I never gave him any stamps."
"He probably had some in his pocket-book," said Monsieur Leroy. "At all
events, they are there."
"So much the better. But it is very strange that I should never have
noticed them."
Like many of those singular beings whom we commonly call "mediums,"
Monsieur Leroy was a degenerate in mind and body, and his character was
a compound of malign astuteness, blundering vanity, and hysterical
sensitiveness, all directed by impulses which he did not try to
understand. Without the Princess's protection through life, he must have
come to unutterable grief more than once. But she had always excused his
mistakes, made apologies for him, and taken infinite pains to make him
appear in the best light to her friends. He naturally attributed her
solicitude to the value she set upon his devotion to herself, since
there could be no other reason for it. Doubtless a charitable impulse
had at first impelled her to take in the starving baby that had been
found on the doorstep of an inn in the south of France. That was all he
knew of his origin. But he knew enough of her character to be sure that
if he had not shown some exceptional gifts at an early age, he would
soon have been handed over to servants or peasants to be taken care of,
and would have been altogether forgotten before long. Instead, he had
been spoiled, sent to the best schools, educated as a gentleman, treated
as an equal, and protected like a son. The Princess had given him money
to spend though she was miserly, and had not checked his fancies in his
early youth. She had even tried to marry him to the daughter of a rich
manufacturer, but had discovered that it is not easy to marry a young
gentleman who has no certificate of birth at all, and whose certificate
of baptism describes him as of unknown parents. On one point only she
had been inexorable. When she did not wish him to dine with her or to
appear in the evening, she insisted that he should stay away. Once or
twice he had attempted to disobey these formal orders, but he had
regretted it, for he had found himself face to face with one of the most
merciless human beings in existence, and his own character was far from
strong. He had therefore submitted altogether to the rule, well
satisfied with the power he had over her in most other respects, but he
felt that he must not lose it. The Princess was old and was growing
daily more capricious. She had left him a handsome competence in her
will, as much, indeed, as most bachelors would consider a fortune, but
she was not dead yet, and she might change her mind at the last moment.
He trembled to think what his end must be if she should die and leave
him penniless to face the world alone at his age, without a profession
and without real friends. For no one liked him, though some people
feared his tongue, and he knew it. Perhaps Guido would take pity on him
and give him shelter, for Guido was charitable, but the thought was not
pleasant. Never having been hungry since he could remember, Monsieur
Leroy thought starvation would be preferable to eating Guido d'Este's
bread. There was certainly no one else who would throw him a crust, and
though he had received a good deal of money from the Princess, and had
managed to take a good deal more from her, he had never succeeded in
keeping any of it.
It was necessary to form some plan at once for extracting money by means
of Guido's receipts, since the marriage was not to take place, and as
Monsieur Leroy altogether failed to hit upon any satisfactory scheme he
consulted a lawyer in confidence, and asked what could be done to
recover the value. The lawyer was a man of doubtful reputation but of
incontestable skill, and after considering the matter in all its
bearings he gave his client some slight hope of success, proportionate
to the amount of money Guido could raise by the sale of his effects and
by borrowing from his many friends. He was glad to learn that Guido had
never borrowed, except, as Monsieur Leroy explained, from his aunt. A
man in such a position could raise a round sum if suddenly driven to
extremities to save his honour.
The lawyer also asked Monsieur Leroy for details concerning Guido's life
during the last four or five years, inquiring very particularly about
his social relations and as to his having ever been in love with a woman
of his own rank, or with one of inferior station. Monsieur Leroy
answered all these questions with a conscientious desire to speak the
truth, which was new to him, for he realised that only the truth could
be of use in such a case, and that the slightest unfounded invention of
his own against Guido's character must mislead the man he was
consulting. In this he showed himself wiser than he often was.
"Above all," the lawyer concluded, "never mention my name to any one,
and try to appear surprised at anything unexpected which you may hear
about Signor d'Este."
Monsieur Leroy promised readily enough, though reticence was not his
strong point, and he went away well pleased with himself, after signing
a little paper by which it was agreed that the lawyer should receive
twenty per cent of any sums obtained from Guido through him. He had not
omitted to inform his adviser of the celebrated Doctor Baumgarten's
favourable opinion on the Andrea del Sarto and the small Raphael. The
lawyer told him not to be impatient, as affairs of this sort required
the utmost discretion.
But the man saw that he had a good chance of being engaged in one of
those cases that make an unnecessary amount of noise and are therefore
excellent advertisements for a comparatively unknown practitioner who
has more wit than scruples. He did not believe that all of Guido's many
high and mighty relations would take the side of Princess Anatolie, and
if any of them took the trouble to defend her nephew against her, the
newspapers would be full of the case and his own name would be famous in
a day.