CHAPTER XV

Cecilia knelt in the church of Santa Croce, near one of the ancient

pillars. At a little distance behind her, Petersen sat in a chair

reading a queer little German book that told her the stories of the

principal Roman churches with the legends of the saints to which they

are dedicated. A thin, smooth-shaven lay brother in black and white

frock was slowly sweeping the choir behind the high altar. There was no

one else in the church.

Cecilia was kneeling on the marble floor, resting her folded hands upon

the back of a rough chair, and there was no sound in the dim building,

but the regular, soft brushing of the monk's broom. The girl's face was

still and pale, her eyes were half closed, and her lips did not move;

she did not hear the broom.

That was the first time she had ever tried to spend an hour in

meditation in a church, for her religion had never seemed very real to

her. It was compounded of habit and the natural respect of a girl for

what her mother practises and has taught her to practise, and it had

continued to hold a place in her life because she had quietly exempted

it from her own criticism; perhaps, too, because her reading had not

really tended to disturb it, since by nature she was strongly inclined

to believe in something much higher than the visible world.

The Countess Fortiguerra believed with the simplicity of a child. Her

first husband, freethinker, Garibaldian, Mazzinian, had at first tried

to laugh her out of all belief, and had said that he would baptize her

in the name of reason, as Garibaldi is said to have once baptized a

new-born infant. But to his surprise his jests had not the slightest

effect on the rather foolish, very pretty, perfectly frank young woman

with whom he had fallen in love in his older years, and who, in all

other matters, thought him a great man. She laughed at his atheism much

more good-naturedly than he at her beliefs, and she went to church

regularly in spite of anything he could say; so that at last he shrugged

his shoulders and said in his heart that all women were half-witted

creatures, where priests were concerned, but that fortunately the

weakness did not detract from their charm. On her side, she prayed for

his conversion every day, with clock-like regularity, but without the

slightest result.

Fortiguerra had been a man of remarkable gifts, extremely tolerant of

other people's opinions. He never laughed at any sort of belief, though

his wife never succeeded in finding out what he really thought about

spiritual matters. He evidently believed in something, so she did not

pray for his conversion, but interceded steadily for his enlightenment.

Before he died he made no objection to seeing a priest, but his wife

never knew whether he consented because it would have given her pain if

he had refused, or whether he really desired spiritual comfort in his

last moments. He was always most considerate of others and especially of

her; but he was very reticent. So she mourned him and prayed that

everything might be well with both her departed husbands, though she

doubted whether they were in the same place. She supposed that

Fortiguerra had sometimes discussed religion with his step-daughter, but

he always seemed to take it for granted that the latter should do what

her mother desired of her.

It could hardly be expected that the girl should be what is called very

devout, and as Petersen turned over the pages of her little book she

wondered what had happened that Cecilia should kneel motionless on the

marble pavement for more than half an hour in a church to which they had

never come before, and on a week-day which was not a saint's day either.

It was something like despair that had brought her to Santa Croce, and

she had chosen the place because she could think of no other in which

she could be quite sure of being alone, and out of the way of all

acquaintances. She wanted something which her books could not give her,

and which she could not find in herself; she wanted peace and good

advice, and she felt that she was dealt with unjustly.

Indeed, it was of little profit that she should have forced herself to

give up what was dearest to her, unreal though it might be, since she

was to be haunted by Lamberti's face and voice whenever she fell asleep.

It was more like a possession of the evil one now than anything else.

She would have used his own words to describe it, if she had dared to

speak of it to any one, but that seemed impossible. She had thought of

going to some confessor who did not know her by sight, to tell him the

whole story, but her common sense assured her that she had done no

wrong. It was advice she needed, and perhaps it was protection too, but

it was certainly not forgiveness, so far as she knew.

Lamberti pursued her, in her imagination, and she lived in terror of

him. If she had been already married to Guido, she would have told her

husband everything, and he would have helped her. By a revulsion that

was not unnatural, it began to seem much easier to marry him now, and

she turned to him in her thoughts, asking him to shield her from a man

she feared. Guido loved her, and she was at least a devoted friend to

him; there was no one but him to help her.

As she knelt by the pillar she went over the past weeks of her life in a

concentrated self-examination of which she would never have believed

herself capable.

"I am a grown woman," she said to herself, "and I have a right to think

what grown women think. I know perfectly well which thoughts are good

and which are bad, just as I know right from wrong in other ways. It was

wrong to put myself into that dream state, because I wanted him to come

to me. Yes, I confess it, I wanted him to come and kiss me that once, in

the vision every night. It would not have been wrong if I had not said

that I would marry Guido, but that made the difference. Therefore I gave

it up. I will not do anything wrong with my eyes open. I will not. I

would not, if I did not believe in God, because the thing would be wrong

just the same. Religion makes it more wrong, that is all. If I were not

engaged to Guido, and if I loved the other instead, then I should have a

right to wish and dream that the other kissed me."

She thought some time about this point, and there was something that

disturbed her, in spite of her reasoning.

"It would have been unmaidenly," she decided, at last. "I should be

ashamed to tell my mother that I had done it. But it would not have been

wrong, distinctly not. It would be wrong and abominable to think of two

men in that way.

"That is what is happening now, against my will. I go to sleep saying my

prayers, and yet he comes to me in my dreams, and looks at me, and I

cannot help letting him kiss me, and it is only afterwards that I feel

how revolting it was. And in the daytime I am engaged to Guido, and I

cannot help knowing that when we are married he will want to kiss me

like that. It was different before, since I was able to give up seeing

the marble court and being the Vestal, and did give it up. This is

another thing, and it is bad, but it is not a wrong thing I am doing.

Therefore it is something outside of my soul that is trying to do me

harm, and may succeed in the end. It is a power of evil. How can I fight

against it, since it comes when I am asleep and have no will? What ought

I to do?

"I am afraid to meet Signor Lamberti now, much more afraid than I was a

week ago, before this other trouble began. But when I am dreaming, I am

not afraid of him. I do what he makes me do without any resistance, and

I am glad to do it. I want to be his slave, then. He makes me sit down

and listen to him, and I believe all he says. We always sit on that

bench near the fountain in my villa. He tells me that he loves me much

better than Guido does, and that he is much better able to protect me

than Guido. He says that his heart is breaking because he loves me and

is Guido's friend, and he looks thin and worn, just as he does in real

life. When I dream of him, I do not mind the glittering in his eyes, but

when I meet him it frightens me. Of course, it is quite impossible that

he should know how I dream of him now. Yet, I am sure he knew all about

the other vision. He said very little, but I am sure of it, though I

cannot explain it. This is much worse than the other. But if I go back

to the other, I shall be doing wrong, because I shall be consenting; and

now I am not doing wrong, because it happens against my will, and I go

to sleep praying that it may never happen again, and I am in earnest.

God help me! I know that when I sit beside him on the bench I love him!

And yet he is the only man in all the world whom I wish never to meet

again. God help me!"

Her head sank upon her folded hands at last, and her eyes were closely

shut. She threw her whole soul into the appeal to heaven for help and

strength, till she believed that it must come to her at once in some

real shape, with inspired wisdom and the comfort of the Holy Spirit. She

had never before in her life prayed as she was praying now, with heart

and soul and mind, though not with any form of words.

Then came a moment in which she thought of nothing and waited. She knew

it well, that blank between one state and the other, that total

suspension of all her faculties just before she began to see an unreal

world, that breathless stillness of anticipation before the supreme

moment of change. She was quite powerless now, for her waking will was

already asleep.

The instant was over, and the vision had come, but it was not what she

had always seen before. It was something strangely familiar, yet

beautiful and high and clear. Her consciousness was in the midst of a

world of light, at peace; and then, all round her, a brightness stole

upwards as out of a clear and soft horizon, more radiant than the light

itself that was already in the air. And as when evening creeps up to the

sky the stars begin to shine faintly, more guessed at than really seen,

so she began to see heavenly beings, growing more and more distinct, and

she was lifted up among them, and all her heart cried out in joy and

praise. And suddenly the cross shone out in a rosy radiance brighter

than all, and from head to foot and from arm to arm of it the light

flowed and flashed, and joined and passed and parted, in the holy sign.

From itself came forth a melody, in which she was rapt and swept upwards

as though she were herself a wave of the glorious sound. But of the

words, three only came to her, and they were these: Arise and

conquer![1]

[1: A free translation of some passages in the fourteenth canto

of Dante's _Paradiso_.]

Then all was still and calm again, and she was kneeling at her chair,

the sight still in her inward eyes, the words still ringing in her

heart, but herself awake again.

She knew the vision now that it was past; for often, reading the

matchless verses of the "Paradise," she had intensely longed to see as

the dead poet must have seen before he could write as he wrote. It did

not seem strange that her hope should have been fulfilled at last in the

church of the Holy Cross. Her lips formed the words, and she spoke them,

consciously in her own voice, sweet and low:

"Arise and conquer!"

It was what she had prayed for--the peace, the strength, the knowledge;

it was all in that little sentence. She rose to her feet, and stood

still a moment, and her face was calm and radiant, like the faces of the

heavenly beings she had looked upon. There was a world before her of

which she had not dreamt before, better than that ancient one that had

vanished and in which she had been a Vestal Virgin, more real than that

mysterious one in which she had floated between two existences, and

whence the miserable longing for an earthly body had brought her back to

be Cecilia Palladio, and to fight again her battle for freedom and

immortality.

It mattered little that her prayer should have been answered by the

imagined sight of something described by another, and long familiar to

her in his lofty verse. The prayer was answered, and she had strength to

go on, and she should find wisdom and light to choose the right path.

Henceforth, when she was weak and weary, and filled with loathing of

what she dreaded most, she could shut her eyes as she had done just now,

and pray, and wait, and the transcendent glory of paradise would rise

within her, and give her strength to live, and drive away that power of

evil that hurt her, and made night frightful, and day but a long waiting

for the night.

She came out into the summer glare with the patient Petersen, and

breathed the summer heat as if she were drawing in new life with every

breath; and they drove home, down the long and lonely road that leads to

the new quarter, between dust-whitened trees, and then down into the

city and through the cooler streets, till at last the cab stopped before

the columns of the Palazzo Massimo.

Celia ran up the stairs, as if her light feet did not need to touch them

to carry her upwards, while Petersen solemnly panted after her, and she

went to her own room.

She had a vague desire to change everything in it, to get rid of all the

objects that reminded her of the miserable nights, and the sad hours of

day, which she had spent there; she wanted to move the bed to the other

end of the room, the writing table to the other window, the long glass

to a different place, to hang the walls with another colour, and to

banish the two tall candlesticks for ever. It would be like beginning

her life over again.

Cecilia: A Story of Modern Rome · 第 15 / 28 章