All cases of internal malady, or of obscure origin, are ascribed,

without hesitation, to the secret agency of malignant powers, or

spirits. The physician, therefore, must then invest himself with his

mystic character, and direct all his efforts against these invisible

enemies. His proceedings are various, and prompted, seemingly, by a

mixture of delusion and imposture. On his first arrival, he begins to

sing and dance round the patient, invoking his god with loud cries.

Then, pretending to search out the seat of the enchantment, he feels his

body all over, till cries seem to indicate the bewitched spot. He then

rushes upon it like a madman, or an enraged dog, tears it with his

teeth, and often pretends to show a small bone, or other object, which

he has extracted, and in which the evil power had been lodged. His

disciples, next day, renew the process, and the whole family join in the

chorus; so that, setting aside the disease, a frame of iron would appear

necessary to withstand the remedies. Another contrivance is, to surround

the cabin with men of straw, and wooden masks of the most frightful

shapes, in hopes of scaring away the mysterious tormentor. Sometimes a

painted image is formed, which the doctor pierces with an arrow,

pretending that he has thereby vanquished the evil spirit. On other

occasions, he professes to discover a mysterious desire, which exists in

the patient unknown to himself, for some particular object; and this,

however distant or difficult of attainment, the poor family strain all

their efforts to procure. It is alleged, that when the malady appears

hopeless, he fixes upon something completely beyond reach, the want of

which is then represented as the cause of death. The deep faith reposed

in these preposterous remedies caused to the missionaries much

difficulty, even with their most intelligent converts. When a mother

found one of her children dangerously ill, her pagan neighbours came

round, and assured her that if she would allow it to be blown upon, and

danced, and howled round in the genuine Indian manner, there would be no

doubt of a speedy recovery. They exhorted her to take it into the woods,

where the black-robes, as they called the Christian priests, would not

be able to find her. The latter could not fully undeceive their

disciples, because in that less enlightened age, they themselves were

impressed with the notion that the magicians communicated with, and

derived aid from the prince of darkness; all they could do, therefore,

was to exhort them resolutely to sacrifice any benefit that might be

derived from so unholy a source. This, however, was a hard duty; and

they record with pride the example of a Huron wife, who, though much

attached to her husband, and apparently convinced that he could be cured

by this impious process, chose rather to lose him. In other respects,

the missionaries suffered from the superstitious creed of the natives,

who, even when unconverted, believed them to possess supernatural

powers, which it was suspected they sometimes employed to introduce the

epidemic diseases with which the country was from time to time

afflicted. They exclaimed, it was not the demons that made so many

die—it was prayer, images, and baptism; and when a severe pestilential

disorder followed the murder of a Frenchman, who fell by their hands,

they imagined that the priests were thus avenging the death of their

countryman.

We have still to describe the most prominent object of the Indian’s

passions and pursuits—his warfare. It is that which presents him under

the darkest aspect, effacing almost all his fine qualities, and

assimilating his nature to that of fiends. While the most cordial union

reigns between the members of each tribe, they have neighbours whom they

regard with the deepest enmity, and for whose extermination they

continually thirst. The intense excitement which war affords, and the

glory which rewards its achievements, probably give the primary impulse;

but after hostilities have begun, the feeling which keeps them alive is

revenge. Every Indian who falls into the power of an enemy, and suffers

the dreadful fate to which the vanquished are doomed, must have his

ghost appeased by a victim from that hostile race. Thus every contest

generates another, and a more deeply embittered one. Nor are they

strangers to those more refined motives which urge civilized nations to

take arms—the extension of their boundaries, an object pursued with

ardent zeal, and the power of their tribe, which last they seek to

promote by incorporating in its ranks the defeated bands of their

antagonists. Personal dislike and the love of distinction often impel

individuals to make inroads into a hostile territory, even contrary to

the general wish; but when war is to be waged by the whole nation, more

enlarged views, connected with its interest and aggrandizement, guide

the decision. To most savages, however, long-continued peace becomes

irksome and unpopular; and the prudence of the aged can with difficulty

restrain the fire of the young, who thirst for adventure.

As soon as the determination has been formed, the war-chief, to whom the

voice of the nation assigns the supremacy, enters on a course of solemn

preparation. This consists not, however, in providing arms or supplies

for the campaign; for these are comprised in the personal resources of

each individual: he devotes himself to observances which are meant to

propitiate or learn the will of the Great Spirit, who, when considered

as presiding over the destinies of war, is named Areskoui. He begins by

marching three times round his winter-house, spreading the great bloody

flag, variegated with deep tints of black. As soon as the young warriors

see this signal of death, they crowd around, listening to the oration by

which he summons them to the field. “Comrades!” he exclaims, “the blood

of our countrymen is yet unavenged; their bones lie uncovered; their

spirits cry to us from the tomb. Youths, arise! anoint your hair, paint

your faces, let your songs resound through the forest, and console the

dead with the assurance that they shall be avenged. Youths! follow me,

while I march through the war-path to surprise our enemies, to eat their

flesh, drink their blood, and tear them limb from limb! We shall return

triumphant; or, should we fall, this belt will record our valour!” The

wampum, that grand symbol of Indian policy, is then thrown on the

ground. Many desire to lift it, but this privilege is reserved for some

chief of high reputation, judged worthy to fill the post of second in

command. The leader now commences his series of mystic observances. He

is painted all over black, and enters on a strict fast, never eating, or

even sitting down, till after sunset. From time to time he drinks a

decoction of consecrated herbs, with a view of giving vivacity to his

dreams, which are carefully noted, and submitted to the deliberation of

the sages and old men. When a warlike spirit is in the ascendant, it is

understood that either their tenor or their interpretation betokens

success. The powerful influence of the vapour-bath is also employed.

After these solemn preliminaries, a copious application of warm water

removes the deep black coating, and he is painted afresh in bright and

varied colours, among which red predominates. A huge fire is kindled,

whereon is placed the great war cauldron, into which every one present

throws something; and if any allies, invited by a belt of wampum and

bloody hatchet to devour the flesh and drink the blood of the enemy,

have accepted the summons, they send some ingredients to be also cast

in. The chief then announces the enterprise by singing a war-song, never

sounded but on such occasions; and his example is followed by all the

warriors, who join in the military dance, recounting their former

exploits, and dilating on those they hope to achieve. They now proceed

to arm, suspending the bow and quiver, or more frequently the musket,

from the shoulder, the hatchet or tomahawk from the hand, while the

scalping-knife is stuck in the girdle. A portion of parched corn, or

sagamity, prepared for the purpose, is received from the women, who

frequently bear it to a considerable distance. But the most important

operation is the collection of the manitous, or guardian spirits, to be

placed in a common box, which, like the Hebrew ark, is looked up to as a

protecting power.

The females, during these preparations, have been busily negotiating for

a supply of captives, on whom to wreak their vengeance, and appease the

shades of their fallen kindred; sometimes, also, with the more merciful

view of supplying their places. Tenderer feelings arise as the moment

approaches when the warriors must depart—perhaps to return no more!

and, it may be, to endure the same dreadful fate which they are

imprecating on others. The leader having made a short harangue,

commences the march, singing his war-song, while the others follow, at

intervals sounding the war-whoop. The women accompany them some

distance, and when they must separate, they exchange endearing names,

and express the most ardent wishes for a triumphant return; while each

party receives and gives some object which has been long worn by the

other, as a memorial of this tender parting.

As long as the warriors continue in their own country, they straggle in

small parties for the convenience of hunting, still holding

communication by shouts, in which they imitate the cries of certain

birds and beasts. When arrived at the frontier, they all unite and hold

another great festival, followed by solemn dreaming, the tenor of which

is carefully examined. If found inauspicious, room is still left to

return; and those whose courage shrinks, are, on such occasions,

supplied with an apology for relinquishing the undertaking; but such an

issue is rare. On entering the hostile territory, deep silence is

enjoined; the chase is discontinued; they crawl on all fours; step on

the trunks of fallen trees, or through swamps. Sometimes they fasten on

their feet the hoof of the buffalo, or the paw of the bear, and run in

an irregular track like those animals. Equally earnest and skilful are

they in tracing through the woods the haunts of the enemy. The slightest

indications, such as would wholly escape the notice of a European,

enables them to thread their course through the vast depths of the

western forests. They boast of being able to discern the impression of

steps even on the yielding grass, and of knowing, by inspection, the

nation or tribe by whom it has been made. Various and ingenious

artifices are employed to entrap their foe. From the recesses of the

wood they send forth the cries of the animals which are most eagerly

sought by the rival hunters. Their grand object, however, is to surprise

a village, and if possible the principal one belonging to the hated

tribe. Thither all their steps tend, as they steal like silent ghosts

through the lonely forest. On approaching it, they cast hasty glances

from the tops of trees or of hillocks, and then retreat into the

thickest covert; but in total disregard of the most disastrous

experience, the obvious precaution of placing nightly sentinels has

never been adopted. Even when aware of danger, they content themselves

with exploring the vicinity two or three miles around, when, if nothing

is discovered, they go to sleep without dread.

This supineness is much fostered by a delusive confidence in the

manitous enclosed in the holy ark. If during the day the assailants have

reached unperceived a covert spot in the neighbourhood of the devoted

village, they expect the satisfaction of finding its inhabitants buried

in the deepest slumber in the course of the ensuing night. They keep

close watch till immediately before day-break, when silence and security

are usually the most complete; then, flat on their faces, and carefully

suppressing the slightest sound, they creep slowly towards the scene of

action. Having reached it undiscovered, the chief by a shrill cry gives

the signal, which is instantly followed by a discharge of arrows or

musketry; after which they rush in with the war-club and the tomahawk.

The air echoes with the sound of the death-whoop, and of arms. The

savage aspect of the combatants; their faces painted black and red, and

some streaming with blood, and their frightful yells, make them appear

like demons risen from the world beneath. The victims, too late aroused,

spring from their fatal slumber, and foreseeing the dreadful fate which

awaits them if taken prisoners, make almost superhuman struggles for

deliverance. The contest rages with all the fury of revenge and despair,

but it is usually short. The unhappy wretches, surprised and bewildered,

can seldom rally or resist; they seek safety by fleeing into the depths

of forests or marshes, whither they are hotly pursued. The main study of

the victorious party is to take the fugitives alive, in order to subject

them to the horrible punishments which will be presently described.

Should this be impracticable, the tomahawk or the hatchet dispatches

them on the spot; and the scalp is then carried off as a trophy. Placing

a foot on the neck of his fallen enemy, and twisting a hand in the hair,

the warrior draws out a long sharp-pointed knife, specially formed for

this operation; then cutting a circle round the crown of the head, by a

few skilful scoops he detaches the hair and skin, lodges the whole in

his bag, and returns in triumph.

At the close of the expedition, the warriors repair to their village,

and, even in approaching, announce its result by various signals well

understood among their families. According to the most approved custom,

the evil tidings are thus communicated. A herald advances before the

troop, and for every kinsman who has fallen sounds the death-whoop,—a

shrill lengthened note ending in an elevated key. An interval is then

allowed, during which the burst of grief excited by these tidings may be

in some degree exhausted. Then rises the loud and inspiring sound of the

war-whoop, which by its successive repetitions expresses the number of

captives brought home as the fruits of the victory. The barbarous joy

thus kindled banishes for the moment all trace of lamentation. The women

and children form two rows, through which the prisoner is led, having

his face painted, and crowned with flowers as for a festival. Then

begins the darkest of all the scenes by which savage life is deformed. A

series of studied and elaborate torture commences, in which ingenuity is

tasked to the utmost to inflict the intensest agony that can be endured

without actually extinguishing life. The first caress, as the French

call it, is to tear the nails from the fingers, the flesh is then

pierced to the bone, and fire in various forms applied to the

extremities. Blows are also given to the last degree that nature can

sustain; and sometimes an amusement is found in tossing, for a long

time, the victim like a ball from one to the other. Other contrivances,

peculiar to infuriated savages, are sometimes resorted to. One

missionary, for example, being made to lie on his back, had his stomach

covered with sagamity, on which hungry dogs were set to feed, which tore

his flesh with their teeth. The unhappy wretch is occasionally paraded

from village to village, kept for weeks in this state of suffering, fed

on the coarsest refuse, and allowed only a neglected corner of the cabin

to sleep in. At length a grand council is held to decide his fate, or in

other words, to determine whether all the furies of vengeance shall be

let loose upon him, and his life be taken away amid the most frightful

tortures, or whether he shall be saluted as one of themselves, and

treated as a brother. The decision is influenced by various

considerations. If he be a youth, or new to the field, a lenient course

may probably be adopted; but a veteran warrior, who has been the terror

of the nation, and on whose skin is painted a record of triumphs, has to

dread a sterner sentence. The women have much influence, according as

they either demand revenge for the loss of a husband or brother, or

solicit that the captive may supply the vacancy. The Iroquois, though

the fiercest of these barbarians, being the deepest politicians, were

always anxious to augment their numbers; hence, though they prolonged

and heightened the preliminary torture, they usually ended it by

adoption. This was carried so far that they are described as having at

length become less a single nation than an aggregate of all the

surrounding tribes. The stranger being received into one of the families

as a husband, brother, or son, is treated with the utmost tenderness;

and she, who perhaps immediately before exhausted all her ingenuity in

tormenting him, now nurses the wounds she has made, and loads him with

caresses. He becomes completely one of the clan, and goes with them to

war, even against his former countrymen; and so far is the point of

honour carried, that to return into their ranks would be branded as an

act of baseness. There are, however, many occasions in which the more

inhuman resolution is taken, and a fearful display is then made of the

darkest passions that can agitate the human breast. The captive is

informed of his fate by being invested with moccasins of black

bear-skin, and having placed over his head a flaming torch, the sure

indication of his doom. Before the fatal scene begins, however, he is

allowed a short interval to sing his death song, which he performs in a

triumphant tone. He proclaims the joy with which he goes to the land of

souls, where he will meet his brave ancestors who taught him the great

lesson to fight and to suffer. He recounts his warlike exploits,

particularly those performed against the kindred of his tormentors; and

if there was any one of them whom he vanquished and caused to expire

amid tortures, he loudly proclaims it. He declares his inextinguishable

desire to eat their flesh, and to drink their blood to the last drop.

This scene is considered, even when compared with the field of battle,

as the great theatre of Indian glory. When two prisoners were about to

be tortured by the French at Quebec, a charitable hand privately

supplied a weapon with which one of them killed himself; but the other

derided his effeminacy, and proudly prepared himself for his fiery

trial. In this direful work the women take the lead, and seem

transformed into raging furies. She, to glut whose vengeance the doom

has been specially pronounced, invokes the spirit of her husband, her

brother, or her son, who has fallen in battle or died amid torture,

bidding him come now and be appeased, a feast is prepared for him, a

warrior is to be thrown into the great cauldron; his blood will be

poured out; his flesh torn from the bones: let the injured spirit then

cease to complain. A game begins between the torturers and the

tortured—one to inflict the most intense suffering, the other to bear

it with proud insensibility. That there may be some appearance of open

contest, he is not chained, but merely tied to a post, and a certain

range allowed, within which, while the brand, the hatchet, and every

engine of torture are applied, he can do something to repel his

assailants, and even attack in his turn. He struggles fiercely in the

unequal strife, and while his frame is consuming in agony, still defies

his tormentors, and outbraves death itself. Some even deride the feeble

efforts of their executioners, boasting how much more effectively they

themselves had applied torture to individuals of their tribe. Yet there

are instances where the murderers at last triumph; the sufferer

exclaims, “Fire is strong, and too powerful;” he even utters loud

shrieks, which are responded to by exulting shouts of savage laughter.

Some few have been known by almost incredible efforts to break loose,

and by rapid flight effect their escape. The general result, however, is

death, after protracted suffering; when the scalp, if still entire, is

taken off, and deposited among the military trophies.

It has been made a question whether the Indian can be justly charged

with cannibalism. It is certain that all the terms by which they

designate their inhuman mode of putting a prisoner to death bear

reference to this horrid practice. The expressions are,—to throw him

into the cauldron—to devour him—to eat soup made of his flesh. It has

hence been plausibly inferred that this enormity really prevailed in

early times, but was changed, we can scarcely say mitigated, into the

present system of torture. Yet, as every action is described by them in

terms highly figurative, those now quoted may have been used as

expressing most fully the complete gratification of their revenge. Of

this charge they cannot now be either condemned or wholly acquitted. In

the excited fury of their passions, portions of the flesh are often

seized, roasted, and eaten, and draughts taken of the blood. To eat an

enemy’s heart is considered a peculiar enjoyment. Long mentions a

gentleman who came upon a party who were busy broiling a human heart,

when he with difficulty prevailed upon them to desist. There is little

hesitation amongst them, in periods of scarcity, to relieve hunger with

the flesh of their captives; and during one war, this fate is said to

have befallen many French soldiers who fell into the hands of the Five

Nations. Colonel Schuyler told Colden, that having entered the cabin of

a chief who had some rich soup before him, he was invited to partake.

Being hungry and tired, he readily agreed; till the ladle, being put

into the great cauldron, brought up a human hand, the sight of which put

an immediate end to his appetite and meal. Although war may be

considered as the ordinary state of those tribes, yet, after having for

a considerable time experienced its destructive effects, there usually

arises a desire for an interval of tranquillity. To procure this, a

regular form is observed. The nation which resolves to make the

overture, despatches several individuals, usually of some note, as

ambassadors, with at least one orator. They bear before them the calumet

of peace, which renders their character sacred, and secures them from

violence. They carry also a certain number of belts of wampum, with

which are respectively connected the several motives and terms of the

proposed treaty. The orator having obtained an audience of the chiefs on

the other side, expounds the belts, dancing and singing in unison, and

by actions expressing the peaceful purpose of his mission. If the

opposite party be favourably inclined, they accept the offered symbols,

and next day present others of a similar import. He then smokes in the

calumet, and the contract is sealed by burying a hatchet; if there be

any allies, one is deposited for each. This agreement is often

accompanied with professions, at the moment perhaps sincere, of

maintaining the sun always in the heavens, and never again digging up

the hatchet; but the turbulence of individuals, and the satiety of long

peace, to which the whole nation is subject, usually rekindle

hostilities at no distant period.

Some notice may, finally, be expected of Indian amusements; the most

favourite of which are smoking, music, and dancing. These, however, are

viewed in a much higher light than mere pastime; being ranked among the

most serious occupations, and esteemed quite indispensable in the

conduct of every important affair. Without them a council cannot be

held, a negotiation carried on, peace or war proclaimed, nor any public

or private contract entered into; for not one of these transactions is

accounted valid, till it has been smoked over, and sung and danced to.

The calumet is the grand instrument of their policy. No important affair

can be taken into consideration without the pipe in their mouths; and

hence, to call an assembly of the chiefs is said to be lighting the

council fire. This tube accompanies and is the guardian of every

embassy, and to smoke together is the chief cement of national union.

Music and dancing, accompanying each other, are equally indispensable to

every solemn celebration. Yet the instruments and performance are alike

simple and rude; for their song, though often continued for a long

period, consists merely in the perpetual reiteration of a few wild

melancholy notes. The words are usually of the minstrel’s own

composition, and record his exploits in war or hunting, and sometimes

the praises of the animals which he has killed in the chase. The song is

accompanied by performance on the drum, and on the chichikoue or pipe.

The former is merely a hollowed piece of wood covered with skin; the

latter is formed of a thick cane, upwards of two feet in length, with

eight or nine holes, and a mouthpiece not unlike that of a common

whistle. Those who know how to stop the holes, and bring out a sound,

consider themselves performers; yet they cannot play upon it even those

simple airs which they execute with the voice, though they will often

continue for hours drawing out wild irregular notes.

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