Damier's heart stiffened. "Trying? In what way--I may ask?"

"Of course you may--you know them so well; and, as I see, your sympathy

is all with the mother. Well, I am afraid she is altogether trying, but

the instance of which I was thinking deserves a severer adjective. Some

friends of mine in Cheshire, nice, quiet people, had always kept more or

less in touch with Madame Vicaud during her stormy life. They did not

meet, but they sometimes wrote. Mrs. Barnett and she had been friends

in girlhood. Claire, when she grew up, went to stay with them. Very

beautiful, very clever, singing wonderfully, yet, from the beginning,

she struck a false note. And then there was the ugly little story: a

young man, Captain Dauncey, fell madly in love with her; they were

engaged; and, within hardly a month's time, she jilted him openly and

brazenly for a better match. That was only the beginning. Sir Everard

Comber was madly in love, too, but Mrs. Barnett told me that they felt

that he knew there was no good metal under her glamour; the glamour was

so great that he hoodwinked himself. It was tragic to see him trying not

to see. And one day he and Mrs. Barnett found Mademoiselle Vicaud

engaged in a flirtation in an arbor, indolently allowing an adoring

young man to kiss her hand, his arm around her waist. Mrs. Barnett said

that it was the most unpleasant of situations--poor Sir Everard's face,

the girl's look of dismay, followed by an instant assumption of

coolness. She was able, almost at once, to show a humorous, half-vexed,

half-tolerant smile, and to pretend that she expected them to share her

playful anger against the hugely embarrassed culprit. She behaved,

afterward, very badly about Sir Everard's breaking off the engagement,

which he did most delicately and generously. She had no dignity; she was

furious, and showed that she was. She even hinted once--only once, but

it was enough--at a breach-of-promise suit and damages.

"Madame Vicaud appeared in the midst of the commotion, and quenched in a

moment the ugly flicker of vulgarity. The Barnetts guessed that there

must have been a terrible scene between the two, but Madame Vicaud

carried off her daughter, completely quelled, it seemed. She could not

save the situation; she merely made it tragic instead of odious. That is

the story," said Lady Surfex, after a pause in which Damier, with a

whitened face, kept a sick silence--"only the story, after all, of a

vulgar girl who makes her mother piteous.

"I should love to meet Madame Vicaud. She does not know that I know,

nor, I think, does the girl. The best thing, I fancy, would be if the

girl could be married off to somebody who understood--and didn't mind.

Don't you think so? Could we try to help Madame Vicaud like that?"

Damier could not think just now of Claire's future; he was thinking,

persistently, of Madame Vicaud--seeing her as a white flower sunken up

to the brave and fragile petals in mud. The past clung to her in her

daughter--greedy, husband-hunting, lax, and vulgar. What must the

tortured mother's heart have felt at this heaping of shame upon her

proudest head? How, more and more, he understood, and interpreted, her

silences, her reserves!

In a dry voice he said that he could hardly hope for any possible

atonement to Madame Vicaud.

"Have I been wrong in telling you--ungenerous?" asked Lady Surfex.

"No; right. It makes one more able to help her; or, at least, to feel

where she most needs help. It is only in lifting the daughter that one

can help her."

"We will lift her!" said Lady Surfex, with a glance at his absorbed

face. "And then, if we do,--right out of the mother's life,--what will

she do alone?"

"She would never allow her to be lifted out of her life."

"Well, only in the literal sense of going away to live with her

husband."

"Her husband! It seems a difficult thing to find her one!"

"Not so much to find one--she is enchanting in appearance, I hear--as to

keep one. But no doubt she is wiser, better, now. And would you,

Eustace, live on in Paris indefinitely if the girl married and left her

mother alone? Is your friendship so absorbing?"

He was able to look at her now with a smile for her acuteness.

"Quite so absorbing."

X

YET that very evening Damier was to have his freshly

emphasized disgust unsettled, as theories are so constantly unsettled by

new developments of fact. Claire did not show him a new fact about

herself; she merely explained herself a little further, and made it

evident that one could not label her "vulgar" and so dispose of her.

It was, curiously, with a keener throb of pity, in the very midst of all

his new reasons for disliking her, that he found her alone in the salon,

sitting, in her white evening dress, near the open window--opened on the

warm spring twilight. There was something of lassitude in her posture,

the half-droop of her head as she stared vaguely at the sky, something

of passive, patient strength, a creature that no one could

love--even--even--he had wondered over it more and more of late--her

mother? The wonder never came without a sense of fear for the

desecration that such a thought implied in its forcing itself into an

inner shrine of sorrow.

His vision in all that concerned the woman he loved had something of a

clairvoyant quality. At times he felt himself closing his ears, shutting

his eyes, to whispers, glimpses, which as yet he had no right to see or

hear.

That evening he was to dine with Madame Vicaud, Claire, and little

Sophie; and Claire's gown, he felt in prospective, would make poor

Sophie's ill-fitting blouse look odd by contrast in the box at the

theater where he was afterward to take them. He had, indeed, never seen

the girl look more lovely. His over-early arrival had had as its object

the hope of finding, not the daughter, but the mother, alone. Yet,

sitting there in the quiet evening air, talking quietly, looking from

dim tree-tops outside to Claire's white form and splendid head, he felt

that the unasked-for hour had its interest, even its charm. Claire did

not charm him, but the mystery of her deep thoughts and shallow heart

was as alluring to his mind as the merely pictorial attraction of her

beauty to his eye.

"The chief thing," said Claire,--they had been talking in a desultory

fashion about life, and in speaking she stretched out her arm in its

transparent sleeve and looked at it with her placid, powerful look,

adjusting its fall of lace over her hand,--"the chief thing is to know

what you want and to determine to get it. People who do that get what

they want, you know--unless circumstances are peculiarly antagonistic."

(Damier, in the light of his recent knowledge, found this phrase very

pregnant.) "You, for instance, have never known exactly what you wanted;

therefore you have got nothing. My father knew that he wanted to paint

well--you rarely hear us speak of my father, do you?--though Mamma, you

see, has his photograph conspicuously _en évidence_ up there, lest I

should think too ill of him--or guess how ill she thinks of him herself.

I hardly knew my father at all; he was, no doubt, what is called a very

bad man, but clever, very clever. He determined to paint well, and he

did. You know his pictures. I don't care about pictures, but I suppose

there are few of that epoch that can be compared to that Luxembourg

canvas of his. Mamma, do you know, never goes to see it. She has never

really recovered from the shock poor papa gave her prejudices--the

prejudices of the _jeune fille anglaise_. I"--she smiled a little at

him, gliding quickly past the silent displeasure that her last words had

evoked in his expression--"I have a very restricted field for choice;

but I determine to be well dressed. I have small aims, you say; but with

me, as yet, circumstances are very antagonistic. I should like many

pleasures, but as there is only one I can achieve, I am wise as well as

determined; what I do determine comes to pass. And Mamma--yes, I am

coming to her. Mamma wanted to be good, and she is, you see, perfectly

good. And, even more than that, perhaps, she wanted me to be good, too;

but there either her will was too weak or I too wicked--the latter,

probably, for she has a strong will."

"Perhaps," said Damier, smiling as he leaned back in his chair, arms

folded and knees crossed, listening to her--"perhaps you underestimate

her success, or overestimate the Luciferian splendor of your own

nature."

"I don't think it is at all splendid," said Claire, composedly; "some

wickedness is, I grant you; but do I strike you as affecting that kind?"

"I must own that you don't."

"Or, indeed, as affecting anything either picturesque or desirable?" she

pursued.

Again Damier had to own that she affected no such thing.

"Ah, that is well. I should not like you to misinterpret me," said

Claire. "I make no poses." And after a slight pause in which he

wondered anew over her, she added: "I merely like enjoyment better than

anything else in the world."

"Yours, you know, is a very old philosophy--a universe of will and

enjoyment; but one must have a great deal of the former to attain the

latter in a world of so many clashing aims," said Damier.

"Yes, one must."

"And not the highest type of will. The world, so seen, is a terrible

one."

"Do you think so?" Her look, from the sky, drifted lazily down to him.

"Don't you?"

"No; I think it wonderful, enthralling, if one attains one's aims; it is

all beautiful, even the suffering--if one avoids suffering one's self."

"You are an esthete--

While safe beneath the roof,

To hear with drowsy ear the plash of rain."

"Oh, better than rain--the tempest!"

"And how can one avoid suffering, pray?"

"_Mais_,"--Claire had a tolerant smile for his naïveté,--"by staying

under the roof, laughing round the fire. Mamma, you see, would be

darting out continually into the storm."

"Bringing other people back to shelter."

"And crowding us uncomfortably round the fire, getting the rest of us

wet!" smiled Claire. "For a case in point--don't you find Sophie a bore?

She was going to commit suicide when Mamma, through something Miss

Vibert said, found her. Yes, I assure you, the charcoal was lit--her

last sous spent on it. And really, do you know, I think it would have

been a wise thing. Don't be too much horrified at my heartlessness. I

mean that Sophie will never enjoy herself; nothing in this world will

ever satisfy her. When she has enough to eat she can realize more

clearly her higher wants. And--I don't want to seem more ungenerous than

I am, but, as a result, we have less to eat ourselves. Don't look so

stony; I am not really _un mauvais coeur_. I would willingly dot

Sophie, buy her the best husband procurable if I had the money; but

husbands and houses and money wouldn't make Sophie comfortable, and I

don't really see that much is gained by making two people less so in

order to insure the survival of one unfit little Pole."

"I need hardly tell you that I don't share the ruthless materialism of

that creed. Who, my dear young woman, are you, to pronounce on Sophie's

unfitness, and to decide that you, rather than she, have a right to

survival?"

Claire looked at him for a moment with a smile unresentful and yet

rueful.

"How often you surprise me," she said, "and how often you make me feel

that I don't, even yet, quite understand you! It is so difficult to

realize that a person so comprehending can at the same time be so rigid.

With you _tout comprendre_ is not _tout pardonner_."

"By no means," Damier owned, unable to repress a smile.

"Well, I would far rather have you understand me completely, even if

you can't forgive. I told you that I was wicked; one good point I have:

I never pretend to be better than I am."

"And one better point you have, and that is that you are better than you

know." Damier spoke lightly, but at the moment he believed what he

spoke.

Claire smiled without replying, and said, after a little silence:

"Of course you have seen how good Mamma is. You both of you have a moral

perfume, and recognize it in each other. I puzzle and worry her so

because I won't suffer, won't go out of my life into other people's. You

asked me how one could avoid suffering; really, for the most part, it is

very easy to avoid. Sympathy is the fatal thing: _to suffer with_--why

should one? It is a mere increasing of the suffering in the world, if

one comes to think of it. The wise thing is to concentrate one's

self--to bring things to one's self; but it is that wisdom that Mamma

will not understand in me."

Damier made no comment on these assertions, and Claire, as if she had

expected none, as if, indeed, she were expounding herself and her mother

for her own benefit as well as his, went on:

"She is very energetic, too, Mamma, as energetic as I am, but in a

different way. She is always striving--against things; I wait. Even if

she can't see distinctly at what she is aiming, she is always aiming at

something; I never aim unless I see something to aim at."

"What things do you aim at?" he now asked.

"Oh--you know; things that Mamma despises--things that you too despise,

perhaps, but that, at all events, you understand." He could not quite

interpret the glance that rested upon him. "And Mamma's aims--I suppose

you don't care to hear what I think of them?"

"On the contrary, for you think very clearly. But I know what she has

aimed at. What has she attained?"

He asked himself the question, indeed, with an inner lamentation for

the one evident, the one tragic failure.

"Well,"--Claire clasped her hands behind her head and looked out of the

window,--"for one thing, she has kept herself--she hasn't attained it:

that wasn't needful--_très grande dame_. She has always made herself a

social milieu congenial to her, or gone without one. For herself she

would not choose and exclude so carefully; but I complicate Mamma's

spontaneous impulses. The social milieu has always been to her a soil in

which to try to grow my soul; that is why she is so careful about the

soil; if it were not for me she would probably choose the stoniest and

ugliest, and beautify it by blooming in it, since her soul is strong and

beneficent."

Half repelled and half attracted as Damier had been, it was now with

more of attraction than repulsion that he listened, an attraction that

had many sources. That she should so finely appreciate her mother was

one. It was touching--meant to be so, perhaps, for even in his

attraction he had these moments of doubt; but a sincerity that could

paint herself so unbecomingly and her mother so beautifully was a new

revelation of her frankness. There was attraction, too, though of a

mingled quality, in her strength and in her apparent indifference to his

impression of her. These were better things than the glamour; yet that,

too, he felt, as when she turned her eyes on him and said that the world

was beautiful. At such moments something joyous and conscienceless in

him responded to her, half intellectual comprehension and half mere

flesh and blood. It was a little swirl of emotion that his soul, calm

and disdainfully aloof, could look down on and observe, in no danger of

being shaken by it; but it did swirl through him like a tremulous coil

of Venusberg music; and Claire, in her transparent white, with her heavy

braids and grave, shining eyes, gleamed at such moments with the baleful

beauty of the eternal siren. As long as one was human something human in

one must respond to that siren call. Even now, when he was feeling,

with some bewilderment, better things in her, the glamour looking from

her eyes, breathing from her serious lips, confused and troubled the new

impulse of trust and pity. Half lightly, half sadly, yet with a very

gentle kindliness, he said to her: "Strong enough to make you flower

some day, let us believe"; and, as silently she still gazed upon him:

"That you should recognize beauty is already a flower, you know."

Still leaning back, her arms behind her head, still looking at him,

Claire now said: "I owe that flower, not to her, but to you."

He stared for a moment, not comprehending.

"You mean that you see her, appreciate her, through my sight, my

appreciation?"

"Yes--in a sense, I mean that."

"But," said Damier, smiling, "you owe it to her that there is something

beautiful to see."

He was mystified, not quite trusting, yet touched.

Claire, without moving, turned her eyes on the door. "Here she is," she

said; and as her mother entered, she added, in the lowest voice above a

whisper, so vaguely that it was like a fragrant perturbing influence

breathing from the twilight and the spring air:

"I like to owe all my flowers to you."

Already, as he rose to greet the mother, he liked the daughter less.

Madame Vicaud, in her black dress, with flowing white about her wrists

and throat,--a throat erect and beautiful,--had closed the door softly

behind her, and as she came toward him, Damier, involuntarily carrying

further his Venusberg simile of some moments before, thought of an

Elizabeth bringing peace and radiance; yet there was, too, a gravity in

her gaze, a quick intentness that went swiftly from her daughter to him.

Then the smile and the lightness masked her. She took his hand.

"Has not Sophie come yet? Of what have you been talking?"

"Of life, and how to live it," laughed Damier.

"Wise young people! Was it a contest of sublimities?" Madame Vicaud laid

down the evening wrap she had brought in, and, it seemed to Damier,

averted her face from him as she took up a box of matches.

"Do I ever fight under the banner of sublimity, Mamma?" Claire inquired,

looking out of the window, showing once more her accustomed lassitude

and detachment. "I leave those becoming colors to you--and to Mr.

Damier."

"But don't, even in jest, my dear, assume always the unbecoming ones,"

Madame Vicaud replied, still with all her lightness, and bending, her

face still averted, to strike a match. "You have discovered, have you

not, Mr. Damier, that it is difficult for Claire to assume the virtues

that she has?"

She moved about the room, lighting the candles on the mantelpiece and on

the cabinet where her husband's portrait stood; and Damier, watching

the swift blackness of her girlish figure, the slender white of her

uplifted hand,--the black more black, the white more white, as the

radiance slowly grew in the dim room,--still fancied that she was

mastering some emotion, hiding from him some sudden agitation. There was

a faint flush on her face as she turned, gaily and sweetly, blowing out

and tossing away her match, to welcome Sophie.

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