CHAPTER XXXV

When it was time for Thurley to go to New York, Miss Clergy intimated

that she would spend the winter at the Fincherie, while the Corners said

Thurley had returned “to get cured of something,” because she had stayed

so at home and the only person in whom she expressed an interest had been

Dan Birge’s son.

“Oh, no, you must see me in my new opera. I’d be lonesome for you—”

“Lonesome for the baby,” Miss Clergy corrected, smiling. “There are

dozens of people you can have with you, Thurley—and I’m tired.”

So Thurley packed her trunks and told Ali Baba to call her back if Miss

Clergy seemed even inclined to want her. The day before she was to

leave, she wandered along the shore of the lake, looking at the deserted

mansions with a perplexed and disapproving air. She had found much of

which to disapprove in the Corners.

It was the queer war-madness in such as Lorraine and her following,

destroying common sense and blinding their eyes.

When this restless army returned, whether from overseas or from home

service, for return they must, what then of the readjustment? The quiet

tragedies that would be lived down slowly, so unsuspectedly—so bravely,

really. After every one in the home town had heard their stories and

their pictures had been locally printed—what then? They would assume the

old jobs, the maddening procedure of “Good morning, help,” and “Good

morning, boss”—the white shirtwaist on Monday and the pink one on

Thursday and the dark silk for best because it is serviceable; the hall

bedroom with the respectable family who are always asleep by ten o’clock,

the ending of dreams, the failure of the quest, the defeating admission

that the circle and not the cross is life’s truest symbol.

Surely these people would turn in protest to art as their solace. What a

task America had set for her, what herculean effort Bliss must make ...

for these people would appeal to the accepted standards of art as their

defense. The plays, poems, stories, songs, pictures, useless bohemian

lives that would follow if permitted, the refusal to become one of

many—to take an interest in the neighbors and not the enemies!

Thurley rose with sudden determination. Right always ends by acquiring

might, she told herself, and if Bliss Hobart possessed a vision he,

himself, was powerless to execute it. Player and worker were like the

wings of a bird, he had said, equal and necessary ... then so were

dreamer and doer. Thurley could _do_—her ancestors probably toddled about

in sabots a few generations ago but she thanked heaven for the sturdy,

unknown peasant strain in her which gave her the virility to act. Hobart

was the patrician dreamer—yet even gold cannot be used in its purest

state, it requires a sterner, coarser alloy before it becomes either

practical or fully beautiful.

“After the boys fall out of step,” Thurley informed the little lake, “we

must fall in step—teach them to go forth once more on a time clock.”

“Gray angels”—that was what the people in the vanguard, not only the

art vanguard but in all avenues of progress, should be called,—people

with enough of the divine in them to have no fear and to believe in the

ultimate success of their ideals, and enough of the human sinner to

understand the best earthly way to go about it. Gray angels! The people

who can do the needed drudgery which permits others to accomplish the

toil-free feats; stay-at-homes were gray angels; the women who did not

lift up their voices in egotistical speechmaking or in whines but who

gave their sons and kept the home in which to welcome them back; those

quiet, undersized little chaps with poor eyes or hollow chests who had

quietly applied at recruiting stations only to be turned off with a

laugh—they were gray angels, staying at the helm to do uninteresting

routine which is always needed to keep things afloat, yet applauding

those who have achieved the apparently bigger things; and it would be

gray angels who should steady the army of men and women who should

demand: “What next? We want another great task to do,” looking with scorn

at a clerk’s white apron, an adding machine, a modest millinery store!

The gray angels dyke a nation’s forceful common sense from becoming a

flood of useless sentiment, expending itself no one knows where, lost to

practical purposes. It would be the gray angels who would help win the

violet crown because they gauge nothing in misleading blacks or whites,

since life on this planet is not expressed in harsh, sweeping tones,

but in neutral grays, partaking of both white and black, now foggy and

bewildering, now serene and sweetly sad with lavender veiling, or rosy

flecked and hopeful.

Bliss was a gray angel—Ernestine, Polly, Collin and Caleb had the

possibilities of becoming them.

... “I believe I’m a gray angel, too,” Thurley thought with sudden

delight.

The Gray Angels · 第 35 / 40 章