I gave him my order and he shuffled away.

A silence had fallen on the place, an ominous, tense silence. The men at

the counter had quit chewing their food, had laid knife and fork to one

side and were half turned, watching over their shoulders. The men at the

other tables had somehow tensed, and one who had his back toward me

seemed to have worked his feet under him, preparatory to a swift jump.

The Chink was engaged in flopping my steak on the greasy stove top,

crooning some weird Chinese song to himself.

And then it happened.

The man, who had his back turned, flung out of his chair and abruptly

faced me, his face working with some strong emotion. I had been ready,

and my own hand held the butt of a forty-five, concealed beneath the

table, the muzzle pointed on a line with his heart.

When he saw me, his face relaxed somewhat and his eyes narrowed. In that

split second before I had registered on his mind, when he had nothing by

which to identify me but the sound of my voice, I had sensed the emotion

which gripped him. It had been a half fear, half hate.

As it was, his face became drawn, determined. He let his hand drop from

the handle of his revolver, and strode purposefully to my table.

“Just got in the valley, eh?” he greeted.

“I have already given my order,” I said.

He was a big, burly individual, one who had played hard at the game of

life, plunged over his head with Devil’s stakes, and was continuing the

game at headlong pace. He was a creature of fierce emotions, an animal

cunning being the only indication of intelligence on his face—a face

that was scarred and seamed, warped by evil emotions. Cruelty and

cowardice showed in the line of his quivering mouth, but his hands were

steady.

“Order, hell! I ain’t runnin’ this joint. Are yuh lookin’ for work?”

“If I am I shall find it.”

His hand dropped again.

“Well, you needn’t be so damned fresh. Get this an’ get it straight. Yuh

ain’t goin’ to like it here. It’s a powerful unhealthy climate for

strangers, an’ we don’t want ’em around. Our graveyard ain’t big

enough.”

“The climate and I will get along,” I said; “but I am sorry about your

graveyard being so small. Perhaps it will be even more crowded when _I_

leave.”

He sucked in his breath in a great gasp. I could see in his eyes the

determination to reach for his guns, to have it out—and then he

stiffened, tensed. His eyes had caught the significance of my hand which

was under the table.

“I was just warnin’ yuh,” he said in a voice that had suddenly changed

its tone. His eyes squirmed about; his mouth twitched and beads of

perspiration came on his forehead. Slowly, he walked away, never turning

his back to me, his fascinated eyes on the table cloth which masked the

gun, the fingers of his hands working.

Arrived at his table, he sighed and sat down.

The men at the counter turned again to their food. The other diners

clattered knife and fork. Life in the restaurant returned to normal—and

then my ears caught the note of the Chinaman’s song. It had subtly

changed from the weird undulations of Chinese music, such as a mother

might croon to an infant, and contained a subtle note of triumph.

A few minutes more and he seemed to catch himself, looked sheepishly

about him, lowered his voice, scooped up some potatoes, spread them on

the hot platter, flopped on the steak and came shuffling along the board

floor, his beady eyes darting over my face as though they would cover

the minutest detail of my every feature. The face itself, however, was

an impassive mask of yellow skin.

He set down the food, then took his way once more through the curtained

doorway.

In a few moments he returned, glanced sharply at me once again, then

came to my table, stooped, picked up my plate, swept knife and fork into

his yellow talons, gathered bread, butter and water into his crooked

arm, and started slowly toward the curtain.

“You eatum in here,” he said over his shoulder.

For the moment I was on the point of jerking him back by the slack of

his blouse, and then, for the second time that day, I yielded to an

inexplicable whim.

I followed him through the heavy, grimy curtain, into the dim hallway,

past a few booths, and into a little compartment where, without another

word, he spread out my food on the table.

It is as useless to puzzle over the ways of a Chinaman as it is to argue

with the universe. The average man thinks of eternity as of something

distant, to come into existence on his death. A Chinaman thinks of

eternity as being present. He lives in cycles, lives in eons, and, once

having made up his mind, becomes impervious to argument.

I resumed my eating, saying no word. If words would do no good I would

not waste them. But one thing I had determined. No curtain would be

drawn across that booth, no concealment behind which a man might come

down the dim corridor and shoot me from ambush.

As though divining my thought, the Chinaman threw back the curtain over

the top of the booth, leaving the doorway open ... and then I caught

sight of the occupant of the opposite booth, caught the curve of her

shoulder, the delicate line of her stocking. The rest was hidden by the

curtain which dropped over the doorway.

I scooped up some greasy potatoes and cut at the steak, saw the curve of

the shoulder heave, and caught the sound of a stifled sob. The woman was

crying, crying not with the gentle helplessness which is the weapon of

the sex, the last resort in times of stress, but crying with anger, a

fierce, choking anger which was impotent.

The Devil's deputy · 第 4 / 30 题