CHAPTER III

OBSESSION, POSSESSION

_Clocks, Chests and Mummies_

As I have already remarked, spirit or unknown brains are frequently

present at births. The brains of infants are very susceptible to

impressions, and, in them, the thought-germs of the occult brains find

snug billets. As time goes on, these germs develop and become generally

known as "tastes," "cranks," and "manias."

It is an error to think that men of genius are especially prone to

manias. On the contrary, the occult brains have the greatest difficulty

in selecting thought-germs sufficiently subtle to lodge in the

brain-cells of a child of genius. Practically, any germ of carnal

thought will be sure of reception in the protoplasmic brain-cells of a

child, who is destined to become a doctor, solicitor, soldier,

shopkeeper, labourer, or worker in any ordinary occupation; but the

thought-germ that will find entrance to the brain-cells of a future

painter, writer, actor, or musician, must represent some propensity of a

more or less extraordinary nature.

We all harbour these occult missiles, we are all to a certain extent

mad: the proud mamma who puts her only son into the Church or makes a

lawyer of him, and placidly watches him develop a scarlet face, double

chin, and prodigious paunch, would flounce out a hundred and one

indignant denials if anyone suggested he had a mania, but it would be

true; gluttony would be his mania, and one every whit as prohibitive to

his chances of reaching the spiritual plane, as drink, or sexual

passion. Love of eating is, indeed, quite the commonest form of

obsession, and one that develops soonest. Nine out of ten

children--particularly present-day children, whose doting parents

encourage their every desire--are fonder of cramming their bellies than

of playing cricket or skipping; games soon weary them, but buns and

chocolates never. The truth is, buns and chocolate have obsessed them.

They think of them all day, and dream of them all night. It is buns and

chocolates! wherever and whenever they turn or look--buns and

chocolates! This greed soon develops, as the occult brain intended it

should; enforced physical labour, or athletics, or even sedentary work

may dwarf its growth for a time, but at middle and old age it comes on

again, and the buns and chocolates are become so many coursed luncheons

and dinners. Their world is one of menus, nothing but menus; their only

mental exertion the study of menus, and I have no doubt that "tuck"

shops and restaurants are besieged by the ever-hungry spirit of the

earth-bound glutton. Though the drink-germ is usually developed later

(and its later growth is invariably accelerated with seas of alcohol),

it not infrequently feeds its initial growth with copious streams of

ginger beer and lemon kali.

Manual labourers--_i.e._ navvies, coal-heavers, miners, etc.--are

naturally more or less brutal. Their brain-cells at birth offered so

little resistance to the evil occult influences that they received, in

full, all the lower germs of thought inoculated by the occult brains.

Drink, gluttony, cruelty, all came to their infant cerebrums

cotemporaneously. The cruelty germ develops first, and cats, dogs,

donkeys, smaller brothers, and even babies are made to feel the superior

physical strength of the early wearer of hobnails. He is obsessed with a

mania for hurting something, and with his strongly innate instinct of

self-preservation, invariably chooses something that cannot harm him.

Daily he looks around for fresh victims, and finally decides that the

weedy offspring of the hated superior classes are the easiest prey. In

company with others of his species, he annihilates the boy in Etons on

his way to and from school, and the after recollections of the

weakling's bloody nose and teardrops are as nectar to him. The cruelty

germ develops apace. The bloody noses of the well-dressed classes are

his mania now. He sees them at every turn and even dreams of them. He

grows to manhood, and either digs in the road or plies the pick and

shovel underground. The mechanical, monotonous exercise and the

sordidness of his home surroundings foster the germ, and his leisure

moments are occupied with the memory of those glorious times when he was

hitting out at someone, and he feels he would give anything just to

have one more blow. Curse the police! If it were not for them he could

indulge his hobby to the utmost. But the stalwart, officious man in blue

is ever on the scene, and the thrashing of a puny cleric or sawbones is

scarcely compensation for a month's hard labour. Yet his mania must be

satisfied somehow--it worries him to pieces. He must either smash

someone's nose or go mad; there is no alternative, and he chooses the

former. The Society for the Prevention of Cruelty to Animals prevents

him skinning a cat; the National Society for the Prevention of Cruelty

to Children will be down on him at once if he strikes a child, and so he

has no other resource left but his wife--he can knock out all her teeth,

bash in her ribs, and jump on her head to his heart's content. She will

never dare prosecute him, and, if she does, some Humanitarian Society

will be sure to see that he is not legally punished. He thus finds safe

scope for the indulgence of his crank, and when there is nothing left of

his own wife, he turns his unattractive and pusillanimous attentions to

someone else's.

But occult thought-germs of this elementary type only thrive where the

infant's spiritual or unknown brain is wholly undeveloped. Where the

spiritual or unknown brain of an infant is partially developed, the

germ-thought to be lodged in it (especially if it be a germ-thought of

cruelty) must be of a more subtle and refined nature.

I have traced the growth of cruelty obsession in children one would not

suspect of any great tendency to animalism. A refined love of making

others suffer has led them to vent inquisitionary tortures on insects,

and the mania for pulling off the legs of flies and roasting beetles

under spyglasses has been gradually extended to drowning mice in cages

and seeing pigs killed. Time develops the germ; the cruel boy becomes

the callous doctor or "sharp-practising" attorney, and the cruel girl

becomes the cruel mother and often the frail divorcée. Drink and cards

are an obsession with some; cruelty is just as much a matter of

obsession with others. But the ingenuity of the occult brain rises to

higher things; it rises to the subtlest form of invention when dealing

with the artistic and literary temperament. I have been intimately

acquainted with authors--well-known in the popular sense of the

word--who have been obsessed in the oddest and often most painful ways.

The constant going back to turn door-handles, the sitting in grotesque

and untoward positions, the fondness for fingering any smooth and shiny

objects, such as mother-of-pearl, develop into manias for change--change

of scenery, of occupation, of affections, of people--change that

inevitably necessitates misery; for breaking--breaking promises,

contracts, family ties, furniture--but breaking, always breaking; for

sensuality--sensuality sometimes venial, but often of the most gross and

unpardonable nature.

I knew a musician who was obsessed in a peculiarly loathsome manner. Few

knew of his misfortune, and none abominated it more than himself. He

sang divinely, had the most charming personality, was all that could be

desired as a husband and father, and yet was, in secret, a monomaniac of

the most degrading and unusual order. In the daytime, when all was

bright and cheerful, his mania was forgotten; but the moment twilight

came, and he saw the shadows of night stealing stealthily towards him,

his craze returned, and, if alone, he would steal surreptitiously out of

the house and, with the utmost perseverance, seek an opportunity of

carrying into effect his bestial practices. I have known him tie himself

to the table, surround himself with Bibles, and resort to every

imaginable device to divert his mind from his passion, but all to no

purpose; the knowledge that outside all was darkness and shadows proved

irresistible. With a beating heart he put on his coat and hat, and,

furtively opening the door, slunk out to gratify his hateful lust.

Heaven knows! he went through hell.

I once watched a woman obsessed with an unnatural and wholly monstrous

mania for her dog. She took it with her wherever she went, to the

theatre, the shops, church, in railway carriages, on board ship. She

dressed it in the richest silks and furs, decorated it with bangles,

presented it with a watch, hugged, kissed, and fondled it, took it to

bed with her, dreamed of it. When it died, she went into heavy mourning

for it, and in an incredibly short space of time pined away. I saw her a

few days before her death, and I was shocked; her gestures, mannerisms,

and expression had become absolutely canine, and when she smiled--smiled

in a forced and unnatural manner--I could have sworn I saw Launcelot,

her pet!

There was also a man, a brilliant writer, who from a boy had been

obsessed with a craze for all sorts of glossy things, more especially

buttons. The mania grew; he spent all his time running after girls who

were manicured, or who wore shining buttons, and, when he married, he

besought his wife to sew buttons on every article of her apparel. In the

end, he is said to have swallowed a button, merely to enjoy the

sensation of its smooth surface on the coats of his stomach.

This somewhat exaggerated instance of obsession serves to show that, no

matter how extraordinary the thought-germ, it may enter one's mind and

finally become a passion.

That the majority of people are obsessed, though in a varying degree, is

a generally accepted fact; but that furniture can be possessed by occult

brains, though not a generally accepted fact, is, I believe, equally

true.

In a former work, entitled _Some Haunted Houses of England and Wales_,

published by Mr Eveleigh Nash, I described how a bog-oak grandfather's

clock was possessed by a peculiar type of elemental, which I

subsequently classified as a vagrarian, or kind of grotesque spirit that

inhabits wild and lonely places, and, not infrequently, spots where

there are the remains of prehistoric (and even latter-day) man and

beast. In another volume called _The Haunted Houses of London_, I

narrated the haunting of a house in Portman Square by a grandfather's

clock, the spirit in possession causing it to foretell death by

striking certain times; and I have since heard of hauntings by phenomena

of a more or less similar nature.

The following is an example. A very dear friend of mine was taken ill

shortly before Christmas. No one at the time suspected there was

anything serious the matter with her, although her health of late had

been far from good. I happened to be staying in the house just then, and

found, that for some reason or other, I could not sleep. I do not often

suffer from insomnia, so that the occurrence struck me as somewhat

extraordinary. My bedroom opened on to a large, dark landing. In one

corner of it stood a very old grandfather's clock, the ticking of which

I could distinctly hear when the house was quiet. For the first two or

three nights of my visit the clock was as usual, but, the night before

my friend was taken ill, its ticking became strangely irregular. At one

moment it sounded faint, at the next moment, the reverse; now it was

slow, now quick; until at length, in a paroxysm of curiosity and fear, I

cautiously opened my door and peeped out. It was a light night, and the

glass face of the clock flashed back the moonbeams with startling

brilliancy. A grim and subdued hush hung over the staircases and

landings. The ticking was now low; but as I listened intently, it

gradually grew louder and louder, until, to my horror, the colossal

frame swayed violently backwards and forwards. Unable to stand the sight

of it any longer, and fearful of what I might see next, I retreated into

my room, and, carefully locking the door, lit the gas, and got into

bed. At three o'clock the ticking once again became normal. The

following night the same thing occurred, and I discovered that certain

other members of the household had also heard it. My friend rapidly grew

worse, and the irregularities of the clock became more and more

pronounced, more and more disturbing. Then there came a morning, when,

between two and three o'clock, unable to lie in bed and listen to the

ticking any longer, I got up. An irresistible attraction dragged me to

the door. I peeped out, and there, with the moonlight concentrated on

its face as before, swayed the clock, backwards and forwards, backwards

and forwards, slowly and solemnly; and with each movement there issued

from within it a hollow, agonised voice, the counterpart of that of my

sick friend, exclaiming, "Oh dear! Oh dear! It is coming! It is coming!"

I was so fascinated, so frightened, that I could not remove my gaze, but

was constrained to stand still and stare at it; and all the while there

was a dull, mechanical repetition of the words: "Oh dear! Oh dear! It is

coming, it is coming!" Half an hour passed in this manner, and the hands

indicated five minutes to three, when a creak on the staircase made me

look round. My heart turned to ice--there, half-way down the stairs, was

a tall, black figure, its polished ebony skin shining in the moonbeams.

I saw only its body at first, for I was far too surprised even to glance

at its face. As it glided noiselessly towards me, however, obeying an

uncontrollable impulse, I looked. There was no face at all, only two

eyes--two long, oblique, half-open eyes--grey and sinister,

inexpressibly, hellishly sinister--and, as they met my gaze, they smiled

gleefully. They passed on, the door of the clock swung open, and the

figure stepped inside and vanished! I was now able to move, and

re-entering my room, I locked myself in, turned on the gas, and buried

myself under the bedclothes.

I left the house next day, and shortly afterwards received the

melancholy tidings of the death of my dear friend. For the time being,

at least, the clock had been possessed by an elemental spirit of death.

I know an instance, too, in which a long, protracted whine, like the

whine of a dog, proceeded from a grandfather's clock, prior to any

catastrophe in a certain family; another instance, in which loud thumps

were heard in a grandfather's clock before a death; and still another

instance in which a hooded face used occasionally to be seen in lieu of

the clock's face.

In all these cases, the clocks were undoubtedly temporarily possessed by

the same type of spirit--the type I have classified "Clanogrian" or

Family Ghost--occult phenomena that, having attached themselves in

bygone ages to certain families, sometimes cling to furniture (often not

inappropriately to clocks) that belonged to those families; and, still

clinging, in its various removals, to the piece they have "possessed,"

continue to perform their original grizzly function of foretelling

death.

Of course, these charnel prophets are not the only phantasms that

"possess" furniture. For example, I once heard of a case of

"possession" by a non-prophetic phantasm in connection with a chest--an

antique oak chest which, I believe, claimed to be a native of Limerick.

After experiencing many vicissitudes in its career, the chest fell into

the hands of a Mrs MacNeill, who bought it at a rather exorbitant price

from a second-hand dealer in Cork.

The chest, placed in the dining-room of its new home, was the recipient

of much premature adulation. The awakening came one afternoon soon after

its arrival, when Mrs MacNeill was alone in the dining-room at twilight.

She had spent a very tiring morning shopping in Tralee, her nearest

market-town, and consequently fell asleep in an arm-chair in front of

the fire, directly after luncheon. She awoke with a sensation of extreme

chilliness, and thinking the window could not have been shut properly,

she got up to close it, when her attention was attracted by something

white protruding from under the lid of the chest. She went up to inspect

it, but she recoiled in horror. It was a long finger, with a very

protuberant knuckle-bone, but no sign of a nail. She was so shocked that

for some seconds she could only stand staring at it, mute and helpless;

but the sound of approaching carriage-wheels breaking the spell, she

rushed to the fireplace and pulled the bell vigorously. As she did so,

there came a loud chuckle from the chest, and all the walls of the room

seemed to shake with laughter.

Of course everyone laughed when Mrs MacNeill related what had happened.

The chest was minutely examined, and as it was found to contain nothing

but some mats that had been stored away in it the previous day, the

finger was forthwith declared to have been an optical illusion, and Mrs

MacNeill was, for the time being, ridiculed into believing it was so

herself. For the next two or three days nothing occurred; nothing, in

fact, until one night when Mrs MacNeill and her daughters heard the

queerest of noises downstairs, proceeding apparently from the

dining-room--heavy, flopping footsteps, bumps as if a body was being

dragged backwards and forwards across the floor, crashes as if all the

crockery in the house had been piled in a mass on the floor, loud peals

of malevolent laughter, and then--silence.

The following night, the disturbances being repeated, Mrs MacNeill

summoned up courage to go downstairs and peep into the room. The noises

were still going on when she arrived at the door, but, the moment she

opened it, they ceased and there was nothing to be seen. A day or two

afterwards, when she was again alone in the dining-room and the evening

shadows were beginning to make their appearance, she glanced anxiously

at the chest, and--there was the finger. Losing her self-possession at

once, and yielding to a paroxysm of the wildest, the most ungovernable

terror, she opened her mouth to shriek. Not a sound came; the cry that

had been generated in her lungs died away ere it reached her larynx, and

she relapsed into a kind of cataleptic condition, in which all her

faculties were acutely alert but her limbs and organs of speech palsied.

She expected every instant that the chest-lid would fly open and that

the baleful thing lurking within would spring upon her. The torture she

suffered from such anticipations was little short of hell, and was

rendered all the more maddening by occasional quiverings of the lid,

which brought all her expectations to a climax. Now, now at any rate,

she assured herself, the moment had come when the acme of horrordom

would be bounced upon her and she would either die or go mad. But no;

her agonies were again and again borne anew, and her prognostications

unfulfilled. At last the creakings abruptly ceased--nothing was to be

heard save the shaking of the trees, the distant yelping of a dog, and

the far-away footfall of one of the servants. Having somewhat recovered

from the shock, Mrs MacNeill was busy speculating as to the appearance

of the hidden horror, when she heard a breathing, the subtle, stealthy

breathing of the secreted pouncer. Again she was spellbound. The evening

advanced, and from every nook and cranny of the room, from behind

chairs, sofa, sideboard, and table, from window-sill and curtains, stole

the shadows, all sorts of curious shadows, that brought with them an

atmosphere of the barren, wind-swept cliffs and dark, deserted

mountains, an atmosphere that added fresh terrors to Mrs MacNeill's

already more than distraught mind.

The room was now full of occult possibilities, drawn from all quarters,

and doubtless attracted thither by the chest, which acted as a physical

magnet. It grew late; still no one came to her rescue; and still more

shadows, and more, and more, and more, until the room was full of them.

She actually saw them gliding towards the house, in shoals, across the

moon-kissed lawn and carriage-drive. Shadows of all sorts--some,

unmistakable phantasms of the dead, with skinless faces and glassy eyes,

their bodies either wrapped in shrouds covered with the black slime of

bogs or dripping with water; some, whole and lank and bony; some with an

arm or leg missing; some with no limbs or body, only heads--shrunken,

bloodless heads with wide-open, staring eyes--yellow, ichorous

eyes--gleaming, devilish eyes. Elementals of all sorts--some, tall and

thin, with rotund heads and meaningless features; some, with

rectangular, fleshy heads; some, with animal heads. On they came in

countless legions, on, on, and on, one after another, each vying with

the other in ghastly horridness.

The series of terrific shocks Mrs MacNeill experienced during the

advance of this long and seemingly interminable procession of every

conceivable ghoulish abortion, at length wore her out. The pulsations of

her naturally strong heart temporarily failed, and, as her pent-up

feelings found vent in one gasping scream for help, she fell insensible

to the ground.

That very night the chest was ruthlessly cremated, and Mrs MacNeill's

dining-room ceased to be a meeting-place for spooks.

Whenever I see an old chest now, I always view it with

suspicion--especially if it should happen to be a bog-oak chest. The

fact is, the latter is more likely than not to be "possessed" by

elementals, which need scarcely be a matter of surprise when one

remembers that bogs--particularly Irish bogs--have been haunted, from

time immemorial, by the most uncouth and fantastic type of spirits.

But mummies, mummies even more often than clocks and chests, are

"possessed" by denizens of the occult world. Of course, everyone has

heard of the "unlucky" mummy, the painted case of which, only, is in the

Oriental department of the British Museum, and the story connected with

it is so well known that it would be superfluous to expatiate on it

here. I will therefore pass on to instances of other mummies "possessed"

in a more or less similar manner.

During one of my sojourns in Paris, I met a Frenchman who, he informed

me, had just returned from the East. I asked him if he had brought back

any curios, such as vases, funeral urns, weapons, or amulets. "Yes,

lots," he replied, "two cases full. But no mummies! Mon Dieu! No

mummies! You ask me why? Ah! Therein hangs a tale. If you will have

patience, I will tell it you."

The following is the gist of his narrative:--

"Some seasons ago I travelled up the Nile as far as Assiut, and when

there, managed to pay a brief visit to the grand ruins of Thebes. Among

the various treasures I brought away with me, of no great archæological

value, was a mummy. I found it lying in an enormous lidless sarcophagus,

close to a mutilated statue of Anubis. On my return to Assiut, I had the

mummy placed in my tent, and thought no more of it till something awoke

me with a startling suddenness in the night. Then, obeying a peculiar

impulse, I turned over on my side and looked in the direction of my

treasure.

"The nights in the Soudan at this time of year are brilliant; one can

even see to read, and every object in the desert is almost as clearly

visible as by day. But I was quite startled by the whiteness of the glow

that rested on the mummy, the face of which was immediately opposite

mine. The remains--those of Met-Om-Karema, lady of the College of the

god Amen-ra--were swathed in bandages, some of which had worn away in

parts or become loose; and the figure, plainly discernible, was that of

a shapely woman with elegant bust, well-formed limbs, rounded arms and

small hands. The thumbs were slender, and the fingers, each of which

were separately bandaged, long and tapering. The neck was full, the

cranium rather long, the nose aquiline, the chin firm. Imitation eyes,

brows, and lips were painted on the wrappings, and the effect thus

produced, and in the phosphorescent glare of the moonbeams, was very

weird. I was quite alone in the tent, the only other European, who had

accompanied me to Assiut, having stayed in the town by preference, and

my servants being encamped at some hundred or so yards from me on the

ground.

"Sound travels far in the desert, but the silence now was absolute, and

although I listened attentively, I could not detect the slightest

noise--man, beast, and insect were abnormally still. There was something

in the air, too, that struck me as unusual; an odd, clammy coldness that

reminded me at once of the catacombs in Paris. I had hardly, however,

conceived the resemblance, when a sob--low, gentle, but very

distinct--sent a thrill of terror through me. It was ridiculous, absurd!

It could not be, and I fought against the idea as to whence the sound

had proceeded, as something too utterly fantastic, too utterly

impossible! I tried to occupy my mind with other thoughts--the

frivolities of Cairo, the casinos of Nice; but all to no purpose; and

soon on my eager, throbbing ear there again fell that sound, that low

and gentle sob. My hair stood on end; this time there was no doubt, no

possible manner of doubt--the mummy lived! I looked at it aghast. I

strained my vision to detect any movement in its limbs, but none was

perceptible. Yet the noise had come from it, it had breathed--breathed--

and even as I hissed the word unconsciously through my clenched lips,

the bosom of the mummy rose and fell.

"A frightful terror seized me. I tried to shriek to my servants; I could

not ejaculate a syllable. I tried to close my eyelids, but they were

held open as in a vice. Again there came a sob that was immediately

succeeded by a sigh; and a tremor ran through the figure from head to

foot. One of its hands then began to move, the fingers clutched the air

convulsively, then grew rigid, then curled slowly into the palms, then

suddenly straightened. The bandages concealing them from view then fell

off, and to my agonised sight were disclosed objects that struck me as

strangely familiar. There is something about fingers, a marked

individuality, I never forget. No two persons' hands are alike. And in

these fingers, in their excessive whiteness, round knuckles, and blue

veins, in their tapering formation and perfect filbert nails, I read a

likeness whose prototype, struggle how I would, I could not recall.

Gradually the hand moved upwards, and, reaching the throat, the fingers

set to work, at once, to remove the wrappings. My terror was now

sublime! I dare not imagine, I dare not for one instant think, what I

should see! And there was no getting away from it; I could not stir an

inch, not the fraction of an inch, and the ghastly revelation would take

place within a yard of my face.

"One by one the bandages came off. A glimmer of skin, pallid as marble;

the beginning of the nose, the whole nose; the upper lip, exquisitely,

delicately cut; the teeth, white and even on the whole, but here and

there a shining gold filling; the under-lip, soft and gentle; a mouth I

knew, but--God!--where? In my dreams, in the wild fantasies that had

oft-times visited my pillow at night--in delirium, in reality, where?

Mon Dieu! WHERE?

"The uncasing continued. The chin came next, a chin that was purely

feminine, purely classical; then the upper part of the head--the hair

long, black, luxuriant--the forehead low and white--the brows black,

finely pencilled; and, last of all, the eyes!--and as they met my

frenzied gaze and smiled, smiled right down into the depths of my livid

soul, I recognised them--they were the eyes of my mother, my mother who

had died in my boyhood! Seized with a madness that knew no bounds, I

sprang to my feet. The figure rose and confronted me. I flung open my

arms to embrace her, the woman of all women in the world I loved best,

the only woman I had loved. Shrinking from my touch, she cowered against

the side of the tent. I fell on my knees before her and kissed--what?

Not the feet of my mother, but that of the long unburied dead. Sick with

repulsion and fear I looked up, and there, bending over and peering into

my eyes was the face, the fleshless, mouldering face of a foul and

barely recognisable corpse! With a shriek of horror I rolled backwards,

and, springing to my feet, prepared to fly. I glanced at the mummy. It

was lying on the ground, stiff and still, every bandage in its place;

whilst standing over it, a look of fiendish glee in its light, doglike

eyes, was the figure of Anubis, lurid and menacing.

"The voices of my servants, assuring me they were coming, broke the

silence, and in an instant the apparition vanished.

"I had had enough of the tent, however, at least for that night, and,

seeking refuge in the town, I whiled away the hours till morning with a

fragrant cigar and novel. Directly I had breakfasted, I took the mummy

back to Thebes and left it there. No, thank you, Mr O'Donnell, I collect

many kinds of curios, but--no more mummies!"

Byways of Ghost-Land · 第 3 / 12 章