TRANSCRIBER'S NOTE.

The following amendments have been made to the original text:

Page 24:

“and were the forerunners of the opera and oratorio”

for

“and were the fore-/runners of the opera and oratorio”

Page 26:

“But in that brilliant springtime of vocal art”

for

“But in that brilliant spring-/time of vocal art”

Page 30:

“i.e., the old singing masters taught”

No comma in original (added for consistency).

Page 42:

“by their anterior apophyses, without leaving any space”

Comma missing from original.

Page 48:

“vol. x. 4th Series, pp. 218-221, 1855.”

for

“vol. x. 4th Series, p. 218-221, 1855.”

Page 66:

“i.e., those tones where a different action”

No comma in original (added for consistency).

Page 79:

“the tones of the head register.”

Period missing from original.

Page 87:

“the reed of the mouthpiece.”

for

“the reed of the mouth-/piece.”

Page 108:

“the air coming from the lungs through the trachea,”

for

“the air coming from the lungs through the treachea,”

Page 118:

“then the high inharmonic over-tones are prominent,”

for

“then the high inharmonic overtones are prominent,”

Page 132:

“a¹ accented-b¹ a¹ accented-b¹”

for (compare fourth note)

“a¹ accented-b¹ a¹ accented-a¹”

Footnote 18:

“struggle to establish the unity of the fatherland.”

for

“struggle to establish the unity of the father-/land.”

The Voice in Singing · 第 86 / 86 题