CHAPTER TWELVE.

"Wasn't I right? Come, confess that I was right?"

The question came of course from triumphant Mrs Maxwell, the centre of

a group standing on the steps of the Greek theatre at Taormina. They

looked on one side, over the rose-red ruins, at Etna, sweeping

magnificently upwards into snow, at his purple slopes, his classic

shore, then, facing round, they headed a sea divinely full of light, and

saw across it aerial mountain ridges faintly cut against the sky.

"Oh, you were right," said Wilbraham presently. "You deserve a splendid

chorus in your honour, and this is the place in which to raise it."

"There's a German down there already declaiming Shakespeare to his

wife," announced Teresa, running to look over the edge on tiptoe.

"So long as you give me the credit, I'll let you off the chorus," said

Mrs Maxwell, magnanimously; "and I'll own more, I'll own that if it

hadn't been for Peppina I should never have stood out. She knows how to

get round me," she added with a sigh.

"Nina, on the contrary, hasn't come willingly at all."

"She upset the oil just before starting yesterday," said Sylvia

hurriedly, "and that's _so_ unlucky! Wasn't it unfortunate?"

"Very," Wilbraham said drily.

"Look," interposed Teresa--"look at that sheet of pink against the blue.

That's almond blossom. Oh, I must have some!"

When she went into her room at the Castello-a-mare before dinner, there

lay bunches of the beautiful blossoms. She gave a cry of delight, and

fell to sticking them about in all imaginable places. Nina, who came

after her, explained that Wilbraham had brought them himself.

"Arms full," she said, spreading out her own with a gay laugh.

And Teresa was touched, thinking that it must have cost him something to

turn himself into a maypole for her pleasure. He was improving. She

decked Sylvia with several of the pink flowers before going in to

dinner, for only a pleasant Hungarian doctor and his wife would be there

besides themselves, and twisted some into her own dress. The sisters

went in together. Wilbraham was standing alone at the end of the room.

"Thank you for the almond blossom," Teresa called out cheerfully.

"There you see the result."

And she made a little movement of her hand towards Sylvia, who stood

like a charming woodland picture of Spring, all white and pink. But

Wilbraham glanced coldly.

"I sent them to you," he said with a touch of reproach in his tone which

made Teresa open her eyes.

"Brought them, I hear," she said teasingly. "It was heroic of you. How

many `Buon giorno's' and `Porto io's' had you to face? I didn't believe

I could so quickly have got tired of the words. As we came along I

heard mothers urging tiny shy babies of two or three--`_Vai, vai, di

buon giorno, un soldo signora_!' They are so pretty, too! And the

creatures, pertinacious as they are, bear no malice when one is cross;

just laugh and make way for another troop."

"Walter says that one ought not to give to beggars," Sylvia announced.

"Ah! I shall, though, when a baby says `Bon zorno!'"

"For pity's sake don't make me out a prig, Sylvia!"

He spoke almost roughly, and Teresa fired.

"You should be flattered at her remembering your commands!"

"Was I rude? I beg your pardon," said Wilbraham quickly.

But had Mrs Brodrick been in the room, she would have observed that he

begged his pardon from Teresa.

If the first day carried with it a touch of uneasiness, those that

followed swept by for some of them in a dream of enchantment.

The Castello-a-mare, where they were, stands a little out of the town,

perched on the very top of the road which zigzags up from the station.

And the view! There, ever-changing in colour, its blue and opal and

tenderest green melting through each other or growing into dazzling

brightness, lies the most classical of seas; far away behind a fine

sweep of coast is Syracuse, a nearer promontory marks the first

settlement of Greeks in Calypso's lovely island; to your right, sweeps

up the great volcano, with heart of fire and crest of snow, and all the

foreground is broken and steep, with growth of almonds, and fennel, and

tree-spurge. Sometimes the outlook is radiant beyond words; it is often

so at sunrise, when Etna has flung off clouds, and his eternal snows

flush rosy pink above the soft blue mists of the plain. Then everything

is so light, so fresh, so sparkling, that it will make even a tired

heart believe the old world and all its life is young again. But there

are other times when storms rush madly forwards, and the sea grows grey,

and the slopes of Etna are sullen purple, and wind and rain battle each

other passionately on the heights of Taormina. You look with fear, and

lo, the fierce southern rage is over, the clouds are gone, and, faint

and lovely at first, presently out laughs the ethereal blue again.

A sketching fever possessed Donna Teresa. The others, clambering up and

down the dirty, narrow, stony lanes, would come upon her sitting alone

and profoundly content before some arcaded window set in a wall, an

orange-tree peeping from behind the dainty centre shaft, unbroken blue

above. Or she might be found under Duca Stefano's tower, peaceful now

after, so says tradition, its strange and wicked cruelties, where, for a

few soldi, you may rest undisturbed in a wilderness garden, and look

through palms at a luminous sea, or at queer corners of houses with deep

eaves and wooden balconies, where bright rags flutter, vines clamber,

and women lean for gossip. High behind is a sweep of arid hill, rough

with prickly pear, and catching the shadow of every passing cloud and

the glory of the sun as it sinks behind Etna.

And it was for these minutes that Wilbraham--as yet unconsciously--

lived.

Then one day he came upon her in the Greek theatre.

Little of the Greek is left, except here and there a white pillar, or a

slab built into the wall, for where marble had shone the Romans have set

their brickwork. But who can quarrel with brick which takes such glory

of colour and offers such crannies for tufted weeds, hanging in delicate

masses of yellow, white, and green? Teresa had laid down her brushes,

and with her chin resting on her hands was looking through a

nobly-rounded arch at that view which is surely all but satisfying.

White clouds wrapped Etna, but between them pierced an occasional

whiteness which was not cloud, and, below, the purple slopes swept in

great curves, taking strange greens and violets as they advanced. Only

one building broke their line, the Dominican monastery, and that, with

the mysterious gloom of fading day upon it, and the ground falling

precipitously in front, did no more than add a suggestive human interest

to the grandeur it shared.

The spot always moved Teresa, but she liked to keep her emotions to

herself; and as Wilbraham came towards her, she sprang to her feet, and

began to gather two or three of the dwarf irises which starred the

grass.

"Are you going?" he said in a disappointed tone. "Have you finished

painting so soon?"

"I refuse to caricature, and so I haven't begun," she replied with a gay

laugh. "What have you done with Sylvia?"

"Gone to tea."

"Oh, tea!"--she looked at her watch.

"And what brought you here? Were you afraid I should be briganded

between the Messina gate and the hotel?"

"Not in the least. I should as soon expect you to have an encounter

with the shade of Dionysios."

She began to stroll round the face of the grass slope which sweeps up to

where the poorer people stood to see the plays.

"Nina would not agree with you," she said suddenly; "she throws out

mysterious hints of bad characters in Sicily."

"I daresay. If one went into the interior and out of the beaten track,

for instance; but here, where strangers are their best harvest, they

wouldn't be disposed to snipe them. Self-interest would go hand-in-hand

with law and order, you see."

"And that's the best you'll say?"

"Oh, well," he allowed carelessly, "I own they're wretchedly poor and I

shouldn't like to live myself on a hunch of bread and a root of fennel.

Won't you sit down?"

She turned to answer, hesitated, finally dropped on the grass. A

lighter, tenderer view lay before them here. For now the sea filled the

openings between the brickwork--the many-coloured sea along which

Ulysses rowed--and there was the line of coast above which Polyphemus

herded his flocks, and flung Cyclopean rocks at his tormentors.

"I can't," she said unexpectedly.

"Can't what?"

"Realise their misery with all this beauty around. It's heartless,

hateful, but one pushes out the other."

"Let it go," he said, watching her changing face.

"It must," she smiled. "All the same I shall hush up my conscience in

ways which will shock you. Look!" She drew from her pocket a handful

of soldi. "I mean the children to have a real good time, in spite of

you and Sylvia."

She tossed pennies into the air and caught them, without noticing that a

sudden silence had fallen.

Wilbraham had gone on day after day refusing to look before him,

refusing to go beyond the events of the day. He was often irritated or

provoked by Sylvia; but often, alas, he was happy, without asking

himself why. Now, all of a sudden it flashed upon him that it was

Teresa's nearness, and with the knowledge rushed a wild, scarcely

controllable, impulse to strain her in his arms. The self-control of

all his years luckily came to his help, and the young marchesa, looking

out at the lovely world before her, and thinking of nothing less than

her companion, except as he touched Sylvia's life, was quite unconscious

of the struggle in the man's heart.

"We ought to go--I suppose," she said reluctantly, without moving.

Wilbraham was silent. Unseen by her, he was fingering a fold of her

dress which lay on the grass close to him. Teresa laughed lightly the

next minute.

"It is a pity, isn't it, that one never can enjoy an exquisite moment

without thinking what has to be done in the next? At least I can't."

"Why should one think?" he said. His voice sounded so queerly in his

own ears that he half hoped, half feared, she must detect something,

"No; as I say, it's a pity, it's stupid. I suppose it's the penalty one

has to pay for the drive of life."

"Tell me--" he began and suddenly stopped. She looked round, surprised.

"Tell you what?"

"No, I won't say it."

She thought he might be going to ask something about Sylvia, and

wondered how she could help him.

"As we are here," she said, "we may as well see the sunset."

For already there was a throb of pink in the clear western sky, pink, of

which the almond blossom seemed the reflection. Teresa's face was

turned from him to watch it grow, and for a long time neither spoke. It

was a dangerous silence, had she but known it. At last she drew a deep

breath.

"There must be a golden sea on the other side of Etna," she said, "and I

wish I was there. Don't you?"

"No. I'm content."

She laughed, and sprang up.

"No? Well this ought to content one, certainly. But to punish you for

not fretting after the unattainable, I am going back."

He followed silently, and they said very little as they went down the

uneven street, past the Palazzo Corvaij, where slender columns support

Gothic arches, and bands of black lava contrast with yellow stone, past

the vast dark holes in which the people live and die and have shops and

make merry, and so out of the little hillside town by the Messina gate.

But just as they reached a great sumach-tree in a bend of the road,

Teresa, who had been thinking, put an imprudent question--

"Do you really never want the unattainable?"

Wilbraham's hands were clenched, his face turned away.

"Oh, my God!" he cried, under his breath, "do I not!"

Donna Teresa · 第 16 / 21 题