SCENE XVI.--_In the Study._

_Mrs. Toovey_ (_fixing_ CHARLES _with her eye_). What is this I hear

of your proceedings last Saturday night, CHARLES? Come, you can't

deceive _me_, you know!

_Charles._ I never made any secret about my proceedings. I told Uncle

we might probably drop into the Eldorado or somewhere after dinner.

_Mrs. Toov._ (_to herself, in consternation_). The Eldorado? they

_did_ go there then! If only they didn't see me! (_Aloud._) Yes,

CHARLES, go on. And while you were there, did you see anyone you--you

thought you recognised?

_Charles_ (_to himself_). She's heard! (_Aloud._) I should rather

think I _did_, Aunt. Never was more surprised in my life.

_Mrs. Toov._ (_with a groan_). And--and was your _Uncle_ surprised,

too, CHARLES?

_Charles._ Uncle? I haven't told _him_ yet.

_Mrs. Toov._ But he was _there_, CHARLES, with you; he must have

seen--whatever you did! Or didn't he?

_Charles._ At the Valhalla? my _dear_ Aunt!

_Mrs. Toov._ Who's talking about a Valhalla? I mean the _Eldorado_, of

course; that was where you _said_ you went!

_Charles._ No--no, we couldn't get in at the El.; all the stalls gone,

so we went to the Val. instead. Just the same sort of thing.

_Mrs. Toov._ (_to herself, relieved_). To the Val.! What a fright I've

had for nothing! (_Aloud._) I quite understand, CHARLES. You took

your Uncle to a place called the Val., _not_ the--er--El. What did you

_see_ there? that's the point!

_Charles._ I didn't take Uncle there; I was with a man from our office

when I saw him. I must have seen him there often enough, but somehow

I never spotted him before. It was the make-up, the _disguise_, you

know, wig and moustache, and all that.

_Mrs. Toov._ Do you mean to say your Uncle attends music-halls

disguised in a wig and moustache? CHARLES, who was he _with_? I _will_

know!

_Charles_ (_in fits of laughter_). Uncle? At the Val. in disguise?

now, is it _likely_? I thought you knew all about it, or I shouldn't

have said a word!

_Mrs. Toov._ You have said too much to stop _now_, CHARLES. It

is useless to try to turn it off like that. If it was not Pa you

recognised at this Val. place, who _was_ it?

_Charles_ (_to himself_). If I don't tell her she'll only go on

suspecting poor old Uncle THEO. (_Aloud._) Well, you're bound to find

it out sooner or later; and I admire him all the more for it myself.

I'd no idea he had it _in_ him. Shows how mistaken you may be in

fellows.

_Mrs. Toov._ I've yet to learn who and what you are talking about,

CHARLES!

_Charles._ Why, that quiet, modest friend of yours, Mr. CLARENCE

CURPHEW, if you _must_ know!

_Mrs. Toov._ I don't believe it. Mr. CURPHEW is not at all the sort of

young man to spend his money in such resorts.

_Charles._ He don't _spend_ it there--he _makes_ it. My dear Aunt, you

ought to feel honoured by having such a distinguished acquaintance.

Don't you remember my mentioning the great music-hall star, WALTER

WILDFIRE? You must. Well, CLARENCE CURPHEW and WALTER WILDFIRE are one

and the same person--honour bright, they are!

_Mrs. Toov._ (_sinking back with a gasp_). A--a music-hall star! And

I have been urging ALTHEA to---- Oh, how fortunate it is I have been

warned in time! He shall not see her--I will write and put him off--at

once!

[Mr. TOOVEY _enters blandly_.

_Mr. Toov._ Ah, CHARLES, my boy, so here you are? that's right, that's

right. You, too, CORNELIA? (_To her, in an undertone._) It's all

right, my love--our dear young friend, Mr. CURPHEW, you know--we met

on the doorstep just now, and I've left him and THEA together in the

drawing-room. I thought it was best, eh?

[_He looks to her for approval._

_Mrs. Toov._ You've left---- But there, I might have known! No, don't

speak to me, Pa--there's no time to lose! Come with me, CHARLES, I may

want you.

[_She rustles out of the room, followed by_ CHARLES.

_Mr. Toov._ (_looking after her in mild perplexity_). Dear, dear me!

I wonder what can be the matter _now_. CORNELIA seems so very---- I

hardly like to go and see--and yet, perhaps, I ought--perhaps I ought.

There's one comfort, whatever it is, it can't have anything to do with

that dreadful Eldorado. Yes, I'd better go and look into it!

[_He goes out._--_End of Scene XVI._

* * * * *

[Illustration: "USING LANGUAGE."

_The Squire._ "WELL, SMITH, I WANT YOUR ADVICE. HADN'T WE BETTER LET

THEM HAVE THEIR WAY THIS TIME?"

_Smith._ "NO, NO, SIR. STICK TO YOUR RIGHTS! WHAT _I_ SAY IS--'GIVE

SUCH PEOPLE A HINCH AND THEY'LL TAKE A HELL'--IF YOU'LL PARDON MY

USIN' SUCH STRONG LANGUAGE!"]

* * * * *

Punch, or the London Charivari, November 25, 1893 · 第 12 / 26 题