_Old Woman._ I have lived near this school for six years,

just opposite to it where my eldest son and two daughters

were born. You cross this street (the _Villa Rasa_

Street), then comes a narrow lane, then the _Dominus

Veteranus_ Street. Hence you turn to the right, then to

the left, there you must inquire, for the school is not

far from there.

_Cirr._ Ah! we cannot remember all that!

_Old Woman._ My little Teresa, lead these boys to the

school of Philoponus, for the mother of this one here was

she who gave us the thread for combing and spinning.

_Ter._ What in the name of evil have you to do with

Philoponus? What sort of man is this Philoponus? As if I

knew him! Do you speak of the man who mends shoes near

the Green Inn (_cauponam viridem_) or of the herald in

the Giant Street, who keeps horses on hire?

_Old Woman._ This I know well, that you never know those

things which are wanted, but those which have nothing to

do with the matter in hand. Slowest of girls, Philoponus

is that old schoolmaster, tall, short-sighted man,

opposite the house where we used to live.

_Ter._ Ah! now it comes back to my mind.

_Old Woman._ In returning, go across the market and buy

salad, radish, and cherries. Take with you the little

basket.

_Cirr._ Lead us also over the vegetable market.

_Ter._ This way is shorter.

_Cirr._ We don’t wish to go that way.

_Ter._ Why so?

_Cirr._ Because the dog in that street, belonging to the

baker, bit me once. We would rather go with you to the

market.

_Ter._ Returning I will make the journey through the

market (for we are not far from it) and I will buy what I

was told to buy, after I have left you at the school.

_Cirr._ We desire to see how much you give for the

cherries.

_Ter._ We buy them at six farthings a pound; but what is

that to you?

_Cirr._ Because my sister ordered me this morning to

inquire. She particularly mentioned there is an old woman

in the market who sells vegetables. If you buy of her,

I know that she will sell you at a less price than they

will elsewhere, and she will give us a few cherries or

thyrsus of lettuce, for her daughter formerly served my

mother and sister.

_Ter._ I hope that this roundabout way may not let you in

for some lashes.

_Cirr._ Not at all. For we shall have plenty of time.

_Ter._ Let us go. I get so little chance of walks,

wretched that I am, for my time is all taken up sitting

at home.

_Praet._ What do you do? Do you merely sit idly at home?

_Ter._ Idly, indeed! Not at any rate that! I spin, I

gather (wool) into a ball, wind, weave. Do you think our

old woman would let me sit idle? She curses feast-days,

on which there must be a stoppage of work.

_Praet._ Are not feast-days holy? How can she curse what

is holy? Does she wish to curse what has been ordained as

holy?

_Ter._ Do you think that I have learned geometry that I

should be able to explain these things to you?

_Cirr._ What do you mean by geometry?

_Ter._ I don’t know. We had a neighbour who was called

Geometria. She was always either in church with priests,

or the priests were with her at her house. And so she

was, as they said, very wise.—But we have come into the

vegetable market. Where is now your old woman?

_Cirr._ I was looking round about for her. But buy of

her only on the condition that she gives us something as

a present. Ah! great-aunt (_amita_). This girl will buy

cherries of you, if you will give us some.

_Vegetable Woman._ We are given nothing; we have to buy

everything.

_Cirr._ That dirt which you have on your hands and neck

was not given to you, was it?

_Vegetable Woman._ Unless you take yourself off, you

impudent boy, your cheeks will feel some of this dirt on

them.

_Cirr._ How will my cheeks feel, when you have it on your

hands?

_Vegetable Woman._ Give those cherries back, you young

rogue.

_Cirr._ I am merely sampling, for I wish to buy.

_Vegetable Woman._ Then buy.

_Cirr._ Provided they have pleased me. How do you sell

them?

_Vegetable Woman._ A sesterce a pound.

_Cirr._ Ah! they are bitter, you old poisoner! You are

selling here cherries to people to choke them.

_Ter._ Let us go away to the school. For you will get me

involved in difficulties with your subtleties, and you

will detain me too long. Now, as I think, my old woman

is raging at home, on account of my delay in returning.

There is the door. Knock at it.

V

LECTIO—_Reading_

PRAECEPTOR, LUSIUS, AESCHINES, PUERI—Teacher, Lusius, Aeschines, Boys

_Lusius_, so called from playing (_ludendo_).

_Aeschines_, proper name of the Greek orator, who shamelessly declaimed

against Demosthenes.

_Cotta_, proper name of a Roman citizen, so called from his anger.

This dialogue contains a division of the letters into vowels and

consonants.

_Praec._ Take the A B C tablet in your left hand, and

this pointer in the right hand, so that you can point

out the letters one by one. Stand upright; put your cap

under your arm-pit. Listen most attentively how I shall

name these letters. Look diligently how I move my mouth.

See that you return what I say immediately in the same

manner, when I ask for it again. Attention (_sis mecum_)!

Now you have heard it. Follow me now as I say it before

you, letter by letter. Do you clearly understand?

_Lus._ It seems to me I do, fairly well.

_Letters—Syllables—Vowel—Speech_

_Praec._ Every one of these signs is called a letter.

Of these, five are vowels, A, E, I, O, U. They are in

the Spanish _oveia_, which signifies _sheep_. Remember

that word! These with any letter you like, or more than

one, make up syllables. Without a vowel there is no

syllable and sometimes the vowel itself is a syllable.

Therefore all the other letters are called consonants,

because they don’t constitute sounds by themselves unless

a vowel is joined to them. They have some imperfect,

maimed (_mancum_) sound, _e.g._ _b_, _c_, _d_, _g_, which

without _e_ cannot be sounded. Out of syllables we get

words, and from words connected speech, which all beasts

lack. And you would not be different from the beasts, if

you could not converse properly. Be watchful and perform

your work diligently. Go out with your fellow-pupils and

learn what I have set.

_Lus._ We are not playing to-day.

_Aesch._ No, for it is a work-day. What, do you think

you have come here to play? This is not the place for

playing, but for study.

_Lus._ Why, then, is a school called _ludus_?

_True Leisure_

_Aesch._ It is indeed called _ludus_, but it is _ludus

literarius_, because here we must play with letters as

elsewhere with the ball, hoop, and dice. And I have

heard that in Greek it is called _schola_, as it were

a place of leisure, because it is true ease and quiet

of mind, when we spend our life in studies. But we will

learn thoroughly what the teacher has bidden us, quite in

soft murmur, so that we don’t become a hindrance to one

another.

_Lus._ My uncle, who studied letters some time in

Bologna, has taught me that you better fix anything you

wish in the memory if you pronounce it aloud. This is

also confirmed by the authority of one called Pliny—I

don’t know who he was.

_Aesch._ If, then, any one should wish to learn his

_formulae_, he should go off into the garden or into the

churchyard. There he can shout aloud as if he would rouse

the dead.

_Cotta._ You boys, do you call this learning thoroughly?

I call it prattling and disputing! Up, now go all of you

to the teacher, as he commanded.

VI

REDITUS DOMUM ET LUSUS PUERILIS—_The Return Home and Children’s Play_

TULLIOLUS, CORNELIOLA, LENTULUS, SCIPIO

This dialogue contains an account of different kinds of boys’ games;

the names of the interlocutors are taken from appellations of the

Romans. Concerning which, _see_ Valer. Maximus and Sigonius.

_Corn._ Welcome home, Tulliolus, shall we have some games?

_Tull._ Not just now.

_Corn._ What is there to prevent us playing?

_Tull._ We must go over again what the master set, and

commit it to memory, as he bade us.

_Corn._ What then?

_Tull._ You just look at this.

_Corn._ I say, what are those pictures? I believe they

are pictures of ants. Mother mine, Tulliolus is bringing

a lot of ants and gnats painted on a writing-tablet.

_Tull._ Be quiet, you silly thing, they are letters.

_Corn._ What do you call this first one?

_Tull._ A.

_Corn._ Why is this first one rather than the next called

A?

_Mother._ Why art thou Corneliola and not Tulliolus?

_Corn._ Because I am so called.

_Mother._ And it is just the same way with those letters.

But go and play now, my boy.

_Tull._ I am putting my tablet and pencil (style) down

here. If anybody disturbs them, he will be beaten by

mother. Won’t he, mammy? (_mea matercula._)

_Mother._ Yes, my boy.

_Tull._ Scipio, Lentulus! Come and play.

_Sci._ What shall we play at?

I. _The Game of Nuts_

_Tull._ Let us play at nuts, at throwing them in holes.

_Lent._ I have only a few nuts and those squashed and

smelly.

_Sci._ Well then, we will play with the shells of nuts.

_Tull._ But what good would they be to me even if I were

to win twenty? There would be no kernels in the nuts for

me to eat.

_Sci._ Why, I don’t eat when I am playing. If I want to

eat, I go to the mater. Nut-shells are good for making

little houses to put ants into.

II. _The Game of Odd and Even_

_Lent._ Let us play odd and even with little pins (lit.

small pins for a head-dress—_acicula_).

_Tull._ Let’s have dice instead.

_Sci._ Fetch them, Lentulus.

_Lent._ Here are the dice.

III. _The Game of Dice_

_Tull._ How grubby and dirty they are. They are not free

from fluff. Nor are they polished. Cast!

_Sci._ For the first throw!

_Tull._ I am first. What are we playing?

_Sci._ We are playing for trousers buttons

(_astrigmenta_—lit. points).

_Lent._ I don’t want to lose mine, for if I did I should

be beaten at home by my tutor.

_Tull._ What are you willing to lose then, if you are

beaten?

_Lent._ Some good raps with the fingers on me.

_Mother._ What is that lying on the ground? You are

spoiling all your clothes and boots on the dirtiest of

the ground. Why don’t you first sweep the floor and then

sit down? Bring the broom here!

_Tull._ What have we decided on?

_Sci._ One needle for each point in the game.

_Tull._ Certainly it should be two.

_Lent._ I have no needles. If you like I will deposit

cherry-stones instead of needles.

_Tull._ Get away. Let me and you play, Scipio.

_Sci._ I will risk it—to cast my needle on luck.

_Tull._ Give me the dice in my hand, so that I may cast

first. Look, I have won the stake.

_Sci._ You haven’t. For you were not playing then in

serious.

_Tull._ Whoever _plays_ seriously? It is as if you spoke

of a white Moor.

_Sci._ You may cavil as much as you like. At any rate you

are not going to have my nuts.

_Tull._ Come now, I will let you have the throw. Let us

play now for the stake, and may you have good luck!

_Sci._ You are beaten.

_Tull._ Take it.

_Lent._ Let me have the dice.

_Tull._ Let’s stake all on this throw.

_Lent._ I don’t mind.

_A Servant._ To your meal, boys. Will you never make an

end of your games?

_Tull._ Now just as we are getting started, she talks of

stopping!

IV. _The Game of Draughts_

_Corn._ I am sick of this game. Let us play with the

two-coloured draughtsmen.

_Tull._ You paint for us squares on this surface with

charcoal and with white lime.

_Sci._ I prefer to go and have my supper to playing any

more, and I go with all my needles collared by your fraud.

_Tull._ Don’t you remember that yesterday you plundered

Cethegus. “There is no one who can always have luck in

play.”

V. _Playing Cards_

_Corn._ Please get the playing cards which you will find

on the left hand under the writing table.

_Sci._ Some other time. Now I haven’t time. If I delay

any longer, I fear that my teacher will send me to bed,

in his anger, without food. You get the cards ready for

to-morrow evening, Corneliola.

_Corn._ If mother permits, it would be better to play now

when we have the chance.

_Sci._ It is better to go to eat when we are called.

_Servant._ And don’t you give me anything for looking on?

_Corn._ We would give you something if you had acted as

umpire. You ought rather to give us something, as things

are, for having had the enjoyment of our play.

_Servant._ You boys, then, when are you coming? The

meal-time is half over; soon we shall take the meat away,

and set the cheese and fruit on the table.

VII

REFECTIO SCHOLASTICA—_School Meals_

NEPOTULUS, PISO, MAGISTER, HYPODIDASCALUS

In this dialogue Vives treats of a banquet. The division into five

parts:—

Jentaculum }

Prandium } An enumeration

Merenda } of different kinds.

Coena }

Comessatio }

_See_ Grap. lib. 2, cap. 3.

He describes convivial disputations.

_Nepotulus_ is a diminutive from nepos, used for one who drinks.

_Piso_ is a young nobleman.

_Hypodidascalus_, ὁ ὑπώ τὲ διδασκαλον, provisor, cantor.

In the beginning of this dialogue there are three αμφιβολίας or

ambiguities. The first is in the adverb _lautè_, the signification of

which is twofold, one proper, the other improper and metaphorical.

_Nep._ Are you bathed in luxury (_vivitisne lautè?_)

living here?

_Piso._ What do you mean by that? Do we wash ourselves

(_an lavamur_)? Every day, hands and face, and indeed,

frequently, for cleanliness of body is conducive to

health and to nurture.

_Nep._ That is not what I ask—but whether you get food

and drink to your mind?

_Piso._ We don’t eat according to our desire, but

according to the call of the palate.

_Nep._ I ask, if you eat, as you wish.

_Piso._ Certainly, forsooth, as hunger dictates. Who

wishes to eat, eats; who does not wish, abstains.

_Nep._ Do you go from the table hungry?

_Piso._ By no means sated. For this is not wise. For it

is the part of beasts, not men, to glut themselves. They

say that a certain wise king never sat down to table

without hunger, and never stood up sated.

_Nep._ What do you eat, then?

_Piso._ What there is.

_Nep._ Oh! I was thinking that you eat what you hadn’t

got! But what is there, then?

_Piso._ Troublesome questioner! What they give us.

_Nep._ But what do they give you, then?

I. _Breakfast_

_Piso._ We have breakfast an hour and a half after we

have got up.

_Nep._ When do you get up?

II. _Lunch—Food—Drink_

_Piso._ Almost with the sun, for he is the leader of

the Muses and the Muses are gracious to the dawn. Our

early breakfast is a piece of coarse bread and some

butter or some fruit as the time of the year supplies.

For lunch, there are cooked vegetables or pottage in

pottage-vessels, and meat with relishes. Sometimes

turnips, sometimes cabbages, starch-food, wheat-meal, or

rice. Then on fish-days, buttermilk from butter which has

been turned out in deep dishes, with some cakes of bread,

and a fresh fish, if it can be bought fairly cheap in the

fish-market, or if not, a salt-fish, well soaked. Then

pease, or pulse, or lentils, or beans, or lupines.

_Nep._ How much of these does each get?

_Piso._ Bread as much as he wishes; of viands as much

as is necessary not for satiety, but for nourishment.

For elaborate feasts, you must seek elsewhere, not in

the school, where the aim is to form minds to the way of

virtue.

_Nep._ What, then, do you drink?

III. _Afternoon Meal_

_Piso._ Some drink fresh, clear water; others light

beer; some few, but only seldom, wine, well diluted. The

afternoon meal (_merenda_) or before-meal consists of

some bread and almonds or nuts, dried figs and raisins;

in summer, of pears, apples, cherries, or plums.

IV. _Chief Meal_

But when we go into the country for the sake of our

minds (recreation), then we have milk, either fresh or

congealed, fresh cheese, cream, horse-beans soaked in

lye, vine-leaves, and anything else which the country

house affords. The chief meal begins with a salad with

closely-cut bits, sprinkled with salt, moistened with

drops of olive-oil, and with vinegar poured on it.

_Nep._ Can you have nut or turnip oil?

_Piso._ Ugh! the unsavoury and unhealthy stuff! Then

there is in a great vessel a concoction of mutton broth

with sauce, and to it, dried plums, roots, or herbs as

supplements, and at times a most savoury pie.

_Nep._ What sort of sauces do you have?

_Piso._ The best and wisest of sauces, hunger. Besides,

on appointed week-days we get roasted meat—as a rule,

veal; in spring sometimes, some young kid. As an

after-dish a little bit of radish and cheese, not old

and decayed, but fresh cheese, which is more nourishing

than the old, pears, peaches, and quinces. On the days

on which no meat may be eaten, we have eggs instead of

meat, either broiled, fried, or boiled, either singly by

themselves or mingled in one pan with vinegar or oil, not

so much poured on as dropped in; sometimes a little fish,

and nuts follow on cheese.

_Nep._ How much does every one get.

_Piso._ Two eggs and two nuts.

V. _Sleeping Draught_

_Nep._ What! do you never have a sleeping draught after

supper?

_Piso._ Pretty often.

_Nep._ What do you have, I beg? for that is most

delightful.

_Piso._ We prepare a banquet such as that of Syrus

mentioned by Terence, or of one of the lordly people

mentioned by Athenaeus or of the like, of which the

record has been handed down in history. Do you think

us swine or men? What stomach would preserve its

soundness of health if after four meals it were to add

a drinking-bout? Observe you are in a school, not in an

eating-house. For they say there is nothing more ruinous

to health than to drink immediately before going to bed.

_Nep._ May I be allowed to be present at meal-time?

_Piso._ Certainly. Only I must first beg permission

from the teacher, who will, I am sure, give it without

difficulty, as is usual with him.

To take you to the banquet, without the master’s

permission, would be ill breeding; and he who should so

bring you would draw on himself from his fellow-disciples

nothing less than reproach and shame. Stop a minute. Will

you, sir, permit with your good favour, that a certain

boy known to me should be present at our meal?

_Praec._ Certainly. There will be no harm in it.

_Piso._ Thank you. He whom thou seest there, who has a

napkin in place of a neck-cloth is the feast-master of

the dining-room (_architriclinus_) this week—for here we

have weekly feast-masters, like kings.

_Feast-Master._ Lamia, what time is it?

_Lamia._ I have not heard the hours since the third,

being intent on the composition of a letter. Florus will

know this better than I, for he has not seen book or

paper the whole of the afternoon.

_Florus._ This is friendly testimony, and if the teacher

were angry, it would have great weight. But how couldst

thou observe me, being immersed, as thou sayest, in the

composition of a letter? Clearly ill-will has driven

thee to telling a lie. I rejoice, indeed, that my enemy

is held to be a liar. If after this he shall wish to say

evil of me, such statements will not be believed.

_Feast-Master._ Can I not then, elsewhere, get to know as

to the time? Anthrax, run across to St. Peter’s and look

at the time.

_Anthrax._ The pointer shows that it is now six o’clock.

_The Cups_

_Feast-Master._ Six? Eh! boys, eh! Come, rouse

yourselves; throw your books aside, even as the stag

seeks a corner to hide his horns. Prepare the table,

cover it, place seats, napkins, round and square plates,

bread; fly, quicker than the word. Let not our teacher

complain of our slowness. Bring beer, one of you;

another, draw water from the well and place the cups.

What is the meaning of this—bringing them so unclean?

Take them back into the kitchen so that the maid may rub

them clean and wipe them thoroughly, whereby they may be

bright and shining.

_Piso._ Never will you accomplish this, so long as we

have that monkey of a kitchen-maid. For she never dares

to rub determinedly so as to clean, for she is afraid of

her fingers. Nor does she rinse things more than once and

that with tepid water.

_Arch._ Why don’t you report this to the teacher?

_Piso._ It would be better to ask the housekeeper

(_famulam atriensem_) for it is in her hands to change

the kitchen-maids. But there is the teacher. Do you

yourself wash these cups out, and rub them with a fig

or nettle-leaf, or with sand and water, so that our

schoolmaster to-day shall have no cause for blame.

_Praec._ Is all ready? Is there anything to delay you?

_Arch._ Nothing at all.

_Praec._ So that afterwards between the courses we need

not have to make any break!

_Feast-Master._ Between the courses! Rather say _the_

course and that a meagre one.

_Praec._ What are you murmuring?

_Feast-Master._ I say that you should sit down, that it

is meal-time, and that the food will soon get spoilt!

_Praec._ You boys, wash your hands and mouth. Eh! what

napkin is this? When did they clean themselves who wiped

themselves dry on this? Run, fetch another cleaner than

this. Let us sit down in our usual order. Is this the boy

who is to be our guest?

_Piso._ Yes, this is he.

_Master._ Of what country is he?

_Piso._ A Fleming.

_Master._ Of what city in that province?

_Piso._ From Bruges.

_Master._ Let him sit in the seat close to you. Let every

one take his knife and clean his bread, if there should

stick any ashes or coal on the crust. Whose turn is it

this week to say grace (_sacret mensam_)?

_Grace Before Meat_

_Florus._ Feed our hearts with Thy love, O Christ, who

through Thy goodness nourishest the lives of all living

beings. Blessed be these Thy gifts to us who partake of

them so that Thou who providest them may be blessed.[30]

Amen.

_Master._ Sit as far apart as possible, so as not to

press against one another’s sides, since there is

sufficient room for each. And you, Brugensian, have you a

knife?

_Piso._ This is a wonder! A Fleming without a knife, and

he, too, a Brugensian, where the best knives are made.

_Nep._ I don’t need a knife. I can part my food into

pieces by biting it with the teeth, and tear it into bits

by my fingers.

_Usher._ They say that biting is very useful both for the

gums and also for the surface of the teeth.

_Master._ Where didst thou receive early instruction in

the Latin tongue, for thou appearest to me not badly

taught?

_Nep._ At Bruges, under John Theodore Nervius.

_Master._ An industrious, learned, and honest man. Bruges

is a most elegant city, but it is to be regretted that

owing to the changing of the population from day to day,

it is going down. When did you leave it?

_Nep._ Six days ago.

_Master._ When did you begin to study?

_Nep._ Three years ago.

_Master._ You have not got on badly.

_Nep._ Deservedly; for I have had a master I am not

ashamed of.

_Master._ But what is _our Vives_ doing?

_Nep._ They say that he is training as an athlete, yet

not by athletics.

_Master._ What is the meaning of that?

_Nep._ He is always wrestling, but not bravely enough.

_Master._ With whom?

_Nep._ With his gout (_morbo articulari_).

_Master._ O mournful wrestler, which first of all attacks

the feet.

_Usher._ Nay, rather cruel victor which fetters the whole

body. But what are you doing? Why do you stop eating? You

would seem to have come here not to eat, but to stare

around. Let nobody during the meal disturb his cap lest

any hair fall into the dishes. Why don’t you treat your

guest as a comrade? Nepotulus, I drink to you.

_Nep._ Sir, your toast is most welcome.

_Usher._ Empty your cup, since so meagre a draught

remains in it.

_Nep._ This would be new to me.

_Praec._ What! not empty it? But you, Usher, what do you

say? What have you new to give us at our meal?

_Grammatical Questions_—1. _On Genders._ 2. _On Tenses_

_Usher._ I say nothing indeed, but I have thought much

during the last two hours on the art of grammar.

_Master._ And what of that now?

_Usher._ On very hidden things and the penetration of

learning: first, why the grammarians have placed in their

art three genders when there are merely two in nature?

again, why nature does not produce things of the neuter

gender as it does of the masculine and feminine? I cannot

find out the cause of this great mystery. So, too, the

philosophers say that there are three tenses, but our art

demands five, therefore our art is outside the nature of

things.

_Master._ Nay, rather thou art thyself outside of the

nature of things, for art is in the nature of things.

_Usher._ If I am outside the nature of things, how can

I eat this bread and meat, which are in the nature of

things?

_Master._ Thou art so much the worse to belong to another

nature whilst you eat what belongs to this our nature.

_Nep._ Παράφθεγμα ἀπροσδιόνυσον. I would wish another

solution of my questions. Would that we had now some

Palaemon or Varro who could resolve these questions.

_Master._ Why not rather another, an Aristotle or Plato?

Have you not something further to say?

_Pronunciation_

Tudor school-boy life: the dialogues of Juan Luis Vives · 第 4 / 16 段